Head of the Buddha, stucco with polychrome, probably Taxila, Pakistan, 4th-5th century
"The Powerful Heruka is Hayagriva. Every being that lives in this world has no choice but to follow Hayagriva’s command. He is more powerful than any other being; there is no one to equal or even compete with him. Hayagriva is the universal ruler of all that appears and exists. His wisdom intent is enriched by the ‘three neighs’ – which is too vast a subject to explain right now. What you need to understand about Hayagriva ... is that there is no one greater or more powerful than “the Powerful Heruka.” — Orgyen Tobgyal Rinpoche
A carved schist head of Buddha, Ancient region of Gandhara, 3rd-4th century. Estimate US$ 50,000 - 80,000 (€45,000 - 72,000). Photo: Bonhams. New York - A carved schist head of Buddha from the ancient region of Gandhara, dating to the 3rd or 4th century...
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Mudra means gesture or seal. The word mudra comes from Mud and Rad. Mud means happiness. Rad means to bring. So, literally mudra is "something that brings happiness."
Ucheyma, the Severed Head form of Vajra Yogini. This statue is 17.5 inches tall. Click to enlarge. 断首金刚瑜伽母——金刚瑜伽母的无头相。这尊佛像为17.5寸高。点击放大。 A few d...
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Beautiful 'Photo of a buddha head sku' Poster Print by Roswitha Lorz ✓ Printed on Metal ✓ Easy Magnet Mounting ✓ Worldwide Shipping. Buy online at DISPLATE.
Date: 5th–6th century. Culture: Afghanistan (probably Hadda). Medium: Stucco with traces of paint. Dimensions: H. 7 1/2 in. (19.1 cm); W. 4 3/4 in. (12.1 ...
Portulacaria afra macrophylla subspecies has larger leaves than the standard afra form. Very attractive succulent shrub. New growth has reddish brown stems.
There are literally thousands of stories of ordinary people, fearing for their lives, abused, in pain, in prison, fleeing persecution—who simply turned to Tara in these times of desperation, and were rescued.
Photographed at the Art Institute of Chicago, Chicago, Illinois.
(Top to bottom): H.H. the 7th Panchen Lama, Ucheyma (Severed Headed Vajrayogini), Vajra Varnani (green assistant), Vajra Vairocani (yellow assistant), Dorj...
Synthesis of foreign styles with Indian forms is typical of the multi-ethnic character of Gandharan taste.
An altogether-too-short year of my life was spent living and working in Japan. Every country has its unique charms, but Japan has more than its fair share. I lived in a small city called Ichinoseki…
I recently acquired the exceptional Chinese Northern Qi head of a Crowned Bodhisattva, seen in the images below. It is large, just over life sized, intact as far as the head itself goes, with only a bit of the top of the crown missing and the side ribbons. In addition to being relatively intact the surfaces are very well preserved with extensive remains of the gold leaf preserved along with polychromy. The lips preserve their original carmine red, and bits of color remain on the crown. It is a magnificent head, really majestic. However the reason the head is compelling to me is that it is of a type known from other versions, which is a rarity in Chinese Buddhist sculptures of this time. While all are similar, no two are the same in their details, except for this particular type. Head of a Bodhisattva, Limestone, Height: 15 inches Head of a Bodhisattva wearing a crown. China, Northern Qi Dynasty, 550 - 577 A.D. Side view of Head of a Bodhisattva, Limestone, Height: 15 inches. In my studies of Chinese Buddhist sculpture, one is confronted repeatedly with this (see below) spectacular Bodhisattva wearing a crown, with a small Buddha centrally placed. This indicates it is Kuanyin, the Bodhisattva of compassion. Singularly superb in its carving, conception and execution, it stands apart from the group of extraordinary sculptures discovered in Qingzhou in 1996, and subsequently made famous by a traveling exhibition and catalogue, "The Return of the Buddha", in 2002. It was featured in one of the first publications of the find in 2001 on the cover of the magazine, Arts of Asia, Volume 31, number 1. Bodhisattva found in the Qingzhou horde, Limestone, Height: 136cm. Standing Bodhisattva China, Northern Qi Dynasty, 550 - 577 A.D. Detail showing the head of the Qingzhou Bodhisattva The beautiful Bodhisattva above (photos taken from the Asian Newspapers online article http://asianartnewspaper.com/article/lost-buddhas-chinese-buddhist-sculpture-qingzhou) is one of the most famous of the sculptures found in the horde. And justly so as you can see in the photos above. However, as remarkable as it is in itself, evidently either it, or a lost original, inspired copies to be made of it, something I have not seen before in Chinese Buddhist sculpture. The first time I encountered one, it was a smaller version, that duplicates the details of the jewelry, robes and crown exactly, but the face is quite different. (see below) Bodhisattva, Limestone, Height: 25 inches. Standing Bodhisattva China, Northern Qi Dynasty 550 - 577 A.D. Head of the Bodhisattva above. Another view of the head of the Bodhisattva As you can see above, the smaller version of the Bodhisattva type copies exactly, as far as I can tell, the jewelry, robes and crown of the Qingzhou sculpture. I bought the smaller one without realizing just how close it was to it, but recognizing that it belonged to that type of adorned Bodhisattva. I was startled when I was studying photos of the Qingzhou sculpture to see just how closely the one I had followed it. And yet the faces are quite different, indicating that they are not by the same sculptor, and perhaps even separated in time. The question is, was the Qingzhou Bodhisattva famous and admired in its own time, or was there yet another example that it is another copy of. That is something we may never know. The head I just acquired indicates that there was yet at least one more version, the one the head came from, which would have been just over life sized, and a very impressive sculpture. Interestingly, the crown, which is almost identical to the Qingzhou example, is not exactly so. On either side of the central seated small Buddha on the Qingzhou sculpture, is a stylized lotus leaf seen from the side, however in the newly acquired head, the Buddha is framed by a jewel, with a spray of pearls on either side, the rest of the crown almost exactly parallels the Qingzhou type. The face is much more related to the Qingzhou type, a bit bigger and less attenuated, unlike the small version where it is totally different. The lips in particular has almost the same cupid bow upper lip that the Qingzhou one does. In addition the expressions are very similar, very removed and distant in deep meditation. The smaller one just has a different feel to its face, even though it too is in deep meditation. The whole field of early Chinese Buddhist sculpture is still only beginning to be processed by scholars, since before the Qingzhou horde, very few examples survived, now many examples have come to light, reached the market, but are still relatively unknown to them. I wonder how many other "types" we will find, where there are multiple examples so similar to each other as the three above. A little bit about Bodhisattvas. The Buddha attained enlightenment and nirvana, leaving the earthly realm merging into the universal essence. In early Chinese Buddhist sculpture, the Buddha is distinguished by the lack or jewelry and adornment, in the simple robes of a monk. It is his pure presence that demands your attention, while Bodhisattvas are richly clothed and adorned often with heavy extravagant jewelry. The Qingzhou example is a particulary richly decorated one. A Bodhisattva is a being who has attained enlightenment, but has chosen not to go to Nirvana, but to stay behind to help other sentient beings achieve enlightenment. One story about Kuanyin is that on the brink of Nirvana, he heard the distressed voices of all creation, and in compassion, turned around to stay behind to help other beings on the road to spiritual perfection. Perhaps as recompense for not going to Nirvana, Bodhisattvas are depicted adorned in kingly jewelry and robes. The richness of their garb may also symbolize their spiritual wealth, which is limitless. Almost all Bodhisattvas are crowned, but the Qingzhou type has a distinctive crown, so I am referring to them as a crowned Bodhisattva. The central small seated Buddha in the crown is an attribute of Kuanyin, so it may well be the type is meant to depict him. In Indian sculpture, which was the source for Buddhism, Bodhisattvas are richly adorned, with jewelry. But the Chinese examples are often far more richly adorned then the Indian ones. The type above is one of the most beautiful in early Chinese Buddhist sculpture, I'm lucky to have found this beautiful head of one.
Head of the Buddha, stucco with polychrome, probably Taxila, Pakistan, 4th-5th century
