London designer Daniel Heath creates hand printed wallpapers and revamps old furniture and materials with etched illustrations
Petal Signature Cotton® Design #16160149 42" wide, 4.4 oz per sq yard Everyday-use cotton for quilting, crafts and apparel Estimated shrinkage: 5-6% in length and 2-3% in width Perfect for quilting, craft projects, costuming, toys and accessories.
London designer Daniel Heath creates hand printed wallpapers and revamps old furniture and materials with etched illustrations
November/December 2004 Decorate with handprinted wallpaper "WELCOME TO THE ARCHITECTURE ISSUE. When this issue was conceived I imagined images of elegant modernist interiors complemented by large scale fibre works produced mainly in the United States in the 1960s and 70s, see Structurally sound. For me, these images communicate the relationship between weaving and architecture. However, as the issue developed, these elegant images were superseded by joyous pattern that ironically runs counter to much of the philosophy surrounding contemporary western art and architecture. Nominated for the Turner prize, we see the work of Yinka Shonibare exploiting decoration, until recently a derogative term within the world of Fine Art implying lack of serious content. Maybe things are changing. We send Yinka our best wishes, see Alien nation. This is not the view held by the Zulu for whom pattern making forms the visual language of social history, see Reading between the lines. In interiors, a new expression of the innate desire to decorate has emerged. Designer-makers are creating exquisite papers and the price is not prohibitive when used judiciously. Wallpaper, in its current reincarnation as a foreground rather than a background, is taking centre stage, see Let the good times roll. We are a success in that we are still here and flourishing; but as a small business we can never be complacent and continue to need your support. We owe our existence to our subscribers, and may we extend warm thanks to you all! If you do not yet subscribe, do consider doing so: your issue of Selvedge will arrive on the doorstep, plus you gain a considerable saving on the cover price. Our exclusive Khadi bags are now in production. They are hand spun, handwoven but like all good things they will require patience. All eligible subscribers will receive their bag as soon as they are ready. We do hope you all enjoy this issue. Congratulations to Lucy Goffin, who has won our trip to Helsinki, have a wonderful time." Polly Leonard, Founder, Selvedge Magazine
London designer Daniel Heath creates hand printed wallpapers and revamps old furniture and materials with etched illustrations
Stampa artistica incisa e stampata a mano. Carta di gelso fatta a mano 25 gr, molto resistente agli strappi, fibre visibili in trasparenza e bordi leggermente irregolari. Inchiostro oro su sfondo nero. Data la natura completamente artigianale del processo ogni stampa può avere particolari unici e irripetibili: nessuna altra stampa sarà uguale alla tua. Soggetto ispirato ai personaggi animali delle fiabe e favole, volpe su uno sfondo di elementi botanici e naturali - foglie fiori e piante. E' un disegno malinconico che si ispira ai momenti magici della mia infanzia. Come proteggere la tua linoleografia? Non esporla mai alla luce del sole diretta, ma dove la luce viene filtrata. Meglio se all'ombra, la carta e l'inchiostro manterranno la loro vivacità molto più a lungo! Perchè comprare una linoleografia? E' una tecnica di stampa che prevede una componente di artigianalità unica, la fase di incisione viene eseguita con delle sgorbie da intaglio da 1mm e 0.5mm. E' un pezzo unico e sofisticato da regalare ad una persona speciale che ama l'arte in tutte le sue forme o qualcuno che apprezza il valore della manualità. Magari anche tu sei un artista e hai una galleria di opere artistiche che ti ispirano. Oppure puoi comprarla semplicemente perchè ti piace e vuoi vederla appesa: ogni stampa è diversa ed è perfetta per decorare un angolo speciale di casa tua. Come verrà spedita? In genere non arrotolo la per evitare di formare delle pieghe. Ogni stampa ( o più di una) sarà inserita tra due fogli di mdf o legno, divise tra loro con dei fogli protettivi. Verrà incartata con la massima cura e messa in una busta imbottita con pluriball e impermeabile. Chissà, potresti trovare dentro anche qualche altra piccola sorpresa!
{"time": 1706800349317, "blocks": [{"id": "BUy-Mp_Id1", "data": {"text": "The 'Salt Marshes' wallpaper is hand printed by way of the traditional Japanese Art of Suminagashi, meaning \u2018ink floating\u2019.Each piece is unique. There are no pattern repeats - we create individual panels of 'paintings'.The process of Suminagashi involves inks being placed on the water surface, which then begin to expand on the water. They are only encouraged to move by air, nothing else disturbs the surface. The colours move in an organic way - when a dynamic pattern has been shaped, Natascha makes a print by placing and moving the paper on the water.White background printed in colours of khaki greens, sienna brown, sumi black and textures of neon pink.The inks used are artists inks, non toxic and oil based.Each piece is signed and numbered by the Artist.We recommend buying a sample before ordering, due to the handmade nature of this wallpaper."}, "type": "paragraph"}], "version": "2.24.3"}
Anna Bond of Rifle Paper Co. is always blogging about the most beautiful things and these hand-printed textiles from Jobs in Sweden are no exception! Each and every one of their fantastic floral patterns is printed by hand just as they were in 1944 when the company was founded. I’m completely smitten with the pattern […]
I’ve decided I”m completely boring when it comes to creating a URL for myself. For you all you non-bloggers out there, a URL is your identity when hanging around other blogs, commenting…
Check out the Grand Thistle Hand-Print Wallpaper in Paint & Wallpaper, Wallpaper from Matter for 338.00.
Petal Signature Cotton® Design #16594575 42" wide, 4.4 oz per sq yard Everyday-use cotton for quilting, crafts and apparel Estimated shrinkage: 5-6% in length and 2-3% in width Perfect for quilting, craft projects, costuming, toys and accessories.
November/December 2004 Decorate with handprinted wallpaper "WELCOME TO THE ARCHITECTURE ISSUE. When this issue was conceived I imagined images of elegant modernist interiors complemented by large scale fibre works produced mainly in the United States in the 1960s and 70s, see Structurally sound. For me, these images communicate the relationship between weaving and architecture. However, as the issue developed, these elegant images were superseded by joyous pattern that ironically runs counter to much of the philosophy surrounding contemporary western art and architecture. Nominated for the Turner prize, we see the work of Yinka Shonibare exploiting decoration, until recently a derogative term within the world of Fine Art implying lack of serious content. Maybe things are changing. We send Yinka our best wishes, see Alien nation. This is not the view held by the Zulu for whom pattern making forms the visual language of social history, see Reading between the lines. In interiors, a new expression of the innate desire to decorate has emerged. Designer-makers are creating exquisite papers and the price is not prohibitive when used judiciously. Wallpaper, in its current reincarnation as a foreground rather than a background, is taking centre stage, see Let the good times roll. We are a success in that we are still here and flourishing; but as a small business we can never be complacent and continue to need your support. We owe our existence to our subscribers, and may we extend warm thanks to you all! If you do not yet subscribe, do consider doing so: your issue of Selvedge will arrive on the doorstep, plus you gain a considerable saving on the cover price. Our exclusive Khadi bags are now in production. They are hand spun, handwoven but like all good things they will require patience. All eligible subscribers will receive their bag as soon as they are ready. We do hope you all enjoy this issue. Congratulations to Lucy Goffin, who has won our trip to Helsinki, have a wonderful time." Polly Leonard, Founder, Selvedge Magazine
Wayne Carlson Handprinted Gold and White Wallpaper, Trompe L’oeiul Neo-Classical Revival. One opened vintage roll of gold on white hand-printed wallpaper by Wayne Carlson. The scenes are 4 square neoclassical allegorical scenes. The roll is 30 inches wide, the 4 square panels and trim guides measure 27inches squared. There are about 10 unmarried panels and about 5 that could be usable for touch ups or crafts. About Wayne Carlson: Wayne is perhaps best known for his unique and creative company, Wayne Carlson Handprint Wallpapers. His printing facility was first established in the historic town of Cowell, CA and then moved to Benicia's famous Camel Barns. Carlson served as Bruce Bradbury’s mentor. Bradbury would go on to found Bradbury & Bradbury Art Wallpapers.
Bespoke Letterpress Bespoke Letterpress is one of the world's leading stationery brands, based in the beautiful Southern Highlands of New South Wales, Australia. Established by Alischa Herrmann in 2008, they have since grown to expand their range of stunning designs, prints and patterns into papers, linens, journals, puzzles and beautiful lifestyle goods. With many requests over the years to branch into wallpapers, they are absolutely thrilled to now offer a select collection from their pattern library into beautiful patterns to adorn your walls. Roll Dimensions24" (61.5cm) x 33ft (10.05m) Pattern Repeat24.6" (62.6cm) Pattern MatchStraight Match FinishPre-trimmed Butt Join CleanabilityWashable UsageDomestic & Commercial Domestic & Commercial Domestic & Commercial Good Lightfastness Good Lightfastness Paste The Wall Paste The Wall Straight Match Straight Match Strippable Strippable Washable Washable Tearsheet
Anna Bond of Rifle Paper Co. is always blogging about the most beautiful things and these hand-printed textiles from Jobs in Sweden are no exception! Each and every one of their fantastic floral patterns is printed by hand just as they were in 1944 when the company was founded. I’m completely smitten with the pattern […]
I first found out about London-based artist Marthe Armitage a few years ago but when I saw her work in a hotel in London I nearly fell down. I love what she does and thought you might too. Here is a snap that I took with my iPhone to show it in-situ to whet your appetite, the rest I've combed from
Late Empire, after the design by L. Lafitte (1770-1828) and M.J. Blondl (1781-1853), c. 1785 [Wooden forms by J.C.X. Mader, paper with G...
Holden Decor Masoala wallpaper, shown here in black. Inspired by the stunning landscape of Madagascar, this design is packed with exotic, dense foliage and tropical cranes. It's personal handprinted effect feels like stepping right into an enchanting oil painting. Paste the wall Easy to hang Easy to remove Washable
November/December 2004 Decorate with handprinted wallpaper "WELCOME TO THE ARCHITECTURE ISSUE. When this issue was conceived I imagined images of elegant modernist interiors complemented by large scale fibre works produced mainly in the United States in the 1960s and 70s, see Structurally sound. For me, these images communicate the relationship between weaving and architecture. However, as the issue developed, these elegant images were superseded by joyous pattern that ironically runs counter to much of the philosophy surrounding contemporary western art and architecture. Nominated for the Turner prize, we see the work of Yinka Shonibare exploiting decoration, until recently a derogative term within the world of Fine Art implying lack of serious content. Maybe things are changing. We send Yinka our best wishes, see Alien nation. This is not the view held by the Zulu for whom pattern making forms the visual language of social history, see Reading between the lines. In interiors, a new expression of the innate desire to decorate has emerged. Designer-makers are creating exquisite papers and the price is not prohibitive when used judiciously. Wallpaper, in its current reincarnation as a foreground rather than a background, is taking centre stage, see Let the good times roll. We are a success in that we are still here and flourishing; but as a small business we can never be complacent and continue to need your support. We owe our existence to our subscribers, and may we extend warm thanks to you all! If you do not yet subscribe, do consider doing so: your issue of Selvedge will arrive on the doorstep, plus you gain a considerable saving on the cover price. Our exclusive Khadi bags are now in production. They are hand spun, handwoven but like all good things they will require patience. All eligible subscribers will receive their bag as soon as they are ready. We do hope you all enjoy this issue. Congratulations to Lucy Goffin, who has won our trip to Helsinki, have a wonderful time." Polly Leonard, Founder, Selvedge Magazine
Beautiful and rare French Art Deco pochoir (handprinted watercolor stencil print) by Benedictus from his portfolio printed by Saude in 1924, titled "Variations". Each print showcases a number of his dramatic designs appropriate for fabric or wall treatment. This beautiful pochoir has incredible color and drama. Matted in acid-free, 2 3/4 inch, 4-ply cream mat. Mat size 21 x 18 inches, Mat opening (image size) 14 x 12 1/2 inches Edouard Benedictus was a painter, writer, composer and chemist who started his carreer in the Art Nouveau period. He wrote an influential article in L'Art décoratif in 1912. However, he was greatly receptive to the stylistic evolution started in 1912 and that became Art Deco. Appreciated for his portfolios "Variations" in 1923 and "Nouvelles variations" in 1928, he became one the most famous artists of the floral Art Deco. He played a special role in the Pavillion de l'Ambassade Francaise in the Exposition des Arts Decoratifs in Paris in 1925. He worked with the most famous Parisian designers in this period, including Andre Groult for whom he created many tapestries for furniture. "Bénédictus was famous for his elegant silks and satins designed for top firms like Brunet, Meunié et Cie., and Tassinari et Châtel. His rugs decorated the Grand Salon and Music Room of the magnificent French Embassy at the 1925 Exhibition. Bénédictus' large pochoir designs display an imaginative geometric elaboration of fields of pure color, punctuated in places with abstract floral motifs".
