Sophie Lécuyer / Fabricante d'images. Catalogue des pièces (gravure, sérigraphie, illustration, édition)

Artuš Scheiner is an artist from Prague that was very active during the 1920's. Interestingly enough Scheiner started out with doodling and sketching, later deciding to push his hobby to illustration he became very well known for his Bohemian style. The colors are so vivid and the subject

“What is it, [Art Nouveau]?... Art can never be new.” A new book celebrates Alphonse Mucha's lasting legacy – but it's one he didn't want to leave behind in the first place

Thanh Nhàn on Instagram

L'artiste Francesco Ciccolella illustre les problèmes du monde avec subtilité et minimalisme, notamment pour la Une de grands médias internationaux.

A look at the work of artist Damian Elwes. A stunning series of historically accurate renderings of other artists' studios.

The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-8 also. This is part 9 of a 20–part series of posts on the works of Edvard Munch: 1897 Paul Herrmann and Paul Contard oil on canvas 54 x 73 cm Österreichische Galerie Belvedere, Vienna 1897 Stéphane Mallarmé lithograph with crayon and scraping in green on cream Japanese paper 37.3 x 29.2 cm ( image ) Art Institute of Chicago, IL 1897 The Flower of Pain india ink, wash, watercolour and crayon 50 x 43 cm Munch Museum, Oslo 1898 The Flower of Pain graphite and black crayon on tan wove tracing paper 45.1 x 33 cm Art Institute of Chicago, IL 1897 Towards the Forest I woodcut 49 x 64.5 cm 1897 Towards the Forest I woodcut 1915 Towards the Forest II woodcut 54 x 64.7 cm 1915 Towards the Forest II woodcut 54 x 64.7 cm 1897 Woman in Hospital oil and crayon on canvas 109.5 x 99.5 cm Munch Museum, Oslo 1897 Young Woman from the Latin Quarter lithograph with tusche on grey wove paper 25.5 x 23.5 cm ( image ) Art Institute of Chicago, IL 1897-98 Autumn Rain oil on canvas 66.5 x 66 cm Munch Museum, Oslo 1897-98 Bathing Boys oil on canvas 75 x 120 cm Private Collection 1897-98 Bathing Boys oil on canvas 83.5 x 100 cm Munch Museum, Oslo 1897-98 Bathing Girls oil on canvas 68.5 x 91 cm Munch Museum, Oslo 1897-98 Inheritance 141 x 120 cm Munch Museum, Oslo 1897-99 Bathing Boys oil on canvas 71 x 58 cm Private Collection 1897-99 Brothel Scene oil on canvas 60 x 88 cm Munch Museum, Oslo 1897-99 Death and the Child oil on canvas 104.5 x 179.5 cm Munch Museum, Oslo 1899 Death and the Child oil on canvas 100 x 90 cm Kunsthalle, Bremen, Germany 1901 Death and the Child etching with open bite and drypoint on cream wove paper 32.3 x 49.4 cm Art Institute of Chicago, IL 1897-99 Hospital Ward oil on canvas 80 x 140 cm Munch Museum, Oslo 1897-99 Mother and Daughter oil on canvas 135 x 163 cm National Museum of Art, Oslo 1897-99 Old Man with a Beard oil on canvas 60 x 29 cm Munch Museum, Oslo 1897-99 Two Women in a Landscape tempera and oil on canvas 76 x 90 cm Munch Museum, Oslo 1898 Beach watercolour and oil on cardboard 52.6 x 77 cm Stavanger Kunstmuseum, Norway 1898 Father and Son oil on canvas 96 x 119.5 cm Private Collection 1898 Half-Nude in a Blue Skirt oil on paper 80 x 55 cm Munch Museum, Oslo 1898 Henrik Ibsen at the Grand Café oil on canvas 70 x 96 cm Private Collection 1898 Holger Drachmann tempera on cardboard 72 x 55 cm Munch Museum, Oslo 1898 Man and Woman oil on canvas 60 x 100 cm Bergen Art Museum 1898 Marie Helene Holmboe oil on canvas 116 x 112 cm Bergen Art Museum 1898 Metabolism ( aka Adam and Eve ) oil on canvas 172.5 x 142 cm Munch Museum, Oslo 1898-99 Metabolism oil on canvas 175 x 143 cm Munch Museum, Oslo 1898 Nude gouache on cardboard 49 x 34 cm Private Collection 1898 Nude in Profile towards the Right oil on canvas 93 x 77 cm Private Collection 1898 Nude oil on cardboard 78.5 x 25.5 cm Munch Museum, Oslo 1898 Sitting Nude by the Beach oil on panel 39.2 x 59.5 cm Private Collection 1898 Study of a Model oil on paper 92 x 70 cm Munch Museum, Oslo 1898 The Rainbow oil on cardboard 65.5 x 78 cm Munch Museum, Oslo 1898 Two Women on the Shore woodcut 45.5 x 51.5 cm ( image ) 1898 Two Women on the Shore woodcut 45.5 x 51.5 cm ( image ) 1898 Two Women on the Shore woodcut 45.5 x 51.5 cm ( image ) 1898 Two Women on the Shore woodcut 45.5 x 51.5 cm ( image ) 1898 Two Women, Symbolic Study tempera on panel 64 x 43 cm Munch Museum, Oslo 1898 Woman by the Sea in Åsgårdstrand oil on canvas 55 x 81 cm Private Collection 1898-99 Dark-Haired Man and Red-Haired Woman 48 x 72 cm Munch Museum, Oslo 1898-99 Female Portrait mixed media on canvas 105.5 x 107.8 cm Bergen Art Museum 1898-99 House with Red Virginia Creeper oil on canvas 92.5 x 110 cm Private Collection 1898-99 House with Red Virginia Creeper oil on panel 32.5 x 48 cm National Art Museum, Oslo 1898-1900 House with Red Virginia Creeper on canvas 119.5 x 121 cm Munch Museum, Oslo 1898-99 Tulla Larsen oil on canvas 119.5 x 61 cm Munch Museum, Oslo 1898-99 Tulla Larsen oil on panel 46 x 38 cm Stenersenmuseet, Oslo 1898-1900 Boulevard in Paris oil on canvas 97 x 130 cm Munch Museum, Oslo 1898-1900 Jealousy in the Bath oil on cardboard 50 x 65.6 cm Private Collection 1898-1900 The Coffin is Carried Out oil on cardboard 99 x 70 cm Munch Museum, Oslo 1898-1900 Tragedy oil on canvas 119.5 x 77 cm Minneapolis Institute of Arts, Minnesota 1899 Aase and Harald Nørregaard oil and crayon on cardboard 49.5 x 75 cm National Gallery, Oslo 1899 Aase Nøorregaard oil on canvas 131 x 109 cm National Museum of Art, Oslo 1899 Boys Bathing woodcut from two blocks on cream card 38 x 44.8 cm ( image ) Art Institute of Chicago, IL 1899 Kiss of Death lithograph on cream wove paper 29.9 x 45.4 cm ( image ) 1899 Landscape casein on canvas 76 x 85 cm Munch Museum, Oslo 1899 Dark Spruce Forest oil on canvas 90.5 x 60 cm Munch Museum, Oslo 1899 Dark Spruce Forest oil on panel 45 x 67.5 cm Munch Museum, Oslo 1899-1902 Dark Spruce Forest casein and oil on canvas 95.5 x 81 cm Munch Museum, Oslo 1899-1902 Dark Spruce Forest oil on canvas 84.5 x 72.5 cm Munch Museum, Oslo

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The Visigoths were the western tribe of the Goths (a Germanic people) who settled west of the Black Sea sometime in the 3rd century CE. According to the scholar Herwig Wolfram, the Roman writer Cassiodorus...

... and the Open Art Room

Where the Quiet Things Are prints | tutorials

شکوفه صبحگاهی، 1365 Morning Blossoms, 51x62 cm 1986

Alphonse Mucha in 1906 photo by George R. Lawrence Co., Chicago Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 and 2. This is part 3 of a 12-part series on the works of Alphonse Mucha. 1897 Poster for 'Bières de la Meuse' lithograph 154.5 x 104.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Peonies ink and watercolour 79.5 x 95 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Chocolat Ideal' lithograph 117 x 78 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'La Trappistine' lithograph 206 x 77 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'La Samaritaine' Sarah Bernhardt at the Theatre de la Renaissance, Paris lithograph 58.3 x 173 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Los Cigarillos Paris' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Monaco - Monte-Carlo' P.L.M. Railway lithograph 110.5 x 76.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Salon des Cent Mucha Exhibition June 1897' lithograph 66.2 x 46 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Vin des Incas' lithograph 13.6 x 36 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Bleu Deschamps' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Nestlé's Food for Infants' lithograph 72 x 34.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for 'Société Populaire des Beaux Arts' lithograph 61.5 x 45 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster of Sarah Bernhardt for 'La Plume' Magazine lithograph 69 x 51 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Salome lithograph 41 x 31 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1897 Poster for 'Job' cigarette papers lithograph 152 x 102 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Calendar of 'Cherry Blossom' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'Vers Sacrum' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cover of 'Au Quartier Latin' lithography © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cover of 'The West End Review' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'Waterlily' postcard © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cover of 'La Plume' Literary and Artistic Review © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Bénédictine' lithograph 205.7 x 77 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Médée' Sarah Bernhardt at the Theatre de la Renaissance study © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Médée' Sarah Bernhardt at the Theatre de la Renaissance lithograph 206 x 76 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'Waverley Cycles' lithograph 80 x 101 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster for 'F. Champenois Imprimeur-Éditeur' printing business © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster to promote the works of Mucha at 'La Plume, Paris' study © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Poster to promote the works of Mucha at 'La Plume, Paris' lithograph 63.5 x 45 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Dance' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Dance' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Music' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Music' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Painting' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Painting' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Poetry' study pencil and watercolour 56 x 34.8 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Arts - Poetry' lithograph 60 x 38 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 The Flowers © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Carnation' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Carnation' pen and ink 22 x 53.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Lily' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Iris' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Iris' pencil and ink wash 22.3 x 53.3 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'The Flowers - Rose' lithograph 103.5 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898-99 The Abyss pastel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898-1900 'Femme à Marguerite' cotton weave screen printed 70.5 x 77.2 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cocorico magazine No. 1 masthead © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 Cocorico magazine No. 1 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine 'The Twelve Months - November' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine No. 19 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine No. 24 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1899 Cocorico magazine No. 4? © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1900 Cocorico magazine No. 42 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1902 Cocorico Magazine lithography No. 62 © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1898 'Menus et Programmes Illustrés' cover lithograph 22 x 32 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1898 Sarah Bernhardt chalk on paper 49.7 x 41.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris

“Woman must unleash her womanly instincts and qualities, play on her feminine charm, and win the competition with man by virtue of her womanliness – never by trying to imitate him.”. – Gerda Wegener, 1934 It’s hard to talk about Danish artist Gerda Wegener (nee Gottlieb; 1885-1940) and her erotic illustrations for Les … Continue reading "Gerda Wegener’s Erotic Illustrations For Les Delassements d’Eros 1925 (NSFW)"

Il faut se méfier du double jeu que propose Hope Gangloff: double jeu de l’image et du réel, de la figuration et de son abrasion, du dehors et du dedans en diverses scènes intimes. Le tout conduisant à une quintessence et une condensation particulières. L’artiste prolonge le réalisme de scènes vaguement érotiques, il les confronte…

Fashion Illustration by George Barbier, 1914

Koloman Moser (March 30, 1868 – October 18, 1918) studied at […]

Christian Schloe crea arte surreale, digital paint estremamente romantica ma con una punta di deliziosa malinconia come dagherrotipi ritrovati in un cassetto

Matchstick Men is an installation consisting of several larger than life half burnt matchsticks which represent people suffering from a work burnout.

One of the first things you'll start to notice about Joe Christian Leyendecker's work is that his women were never quite as good-looking as his men, who were devastatingly handsome. He gave us the elegance of Gatsby 20 years before F. Scott Fitzgerald had even invented him. Take a moment to observe

A new show of the young artist's swirling, Expressionistic paintings of friends and family.

Le-a plus fragile est celui/celle qui donne le moins l'impression de l'être. Quiconque revêt d'épaisses carapaces et offre des sourires…

Perhaps the most quoted ex libris in this context is the bookplate for Fritz Warendorfer, drawn by Kolo Moser (Vienna 1868 – 1918 Vienna). Moser studied at the Wiener Academy (Academy of Vienna) and at the Art Academy, where he held a professorship from 1900 – 1918. He was a co-founder of the Wiener Sezession and made numerous graphic contributions to the journal Ver Sacrum. He was probably one of the most talented all-around artists in Vienna at the turn of the century. One should also point out his organizing ability. Moser’s impact lies in the fact that early on he saw a pictorial trend for applied arts and therefore preached a reflection on simplicity and authenticity; also stressing usefulness and reliance on architectural ideals. His role models were Otto Wagner and his colleague Josef Hoffmann. The implementation of his ideas in a conservative Vienna took some determination, but he succeeded with the full support of the Secession. Moser’s wife, Dita Moser, nee Mautner von Markhof (1883–1969) was also a graphic artist and designer. She studied at the Kunstgewerbeschule (School for Applied Arts) and made her mark at the WW by designing calendar sheets, toys for children and a deck of tarot card. The geometric clarity of these cards was appreciated as it represented the new style of functional graphics. The print was marginal, the usability was limited because of the idiosyncratic design of these cards, however, they were much sought-after by card collectors. The ex libris for Editha Mautner von Markhof, Baronin Sustenau, created in 1907, is a good example for the style in which the quadrat – Hoffmann’s basic element – illustrates an important structure. It is actually a modern crest ex libris, showing the family crest of the industrial family Mautner von Markhof with a turret and a shamrock, still used as a trademark today on products of their company, Mautner Markhof. The same goes for the “archer”, the escutcheon of Barons Sustenau von Schützenthal. What a difference these are when compared with the excessive heraldic plates by Ernst Krahl, which were made at the same time.

Welcome to the art of underwater photography: these pictures will take you down into an extraordinary new world.