Clipping found in Mount Carmel Register published in Mount Carmel, Illinois on 8/14/1879. Grundon and McClane visitors
30 Independent Practice Packets That Help Children Learn Key Phonics Skills and Set the Stage for Reading Success
Grundon Waste Management is making a significant investment in artificial intelligence (AI) aimed at enhancing driver safety and efficiency. With a commitment of £750,000 over three years, the company is set to implement cutting-edge technologies including Dual-Facing AI Dash Cams. These advanced monitoring systems not only provide real-time feedback to drivers but also aim to […]
Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifacts relating to specific geographical locations - local maps, wax from nearby beehives, pigments from the muds, earths, plants and charcoal, debris found along the strandlines of shores and riverbanks both rural and urban. With these materials she creates works that embodies a sense of place, totems of landscapes she knows and loves. This particular piece was created during Grundon's Art Residency at Wave Hill, a 28 acres estate on the Hudson River in Riverdale, New York. Earths and beeswax from Wave Hill is what creates the underlying texture, on top of which Grundon etched her own personal interpretation of topographic maps from the surrounding area. Several collectors have displayed the "Contours" in groups of 2, 3, or 9 pieces. You can see the visual impact on the fourth image. A discount will be considered in the purchase of several pieces. Please contact the gallery for more information.
Learn the safest way to recycle batteries and prevent hazardous fires with Grundon Waste Management's Technical Director, Jonathan Harris.
Where might you meet William Shakespeare, Queen Victoria and Punch and Judy at any one time? The Cornish workshop of Andrew Grundon, a heritage craftsman who’s been in with the inn crowd for years. Last orders for trade indeed!
“Residuum” Series - Wave Hill, 2015 Charcoal, Handmade Paper, Mixed Media,Pigment, Thread, Wax Contour in 16 Pieces 2010 Mud and beeswax on handmade paper 40" x 40" "Residuum" Series - Wave Hill, 20
Grundon Sand & Gravel has opened a new quarry near Wallingford in Oxfordshire.
Tessa Grundon's work often references to the topography and history of a place and its ever-changing environment. To create her pieces, Grundon uses an array of materials and artifacts relating to specific geographical locations - local maps, wax from nearby beehives, pigments from the muds, earths, plants and charcoal, debris found along the strandlines of shores and riverbanks both rural and urban. With these materials she creates works that embodies a sense of place, totems of landscapes she knows and loves. This particular piece was created during Grundon's Art Residency at Wave Hill, a 28 acres estate on the Hudson River in Riverdale, New York. Earths and beeswax from Wave Hill is what creates the underlying texture, on top of which Grundon etched her own personal interpretation of topographic maps from the surrounding area. Several collectors have displayed the "Contours" in groups of 2, 3, or 9 pieces. You can see the visual impact on the fourth image. A discount will be considered in the purchase of several pieces. Please contact the gallery for more information.
„Egy egész csapatra való szomorú és különös ember és félhülye rugdosta a gyomot azon a városi ...
Hello the world It's been a busy few days here and blogging has fallen behind, but here are some pictures of what's been going on. I'll start with yesterday and work backwards. Hannah and I unpacked the kiln yesterday morning before Hannah headed back on the train to Scotland. It wasn't the best of firings - there were quite a few losses due to damp in the kiln which hadn't been fired since last June and that did some strange things to some of the slips and glazes - but it certainly wasn't the worst and there were some pieces that came out really well. I was expecting damp to be a problem, so no surprises there. I'll post more pictures of the pots when I've got better images. Now I need to get stuck in and make another kiln load to mix up with this one so that I'll have pots with a wider diversity of tone and colour. The kiln will be lovely and dry for the next firing. I made a number of modifications to the inside of the chamber for this firing, the aim being, to achieve a more even temperature throughout(the top of the kiln tends to be much hotter than the bottom) and it worked, so I'm very pleased with that. Earlier in the week I had a visit from Tony and Fliss Mugridge. Tony is the country's last itinerant brickmaker and runs a brickworks in Shropshire. They kindly delivered me some mugs and some clay samples. My clay is made from a blend of locally sourced clay and commercial clay. I've been using a brick clay from Exeter, but sadly the brickworks has now closed and the supply has come to an end, so I'm looking for a suitable replacement. I also use a clay that I dig from the woods opposite the workshop, but have always struggled to get enough to make its use viable as the complete clay body. I'm rather lucky however, that the owner of a neighbouring field has just given me consent to dig clay from his field. On Saturday, I was being filmed as the subject for another documentary, by two Sky News cameramen who are making a number of programmes about ceramics, with a view to offering the finished series to the Sky Arts channel. Here we are, filming the clay digging sequence in the woods. While I was busy filming, Hannah, bless her, was doing all my glazing for me. She's been a tremendous help and I couldn't have done without her this weekend. We packed the kiln, finishing the pack in the early hours. We got up early the next day to start the fire and she stoked all day while I was swanning around in the woods filming. We finally finished at 1.30 am, exhausted. Just to prove that I did do some work myself. Here we are about to film a sequence about kneading clay Nathan, on the left, Duncan on the right and in the centre, Blogger Paul . These guys are used to chasing all over the world after the likes of Gordon Brown and will soon be off to South Africa to cover the World Cup, so my rural workshop must have provided something of a contrast to the norm. Here they're planning the filming of the throwing sequence. Blogger Paul fed me the lines to which I reponded during the filming. It's pretty nerve racking having to speak to camera whilst throwing a pot, knowing that what you're saying and doing might be scruitinized in the future by a wider audience via tv, but these guys calmed me down and made it good fun. I'd also the benefit of having had this experience before, during the filming of Hollyford Harvest, the film made last year, about which I shall write more during this post. Here's Paul enjoying a cuppa from a mug sent to me by my Secret Santa, Jim Gottuso. Marion, Paul's partner did a wonderful job of keeping us all fed and the wedging bench became banquet table to the hungry firing and filming team. There was much going on outside too, as Different Dave came along with a concrete mixer and poured the slab for the next phase of my building project. This will provide me with an undercover area where I can chainsaw wood. I use a lot of salvage wood which contains nails, so it'll be good to have a sweepable area. The old tin shed behind will be taken down in the next few weeks and will be replaced with a new woodshed. And this is my mate Frank, aka Andrew Grundon, the esteemed traditional signwriter, who designed and applied this lovely gold leaf sign to my 'showroom' door. Shortly I'm off to Hollyford to sort out this little room which has been used as a dumping ground recently. If I get time today, I'll paint up the dresser I built to display the finished pots, so that if anybody might like to come and see them next week, there will be somewhere to display them. Tomorrow I head off to my brother's place just outside Plymouth for the night. I have to get up very early on Friday morning to take a taxi to Plymouth Airport, where I'll catch a flight to Gatwick. At Gatwick I'll meet up with Alex McErlain and the rest of the team who put together the film Hollyford Harvest. We'll then board a flight to Montpellier, France and to the Festival International Du Film sur L'Argile et Le Verre, where Hollyford Harvest will be shown on this vast screen to an audience of 2000 people. That's quite scary. I'll report back next week. In the meantime, have a lovely weekend et bonne chance, au revoir mes amis.
