The man who has no imagination,has no wings. -Muhammad Ali
spotify podcast cover for a course work. principles of design practice :3 🌈✨ inspo: indieground foundry #graphicdesign #figma #design #designer #retro #vintage #poster
For the Korean creative, "graphic design is like weight training" as her design muscles gradually build up over time. The established exhibition identity designer discusses.
It’s not often you come across a portfolio as competent as Margot Lévêque’s and find out they’ve only been working within the creative world for three years. However, when we got in touch with the French designer to find out a bit more about her, that’s exactly what happened.
Currently experimenting somewhere between ornament—minimalism—future on projects of Typedesign, Artbooks and Branding. Clients and features include Pentagram and It’s Nice That, and retail fonts clients ranging from Nike to Penguin Random House to Hersheys.
London-based graphic designer Emily Schofield realised that her interests in fiction, contemporary culture, art and politics didn’t have to exist separately from her design practice. Her beautifully, crisp portfolio of work spans print, digital design and art direction demonstrating a delicate balance between creative expression and logical functionality. Speaking to It’s Nice That, Emily explains that in her creative process, “I need to be able to express something with my designs but when you become too focused on style and expression you often lose the bigger picture,” she says. “I only find meaning in my work when I see its larger role in society — whether that’s functionality, or an ability to provoke reaction, or simply to communicate a message”.
The South Korea-born and Paris-based designer talks us through his experimental portfolio, which treads the line between maximalism and simplicity.
Butt Studio, a title which describes the multidisciplinary work of graphic designer Harry Butt, is so much more than its comedic name. “The name started as a joke at the end of university because it sounded ridiculous,” the designer tells It’s Nice That. “When I went fully freelance I had to spend a long time thinking about whether to keep it. When paying rent meant getting more clients the joke seemed less funny, but it survived and somehow so did I, despite the burden/blessing of an unconventional surname.”
Seoul-based graphic designer Marvin Kim's practice explores diversity in form, visualising sound and looking at how alphabets can “grow”.
We are a London-based graphic design practice working with artists, businesses, …Museum, Estorick Collection, Lisson Gallery, London Centre for Book Arts, Nuart…
Inspired simultaneously by Peter Saville’s “visual poetry” and Dieter Rams’ modernist principles, the School of Visual Arts grad takes a logical approach to his confident and sophisticated work.
InDesign is an amazing design tool. And thankfully, with a little practice, it’s quite easy to use! But how do you actually get that practice? There are so many options for what to create in InDesign that it’s hard to know where to begin. Never fear! Here are a bunch of prompts you can useRead More
Another voici
Graphic design practice at the intersection of architecture and graphic design.
Are.na is a platform for connecting ideas and building knowledge
Filippos Fragkogiannis is a freelance graphic designer based in Athens, Greece. He offers services in advertising, branding and social media.
The new visual identity for Maeve, an interior and graphic design practice in Zürich founded by Sandro Weber, is based on a minimalist typographic setting, using TWK Lausanne 300 designed by Nizar Kazan.
此期刊物作为「da大 in print」的首刊，通过10组对北京、东京、首尔的一些日常物品和街景的转换形式 ── 在视觉上诠释了我们对城市背景的「再理解」。与此同时，我们也运用文字语言形式探讨了在深层解读与梳理周边的情景关系后，所产生的「个人秩序」。我们希望通过这样一种实践，建立起一个关于人们如何去观察城市背景所产生的文化的讨论。在此之上，与读者一同摸索这些带有当地人群和地域所独有的特质的文化，是如何一点一滴地影响到我们当代生活中的固态物质与元素，以及我们又能够如何通过对它们的解读而进行更深入的感知。
Combination is a full-service digital graphic design practice led by creative director Craig Jackson.
Posters don’t need to be arduous, intricately composed affairs to do the job at hand. As Polish graphic design practice Syfon Studio proves, all you need is an eye-catching motif, a strong colour palette and some experimental typography to secure your viewer’s attention. Founded by Ursula Janowska and Filip Tofil, a pair who met at the Academy of Fine Arts in Warsaw, Syfon has a knack for unfussy, playful work, demonstrated perhaps most effectively in this series of posters made for an exhibition of poster design at the Institute of Design Kielce. Mixing traditional techniques with fun motifs and using a strict three-colour printing technique, the resulting series is a barrel of laughs.
