Get your doodle inspiration idea here with 45 cool and easy doodle ideas for sketchbooks, bullet journals, and definitely when you're taking notes.
21x29,7cm
21 x 29,7 cm - © 2008 [email protected]
I know how to do Filet Crochet, it’s very open, lacy, looks beautiful using fine yarns, and patterns can be easily designed on graph paper. So, I thought why not try to weave something like …
Designer and technical editor Robin Melanson explains the formula for creating the perfect set-in sleeve. Get out your graph paper!
Return to Annake's tutorial series on embroidery with a lesson in basic blackwork.
The pixel’s effect on icon design is vividly perceptible when admiring Susan Kare’s sketches for the original Macintosh interface. Kare drew her ’80s bit-con icons on graph paper first, using one square to represent one pixel. The analog versions of the familiar floppy disk, pair of scissors, and of
Designer and technical editor Robin Melanson explains the formula for creating the perfect set-in sleeve. Get out your graph paper!
Creating a room layout can often be complicated and time consuming. This method is extremely simple and even comes with free printable graph paper.
pen on graph paper 21 x 29,7 cm - © 2009 [email protected]
Searching for a new living room look? Before you redesign, consider switching up the room's layout. Take a cue from professional designers and reconfigure the furniture by making your own floor plan using a ruler, graph paper and a pencil. Get the tips for the design experts at HGTV.com.
21 x 29,7 cm - © 2008 [email protected]
Explore texasdoxiemama's 900 photos on Flickr!
Explore OlgaArtCat86's photos on Flickr. OlgaArtCat86 has uploaded 151 photos to Flickr.
Look at the bar chart, question and sample answer and do the exercises to improve your writing skills.
1946 Worksheets for Sculptures at Moma last month.. Pencil on cut and pasted graph paper on black paper The description makes it sound so easy, doesn't it? detail And since we're talking about him, here's my favorite lamp design of his: which can be purchased at the Noguchi Museum shop here.
Margarete Willers (German, Oldenburg 1883–1977 Essen)
A strange and fascinating piece of abstract electronic music surfaces in a key sequence in The Hunger Games. The track "Sediment," used to great effect during the movie's "cornucopia scene," was composed in 1972 by pioneering composer Laurie Spiegel, who used an analog synthesizer and old-school tape machines to create the sweeping, nine-minute epic.
These graph templates are suitable for tracking work, sleep, daily steps, etc. 1.3" wide to fit the Hobonichi Cousin sidebars perfectly. Copyright © TheCoffeeMonsterzCO 2021
Part of a drawing for Gill Sans C D G O Q dated 20.12.32. The original is in pencil and colour wash on graph paper and measures 11" wide by 14.5" high. Reproduced in: The Monotype Recorder, Volume XLI No. 3, Autumn, 1958
Explore OlgaArtCat86's 151 photos on Flickr!
"Toys That Teach" was the official slogan of the The Embossing Company of Albany, New York, who were considered a giant in the field of manufacturing wood embossed toys, such as dominoes, checkers, wooden blocks, puzzles and building kits. The company was formed in 1870 after inventor John Wesley Hyatt (1837-1920), improved the manufacturing process of embossing and painting the wood surfaces of dominoes and checkers. Even though Hyatt held the first three patents which were instrumental to The Embossing Company's initial start-up, he was most famous for his invention of celluloid, which he discovered quite by accident. As the story goes, Hyatt became a printer's apprentice in Illinois at the age of sixteen. In the process of making the metal cuts, a bottle of collodion overturned and solidified, giving him the idea of making celluloid. He later used the celluloid to win a $10,000 prize for the competition to replace the ivory billiard ball. Over the course of his lifetime Hyatt went on to develop 236 successful patents, exceeded only by a few other inventors, including Thomas Edison. The Embossing Company released the "Curved Designs" boxed toy featured above in 1935, long after Hyatt's death. This toy is a bit of a mystery to me beyond this, yet it appears as if it could be a very effective educational toy for teaching the mechanics of working with typographical printers' ornaments. These individual ornament devices are color-coded which may simplify some of the organization initially, though I presume the blocks are not individually color-coded. Even so, I believe it would assist in the visual thinking process. The Albany Institute of History and Art describes this set of toy cursive design blocks, as having game pieces included, but has little other description. I discovered the source of it after researching the history of a recently acquired chromolithographed label for The Embossing Company's Toy Blocks, dating back to the late 19th century. This 5 inch square label of a charming circus clown and pig was originally glued to a wooden box of embossed and painted wooden toy blocks, such as those seen in this later 1930 edition of this toy. My research also lead me to learn more about some of the many other wonderful toys from this company, such as the set of Illustrated Cubes (wooden blocks) circa 1900 and the Wonderwood, Play it With Flowers toy, circa 1925. The illustrator of this box design with the wonderful wonderwood title created with flower petals, happens to be Norman Price (1877-1951), a 1978 inductee to the Society of Illustrators Hall of Fame. Color Cubes is another great teaching toy which I think could benefit a budding designer of any age. These simple and timeless toys are not just for blockheads. They are produced in four color variations, and one can create a myriad of designs within a square—again, much like miniature type ornaments. The examples below of this timeless toy originated from Sushipot. The Kolor Blox, also from Sushipot, is another similar learning toy, but with the addition of the half-circle shape, which invites all sorts of new options. ::Source of 1926 advertisement: Old Wood Toys
The makers of these Tidbit memo pads found a way to improve on something that, quite frankly, was already pretty perfect to begin with. But by turning the grid lines on a piece of graph paper into perforations, they've managed to create a product that's even more useful.
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ROLL, COUNT & GRAPH SHAPES PreK-1 activity pack includes a collection of shape related math activities focused on Geometry knowledge, Measurement & Data and Counting & Cardinality skills. Designed with SIMPLICITY in mind! FREE of unnecessary clipart- PERFECT for students who have special learning needs. Common Core aligned and ideal for special education and RTI programs! Includes the following shapes: Circle, square, triangle, rectangle and either start & heart OR oval & diamond/rhombus -- depending upon what shapes you're required to teach! INCLUDES: 58 Page PDF file CONTENTS: Foldable die (12) Graphs (10) Roll & Color Worksheets (8) Colored Shape Cards (8) Ideas & instructions for prep and use of materials. SUPPLIES NEEDED: Cardstock Color printer Laminator crayons/colored pencils/markers Packaging Tape (to hold die together) PREP: Worksheets - print & go - color or b&w options Dice - print on cardstock, score along lines, fold & tape (laminate first for durability) Common Core Aligned: K.CC.A.1, K.CC.A.3, K.CC.B.4, K.CC.C.6, K.MD.B.3, 1.MD.C.4, K.G.A.2, KEYWORDS: shapes, geometry, circle, square, triangle, diamond, rhombus, heart, star, graphing, dice, counting, number sense, colors, special education, RTI, response to intervention.
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The Astrology Afghan is made up of twelve squares, each featuring a zodiac glyph.
(youtube.com) I love the night sky ☁ Zzz Follow me Everywhere! Listen to my Album on Pandora or Spotify Premium & Order on iTunes :)
Using technology and math, farmers are creating elaborate corn maze designs, from replicas of fine art to Internet kitties. Labyrinths help make ends meet — they yield more cash per acre than crops.
My Craftsy class, Colorful Scrap Quilting, is LIVE today! I'm extremely nervous just thinking about watching it, but my curiosity may get the better of me. My kids are planning/threatening to play it on our large TV. I think that's the worst case scenario and if they do, I may have to run away for a little while. Hahaha! I'm so grateful for the opportunity to teach a Craftsy class, even if it did scare the living daylights out of me. :) There were two factors that kept me going amid all the self doubts: 1. I had talked to a few close friends about taping a Craftsy class for at least a year and I didn't want to compromise my integrity. 2. Turning 40 was a good motivator, too. It was a seize the day (or year) kind of thing. It may sound silly, but it really helped me face my fears! The quilt itself was designed in Illustrator, on a deadline, of course! Designing on a deadline is, um...interesting! Designing a quilt in Illustrator is rarely my first choice. But, sometimes you gotta do what you gotta do! After spending a few days wondering if the quilt was actually going to work, (I was honestly wondering!) I decided that there was only one way to find out---start sewing! All of the class prep (and quilt making) was done in a quick timeframe. I think I had 4-5 weeks to prepare. It was intense! Thankfully, my family and a few close friends cheered me on the whole way though. That helped so much! I spent many, many hours prepping before we actually filmed. I went through a lot of scratch paper planning and doing the math. SO MUCH math! So many chicken scratches! Some days I sewed for about 12 hours! I took a ton of photos as I worked, evaluating the progress every step of the way. There was a lot of editing of fabrics, colors and blocks. I used a bunch of fabric from my stash. A BUNCH! Several times I had to remind myself (out loud, no less), "It's all just fabric", as I cut into it. I talked to myself a lot during the process. That's what working alone in a basement for hours on end will do to you! :) I generated a ton of scraps, too. I put all the remains in this paper box lid to sort through for another day. That should be LOTS of fun! It's a darn good thing I like scraps as much as I do! My producer asked me for a photo of my studio, so I had to clean up my room during that time as well. My craft room is never this clean. Only for a few minutes while the photos were being taken. It's my husband's dream to have it this clean. Even occasionally would do! This is what it looked like most of the time I was working. Or sometimes even worse! After I had the top completed, I handed the quilt into Steffani's capable hands for long arm quilting. She did an amazing job on it! It was fun to bind it because it was almost finished and I got to admire her beautiful quilting! The taping itself was nerve-wracking, but the crew I worked with was so fun. They are good at what they do! We had a great time joking around between filming segments. (It was fun to use quilts I've made as back drops!) We laughed a lot and worked long days. It was quite an experience! It felt great to complete the taping...this was my celebratory power pose. I was pretty happy! :) If you want to see a trailer of the class, you can view it here. My son and I watched it and he said, "Wow, they made you look good!" He sounded a little surprised! Hahaha! I realize that this is quite a long blog post, but I think it's important to share the process behind it all. SO much goes on behind the scenes and it can look easy, but it all is a ton of work. It's good work, though, and I'm thankful to have it! I'd like to say a HUGE thank you to my friend Tara, who was so helpful to me throughout the entire process. And a big thank you to all of you, my readers, who have left kind comments about the class and the quilt already. I appreciate your support more than I can say! Happy Monday to you!
