Foliage so lush even the air gleams emerald plants trees birds reptiles and amphibians found only in this rainforest... you must visit El Yunque.
A double-leaf buckle with plenty of old-world elegance gleams at the front of a belt made from calfskin leather.3/4" belt width Leather Made in the USA Item #6014863
Designed by Farrah Sit, pendant light gleams overhead with an elegant mixed-material look. Encased by a blown-glass shade, the pendant is suspended from a slim, polished brass rod, giving the appearance that the fixture is floating from the ceiling. Housed within unfilled travertine, the bulb emits a warm glow through the stone's natural pitting. Brass is unlacquered, offering a living finish that will develop the patina of a vintage find. CB2 exclusive. Due to the nature of the material, brass patina will vary in color and darken over time. Calandra Glass and Travertine Pendant Light Small 9.37" dia. x 70"H Blown glass Solid unlacquered brass rod with polished finish Travertine Brass has no protective coating; each piece will vary in tone Brass will patina and show wear over time; polish to bring back to its original finish Variation in color and activity of travertine is to be expected; each will be unique Accommodates one G9 base 25W max incandescent bulb or one 4W LED bulb (not included) Can be mounted on a vaulted ceiling UL Listed Learn more. Hardwired fixture; professional installation recommended ImportedNote: This item is manufactured in compliance with U.S. standards. If you are purchasing this item for use outside of the U.S. or Canada, use only with the appropriate outlet adaptor and voltage converter for your country. Do not plug into an electrical outlet higher than 110-120V as this could result in fire and/or injury.
Introducing an embodiment of luxurious warmth and refined style, the Dsquared2 Black Down Jacket stands as a pinnacle of winter fashion. Crafted with meticulous attention to detail, this jacket features a sleek, water-resistant polyamide outer layer that gleams subtly under the light. Its interior, equally composed of polyamide, encases a sumptuous filling of down and feathers, promising unparalleled warmth and comfort. The jacket's design is marked by horizontal quilting, a hallmark of down jackets, which not only enhances its aesthetic appeal but also ensures even distribution of warmth. A high collar offers additional protection against the chill, while the full-length central zipper provides practical ease of wear. The inclusion of a snug, form-fitting hood further shields against inclement weather, making no compromise on style or functionality. Utility is elegantly addressed with two side pockets, zippered for secure storage of essentials. These functional elements are seamlessly integrated into the jacket's design, maintaining its sleek silhouette. The piece is subtly branded with a tonal Dsquared2 logo on the left shoulder, a testament to its exclusive design pedigree. Why Purchase This Product? Exquisite Material Quality: High-grade polyamide and a down-feather filling ensure durability and warmth. Functional Elegance: Waterproof and windproof properties coupled with a sleek design offer both protection and style. Attention to Detail: From the high collar to the zippered pockets, every aspect is designed for optimal comfort and utility. Exclusive Branding: The discreet Dsquared2 logo signifies luxury and sophistication. Composition: Inner Layer: Polyamide Outer Layer: Polyamide Padding: Down Feathers
Style No. 4511M028AA; Color Code: 070 The Burnish Mirror gleams with a weathered allure, evoking a sense of timeless sophistication and character in any room. Engineered hardwood, brass, mirrored glass Brass finish will not tarnish or rust Fitted with a ready-to-hang bracket; hanging hardware included Vertical hanging only Wipe clean with dry cloth Imported
The Pavé Diamond Multi Leaf Necklace gleams with seven pavé diamond leaves set along a delicate cable chain. Designed to bring luxurious sparkle to your neck, this style is a natural favorite.
The new Silk Exchange Building at 487 Broadway gleams amid its brooding neighbors-- photo NYPL Collection During the last decade of the 19th century the blocks along Broadway north of Canal Street bustled with busy businessmen and shoppers. Once a thoroughfare of high-toned residences, it now was lined with cast iron or brick-and-stone commercial buildings. Here, at the southeast corner of Broadway and Broome Street in the center of the silk district, wealthy developer John Townsend Williams began work on a loft and office building in 1894. While the Broadway exposure was an expected 28 feet wide, the plot stretched 200 feet back to Mercer Street along Broome. Williams understood that the long, narrow site would require careful designing. The busy John T. Williams not only was a real estate developer, but he acted as his own architect and contractor. Collaborating with William Birkmire, he had already begun work on the Central Bank Building when he purchased this property, and would be simultaneously designing and constructing Lord’s Court, another early skyscraper. While critics would later pooh-pooh the design of Lord’s Court as “rather plain,” they would have no such complaint regarding No. 487 Broadway. Completed two years later, it was a “modern twelve-story structure,” according to The New York Times. Williams used limestone, buff-colored brick and terra cotta to create an airy and attractive sliver of a building that stood out in stark contrast to its neighbors. Williams accentuated the tall, narrow Broadway façade by collecting the fourth through tenth floor window as a tall central arch. Massive brick corner pilasters rose six stories to support the base of the arched windows and decorative spandrels. In explosive contrast to the relatively undecorated limestone base, the upper floors were lavished with intricate terra cotta ornamentation. Deeply cast terra cotta capitals and swirling sprandrel designs added to the riotous decoration -- photo by Alice Lum Three entrances—on Broadway, Broome and Mercer—provided convenient access to tenants and clients alike. The completed building quickly filled with tenants, many of them in the silk industry. Among these were the Phoenix Silk Manufacturing Company, Cheney Brothers, William Ryle & Co., Nonotuck Silk Company, Belding Brothers’ Company, Sauguoil Silk Manufacturing Company, William Schroeder & Co., Liberty Silk Company, W. Guerin et Fils, Pelgram & Meyer and E. Geili & Co. Even the copper cornice brackets drip with ornament -- photo by Alice Lum The high number of silk merchants resulted in the building earning the name The Silk Exchange Building. In 1899 Williams offered the building for sale. Several potential buyers negotiated for the up-to-the-minute office building, but it was James B. Haggin who won out. Haggin, whom The Times referred to as “the Western millionaire,” paid Williams $850,000 for the building. The Evening Post called the sale “one of the best transactions effected in a long time.” The exuberant ornamentation has caused the building to be called "wedding cake-like" -- photo by Alice Lum As the 20th century began, not all the tenants in the building were involved in the silk trade. In 1900 the law office of David Asher Hamburger was here as well as Jose Rosemena’s advertising office. Although on January 23, 1910 The New York Times remarked that the building was “in the heart of the silk trade; which shows no disposition to change;” that change was indeed coming. The Broome Street facade -- photo by Alice Lum A. C. Neidermeyer was already a tenant in 1907. The firm manufactured and sold “hand, toilet and triplicate mirrors, metal stand mirrors, shaving stands, leather novelties.” In 1912 Thomas P. Taylor was here, selling “notion specialties” that included “hair rolls, pompadours, ladies’ belts, bustles, collar foundations, hose supporters, sleeve protectors, and embroidery hoops.” That same year, as the silk district inched further uptown, rumors began circulating that the Silk Association of America would abandon its headquarters in the building. Although the association secretary Ramsey Peugnet denied the stories, the group met on July 8 to “determine the feeling of the trade down town regarding the advisability of joining the uptown movement that has become so general within the last year or so,” according to reporters. The Times noted that “For a considerable period the Silk Exchange Building has been the centre of the old silk market, and has also housed the Silk Association. It still contains the New York offices of several out-of-town concerns, but in view of the gradual uptown trend of the trade it is believe that a building more centrally located would offer these offices to better advantage.” photo by Alice Lum Before long, there were no silk merchants left at No. 487 Broadway. Yet even without its namesake industry, the building continued to attract tenants. In the 1920 Henry S. Bragdon, formerly of 115 Worth Street, moved his offices here as did Roebuck Manufacturing, makers of wire screens. The next year Newman Clock Company, manufacturers of “portable recorders and keystations” – in short, time clocks. Casket, an industry trade magazine was published here during the 1930s and by 1938 the Banco Di Sicilia Trust Company was here. The Soho neighborhood grew gritty and neglected. By the 1960s and ‘70s the intricate structures along Broadway were grime-covered and cast iron facades stood rusting away. But a Renaissance soon occurred that saw the restoration of the century-old buildings and their renovation into trendy new stores and residential spaces. In 1985 No. 487 Broadway, now known as the Haggin Building, was converted into 25 residential units. Today residents of what the Department of Buildings called “joint living work quarters for artists” live where deals for “thrown silk” and exotic neckwear were once made.
Logo-engraved binder-clip hardware gleams at the front of this ultrasoft lambskin leather shoulder bag featuring a logo-jacquard crossbody strap for versatile carrying options.Magnetic closure Top carry handle; removable, adjustable crossbody strap Exterior back slip pocket Interior zip pocket Lined Leather Made in Italy Designer Handbags Black Owned/Founded Item #10379752
Simple yet elegant, the clean shape of this glass table lamp gleams in cool a shade of grey.
Seda Lio in El Nido, Palawan, reigns as the premier luxury resort in El Nido Town. Nestled within the stunning Lio Estate, Ayala Land group’s pioneering tourism development, it embraced us with tranquility the moment we arrived. The expansive pool, the resort’s centerpiece, gleams close to an exclusive beach, beckoning relaxation. For us, it was … Continue reading SEDA LIO: The Best Resort in El Nido Town!
Iridescent gleams and reflections bring this lurex viscose-blend sweater to life. The model boasts a relaxed silhouette and refined allure. Lurex viscose-blend sweater Relaxed fit Rib-knit trims Round neckline Long low set-in sleeves Knitted Fabric: 81% Viscose, 14% Polyester, 5%Metallised Fibre
Merlot captures the essence of romance with its sultry merlot red hue in a juicy jelly formula. A captivating shade radiating with a deep, wine-like richness, Merlot gleams with the… Show more Merlot captures the essence of romance with its sultry merlot red hue in a juicy jelly formula. A captivating shade radiating with a deep, wine-like richness, Merlot gleams with the promise of endless love. As light dances across your nails, Merlot reveals a dazzling play of holographic sparkle, transforming your manicure into a statement of timeless elegance. Merlot is part of the Vineyard Collection, 6 holographic jelly polishes that paint an enchanting scene of romantic Fall evenings. Inspired by the rich allure of wine vineyards, each shade captures the transition from summer's lingering warmth to autumn's golden tones. Mirroring the season's charm, Vineyard reflects the serenity of sunset-lit vineyards, wrapping your nails in a romantic and comforting embrace. We recommend 2-3 coats for the ideal finish
Logo hardware gleams at the ankle of a streamlined block-heel bootie that's a versatile everyday essential.2 1/4" heel 4" shaft Side zip closure Synthetic upper/textile and synthetic lining/synthetic sole Imported Item #10392524
Set in a texture gold nest, a transparent stone gleams like a drop of pure water. Wear it as a reminder to stay true to yourself. Gold platedEthically made in France Once Agapee are done with the 3D modelling of their jewellery, they create the brass base that is galvanized. Then they layer each piece with either 18K g
Get inspired by 90+ stunning light blue nail designs and baby blue nail designs to elevate your manicure game. From ombre to intricate…
