This resource contains worksheets that can be used to support the teaching of Coastal Landscapes UK for GCSE Geography. It includes: Wave Types Coastal Processes Transportation Coastal Landscapes Hard Engineering Strategies Soft Engineering Strategies Answers not included. HOW TO ORDER 1. Purchase the listing 2. Within minutes of purchasing, you should receive a download link through Etsy. - A confirmation email will be sent to the email address linked to your Etsy account. You can also, download the files from under the purchases and reviews section in your Etsy account. Click here for additional help: https://help.etsy.com/hc/en-us/articles/115013328108-Downloading-a-Digital-Item IMPORTANT All sales are final due to the digital nature of the products. No item will be physically mailed to you.
A series of concise summaries that cover the key content of the new 9-1 GCSE for AQA. The whole coastal section is covered. These summaries can easily be incorporated singly into existing lessons or combined into a summary booklet for revision. Covers the processes, landforms and management elements...
Cliffs, beaches and rock formations of the coast provide such fascinating subjects for photographers. Here's how to take gorgeous photographs of seascapes
1919 Self-Portrait after Spanish Influenza oil on canvas 150 x 131 cm National Museum of Art, Oslo The Norwegian artist Edvard Munch (1863-1944) is regarded as a pioneer in the Expressionist movement in modern painting. At an early stage Munch was : in Germany and central Europe as one of the creators of a new epoch. Munch’s art from the 1890s is the most well known, but his later work is steadily attracting greater attention. For full biographical notes on Munch see Edvard Munch part 1- introduction. For earlier works see parts 2-15 also. This is part 16 of a 20–part series of posts on the works of Edvard Munch: 1916-1925 Woman: 1916-18 Woman oil on canvas 200 x 267 cm Munch Museum, Oslo 1924-25 Woman oil on canvas 203 x 317 cm Munch Museum, Oslo 1925 Woman oil on canvas 155 x 230 cm Munch Museum, Oslo 1916-17 Coastal Landscape at Hvitsten oil on canvas 74 x 101 cm Private Collection 1916-17 Reclining Nude oil on canvas 31 x 41 cm Munch Museum, Oslo 1916-17 Reclining Woman and Standing African oil on canvas 75 x 96 cm Munch Museum, Oslo 1916-19 Kai Møller oil on canvas 133 x 113 cm Private Collection 1916-19 Waves Breaking on the Rocks oil on canvas 99 x 72 cm Munch Museum, Oslo 1916-20 Autumn Colours oil on canvas 71 x 100 cm Munch Museum, Oslo 1916-20 Ploughed Field oil on canvas 88 x 88 cm Munch Museum, Oslo 1916-20 Young Woman in the Garden oil on canvas 119 x 150 cm Munch Museum, Oslo 1916-21 Cleopatra and the Slave oil on canvas 100.5 x 125 cm Munch Museum, Oslo 1917 Behind the Plough oil on canvas 67 x 100 cm Munch Museum, Oslo 1917 Conversation oil on canvas 75 x 96 cm Private Collection 1917 Corn Harvest oil on canvas 75 x 100.5 cm Private Collection 1917 Dagny Konow oil and coloured chalk on canvas 78 x 66 cm Munch Museum, Oslo 1917 Dagny Konow oil on canvas 100 x 92 cm Munch Museum, Olso 1917 Female Nudes, Standing and Lying Down tempera on canvas 126 x 185.5 cm Munch Museum, Oslo 1917 Hieronymus Heyerdahl oil on canvas 100 x 72 cm Private Collection 1917 Hieronymus Heyerdahl oil on canvas 200 x 110 cm Munch Museum, Oslo 1917 Promenade in Spring oil on canvas 120 x 140.5 cm Munch Museum, Oslo 1917 Seated Female Nudes oil on canvas 60 x74 cm Private Collection 1917 The Haymaker oil on canvas 130 x 150 cm Munch Museum, Oslo 1917 Thorvald Løchen oil on canvas 199 x 119 cm Munch Museum, Oslo 1917 Thorvald Løchen oil on canvas 200 x 120 cm National Art Museum, Oslo 1917 Two Models oil on canvas 90.5 x 68 cm Private Collection 1917 Woman in a Green Meadow oil on canvas 98 x 74 cm Munch Museum, Oslo 1917 Women in the Bath oil on canvas 72 x 100 cm Munch Museum, Oslo 1917-19 Crouching Nude oil on canvas 70 x 90 cm Munch Museum, Oslo 1917-19 Nude Female Back oil on canvas 76 x 104.5 cm Munch Museum, Oslo 1917-20 Two White Horses in a Green Meadow oil on canvas 68.5 x 82.5 cm Munch Museum, Olso 1917-20 White Horse in a Green Meadow oil on canvas 79.5 x 100 cm Munch Museum, Oslo 1917-20 White Horse Seen from the Rear oil on canvas 135 x 180 cm Munch Museum, Oslo 1917c Mermaid on the Beach watercolour on cardboard 72 x 102.5 cm Munch Museum, Oslo 1918 Bathing Man oil on canvas 137.5 x 199 cm Munch Museum, Oslo 1918 Coastal Landscape oil on canvas 121 x 160.5 cm Kunstmuseum Basel, Switzerland 1918 Double Portrait oil on panel 32.5 x 46 cm Private Collection 1918 Landscape from Hvitsten oil on canvas 90 x 60 cm Munch Museum, Oslo 1918 Man with Horse oil on canvas 111 x 135 cm Private Collection 1918 Man with Horse oil on canvas 130 x 150 cm Private Collection 1918-19 Peace and the Rainbow oil on canvas 119 x 277 cm Munch Museum, Oslo 1918-19 War oil on canvas 72 x 197 cm Munch Museum, Oslo 1918-19 War oil on canvas 109.5 x 234 cm Munch Museum, Oslo 1918-19 Two Reclining Women oil on canvas 50 x 80 cm Private Collection 1918-19 Woman with Poppies oil on canvas 100 x 75 cm Munch Museum, Oslo 1919 17th of May in a Small Norwegian Town oil on canvas 114 x 90 cm Munch Museum, Oslo 1919 Autumn Ploughing oil on canvas 110.5 x 145.5 cm National Art Museum, Oslo 1919 Elm Forest in Autumn oil on canvas 90 x 120 cm Munch Museum, Oslo 1919 Female Nude in the Woods oil on canvas 129 x 79.5 cm Munch Museum, Oslo 1919 Male Nude in the Woods oil on canvas 160 x 110 cm Munch Museum, Oslo 1919 Murder on the Road oil on canvas 110 x 138 cm Munch Museum, Oslo 1919 Rugged Tree Trunks oil on canvas 100 x 150 cm Munch Museum, Oslo 1919 Self Portrait after the Spanish Flu oil on canvas 59 x 73 cm Munch Museum, Oslo 1919 Thawing Snow oil on canvas 97 x 97 cm Private Collection 1919 The Artist and his Model. Jealousy-Theme oil on canvas 85 x 115.5 cm Munch Museum, Oslo 1919 The Cat oil on canvas 82.4 x 79.3 cm Hirshhorn Museum and Sculpture Garden, Washington, DC 1919 The Magic Forest oil on canvas 110 x 145 cm Munch Museum, Oslo 1919 Two Women in the Garden oil on canvas 149 x 129.5 cm Munch Museum, Oslo 1919 Two Women in White Dresses in the Garden oil on canvas 100 x 77 cm Munch Museum, Oslo 1919 Two Women under the Tree in the Garden oil on canvas 120 x 160 cm Munch Museum, Oslo 1919 Under the Apple Tree oil on canvas 72 x 100 cm Munch Museum, Oslo 1919-1931 The Wave: 1919 The Wave oil on canvas 110 x 130 cm Private Collection 1921 The Wave oil on canvas 110 x 120 cm Munch Museum, Oslo 1931 The Wave oil on canvas 100 x 120 cm Munch Museum, Oslo
Photography of Children walking on a beach Landscape Photography mixed with Watercolor drops of painting Coastal Home Art Cyan, Black and white Art Print of an original photograph digitally combined with watercolor painting. ◖PHOTO◗ Printed in my studio on heavyweight Hahnemuhle fine art paper with pigmented inks for rich, vivid, high-quality colors. Signed on back. ◖SHIPPING◗ Smaller prints are shipped flat in rigid mailers, larger prints are gently rolled and shipped in protective tubes. Frames are not included. ◖DIMENSIONS◗ Make your selection from the drop-down menu. The dimensions indicated are those of the paper. Custom sizes are available. Message me anytime! ◖SEE MORE◗ labokoff.etsy.com thanks for looking !
Read our complete guide on visiting the beautiful Seven Sisters walk from London, including how to get there, trail tips, photo spots, and more!
Buy art from Natalia Veyner (Free Shipping, Secured direct purchase): Painting titled "Seagulls"
Pól Ó Conghaile, Nicola Brady and Yvonne Gordon pick 30 amazing experiences for an island of Ireland bucket list.
This print is inspired by the cactus filled landscapes of Arizona.Hebe Studio prints are anything but boring and are a perfect addition to brighten your home. These prints contain so much warmth and colour they instantly uplift you, transporting you across the globe. Available sizesA5 148 x 210mm | 5.8 x 8.3 inA4 210 x 297mm | 8.3 x 11.7 inA3 297 420mm | 11.7 16.5 inA2 420 x 594mm | 16.5 23.4 inA1 MADE TO ORDER - *please allow 3 weeks for printing*594 x 841 mm / 23.4 x 33.1 inchesShippingShipping from the UK and Australia
In a world filled with beauty standards and trends, it's essential to celebrate and embrace your natural beauty. Your hair, in its most authentic state, has a unique charm and personality that...
1 Name the three key geographical processes that shape the coastal environment. They are Erosion, transportation and deposition. 2 What is wave refraction and why does it occur? It is the wave energy being less focused in some areas and more focused in others due to headlands and the topography of the ocean floor. Use a diagram to explain how wave refraction leads to the uneven distribution of wave energy along the coastline. 4 Name the most common erosional landforms found along the coastline. The most common erosional features found along the coast are that of coastal headlands. 5 Describe the three wave action processes that shape headlands. The are hydraulic action; waves crush against rock and the water compresses air in these gaps. Corrasion; waves carry rock an other materials across the rock shelf and wears away the rock in an abrasive fashion. Corrosion; waves break and wet the rocks which carry minerals in them, when the rock dries the salt crystallises and acts on the minerals in the rock to erode minerals. 6 Explain the operation of the erosion–accretion cycle. Waves, wind and prevailing currents are all components of the erosion cycle. Wind creates swell and also carries of sediments, waves crush the coastal headlands and beaches and the prevailing currents carry deposits away form the shore creating sandbanks and such. 7 Name the three forces that shape depositional landforms on beaches. They are the wind, waves and prevailing ocean currents. 8 Name the most common depositional landforms found along the coastline. Beaches are the most obvious depositionl landforms found along coastlines. 9 Explain the process that forms coastal dunes. What role does vegetation play in their formation? Coastal dunes are formed by wind, once the wind is deposited on the beach it is then subject to transportation, which is usually landward but is trapped by low lying vegetation. Thus forming sand dunes. 10 With the aid of a diagram describe the process of long shore drift. What role does this process play in transporting sand along the coast? Long shore drift is when sand is deposited on beaches by waves that usually travel on an angle. The sand then travels in a zig-zag formation across the beach until it is finally deposited. 11 Select two erosional and two depositional landforms found on coasts. Sketch them into your notes and describe the processes that have formed each land form. Two coastal land forms that come about as a result of erosion are that of a wave cut platform formed through the process known as Corrasion, and that of a blow hole formed by the process known as Hydraulic action. Two coastal ladfroms that form about as a result of decomposition are that of Sand dunes, formed through wind transportation of sand that is caught and accumulated by lowing lying vegetation. Also that of sandbars that occur during storms when large waves are created that erode the beach and the sand is taken some way out where it builds up as a sand bar which will eventually resettle on the beach. 12 What role does the foredune play in protecting coastal areas? The fore-dune provides a buffer zone for the fragile dune vegetation located on the hind dunes. 13 Read the snapshot about the loss of one of the Twelve Apostles and use your knowledge of the coastal environment to answer the following: a Where are the Twelve Apostles located? they are located in Victoria at Port Campbell National Park b Why are they a popular tourist destination? Because they are one of Australia's most distinct coastal land forms c Describe how the Twelve Apostles were formed. They were formed as result of the sea gradually eroding at the soft limestone d What was London Bridge? What happened to this land form in 1990? It was a natural arch that connected these off shore rocks to the mainland, it collapsed in 1990 e Do you think the collapse of the landforms along the coast could have been prevented? Explain your answer. No it could not have been prevented, it must have been critically weakened after millions of years being subject to the ocean's corrosion powers. And the ocean will continue to erode. You can not hold back the ocean thus you can not prevent coastal erosion of these features. Application 14 Imagine you are a park ranger employed at Port Campbell National Park. Prepare a brief talk that explains the formation and eventual destruction of the Twelve Apostles. These landmarks were formed as a result of corrosion when the sea water after millions of years gradually corroded the soft limestone thus separating it from the land in isolated features as we see them today. Unfortunately they will not always stay in their beautiful and distinct shape as the ocean will continue to erode them until there is nothing left. 15 The local council has decided to buy back residential property located on a headland and a neighbouring fore dune that is subject to severe erosion. Local residents who own the property say the council is depriving them of their spectacular views, relaxed lifestyle and valuable property. Write a newspaper article that evaluates the council’s decision to buy back the properties. The article should present facts and consider a range of opinions about the issue. As a part of the article you will need to present an opinion on the property buy-back proposal. The buying back of these properties is essential for the continual prosperity of these coastal environments. We humans are some of the most decisive factors in the changing environment. And as it happens the area in which these residents were located in is in fact subject to much erosion, it is probably also fair to say that it is a safer alternative for them, if the headland was to collapse with people living on it it could result in a great loss of life. Of course this is a hassle for the citizens and indeed most likely unnessessary but prevention is always better than the cure and it's better we act no and set the example for people to follow.
"Sea to Sky" artwork. Small hills by the shore. Vancouver Island. The perfect place to go beachcombing. SOLD www.chursinoff.com
Examples of sketchbook pages to inspire students who are working on a natural forms theme in their GCSE Art sketchbooks.
Len Tabner was born in South Bank on the River Tees near Middlesbrough. His father had been a merchant seaman and Tabner remains fascinated by the grim grandeur of the industrial northeast. He lives a few hundred yards from the highest cliffs in England, at 650 feet above the sea, and near the potash mine in Boulby—the deepest mine in Europe. It is a landscape of extremes and frequently of violent weather, but Tabner is not an artist to stay huddled indoors in his studio. He is to be found on the beach with his easel weighted down against the wind or, like Turner, on board ship in the middle of a gale. His is an elemental art, visionary in its scope. Due to these conditions, his paintings are produced with a sense of great urgency, with a rich variety of materials combining and competing on the surface of the paper. It is a question of evocation rather than description, although the paintings are definitely rooted in specific locales. Despite working from the Falkland Islands to Japan, Tabner demonstrates that we can understand the whole by knowing one small spot extremely well. His home territory has been transformed in his lifetime - enabling him to chart the death of mines and shipyards and record the birth and heyday of North Sea power. Tabner tries to capture the feeling, the essence, the experience of the landscape
I am a self taught textile artist based in Mid Devon. I have always had a love of both sewing and art and have now combined the two interests to create...
Examples of sketchbook pages to inspire students who are working on a natural forms theme in their GCSE Art sketchbooks.
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oil on board 60 x 90 cm, unframed
A complete lesson on the formation of cliffs and wave cut platforms. It includes a sequenced worksheet that is then broken down step by step to illustrate what makes a great answer. Video links bring the landforms to life and it all started with a walk on the beach with the dog.
Patiently she waits 1o5 x 105 cm £2000 SOLD
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