The exhibition explored the multitude of ways Gego used line to occupy and define space and revealed that her abstract work was often allusive and emotive.
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Gego (Gertrud Goldschmidt, 1912-1994) es una de las artistas del siglo XX más destacadas de Latinoamérica. Aunque su obra está profundamente...
Nº.7 (or) Nº.11, 1949 by Mark Rothko. King & McGaw has an extensive collection of art prints by established and emerging artists, which are all framed by hand in the UK.
The exhibition explored the multitude of ways Gego used line to occupy and define space and revealed that her abstract work was often allusive and emotive.
Exotic conchology : or figures and descriptions of rare, beautiful, or undescribed shells London :H.G. Bohn,1841. biodiversitylibrary.org/item/90958
Una retrospectiva de la ama y señora de la abstracción geométrica en Latinoamérica, Gego, llega al Museo Jumex.
The current exhibition at the Henry Moore Institute, Leeds, UK - 24th July 2014 - 19th October 2014 Gego. Line as Object ...an explora...
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I can’t help but think that many of the artists I encounter are on the verge of a nervous breakdown. I’m only an armchair psychologist, but the patience and repetition exhibited by som…
Karolina Maszkiewicz is a Polish American sculptor, illustrator and designer. Karolina's diverse sculpture work incorporates both kinetic art and large floral installations. Her work pays homage to female artists of the 20th century such as Niki de Saint Phalle, Gertrude Goldschmidt (Gego) and Eva Hess, and also calls attention to certain issues in her adopted home of Los Angeles, such as the current extreme drought. Born and raised in Torun, Poland, Karolina moved to LA to study design. As an LA fashion veteran, she has worked for a number of fashion brands as well as curated her own retail store. Karolina transitioned into being a sculptor after joining the studio of Brad Howe, an American artist based in Malibu. While working alongside Brad, Maszkiewicz developed her own body of work, which she has recently begun to show.
Intervention Strategies (Abstract painting) Acrylic on canvas - Unframed. Note that this artwork will be sent rolled in a tube if shipped outside the United States. This method is especially safe for large works. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. Dannielle Tegeder is an American abstract painter working in the expanded field. Her multi-media practice is inspired by abstract art history and informed by architecture, and is rooted in a desire to make invisible systems visible. Tegeder has called her compositions “plans for Utopian spaces.” Her distinctive visual language mobilizes a personal, abstract cosmology that echoes early modernist abstraction, from Constructivism and Suprematism, to Neo-Concrete artists like Gego and Lygia Clark, to the absurdist technical drawings of Francis Picabia. Dannielle Teneger has been exhibited extensively in galleries and museums around the world, including at PS1/MOMA, The Brooklyn Museum of Art in New York, The New Museum, and Museum of Contemporary Art in Chicago. Her works are in the permanent collections of the Museum of Modern Art, The Museum of Contemporary Art in Chicago, and The Weatherspoon Museum of Art in Greensboro, NC, among others.
Inspired by the timeless design of parquet flooring but updated for today, the reversible Parquet Tetragon rug enjoys a chic geometric look sure to beckon second glances as a truly dramatic statement piece. This special design from GAN Rugs showcases the finest in handcrafted construction using world-class wool - its look worthy of display in a gallery, yet its composition practical for everyday enjoyment in the contemporary home. This innovative rug is the work of Swedish design studio Front. Front is lauded for pushing the envelope in unexpected ways, their refreshing interior accents reflecting experimentation in diverse fields ranging from physics to robotics. Tetragon is a mesmerizing geometric area rug that utilizes three-dimensional patterns to lend instant depth and dimension to any living space. Use on its own or take advantage of its distinctive profile to create a custom mosaic by pairing multiples together. Parquet collection rugs are flatwoven by skilled artisans using time-tested manual looms. Classic kilim construction makes each one lightweight yet resilient, fully revisable for twice the wear and charm. GAN places an emphasis on handcrafted construction by partnering exclusively with skilled weavers in India - GAN's artisanal manufacturing helps to revitalize the communities where these weavers live while preserving traditional crafting techniques. Avoid prolonged contact with moisture. Blot spills with a dry white cloth or clean sponge.
Karolina Maszkiewicz is a Polish American sculptor, illustrator and designer. Karolina's diverse sculpture work incorporates both kinetic art and large floral installations. Her work pays homage to female artists of the 20th century such as Niki de Saint Phalle, Gertrude Goldschmidt (Gego) and Eva Hess, and also calls attention to certain issues in her adopted home of Los Angeles, such as the current extreme drought. Born and raised in Torun, Poland, Karolina moved to LA to study design. As an LA fashion veteran, she has worked for a number of fashion brands as well as curated her own retail store. Karolina transitioned into being a sculptor after joining the studio of Brad Howe, an American artist based in Malibu. While working alongside Brad, Maszkiewicz developed her own body of work, which she has recently begun to show.
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translations of paintings into wire-frame drawings. While he developed mechanical connections to make the drawings unstable, the drawings became flexible, dynamic and three-dimensional. These constructions lead to more improvisational work that investigates the relationship between gravity and structure. In 2016, he increased the scale of the work and sharpened the focus on issues of tension and compression through a change of material—polyester cord and PVC rod. The work has a direct connection to modernism and draws inspiration from the linear work of Gego (Gertrude Goldschmidt), the planar work of Lygia Clark and the catenary string models of Antoni Gaudí. These works use humble materials and economic processes, which are intrinsic to the resulting forms. But a common aspect of all of my work is the tendency to give rise to the questions, “What am I looking at, how do I relate to it and how do I understand it?” Such self-reflexive viewing is part of the artist’s role, gently inviting the viewer of their capacity to wonder. Daniel G. Hill was born in 1956 in Providence, R.I. He lives and works in New York City. He is a multi-disciplinary artist who has worked in sculpture, installation, painting, photography and digital media. He has exhibited in the U.S. for nearly 40 years and, since 2010, in Europe, Asia, Austalia and Central America. His work is held in the collections of the Metropolitan Museum of Art; MoMA Library Special Collection; New York Public Library; Phillips Collection; Cleveland Museum of Art; Whitney Museum of American Art, The Frances Mulhall Achilles Library; Yale University Art Gallery; US Embassy, Beijing Embassy Annex, US Department of State; Arkansas Art Center; and in several corporate and private collections. He is the recipient of a fellowship in painting from the National Endowment for the Arts. He is an Assistant Professor of Fine Arts at the Parsons School of Design and was the President of American Abstract Artists from 2013 through 2018. He received an A.B., Magna Cum Laude, from Brown University and an M.F.A. from Hunter College, C.U.N.Y.
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translations of paintings into wire-frame drawings. While he developed mechanical connections to make the drawings unstable, the drawings became flexible, dynamic and three-dimensional. These constructions lead to more improvisational work that investigates the relationship between gravity and structure. In 2016, he increased the scale of the work and sharpened the focus on issues of tension and compression through a change of material—polyester cord and PVC rod. The work has a direct connection to modernism and draws inspiration from the linear work of Gego (Gertrude Goldschmidt), the planar work of Lygia Clark and the catenary string models of Antoni Gaudí. These works use humble materials and economic processes, which are intrinsic to the resulting forms. But a common aspect of all of my work is the tendency to give rise to the questions, “What am I looking at, how do I relate to it and how do I understand it?” Such self-reflexive viewing is part of the artist’s role, gently inviting the viewer of their capacity to wonder. Daniel G. Hill was born in 1956 in Providence, R.I. He lives and works in New York City. He is a multi-disciplinary artist who has worked in sculpture, installation, painting, photography and digital media. He has exhibited in the U.S. for nearly 40 years and, since 2010, in Europe, Asia, Austalia and Central America. His work is held in the collections of the Metropolitan Museum of Art; MoMA Library Special Collection; New York Public Library; Phillips Collection; Cleveland Museum of Art; Whitney Museum of American Art, The Frances Mulhall Achilles Library; Yale University Art Gallery; US Embassy, Beijing Embassy Annex, US Department of State; Arkansas Art Center; and in several corporate and private collections. He is the recipient of a fellowship in painting from the National Endowment for the Arts. He is an Assistant Professor of Fine Arts at the Parsons School of Design and was the President of American Abstract Artists from 2013 through 2018. He received an A.B., Magna Cum Laude, from Brown University and an M.F.A. from Hunter College, C.U.N.Y.
