Which type of product do we present? Afternoon - Yellow Room was created by Frederick Carl Frieseke. The original version measures the size: 32 x 32 in and was painted with the technique of oil on canvas. Nowadays, this piece of art is in the the art collection of Indianapolis Museum of Art. With courtesy of Indianapolis Museum of Art (license: public domain).: . The alignment is in square format and has an image ratio of 1 : 1, meaning that the length is equal to the width. Frederick Carl Frieseke was a painter, whose artistic style was primarily Impressionism. The painter was born in 1874 in Owosso, Shiawassee county, Michigan, United States and passed away at the age of 65 in the year 1939. Obtain your preferred material variant For every fine art print we offer different sizes and materials. In order match your personal requirements perfectly, you can choose among the following product customization options: The canvas print: The canvas direct print is a printed canvas stretched on a wood frame. A canvas produces a particular impression of three-dimensionality. Besides, canvas produces a nice, comfortable atmosphere. A canvas print has the advantage of being low in weight. That means, it is easy and straightforward to hang the Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for all kinds of walls. Acrylic glass print: The acrylic glass print, which is sometimes referred to as a UV print on plexiglass, will turn your favorite original artwork into amazing home decoration. Above all, the acrylic art print is a viable alternative option to canvas and aluminidum dibond fine art replicas. Your own version of the work of art is being made with modern UV direct print technology. This makes deep and vivid colors. With an acrylic glass fine art print contrasts as well as small details become identifiable with the help of the very fine gradation. Our real glass coating protects your selected fine art print against light and heat for several decades. Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding effect of depth - for a modern look and non-reflective surface. The Direct Print on Aluminum Dibond is your ideal introduction to art reproductions manufactured on aluminum. The colors of the print are luminous in the highest definition, fine details appear very clear, and there’s a matte appearance you can literally feel. The UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely stylish way to showcase fine art prints, since it puts 100% of the viewer’s attention on the image. Poster print (canvas material): The Artprinta poster is a printed canvas with a slightly roughened structure on the surface, that resembles the actual work of art. It is used for putting the art copy with the help of a special frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print to facilitate the framing with your custom frame. Important legal note: We try all that we can to depict our art products with as many details as possible and to display them visually on the different product detail pages. Still, the tone of the print materials and the imprint may differ to a certain extent from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, not all colors can be printed one hundret percent realistically. Because our fine art prints are processed and printed manually, there may also be minor deviations in the exact position and the size of the motif. Product details Product categorization: fine art reproduction Reproduction method: digital reproduction Production process: UV direct print Production: Germany Type of stock: on demand production Intended product usage: wall gallery, wall art Image alignment: square format Image ratio: 1 : 1 Image aspect ratio interpretation: the length is equal to the width Available options: canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond), poster print (canvas paper) Canvas print (canvas on stretcher frame) variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71" Acrylic glass print (with real glass coating) options: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71" Poster print (canvas paper) size options: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" Aluminium print (aluminium dibond material) size variants: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" Framing of the art reproduction: not available Background data about the artpiece Piece of art title: "Afternoon - Yellow Room" Artwork classification: painting Category: modern art Artwork century: 20th century Created in the year: 1910 Approximate age of artwork: over 110 years old Artwork original medium: oil on canvas Size of the original artpiece: 32 x 32 in Museum: Indianapolis Museum of Art Place of museum: Indianapolis, Indiana, United States of America Website of the museum: Indianapolis Museum of Art License type: public domain Courtesy of: Indianapolis Museum of Art About the painter Name: Frederick Carl Frieseke Alternative names: friesecke, Frieseke Frederick C., Frieseke Frederick Carl, f.c. frieseke, Frieseke, Frederick C. Frieseke, Frederick Carl Frieseke, friesecke f.c. Artist gender: male Nationality of artist: American Professions of the artist: painter Home country: United States Classification: modern artist Art styles: Impressionism Age at death: 65 years Born in the year: 1874 Place of birth: Owosso, Shiawassee county, Michigan, United States Died: 1939 City of death: New York City, New York state, United States This text is protected by copyright © , www.artprinta.com (Artprinta) Original artwork description from Indianapolis Museum of Art (© Copyright - Indianapolis Museum of Art - Indianapolis Museum of Art) Gallery label: The colorful patterns and glowing sunshine here are signature elements of Frieseke’s work. He painted his wife in this same room under various light effects that he used to heighten the sparkle of the patterning around her. Look closely at the painting and you will see a ghostly image above the hand on the woman’s lap. This is called a pentimento, meaning “repentance” in Italian. These occur when the paint becomes more transparent with age and reveals changes made by the artist. To find out what was hidden, an infrared reflectogram (IRR) image of the painting was taken (shown below). The IRR shows that the woman was originally holding an open book. The artist painted it out and shifted the position of the woman’s hand. Indianapolis Museum of Art American Painting and Sculpture to 1945 James E. Roberts Fund

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Biography of Frederick Carl Frieseke courtesy of Shiawassee District Library, Owosso, Michigan © Shiawassee District Library Frederick Carl Frieseke (1874 – 1939) was born in Owosso, Michigan in 1874 to Herman Carl and Eva (Graham) Frieseke. After graduating from Owosso High School in 1893, Frieseke went on to study art at the Chicago Art Institute for a year. In 1895 he moved to New York to study at the Art Students' League, and in 1898 he moved to Paris where he enrolled at the Academie Julian and was influenced by James A. M. Whistler. During these first few years in Paris, Frieseke spent part of his time doing work commissioned by Rodman Wanamaker. He was also commissioned to paint murals for Wanamaker's store in New York and the Shelbourne Hotel in Atlantic City, New Jersey. Wanamaker's interest is credited with providing Frieseke freedom from pursuits other than painting. In 1906 Frieseke rented the house next door to Claude Monet in Giverny, France for the summer. He and his wife, Sarah Ann O'Bryan, whom he married in 1905, and later their daughter Frances spent their summers there until about 1919. Many of Frieseke's paintings were set in this house or its garden. Frieseke was increasingly dissatisfied with the formal art forms of his time. In an interview with Clara T. MacChesney, probably in 1912, he considered himself an impressionist and said, "No artist in [the impressionist] school has influenced me except, perhaps, Renoir." His principal concerns were the varied effects of sunlight. As he said himself, "It is sunshine, flowers in sunshine; girls in sunshine; the nude in sunshine, which I have been principally interested in. If I could only reproduce it exactly as I see it I would be satisfied." His subjects were often women seated in sunny gardens or boudoirs. Occasionally he also painted landscapes, still-lifes, and nudes. As he grew older, he painted more of his own life, including his wife and daughter. Frieseke's paintings won many honours beginning with a silver medal at the St. Louis Exposition in 1904; he also won the gold medal in Munich that same year. The climax in a succession of honours was reached in 1915 when he won the grand prize at the Panama-Pacific Exposition in San Francisco. In 1920 his painting "Torn Lingerie" won two gold medals and the popular prize at the Chicago Art Institute, based upon the opinions of both other artists and the general public. 1915 Torn Lingerie oil on canvas 131.4 x 131.1 cm After the First World War, Frieseke purchased a country home in Normandy. He preferred living in France to the United States because of the freedom it offered him. As his grandson Nicholas Kilmer noted, the Friesekes lived in Normandy for two reasons - first the trout fishing was good and second Frieseke was not required "to make a noise like an artist." Frieseke himself said, "I stay on here because I am more free and there are not the Puritanical restrictions which prevail in America . . . I can paint a nude in my garden or down by the fish pond and not be run out of town." Frieseke, however, continued to consider himself an American and made occasional trips back to the States. In 1904 the French government purchased his "Before the Glass," and it was hung in the Luxembourg Gallery. In 1912, after his first solo exhibition, Wanamaker gave Frieseke's "La Toilette" to the Metropolitan Museum in New York. 1913 Before Her Appearance ( La Toilette ) oil on canvas 60 x 59 cm Many other museums were also to acquire his paintings including The Art Institute of Chicago, The Minneapolis Institute of Arts, The Detroit Institute of Arts, the Corcoran Gallery of Art in Washington, D.C., and the Modern Gallery in Venice, Italy. Two of his paintings have hung in the Shiawassee District Library - "Lady With the Sunshade," which was a gift to the city of Owosso in 1926, and Holland 1898. A number of other museums, private individuals, and the Shiawassee Arts Council also have some of his paintings. After World War I there was a slow but steady decline in Frieseke's popularity. In spite of continuing awards and the acquisition of his paintings by a number of museums, diminishing sales and negative reviews reflected a change in tastes. Critics saw his work as outmoded and overly conservative and Frieseke as a painter of pretty women. It was also during this time that the mood of his paintings became more contemplative, his colours more sombre, and his compositions more static. His style was becoming less French-Impressionist and moving more towards realism. Frieseke said that "I never compose a picture before Nature, but I paint what I see that is interesting, and which appeals to me at that moment. I put down whatever I see before me. I avoid being conventional as much as possible, for most picture making is conventional. I never change the drawing of a tree, or leave out a bed of flowers. I may not see them, if they do not add to the beauty of the whole." However, his family remembered his wife editing his paintings by removing things from the top of bureaus and tables, which she did not want seen. Frieseke died August 24, 1939 in Normandy and was buried at Mesnil-sur-Blangy in France. This is part 1 of a four-part post on the works of Frederick Carl Frieseke: 1898 Horse in a Field watercolour 25.4 x 35.6 cm 1898-99c Paris, Pont Neuf with Barges watercolour 26.7 x 29.2 cm 1899 Misty Morning on the Seine watercolour 21.3 x 30.2 cm 1900-01c Dutch Landscape watercolour 21.6 x 29.8 cm 1900-01c People in the Park oil on panel 17.8 x 22.9 cm 1900c Man Ploughing watercolour 21 x 29.2 cm 1900c Montparnasse Landscape watercolour 30.5 x 20.3 cm 1901 Brittany Landscape oil on canvas 45.7 x 61 cm 1901 Hélène oil on canvas 65.1 x 81.3 cm 1901 Landscape, Le Pouldu, Brittany watercolour 55.9 x 45.7 cm 1901 Luxembourg Gardens oil on canvas 25.7 x 32 cm 1901-02c Study of the Nude in an Interior oil on canvas 73.7 x 91.4 cm 1901c Mist watercolour 30.5 x 40.6 cm 1902 Lady in Pink oil on board 46.3 x 38 cm 1902-03c Woman before a Mirror oil on canvas 81.3 x 65.4 cm 1902c The Yellow Tulip oil on canvas 81.3 x 63.5 cm 1903 Before the Mirror oil on canvas 92.7 x 65.1 cm 1903 Girl in Pink oil on canvas 81.3 x 66 cm 1903 Medora Clark at the Clark Apartment, Paris oil on canvas 81.3 x 64.8 cm 1903 Sleep oil on canvas 88.9 x 114.3 cm 1903-04c Girl Reading oil on canvas 81.3 x 65.4 cm 1904 Ballerina oil on canvas 146 x 97.2 cm 1904 Tea in the Garden oil on canvas 58.7 x 68.9 cm 1904 The Balcony oil on canvas 50.8 x 61 cm 1904 The Green Sash oil on canvas 116.8 x 81.3 cm 1904-07 Woman with a Flower Basket oil on canvas 149.2 x 121 cm 1904c Nasturtiums oil on canvas 81.3 x 66 cm 1905c Lady with a Parasol oil on canvas 81.9 x 64.8 cm 1906 Rest oil on canvas 127 x 177.8 cm 1906-09c Under the Willows oil on canvas 1906c Lunch in Bed oil on wood 40.6 x 50.8 cm 1907-14c The Parasol oil on canvas 82.5 x 82.5 cm 1907c Portrait of Madame Gely oil on board 50.8 x 61 cm 1908 Lady with Parasol oil on canvas 64.8 x 81.3 cm 1908 Reflections oil on canvas 81.3 x 66 cm 1908 Through the Vines oil on canvas 81.3 x 81.3 cm 1908-09c Late October oil on canvas 65.4 x 81.3 cm 1908-09c The Judas Tree oil on canvas 81.3 x 64.8 cm 1908c Grey Day on the River oil on canvas 66 x 81.3 cm 1908c The Japanese Parasol oil on canvas 81.3 x 64.8 cm 1909 Nude Seated at her Dressing Table oil on canvas 162.2 x 131.1 cm 1909 Reflections oil on canvas 81.3 x 68.9 cm 1909-10c On the River oil on canvas 66 x 81.3 cm 1909 Lady trying on a Hat oil on canvas 162.6 x 129.5 cm 1910 Afternoon - Yellow Room oil on canvas 92.7 x 94 cm 1910 Lady with the Sunshade oil on canvas 81.3 x 81.3 cm 1910-12c In the Garden, Giverny oil on canvas 81.3 x 81.3 cm

Item Number: PE30458-1620 Lady with a Parasol by Frederick Carl Frieseke - Hand Painted Oil Painting - This oil painting reproduction is entirely hand painted by one of our talented artists, and is not a machine generated print or giclee. Each painting is shipped unframed and rolled in a heavy-duty protective shipping tube. 100% hand painted by a professional artist High quality oil paints on artist grade canvas Free shipping and handling within the continental U.S.

Portrait of Frederick Carl Frieseke by Karl Anderson 1910 Frederick Carl Frieseke (1874 – 1939) was an influential impressionist painter - the Michigan-born artist took up permanent residence in France after first arriving there at the age of 24. Although he travelled back to the United States periodically and sent works to be exhibited in his native country, he is most closely linked with the French art colony of Giverny, home of Claude Monet. Frieseke was viewed as the leader of the last generation of American painters to converge at the famous spot, many of whom used the surrounding landscape as a backdrop for, rather than the primary subject of, their compositions. For full biographical notes on Frieseke, and for earlier works, see part 1 also. This is part 2 of a 4-part post on the works of Frederick Carl Frieseke: 1910c Lady in Rose oil on canvas 86.4 x 86.4 cm 1910c Le Pouldu Landscape oil on canvas 45.8 x 60.8 cm © Frances Frieske Kilmer Family Trust 1910c The Birdcage 78.7 x 78.7 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Parasol ( study ) oil on canvas 48.3 x 58.4 cm 1910c The Garden Parasol oil on canvas 144.8 x 194.6 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Umbrella 81.3 x 81.3 cm © Frances Frieske Kilmer Family Trust 1910c The Open Window oil on canvas 130.8 x 101.6 cm 1910c The Yellow Room oil on canvas 81.3 x 81 cm 1911 Garden in June oil on canvas 63.8 x 81.9 cm 1911 The Kitchen Door oil on canvas 81.3 x 66 cm 1911 Woman with a Mirror oil on canvas 81 x 81.3 cm 1911-12 Yellow Tulips oil on canvas 80.6 x 80.6 cm 1911c Breakfast in the Garden oil on canvas 66 x 89.2 cm 1911c Lilies oil on canvas 65.4 x 81.6 cm 1911c Two Young Women in a Garden oil on canvas 81.3 x 64.8 cm 1911c Yellow and Blue oil on canvas 80 x 64.8 cm 1912 Hollyhocks oil on canvas 87.6 x 87.6 cm 1912 Lady on a Gold Couch oil on canvas 96.5 x 127 cm 1912 Summer Reading oil on canvas 91.4 x 91.4 cm 1912 The Flower Garden oil on canvas 32.2 x 34.2 cm 1912 The House in Giverny oil on wood 27 x 35 cm © Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza 1912 Woman at a Dressing Table oil on board 24.1 x 29.8 cm 1912-13c Blue Interior oil on canvas 81.3 x 81.3 cm 1912-13c Foxgloves oil on canvas 66 x 81.3 cm 1912-14c Woman in a Doorway oil on board 34.3 x 26.7 cm 1912c Lady in a Garden oil on canvas 81 x 65.4 cm 1912c On the Balcony oil on canvas 1912c The Blue Garden 1912c Woman before a Mirror oil on canvas 92.7 x 73.7 cm 1913 On the Beach, Corsica oil on panel 26 x 34.9 cm 1913 On the Dunes oil on canvas 81.3 x 66 cm 1913 Venus au Soleil oil on canvas 41.3 x 50.8 cm 1913c Beach in Corsica oil on panel 26 x 34.9 cm 1913c Cherry Blossoms oil on canvas 78.7 x 63.5 cm 1914c Cherry Blossoms oil on canvas 82.5 x 66.7 cm 1913c Garden Mirror oil on canvas 63.5 x 81.3 cm 1913c Hollyhocks oil on canvas 64 x 81.3 cm 1913c In the Doorway ( Good Morning ) oil on canvas 81.3 x 66 cm 1913c On the Beach in Corsica oil on canvas 40.6 x 50.8 cm 1913c The Robe oil on canvas 81.3 x 63.5 cm 1913c Venus in the Sunlight oil on canvas 97.8 x 130.5 cm 1914 Summer oil on canvas 114.3 x 146.7 cm 1914 Sunbath oil on canvas 73.3 x 91.4 cm 1914 Woman Seated in a Garden oil on canvas 66 x 81.3 cm 1914 Woman in an Interior oil on canvas 50.8 x 61 cm 1914c In the Boudoir oil on canvas 64.7 x 80.6 cm © Frances Frieske Kilmer Family Trust 1914c On the Bank oil on canvas 102.9 x 146 cm

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Frederick Carl Frieseke - La Poudreuse

Biography of Frederick Carl Frieseke courtesy of Shiawassee District Library, Owosso, Michigan © Shiawassee District Library Frederick Carl Frieseke (1874 – 1939) was born in Owosso, Michigan in 1874 to Herman Carl and Eva (Graham) Frieseke. After graduating from Owosso High School in 1893, Frieseke went on to study art at the Chicago Art Institute for a year. In 1895 he moved to New York to study at the Art Students' League, and in 1898 he moved to Paris where he enrolled at the Academie Julian and was influenced by James A. M. Whistler. During these first few years in Paris, Frieseke spent part of his time doing work commissioned by Rodman Wanamaker. He was also commissioned to paint murals for Wanamaker's store in New York and the Shelbourne Hotel in Atlantic City, New Jersey. Wanamaker's interest is credited with providing Frieseke freedom from pursuits other than painting. In 1906 Frieseke rented the house next door to Claude Monet in Giverny, France for the summer. He and his wife, Sarah Ann O'Bryan, whom he married in 1905, and later their daughter Frances spent their summers there until about 1919. Many of Frieseke's paintings were set in this house or its garden. Frieseke was increasingly dissatisfied with the formal art forms of his time. In an interview with Clara T. MacChesney, probably in 1912, he considered himself an impressionist and said, "No artist in [the impressionist] school has influenced me except, perhaps, Renoir." His principal concerns were the varied effects of sunlight. As he said himself, "It is sunshine, flowers in sunshine; girls in sunshine; the nude in sunshine, which I have been principally interested in. If I could only reproduce it exactly as I see it I would be satisfied." His subjects were often women seated in sunny gardens or boudoirs. Occasionally he also painted landscapes, still-lifes, and nudes. As he grew older, he painted more of his own life, including his wife and daughter. Frieseke's paintings won many honours beginning with a silver medal at the St. Louis Exposition in 1904; he also won the gold medal in Munich that same year. The climax in a succession of honours was reached in 1915 when he won the grand prize at the Panama-Pacific Exposition in San Francisco. In 1920 his painting "Torn Lingerie" won two gold medals and the popular prize at the Chicago Art Institute, based upon the opinions of both other artists and the general public. 1915 Torn Lingerie oil on canvas 131.4 x 131.1 cm After the First World War, Frieseke purchased a country home in Normandy. He preferred living in France to the United States because of the freedom it offered him. As his grandson Nicholas Kilmer noted, the Friesekes lived in Normandy for two reasons - first the trout fishing was good and second Frieseke was not required "to make a noise like an artist." Frieseke himself said, "I stay on here because I am more free and there are not the Puritanical restrictions which prevail in America . . . I can paint a nude in my garden or down by the fish pond and not be run out of town." Frieseke, however, continued to consider himself an American and made occasional trips back to the States. In 1904 the French government purchased his "Before the Glass," and it was hung in the Luxembourg Gallery. In 1912, after his first solo exhibition, Wanamaker gave Frieseke's "La Toilette" to the Metropolitan Museum in New York. 1913 Before Her Appearance ( La Toilette ) oil on canvas 60 x 59 cm Many other museums were also to acquire his paintings including The Art Institute of Chicago, The Minneapolis Institute of Arts, The Detroit Institute of Arts, the Corcoran Gallery of Art in Washington, D.C., and the Modern Gallery in Venice, Italy. Two of his paintings have hung in the Shiawassee District Library - "Lady With the Sunshade," which was a gift to the city of Owosso in 1926, and Holland 1898. A number of other museums, private individuals, and the Shiawassee Arts Council also have some of his paintings. After World War I there was a slow but steady decline in Frieseke's popularity. In spite of continuing awards and the acquisition of his paintings by a number of museums, diminishing sales and negative reviews reflected a change in tastes. Critics saw his work as outmoded and overly conservative and Frieseke as a painter of pretty women. It was also during this time that the mood of his paintings became more contemplative, his colours more sombre, and his compositions more static. His style was becoming less French-Impressionist and moving more towards realism. Frieseke said that "I never compose a picture before Nature, but I paint what I see that is interesting, and which appeals to me at that moment. I put down whatever I see before me. I avoid being conventional as much as possible, for most picture making is conventional. I never change the drawing of a tree, or leave out a bed of flowers. I may not see them, if they do not add to the beauty of the whole." However, his family remembered his wife editing his paintings by removing things from the top of bureaus and tables, which she did not want seen. Frieseke died August 24, 1939 in Normandy and was buried at Mesnil-sur-Blangy in France. This is part 1 of a four-part post on the works of Frederick Carl Frieseke: 1898 Horse in a Field watercolour 25.4 x 35.6 cm 1898-99c Paris, Pont Neuf with Barges watercolour 26.7 x 29.2 cm 1899 Misty Morning on the Seine watercolour 21.3 x 30.2 cm 1900-01c Dutch Landscape watercolour 21.6 x 29.8 cm 1900-01c People in the Park oil on panel 17.8 x 22.9 cm 1900c Man Ploughing watercolour 21 x 29.2 cm 1900c Montparnasse Landscape watercolour 30.5 x 20.3 cm 1901 Brittany Landscape oil on canvas 45.7 x 61 cm 1901 Hélène oil on canvas 65.1 x 81.3 cm 1901 Landscape, Le Pouldu, Brittany watercolour 55.9 x 45.7 cm 1901 Luxembourg Gardens oil on canvas 25.7 x 32 cm 1901-02c Study of the Nude in an Interior oil on canvas 73.7 x 91.4 cm 1901c Mist watercolour 30.5 x 40.6 cm 1902 Lady in Pink oil on board 46.3 x 38 cm 1902-03c Woman before a Mirror oil on canvas 81.3 x 65.4 cm 1902c The Yellow Tulip oil on canvas 81.3 x 63.5 cm 1903 Before the Mirror oil on canvas 92.7 x 65.1 cm 1903 Girl in Pink oil on canvas 81.3 x 66 cm 1903 Medora Clark at the Clark Apartment, Paris oil on canvas 81.3 x 64.8 cm 1903 Sleep oil on canvas 88.9 x 114.3 cm 1903-04c Girl Reading oil on canvas 81.3 x 65.4 cm 1904 Ballerina oil on canvas 146 x 97.2 cm 1904 Tea in the Garden oil on canvas 58.7 x 68.9 cm 1904 The Balcony oil on canvas 50.8 x 61 cm 1904 The Green Sash oil on canvas 116.8 x 81.3 cm 1904-07 Woman with a Flower Basket oil on canvas 149.2 x 121 cm 1904c Nasturtiums oil on canvas 81.3 x 66 cm 1905c Lady with a Parasol oil on canvas 81.9 x 64.8 cm 1906 Rest oil on canvas 127 x 177.8 cm 1906-09c Under the Willows oil on canvas 1906c Lunch in Bed oil on wood 40.6 x 50.8 cm 1907-14c The Parasol oil on canvas 82.5 x 82.5 cm 1907c Portrait of Madame Gely oil on board 50.8 x 61 cm 1908 Lady with Parasol oil on canvas 64.8 x 81.3 cm 1908 Reflections oil on canvas 81.3 x 66 cm 1908 Through the Vines oil on canvas 81.3 x 81.3 cm 1908-09c Late October oil on canvas 65.4 x 81.3 cm 1908-09c The Judas Tree oil on canvas 81.3 x 64.8 cm 1908c Grey Day on the River oil on canvas 66 x 81.3 cm 1908c The Japanese Parasol oil on canvas 81.3 x 64.8 cm 1909 Nude Seated at her Dressing Table oil on canvas 162.2 x 131.1 cm 1909 Reflections oil on canvas 81.3 x 68.9 cm 1909-10c On the River oil on canvas 66 x 81.3 cm 1909 Lady trying on a Hat oil on canvas 162.6 x 129.5 cm 1910 Afternoon - Yellow Room oil on canvas 92.7 x 94 cm 1910 Lady with the Sunshade oil on canvas 81.3 x 81.3 cm 1910-12c In the Garden, Giverny oil on canvas 81.3 x 81.3 cm

Frederick Frieseke's garden in Giverny, the setting for a number of his finest pictures, is depicted in The Garden with dazzling colour and vitality. Executed at the height of his career, The Garden is a superb example of Frieseke's favourite motif and the very best of this series. Through this philosophy of spontaneous, short brushstrokes and its jewel-like palette, The Garden transforms “the simple, though hardly rustic, everyday life of relaxed enjoyment of sunshine and flowers” into a brilliant display of greens, blues and purples with hints of reds, yellows and the lighter tones of revealed canvas. The sun-filled scene is further dramatised through the blue-striped dress worn by the sitter and also seen in her reflection.” [Christie’s, New York - Oil on canvas, 64.8 x 81.3 cm]

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Portrait of Frederick Carl Frieseke by Karl Anderson 1910 Frederick Carl Frieseke (1874 – 1939) was an influential impressionist painter - the Michigan-born artist took up permanent residence in France after first arriving there at the age of 24. Although he travelled back to the United States periodically and sent works to be exhibited in his native country, he is most closely linked with the French art colony of Giverny, home of Claude Monet. Frieseke was viewed as the leader of the last generation of American painters to converge at the famous spot, many of whom used the surrounding landscape as a backdrop for, rather than the primary subject of, their compositions. For full biographical notes on Frieseke, and for earlier works, see part 1 also. This is part 2 of a 4-part post on the works of Frederick Carl Frieseke: 1910c Lady in Rose oil on canvas 86.4 x 86.4 cm 1910c Le Pouldu Landscape oil on canvas 45.8 x 60.8 cm © Frances Frieske Kilmer Family Trust 1910c The Birdcage 78.7 x 78.7 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Parasol ( study ) oil on canvas 48.3 x 58.4 cm 1910c The Garden Parasol oil on canvas 144.8 x 194.6 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Umbrella 81.3 x 81.3 cm © Frances Frieske Kilmer Family Trust 1910c The Open Window oil on canvas 130.8 x 101.6 cm 1910c The Yellow Room oil on canvas 81.3 x 81 cm 1911 Garden in June oil on canvas 63.8 x 81.9 cm 1911 The Kitchen Door oil on canvas 81.3 x 66 cm 1911 Woman with a Mirror oil on canvas 81 x 81.3 cm 1911-12 Yellow Tulips oil on canvas 80.6 x 80.6 cm 1911c Breakfast in the Garden oil on canvas 66 x 89.2 cm 1911c Lilies oil on canvas 65.4 x 81.6 cm 1911c Two Young Women in a Garden oil on canvas 81.3 x 64.8 cm 1911c Yellow and Blue oil on canvas 80 x 64.8 cm 1912 Hollyhocks oil on canvas 87.6 x 87.6 cm 1912 Lady on a Gold Couch oil on canvas 96.5 x 127 cm 1912 Summer Reading oil on canvas 91.4 x 91.4 cm 1912 The Flower Garden oil on canvas 32.2 x 34.2 cm 1912 The House in Giverny oil on wood 27 x 35 cm © Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza 1912 Woman at a Dressing Table oil on board 24.1 x 29.8 cm 1912-13c Blue Interior oil on canvas 81.3 x 81.3 cm 1912-13c Foxgloves oil on canvas 66 x 81.3 cm 1912-14c Woman in a Doorway oil on board 34.3 x 26.7 cm 1912c Lady in a Garden oil on canvas 81 x 65.4 cm 1912c On the Balcony oil on canvas 1912c The Blue Garden 1912c Woman before a Mirror oil on canvas 92.7 x 73.7 cm 1913 On the Beach, Corsica oil on panel 26 x 34.9 cm 1913 On the Dunes oil on canvas 81.3 x 66 cm 1913 Venus au Soleil oil on canvas 41.3 x 50.8 cm 1913c Beach in Corsica oil on panel 26 x 34.9 cm 1913c Cherry Blossoms oil on canvas 78.7 x 63.5 cm 1914c Cherry Blossoms oil on canvas 82.5 x 66.7 cm 1913c Garden Mirror oil on canvas 63.5 x 81.3 cm 1913c Hollyhocks oil on canvas 64 x 81.3 cm 1913c In the Doorway ( Good Morning ) oil on canvas 81.3 x 66 cm 1913c On the Beach in Corsica oil on canvas 40.6 x 50.8 cm 1913c The Robe oil on canvas 81.3 x 63.5 cm 1913c Venus in the Sunlight oil on canvas 97.8 x 130.5 cm 1914 Summer oil on canvas 114.3 x 146.7 cm 1914 Sunbath oil on canvas 73.3 x 91.4 cm 1914 Woman Seated in a Garden oil on canvas 66 x 81.3 cm 1914 Woman in an Interior oil on canvas 50.8 x 61 cm 1914c In the Boudoir oil on canvas 64.7 x 80.6 cm © Frances Frieske Kilmer Family Trust 1914c On the Bank oil on canvas 102.9 x 146 cm

Frederick Carl Frieseke [American Impressionist artist who painted in France. 1874 – 1939] Biography: en.wikipedia.org/wiki/Frederick_Carl_Frieseke 32.13 in. x 25.75 in. Oil on canvas __ Slight restoration by plumleaves

21" x 28" Frederick Carl Frieseke A Woman in a Doorway premium canvas print reproduced to meet museum quality standards. Our museum quality canvas prints are produced using high-precision print technology for a more accurate reproduction printed on high quality canvas with fade-resistant, archival inks. Our progressive business model allows us to offer works of art to you at the best wholesale pricing, significantly less than art gallery prices, affordable to all. We present a comprehensive collection of exceptional canvas art reproductions by Frederick Carl Frieseke.

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Top 7 Most Famous Paintings by Frederick Carl Frieseke. Frederick Carl Frieseke was an American Impressionist painter who went through the greater part of his time on earth as an ostracized artist in France.

Portrait of Frederick Carl Frieseke by Karl Anderson 1910 Frederick Carl Frieseke (1874 – 1939) was an influential impressionist painter - the Michigan-born artist took up permanent residence in France after first arriving there at the age of 24. Although he travelled back to the United States periodically and sent works to be exhibited in his native country, he is most closely linked with the French art colony of Giverny, home of Claude Monet. Frieseke was viewed as the leader of the last generation of American painters to converge at the famous spot, many of whom used the surrounding landscape as a backdrop for, rather than the primary subject of, their compositions. For full biographical notes on Frieseke, and for earlier works, see part 1 also. This is part 2 of a 4-part post on the works of Frederick Carl Frieseke: 1910c Lady in Rose oil on canvas 86.4 x 86.4 cm 1910c Le Pouldu Landscape oil on canvas 45.8 x 60.8 cm © Frances Frieske Kilmer Family Trust 1910c The Birdcage 78.7 x 78.7 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Parasol ( study ) oil on canvas 48.3 x 58.4 cm 1910c The Garden Parasol oil on canvas 144.8 x 194.6 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Umbrella 81.3 x 81.3 cm © Frances Frieske Kilmer Family Trust 1910c The Open Window oil on canvas 130.8 x 101.6 cm 1910c The Yellow Room oil on canvas 81.3 x 81 cm 1911 Garden in June oil on canvas 63.8 x 81.9 cm 1911 The Kitchen Door oil on canvas 81.3 x 66 cm 1911 Woman with a Mirror oil on canvas 81 x 81.3 cm 1911-12 Yellow Tulips oil on canvas 80.6 x 80.6 cm 1911c Breakfast in the Garden oil on canvas 66 x 89.2 cm 1911c Lilies oil on canvas 65.4 x 81.6 cm 1911c Two Young Women in a Garden oil on canvas 81.3 x 64.8 cm 1911c Yellow and Blue oil on canvas 80 x 64.8 cm 1912 Hollyhocks oil on canvas 87.6 x 87.6 cm 1912 Lady on a Gold Couch oil on canvas 96.5 x 127 cm 1912 Summer Reading oil on canvas 91.4 x 91.4 cm 1912 The Flower Garden oil on canvas 32.2 x 34.2 cm 1912 The House in Giverny oil on wood 27 x 35 cm © Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza 1912 Woman at a Dressing Table oil on board 24.1 x 29.8 cm 1912-13c Blue Interior oil on canvas 81.3 x 81.3 cm 1912-13c Foxgloves oil on canvas 66 x 81.3 cm 1912-14c Woman in a Doorway oil on board 34.3 x 26.7 cm 1912c Lady in a Garden oil on canvas 81 x 65.4 cm 1912c On the Balcony oil on canvas 1912c The Blue Garden 1912c Woman before a Mirror oil on canvas 92.7 x 73.7 cm 1913 On the Beach, Corsica oil on panel 26 x 34.9 cm 1913 On the Dunes oil on canvas 81.3 x 66 cm 1913 Venus au Soleil oil on canvas 41.3 x 50.8 cm 1913c Beach in Corsica oil on panel 26 x 34.9 cm 1913c Cherry Blossoms oil on canvas 78.7 x 63.5 cm 1914c Cherry Blossoms oil on canvas 82.5 x 66.7 cm 1913c Garden Mirror oil on canvas 63.5 x 81.3 cm 1913c Hollyhocks oil on canvas 64 x 81.3 cm 1913c In the Doorway ( Good Morning ) oil on canvas 81.3 x 66 cm 1913c On the Beach in Corsica oil on canvas 40.6 x 50.8 cm 1913c The Robe oil on canvas 81.3 x 63.5 cm 1913c Venus in the Sunlight oil on canvas 97.8 x 130.5 cm 1914 Summer oil on canvas 114.3 x 146.7 cm 1914 Sunbath oil on canvas 73.3 x 91.4 cm 1914 Woman Seated in a Garden oil on canvas 66 x 81.3 cm 1914 Woman in an Interior oil on canvas 50.8 x 61 cm 1914c In the Boudoir oil on canvas 64.7 x 80.6 cm © Frances Frieske Kilmer Family Trust 1914c On the Bank oil on canvas 102.9 x 146 cm

Portrait of Frederick Carl Frieseke by Karl Anderson 1910 Frederick Carl Frieseke (1874 – 1939) was an influential impressionist painter - the Michigan-born artist took up permanent residence in France after first arriving there at the age of 24. Although he travelled back to the United States periodically and sent works to be exhibited in his native country, he is most closely linked with the French art colony of Giverny, home of Claude Monet. Frieseke was viewed as the leader of the last generation of American painters to converge at the famous spot, many of whom used the surrounding landscape as a backdrop for, rather than the primary subject of, their compositions. For full biographical notes on Frieseke, and for earlier works, see part 1 also. This is part 2 of a 4-part post on the works of Frederick Carl Frieseke: 1910c Lady in Rose oil on canvas 86.4 x 86.4 cm 1910c Le Pouldu Landscape oil on canvas 45.8 x 60.8 cm © Frances Frieske Kilmer Family Trust 1910c The Birdcage 78.7 x 78.7 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Parasol ( study ) oil on canvas 48.3 x 58.4 cm 1910c The Garden Parasol oil on canvas 144.8 x 194.6 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Umbrella 81.3 x 81.3 cm © Frances Frieske Kilmer Family Trust 1910c The Open Window oil on canvas 130.8 x 101.6 cm 1910c The Yellow Room oil on canvas 81.3 x 81 cm 1911 Garden in June oil on canvas 63.8 x 81.9 cm 1911 The Kitchen Door oil on canvas 81.3 x 66 cm 1911 Woman with a Mirror oil on canvas 81 x 81.3 cm 1911-12 Yellow Tulips oil on canvas 80.6 x 80.6 cm 1911c Breakfast in the Garden oil on canvas 66 x 89.2 cm 1911c Lilies oil on canvas 65.4 x 81.6 cm 1911c Two Young Women in a Garden oil on canvas 81.3 x 64.8 cm 1911c Yellow and Blue oil on canvas 80 x 64.8 cm 1912 Hollyhocks oil on canvas 87.6 x 87.6 cm 1912 Lady on a Gold Couch oil on canvas 96.5 x 127 cm 1912 Summer Reading oil on canvas 91.4 x 91.4 cm 1912 The Flower Garden oil on canvas 32.2 x 34.2 cm 1912 The House in Giverny oil on wood 27 x 35 cm © Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza 1912 Woman at a Dressing Table oil on board 24.1 x 29.8 cm 1912-13c Blue Interior oil on canvas 81.3 x 81.3 cm 1912-13c Foxgloves oil on canvas 66 x 81.3 cm 1912-14c Woman in a Doorway oil on board 34.3 x 26.7 cm 1912c Lady in a Garden oil on canvas 81 x 65.4 cm 1912c On the Balcony oil on canvas 1912c The Blue Garden 1912c Woman before a Mirror oil on canvas 92.7 x 73.7 cm 1913 On the Beach, Corsica oil on panel 26 x 34.9 cm 1913 On the Dunes oil on canvas 81.3 x 66 cm 1913 Venus au Soleil oil on canvas 41.3 x 50.8 cm 1913c Beach in Corsica oil on panel 26 x 34.9 cm 1913c Cherry Blossoms oil on canvas 78.7 x 63.5 cm 1914c Cherry Blossoms oil on canvas 82.5 x 66.7 cm 1913c Garden Mirror oil on canvas 63.5 x 81.3 cm 1913c Hollyhocks oil on canvas 64 x 81.3 cm 1913c In the Doorway ( Good Morning ) oil on canvas 81.3 x 66 cm 1913c On the Beach in Corsica oil on canvas 40.6 x 50.8 cm 1913c The Robe oil on canvas 81.3 x 63.5 cm 1913c Venus in the Sunlight oil on canvas 97.8 x 130.5 cm 1914 Summer oil on canvas 114.3 x 146.7 cm 1914 Sunbath oil on canvas 73.3 x 91.4 cm 1914 Woman Seated in a Garden oil on canvas 66 x 81.3 cm 1914 Woman in an Interior oil on canvas 50.8 x 61 cm 1914c In the Boudoir oil on canvas 64.7 x 80.6 cm © Frances Frieske Kilmer Family Trust 1914c On the Bank oil on canvas 102.9 x 146 cm

Biography of Frederick Carl Frieseke courtesy of Shiawassee District Library, Owosso, Michigan © Shiawassee District Library Frederick Carl Frieseke (1874 – 1939) was born in Owosso, Michigan in 1874 to Herman Carl and Eva (Graham) Frieseke. After graduating from Owosso High School in 1893, Frieseke went on to study art at the Chicago Art Institute for a year. In 1895 he moved to New York to study at the Art Students' League, and in 1898 he moved to Paris where he enrolled at the Academie Julian and was influenced by James A. M. Whistler. During these first few years in Paris, Frieseke spent part of his time doing work commissioned by Rodman Wanamaker. He was also commissioned to paint murals for Wanamaker's store in New York and the Shelbourne Hotel in Atlantic City, New Jersey. Wanamaker's interest is credited with providing Frieseke freedom from pursuits other than painting. In 1906 Frieseke rented the house next door to Claude Monet in Giverny, France for the summer. He and his wife, Sarah Ann O'Bryan, whom he married in 1905, and later their daughter Frances spent their summers there until about 1919. Many of Frieseke's paintings were set in this house or its garden. Frieseke was increasingly dissatisfied with the formal art forms of his time. In an interview with Clara T. MacChesney, probably in 1912, he considered himself an impressionist and said, "No artist in [the impressionist] school has influenced me except, perhaps, Renoir." His principal concerns were the varied effects of sunlight. As he said himself, "It is sunshine, flowers in sunshine; girls in sunshine; the nude in sunshine, which I have been principally interested in. If I could only reproduce it exactly as I see it I would be satisfied." His subjects were often women seated in sunny gardens or boudoirs. Occasionally he also painted landscapes, still-lifes, and nudes. As he grew older, he painted more of his own life, including his wife and daughter. Frieseke's paintings won many honours beginning with a silver medal at the St. Louis Exposition in 1904; he also won the gold medal in Munich that same year. The climax in a succession of honours was reached in 1915 when he won the grand prize at the Panama-Pacific Exposition in San Francisco. In 1920 his painting "Torn Lingerie" won two gold medals and the popular prize at the Chicago Art Institute, based upon the opinions of both other artists and the general public. 1915 Torn Lingerie oil on canvas 131.4 x 131.1 cm After the First World War, Frieseke purchased a country home in Normandy. He preferred living in France to the United States because of the freedom it offered him. As his grandson Nicholas Kilmer noted, the Friesekes lived in Normandy for two reasons - first the trout fishing was good and second Frieseke was not required "to make a noise like an artist." Frieseke himself said, "I stay on here because I am more free and there are not the Puritanical restrictions which prevail in America . . . I can paint a nude in my garden or down by the fish pond and not be run out of town." Frieseke, however, continued to consider himself an American and made occasional trips back to the States. In 1904 the French government purchased his "Before the Glass," and it was hung in the Luxembourg Gallery. In 1912, after his first solo exhibition, Wanamaker gave Frieseke's "La Toilette" to the Metropolitan Museum in New York. 1913 Before Her Appearance ( La Toilette ) oil on canvas 60 x 59 cm Many other museums were also to acquire his paintings including The Art Institute of Chicago, The Minneapolis Institute of Arts, The Detroit Institute of Arts, the Corcoran Gallery of Art in Washington, D.C., and the Modern Gallery in Venice, Italy. Two of his paintings have hung in the Shiawassee District Library - "Lady With the Sunshade," which was a gift to the city of Owosso in 1926, and Holland 1898. A number of other museums, private individuals, and the Shiawassee Arts Council also have some of his paintings. After World War I there was a slow but steady decline in Frieseke's popularity. In spite of continuing awards and the acquisition of his paintings by a number of museums, diminishing sales and negative reviews reflected a change in tastes. Critics saw his work as outmoded and overly conservative and Frieseke as a painter of pretty women. It was also during this time that the mood of his paintings became more contemplative, his colours more sombre, and his compositions more static. His style was becoming less French-Impressionist and moving more towards realism. Frieseke said that "I never compose a picture before Nature, but I paint what I see that is interesting, and which appeals to me at that moment. I put down whatever I see before me. I avoid being conventional as much as possible, for most picture making is conventional. I never change the drawing of a tree, or leave out a bed of flowers. I may not see them, if they do not add to the beauty of the whole." However, his family remembered his wife editing his paintings by removing things from the top of bureaus and tables, which she did not want seen. Frieseke died August 24, 1939 in Normandy and was buried at Mesnil-sur-Blangy in France. This is part 1 of a four-part post on the works of Frederick Carl Frieseke: 1898 Horse in a Field watercolour 25.4 x 35.6 cm 1898-99c Paris, Pont Neuf with Barges watercolour 26.7 x 29.2 cm 1899 Misty Morning on the Seine watercolour 21.3 x 30.2 cm 1900-01c Dutch Landscape watercolour 21.6 x 29.8 cm 1900-01c People in the Park oil on panel 17.8 x 22.9 cm 1900c Man Ploughing watercolour 21 x 29.2 cm 1900c Montparnasse Landscape watercolour 30.5 x 20.3 cm 1901 Brittany Landscape oil on canvas 45.7 x 61 cm 1901 Hélène oil on canvas 65.1 x 81.3 cm 1901 Landscape, Le Pouldu, Brittany watercolour 55.9 x 45.7 cm 1901 Luxembourg Gardens oil on canvas 25.7 x 32 cm 1901-02c Study of the Nude in an Interior oil on canvas 73.7 x 91.4 cm 1901c Mist watercolour 30.5 x 40.6 cm 1902 Lady in Pink oil on board 46.3 x 38 cm 1902-03c Woman before a Mirror oil on canvas 81.3 x 65.4 cm 1902c The Yellow Tulip oil on canvas 81.3 x 63.5 cm 1903 Before the Mirror oil on canvas 92.7 x 65.1 cm 1903 Girl in Pink oil on canvas 81.3 x 66 cm 1903 Medora Clark at the Clark Apartment, Paris oil on canvas 81.3 x 64.8 cm 1903 Sleep oil on canvas 88.9 x 114.3 cm 1903-04c Girl Reading oil on canvas 81.3 x 65.4 cm 1904 Ballerina oil on canvas 146 x 97.2 cm 1904 Tea in the Garden oil on canvas 58.7 x 68.9 cm 1904 The Balcony oil on canvas 50.8 x 61 cm 1904 The Green Sash oil on canvas 116.8 x 81.3 cm 1904-07 Woman with a Flower Basket oil on canvas 149.2 x 121 cm 1904c Nasturtiums oil on canvas 81.3 x 66 cm 1905c Lady with a Parasol oil on canvas 81.9 x 64.8 cm 1906 Rest oil on canvas 127 x 177.8 cm 1906-09c Under the Willows oil on canvas 1906c Lunch in Bed oil on wood 40.6 x 50.8 cm 1907-14c The Parasol oil on canvas 82.5 x 82.5 cm 1907c Portrait of Madame Gely oil on board 50.8 x 61 cm 1908 Lady with Parasol oil on canvas 64.8 x 81.3 cm 1908 Reflections oil on canvas 81.3 x 66 cm 1908 Through the Vines oil on canvas 81.3 x 81.3 cm 1908-09c Late October oil on canvas 65.4 x 81.3 cm 1908-09c The Judas Tree oil on canvas 81.3 x 64.8 cm 1908c Grey Day on the River oil on canvas 66 x 81.3 cm 1908c The Japanese Parasol oil on canvas 81.3 x 64.8 cm 1909 Nude Seated at her Dressing Table oil on canvas 162.2 x 131.1 cm 1909 Reflections oil on canvas 81.3 x 68.9 cm 1909-10c On the River oil on canvas 66 x 81.3 cm 1909 Lady trying on a Hat oil on canvas 162.6 x 129.5 cm 1910 Afternoon - Yellow Room oil on canvas 92.7 x 94 cm 1910 Lady with the Sunshade oil on canvas 81.3 x 81.3 cm 1910-12c In the Garden, Giverny oil on canvas 81.3 x 81.3 cm

Biography of Frederick Carl Frieseke courtesy of Shiawassee District Library, Owosso, Michigan © Shiawassee District Library Frederick Carl Frieseke (1874 – 1939) was born in Owosso, Michigan in 1874 to Herman Carl and Eva (Graham) Frieseke. After graduating from Owosso High School in 1893, Frieseke went on to study art at the Chicago Art Institute for a year. In 1895 he moved to New York to study at the Art Students' League, and in 1898 he moved to Paris where he enrolled at the Academie Julian and was influenced by James A. M. Whistler. During these first few years in Paris, Frieseke spent part of his time doing work commissioned by Rodman Wanamaker. He was also commissioned to paint murals for Wanamaker's store in New York and the Shelbourne Hotel in Atlantic City, New Jersey. Wanamaker's interest is credited with providing Frieseke freedom from pursuits other than painting. In 1906 Frieseke rented the house next door to Claude Monet in Giverny, France for the summer. He and his wife, Sarah Ann O'Bryan, whom he married in 1905, and later their daughter Frances spent their summers there until about 1919. Many of Frieseke's paintings were set in this house or its garden. Frieseke was increasingly dissatisfied with the formal art forms of his time. In an interview with Clara T. MacChesney, probably in 1912, he considered himself an impressionist and said, "No artist in [the impressionist] school has influenced me except, perhaps, Renoir." His principal concerns were the varied effects of sunlight. As he said himself, "It is sunshine, flowers in sunshine; girls in sunshine; the nude in sunshine, which I have been principally interested in. If I could only reproduce it exactly as I see it I would be satisfied." His subjects were often women seated in sunny gardens or boudoirs. Occasionally he also painted landscapes, still-lifes, and nudes. As he grew older, he painted more of his own life, including his wife and daughter. Frieseke's paintings won many honours beginning with a silver medal at the St. Louis Exposition in 1904; he also won the gold medal in Munich that same year. The climax in a succession of honours was reached in 1915 when he won the grand prize at the Panama-Pacific Exposition in San Francisco. In 1920 his painting "Torn Lingerie" won two gold medals and the popular prize at the Chicago Art Institute, based upon the opinions of both other artists and the general public. 1915 Torn Lingerie oil on canvas 131.4 x 131.1 cm After the First World War, Frieseke purchased a country home in Normandy. He preferred living in France to the United States because of the freedom it offered him. As his grandson Nicholas Kilmer noted, the Friesekes lived in Normandy for two reasons - first the trout fishing was good and second Frieseke was not required "to make a noise like an artist." Frieseke himself said, "I stay on here because I am more free and there are not the Puritanical restrictions which prevail in America . . . I can paint a nude in my garden or down by the fish pond and not be run out of town." Frieseke, however, continued to consider himself an American and made occasional trips back to the States. In 1904 the French government purchased his "Before the Glass," and it was hung in the Luxembourg Gallery. In 1912, after his first solo exhibition, Wanamaker gave Frieseke's "La Toilette" to the Metropolitan Museum in New York. 1913 Before Her Appearance ( La Toilette ) oil on canvas 60 x 59 cm Many other museums were also to acquire his paintings including The Art Institute of Chicago, The Minneapolis Institute of Arts, The Detroit Institute of Arts, the Corcoran Gallery of Art in Washington, D.C., and the Modern Gallery in Venice, Italy. Two of his paintings have hung in the Shiawassee District Library - "Lady With the Sunshade," which was a gift to the city of Owosso in 1926, and Holland 1898. A number of other museums, private individuals, and the Shiawassee Arts Council also have some of his paintings. After World War I there was a slow but steady decline in Frieseke's popularity. In spite of continuing awards and the acquisition of his paintings by a number of museums, diminishing sales and negative reviews reflected a change in tastes. Critics saw his work as outmoded and overly conservative and Frieseke as a painter of pretty women. It was also during this time that the mood of his paintings became more contemplative, his colours more sombre, and his compositions more static. His style was becoming less French-Impressionist and moving more towards realism. Frieseke said that "I never compose a picture before Nature, but I paint what I see that is interesting, and which appeals to me at that moment. I put down whatever I see before me. I avoid being conventional as much as possible, for most picture making is conventional. I never change the drawing of a tree, or leave out a bed of flowers. I may not see them, if they do not add to the beauty of the whole." However, his family remembered his wife editing his paintings by removing things from the top of bureaus and tables, which she did not want seen. Frieseke died August 24, 1939 in Normandy and was buried at Mesnil-sur-Blangy in France. This is part 1 of a four-part post on the works of Frederick Carl Frieseke: 1898 Horse in a Field watercolour 25.4 x 35.6 cm 1898-99c Paris, Pont Neuf with Barges watercolour 26.7 x 29.2 cm 1899 Misty Morning on the Seine watercolour 21.3 x 30.2 cm 1900-01c Dutch Landscape watercolour 21.6 x 29.8 cm 1900-01c People in the Park oil on panel 17.8 x 22.9 cm 1900c Man Ploughing watercolour 21 x 29.2 cm 1900c Montparnasse Landscape watercolour 30.5 x 20.3 cm 1901 Brittany Landscape oil on canvas 45.7 x 61 cm 1901 Hélène oil on canvas 65.1 x 81.3 cm 1901 Landscape, Le Pouldu, Brittany watercolour 55.9 x 45.7 cm 1901 Luxembourg Gardens oil on canvas 25.7 x 32 cm 1901-02c Study of the Nude in an Interior oil on canvas 73.7 x 91.4 cm 1901c Mist watercolour 30.5 x 40.6 cm 1902 Lady in Pink oil on board 46.3 x 38 cm 1902-03c Woman before a Mirror oil on canvas 81.3 x 65.4 cm 1902c The Yellow Tulip oil on canvas 81.3 x 63.5 cm 1903 Before the Mirror oil on canvas 92.7 x 65.1 cm 1903 Girl in Pink oil on canvas 81.3 x 66 cm 1903 Medora Clark at the Clark Apartment, Paris oil on canvas 81.3 x 64.8 cm 1903 Sleep oil on canvas 88.9 x 114.3 cm 1903-04c Girl Reading oil on canvas 81.3 x 65.4 cm 1904 Ballerina oil on canvas 146 x 97.2 cm 1904 Tea in the Garden oil on canvas 58.7 x 68.9 cm 1904 The Balcony oil on canvas 50.8 x 61 cm 1904 The Green Sash oil on canvas 116.8 x 81.3 cm 1904-07 Woman with a Flower Basket oil on canvas 149.2 x 121 cm 1904c Nasturtiums oil on canvas 81.3 x 66 cm 1905c Lady with a Parasol oil on canvas 81.9 x 64.8 cm 1906 Rest oil on canvas 127 x 177.8 cm 1906-09c Under the Willows oil on canvas 1906c Lunch in Bed oil on wood 40.6 x 50.8 cm 1907-14c The Parasol oil on canvas 82.5 x 82.5 cm 1907c Portrait of Madame Gely oil on board 50.8 x 61 cm 1908 Lady with Parasol oil on canvas 64.8 x 81.3 cm 1908 Reflections oil on canvas 81.3 x 66 cm 1908 Through the Vines oil on canvas 81.3 x 81.3 cm 1908-09c Late October oil on canvas 65.4 x 81.3 cm 1908-09c The Judas Tree oil on canvas 81.3 x 64.8 cm 1908c Grey Day on the River oil on canvas 66 x 81.3 cm 1908c The Japanese Parasol oil on canvas 81.3 x 64.8 cm 1909 Nude Seated at her Dressing Table oil on canvas 162.2 x 131.1 cm 1909 Reflections oil on canvas 81.3 x 68.9 cm 1909-10c On the River oil on canvas 66 x 81.3 cm 1909 Lady trying on a Hat oil on canvas 162.6 x 129.5 cm 1910 Afternoon - Yellow Room oil on canvas 92.7 x 94 cm 1910 Lady with the Sunshade oil on canvas 81.3 x 81.3 cm 1910-12c In the Garden, Giverny oil on canvas 81.3 x 81.3 cm

Self-Portrait 1901 watercolour 33 x 25.4 cm Frederick Carl Frieseke (1874 – 1939) was an influential impressionist painter - the Michigan-born artist took up permanent residence in France after first arriving there at the age of 24. Although he travelled back to the United States periodically and sent works to be exhibited in his native country, he is most closely linked with the French art colony of Giverny, home of Claude Monet. Frieseke was viewed as the leader of the last generation of American painters to converge at the famous spot, many of whom used the surrounding landscape as a backdrop for, rather than the primary subject of, their compositions. For full biographical notes on Frieseke see part 1, and for earlier works, see parts 1 - 2 also. This is part 3 of a 4-part post on the works of Frederick Carl Frieseke: 1914c Sun and Wind oil on canvas 81.6 x 65.4 cm 1914c The Hour of Tea oil on canvas 95.6 x 141.3 cm 1914c Two Women on the Grass oil on board 45.7 x 59.4 cm 1914c Woman in Boudoir oil on canvas 48.7 x 61 cm 1915 Memories oil on canvas 131.5 x 130.3 cm 1915 On the Bank oil on canvas 102.8 x 146 cm 1915 The Mother oil on canvas 99.1 x 99.1 cm 1915c Baby in Pram oil on canvas 66 x 81.3 cm 1915 The Rose Peignoir oil on canvas 81.9 x 81.3 cm 1915 Unravelling Silk oil on canvas 81.9 x 82.2 cm 1915c Frances ( study ) oil on cardboard 30.5 x 30.5 cm 1915c Hill at Giverny oil on canvas 66 x 81.3 cm 1915c Nude on the Beach 1915c Sewing in the Garden 1915c Sunspots oil on canvas 73 x 92.7 cm 1915c The Garden 1915c The Hammock ( study ) oil on board 29.8 x 37.5 cm 1915c The Hammock oil on canvas 99 x 132.1 cm 1915c The Window oil on canvas 101.6 x 101.6 cm 1916 Under the Awning oil on canvas 101 x 152.4 cm 1916c Sewing in the Garden oil on canvas 80 x 80 cm 1917 The Blue Gown oil on canvas 99.1 x 152.4 cm 1917-19 The Gold Locket oil on board 74.9 x 74.9 cm 1918c Girl in Blue oil on canvas 81.3 x 81.3 cm 1917c By the Cradle oil on canvas 45.7 x 66 cm 1917c Girl with Earrings ( study ) oil on cardboard 25.4 x 35.6 cm 1917c Girl with Earrings oil on canvas 81.3 x 81.3 cm 1917c Peace oil on canvas 101.6 x 152.7 cm 1917c Rest oil on canvas 66 x 81.3 cm 1917c Woman Tying Her Shoe oil on canvas 34.9 x 26.7 cm 1918 At the Dressing Table oil on canvas 81.3 x 81.3 cm 1918 Summer Morning oil on canvas 81.3 x 64.8 cm 1918 The Green Chair oil on board 73.7 x 59.7 cm 1919c The Old Fashioned Gown oil on canvas 81.3 x 64.8 cm 1920 Nude in Window oil on canvas 91.4 x 71.1 cm 1920 Seated Nude oil on canvas 99.1 x 132.4 cm 1920-21 The Crinoline oil on canvas 50.2 x 61 cm 1920c Nude Behind Red Curtains oil on canvas 64.1 x 81.3 cm 1921 Fishing in the Swamp watercolour 19.7 x 24.8 cm 1921 Hoeing, Jacksonville watercolour 19 x 24.1 cm 1921 Mahdah oil on canvas 81.3 x 81.3 cm 1921 Night, Orange Grove watercolour 18.4 x 25.7 cm

Portrait of Frederick Carl Frieseke by Karl Anderson 1910 Frederick Carl Frieseke (1874 – 1939) was an influential impressionist painter - the Michigan-born artist took up permanent residence in France after first arriving there at the age of 24. Although he travelled back to the United States periodically and sent works to be exhibited in his native country, he is most closely linked with the French art colony of Giverny, home of Claude Monet. Frieseke was viewed as the leader of the last generation of American painters to converge at the famous spot, many of whom used the surrounding landscape as a backdrop for, rather than the primary subject of, their compositions. For full biographical notes on Frieseke, and for earlier works, see part 1 also. This is part 2 of a 4-part post on the works of Frederick Carl Frieseke: 1910c Lady in Rose oil on canvas 86.4 x 86.4 cm 1910c Le Pouldu Landscape oil on canvas 45.8 x 60.8 cm © Frances Frieske Kilmer Family Trust 1910c The Birdcage 78.7 x 78.7 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Parasol ( study ) oil on canvas 48.3 x 58.4 cm 1910c The Garden Parasol oil on canvas 144.8 x 194.6 cm © Frances Frieske Kilmer Family Trust 1910c The Garden Umbrella 81.3 x 81.3 cm © Frances Frieske Kilmer Family Trust 1910c The Open Window oil on canvas 130.8 x 101.6 cm 1910c The Yellow Room oil on canvas 81.3 x 81 cm 1911 Garden in June oil on canvas 63.8 x 81.9 cm 1911 The Kitchen Door oil on canvas 81.3 x 66 cm 1911 Woman with a Mirror oil on canvas 81 x 81.3 cm 1911-12 Yellow Tulips oil on canvas 80.6 x 80.6 cm 1911c Breakfast in the Garden oil on canvas 66 x 89.2 cm 1911c Lilies oil on canvas 65.4 x 81.6 cm 1911c Two Young Women in a Garden oil on canvas 81.3 x 64.8 cm 1911c Yellow and Blue oil on canvas 80 x 64.8 cm 1912 Hollyhocks oil on canvas 87.6 x 87.6 cm 1912 Lady on a Gold Couch oil on canvas 96.5 x 127 cm 1912 Summer Reading oil on canvas 91.4 x 91.4 cm 1912 The Flower Garden oil on canvas 32.2 x 34.2 cm 1912 The House in Giverny oil on wood 27 x 35 cm © Colección Carmen Thyssen-Bornemisza en depósito en el Museo Thyssen-Bornemisza 1912 Woman at a Dressing Table oil on board 24.1 x 29.8 cm 1912-13c Blue Interior oil on canvas 81.3 x 81.3 cm 1912-13c Foxgloves oil on canvas 66 x 81.3 cm 1912-14c Woman in a Doorway oil on board 34.3 x 26.7 cm 1912c Lady in a Garden oil on canvas 81 x 65.4 cm 1912c On the Balcony oil on canvas 1912c The Blue Garden 1912c Woman before a Mirror oil on canvas 92.7 x 73.7 cm 1913 On the Beach, Corsica oil on panel 26 x 34.9 cm 1913 On the Dunes oil on canvas 81.3 x 66 cm 1913 Venus au Soleil oil on canvas 41.3 x 50.8 cm 1913c Beach in Corsica oil on panel 26 x 34.9 cm 1913c Cherry Blossoms oil on canvas 78.7 x 63.5 cm 1914c Cherry Blossoms oil on canvas 82.5 x 66.7 cm 1913c Garden Mirror oil on canvas 63.5 x 81.3 cm 1913c Hollyhocks oil on canvas 64 x 81.3 cm 1913c In the Doorway ( Good Morning ) oil on canvas 81.3 x 66 cm 1913c On the Beach in Corsica oil on canvas 40.6 x 50.8 cm 1913c The Robe oil on canvas 81.3 x 63.5 cm 1913c Venus in the Sunlight oil on canvas 97.8 x 130.5 cm 1914 Summer oil on canvas 114.3 x 146.7 cm 1914 Sunbath oil on canvas 73.3 x 91.4 cm 1914 Woman Seated in a Garden oil on canvas 66 x 81.3 cm 1914 Woman in an Interior oil on canvas 50.8 x 61 cm 1914c In the Boudoir oil on canvas 64.7 x 80.6 cm © Frances Frieske Kilmer Family Trust 1914c On the Bank oil on canvas 102.9 x 146 cm