Bestel Caspar David Friedrich - Abdij in het Eichwald als print. Kies zelf de maat en het materiaal. Snel geleverd, hoge kwaliteit.
Bestelle Der Wanderer über dem Nebelmeer, Caspar David Friedrich von Meisterhafte Meister als Kunstdruck. Wähle Material und Größe selbst. Schnelle Lieferung, hohe Qualität.
Maître du paysage tragique, Caspar David Friedrich (1774-1840), contemporain de Goethe, est l’un des acteurs du romantisme allemand.
‘Ruine Oybin’, Caspar David Friedrich, oil on canvas, 1812. Also available as part of the Caspar David Friedrich collection. Blank inside, so suitable for birthdays, anniversaries, and all occasions. Dimensions: 178mm by 127mm (landscape). Printed on 300gsm FSC approved Invercote card stock using high quality inks to retain the colours of the original image. Each card is supplied with a white laid envelope, so you can share them with friends and family.
« We visited Friedrich's atelier today. Listening to him and seeing his paintings was wonderful. He has some bonhomie which pleases people and his paintings reveal his romantic imagination. As a rule, he expresses in them one thought or feeling, though vaguely. You may meditate over his paintings but not have a clear understanding of them, for they are vague even in his soul. They are dreams or daydreams. He often employs very simple natural things, such as an ice block floating on sea waves, a few trees in a dale, window of his room (facing the beautiful Elbe), knight meditating over ruins or tombstones, monk staring into the distance or below his feet: all this captivates your soul, plunges you into dreams, all invokes your imagination, powerfully though vaguely » Alexander Turgenev ____________________________________ Caspar David Friedrich - Inside the forest under moolight ____________________________________ « I have to stay alone in order to fully contemplate and feel nature » Caspar David Friedrich _____________________________________ Caspar David Friedrich [1774 - 1840] ______________________________________ Caspar David Friedrich - Abbey among the oak trees Caspar David Friedrich - Brume matinale dans les montagnes - 1808 Caspar David Friedrich - Cemetery entrance Caspar David Friedrich - Croix surplombant la mer baltique - 1815 Caspar David Friedrich - Cygnes dans les roseaux - 1820 Caspar David Friedrich - Deux hommes contemplant la lune Caspar David Friedrich - Façade ouest de la ruine d'Edelna - 1806 Caspar David Friedrich - Falaise de craie sur l'île de Rügen - 1818 Caspar David Friedrich - Forêt en fin d'automne - 1835 Caspar David Friedrich - Grave by the sea - 1807 Caspar David Friedrich - Griefswald au clair de lune - 1817 Caspar David Friedrich - Homme et femme contemplant la lune Caspar David Friedrich - L'arbre au corbeau - 1822 Caspar David Friedrich - Le chasseur dans la forêt Caspar David Friedrich - Le moine au bord de la mer - 1809 Caspar David Friedrich - Le soir - 1821 Caspar David Friedrich - Le voyageur au-dessus de la mer de nuages - 1818 Caspar David Friedrich - Moine dans la neige - 1808 Caspar David Friedrich - Moonrise over the sea - 1822 Caspar David Friedrich - Nebel - 1807 Caspar David Friedrich - On the sailing vessel - 1818 Caspar David Friedrich - Paysage d'hiver - 1811 Caspar David Friedrich - Rocky ravine - 1823 Friedrich Caspar David - Ruines du monastère d'Eldena dans le massif des Géants - 1832 Friedrich Caspar David - Ruines du monastère Oybin (Le rêveur) - 1835 Friedrich Caspar David - Sea Shore in Moonlight - 1835-36 Friedrich Caspar David - Seashore by Moonlight -1830 Caspar David Friedrich - Sunset Friedrich Caspar David - Temple de Junon à Agrigente - 1828-30 Friedrich Caspar David - The Abbey in the Oakwood - 1809-10 Friedrich Caspar David - The big enclosure - 1832 Friedrich Caspar David - The Cemetery Gate Friedrich Caspar David - The Rock Gates in Neurathen - 1827 Friedrich Caspar David - The Sea of Ice - 1824 Friedrich Caspar David - The Times of Day - The midday Friedrich Caspar David - The Times of Day - The morning - 1821 Friedrich Caspar David - Tombe de Kügelgen - 1822 Friedrich Caspar David - Tombeau hun à l'automne - 1820 Friedrich Caspar David - Tombeau hun sous la neige - 1807 Friedrich Caspar David - Village Landscape in Morning Light (The Lone Tree) - 1822 Friedrich Caspar David - Winter Landscape with church ___________________________________ « Close your bodily eye, that you may see your picture first with the eye of the spirit. Then bring to light what you have seen in the darkness, that its effect may work back, from without to within. » Caspar David Friedrich Friedrich Caspar David - Self portrait - 1800 « If the artist sees nothing within him, then he should also refrain from painting what he sees before him ». Caspar David Friedrich ___________________________________ ARTIFEX IN OPERE : Caspar David Friedrich ___________________________________ Friedrich Caspar David - Woman before the Rising Sun - 1818-20 « I am not so weak as to submit to the demands of the age when they go against my convictions. I spin a cocoon around myself; let others do the same. I shall leave it to time to show what will come of it: a brilliant butterfly or maggot. » Caspar David Friedrich
c1810-20 Caspar David Friedrich by Gerhard von Kügelgen Biographical information from Wikipedia: Caspar David Friedrich (1774 – 1840) was born in 1774, in Greifswald, Swedish Pomerania on the Baltic coast of Germany. The sixth of ten children, he was brought up in the strict Lutheran creed of his father Adolf Gottlieb Friedrich, a candle-maker and soap boiler. Caspar David was familiar with death from an early age. His mother, Sophie Dorothea Bechly, died in 1781 when he was just seven. A year later, his sister Elisabeth died, while a second sister, Maria, succumbed to typhus in 1791. Arguably the greatest tragedy of his childhood was the 1787 death of his brother Johann Christoffer: at the age of thirteen, Caspar David witnessed his younger brother fall through the ice of a frozen lake and drown. Some accounts suggest that Johann Christoffer perished while trying to rescue Caspar David, who was also in danger on the ice. Friedrich began his formal study of art in 1790 as a private student of artist Johann Gottfried Quistorp at the University of Greifswald. Quistorp took his students on outdoor drawing excursions; as a result, Friedrich was encouraged to sketch from life at an early age. Through Quistorp, Friedrich met and was subsequently influenced by the theologian Ludwig Gotthard Kosegarten, who taught that nature was a revelation of God. Quistorp introduced Friedrich to the work of the German 17th-century artist Adam Elsheimer, whose works often included religious subjects dominated by landscape, and nocturnal subjects. Adam Elsheimer "Flight into Egypt 1609 oil on copper 31 x 42 cm Four years later Friedrich entered the prestigious Academy of Copenhagen, where he began his education by making copies of casts from antique sculptures before proceeding to drawing from life. Living in Copenhagen afforded the young painter access to the Royal Picture Gallery’s collection of 17th-century Dutch landscape painting. At the Academy he studied under teachers such as Christian August Lorentzen and the landscape painter Jens Juel. These artists were inspired by the Sturm und Drang movement and represented a midpoint between the dramatic intensity and expressive manner of the budding Romantic aesthetic and the waning neo-classical ideal. Mood was paramount, and influence was drawn from such sources as the Icelandic legend of Edda, the poems of Ossian and Norse mythology. Christian August Lorentzen "Silke Saugen" oil on canvas 44.5 x 58.5 cm Jens Juel "Shore at Vedbaek" 1807 The Cross in the Mountains oil on canvas 115 x 110.5 cm Friedrich married Caroline Bommer in 1818 and they would have three children. Friedrich was acquainted with Philipp Otto Runge, another leading German painter of the Romantic period. He was also a friend of Georg Friedrich Kersting, who painted him at work in his unadorned studio, and of the Norwegian painter Johann Christian Dahl. 1811 Friedrich's Studio by Georg Friedrich Kersting oil on canvas 54 x 42 cm Friedrich's reputation steadily declined over the final fifteen years of his life. As the ideals of early Romanticism passed from fashion, he came to be viewed as an eccentric and melancholy character, out of touch with the times. Gradually his patrons fell away. By 1820, he was living as a recluse and was described by friends as the "most solitary of the solitary". Towards the end of his life he lived in relative poverty and was increasingly dependent on the charity of friends. In 1835, Friedrich suffered his first stroke, which left him with minor limb paralysis and greatly reduced his ability to paint. As a result he was unable to work in oil; instead he was limited to watercolour, sepia and reworking older compositions. Although his vision remained strong, he had lost the full strength of his hand. Yet he was able to produce a final 'black painting', Seashore by Moonlight, described by Vaughan as the "darkest of all his shorelines, in which richness of tonality compensates for the lack of his former finesse". 1835-36 Seashore by Moonlight oil on canvas 73 x 58 cm. This is part 1 of a 2-part post on the works of Caspar David Friedrich: 1797 Temple with Landscape Ruin oil on canvas c1797 Landscape with Pavilion pen, ink, watercolour 16.7 x 21.7 cm 1798 Wreck in the Arctic Ocean oil on canvas 31.4 x 23.6 cm 1801 The Woman with the Raven at the Abyss woodcut 16.9 x 11.9 cm 1802 Study of Heads, Figures and Foliage 20 x 13.2 cm 1803 Woman with Spider's Web Between Bare Trees woodcut 17 x 12 cm ( image ) 1803-04 Young Man Lying on a Grave woodcut 7.8 x 11.3 cm ( image ) 1804 Statue of the Madonna in the Mountains graphite and wash 24.4 x 38.2 cm 1805-06 View from the Artist's Studio pencil and sepia wash 31.4 x 23.5 cm 1805-06 View of Arkona with Rising Moon and Nets oil on canvas 1806 Cross in the Mountains 1806 The Ruins of Eldena watercolour 1806-09 Self-Portrait black chalk 22.6 x 18 cm 1807 Dolmen by the Sea pencil and sepia 64.5 x 95 cm 1807 Fog oil on canvas 34.5 x 52 cm 1807 Sea Beach with Fisherman oil on canvas 34.5 x 51 cm 1807 Summer ( Landscape with Couple ) oil on canvas 71.4 x 103.6 cm c1807 Dolmen in Snow oil on canvas 62 x 80 cm 1808 Bohemian Landscape with Mount Milleschauer oil on canvas 70 x 104 cm 1808 Morning Fog in the Mountains oil on canvas 27.9 x 104 cm 1809 Bare Oak Tree pencil 36 x 25.9 cm 1809 Monk by the Sea oil on canvas 110 x 172 cm 1810 Landscape in the Riessengebirge oil on canvas 45 x 58.3 cm 1810 Mountain Landscape with Rainbow oil on canvas 70 x 102 cm 1810 Rocks and Trees pencil and watercolour 36 x 26 cm 1810 The Abbey in the Oakwood oil on canvas 110 x 171 cm c1810-11 Window Looking over the Park pencil and sepia wash 39.8 x 30.5 cm c1810 Landscape with Rainbow oil on canvas 59 x 84.5 cm 1811 Port by Moonlight 1811 Rock Surface 1811 Winter Landscape oil on canvas 32.5 x 45 cm 1811-12 The Garden Terrace oil on canvas 53.5 x 70 cm c1811 Winter Landscape with Church oil on canvas 33 x 45 cm 1812 Cross and Cathedral in the Mountains oil on canvas 44.5 x 37.4 cm 1812 Lime Tree Branch pencil and wash 12.8 x 18 cm 1812 Old Heroes' Graves oil on canvas 49.5 x 70.5 cm 1813 Fallen Rocks pencil and watercolour 21 x 17.4 cm 1813-14 Vision of the Christian Church oil on canvas 66.5 x 51.5 cm 1814 The Chasseur in the Forest oil on canvas 66 x 47 cm 1815 Sailing Ship oil on canvas 71 x 49.5 cm 1815 Ships at Anchor oil on canvas 21 x 30 cm 1815 The Cross Beside The Baltic oil on canvas 45 x 33.5 cm 1815-16 Ships in the Harbour at Greifswald oil on canvas 90 x 71 cm c1816-17 Neubrandenburg oil on canvas 91 x 72 cm 1817 Altar Design pencil, ink and watercolour 54.8 x 43.7 cm 1817 City at Moonrise oil on canvas 1817 Greifswald in Moonlight oil on canvas 22.5 x 30.5 cm 1817 Picture in Remembrance of Johann Emanuel Bermer oil on canvas 43.5 x 57 cm 1817 The Cross in front of a Rainbow in the Mountains ink and watercolour 27.2 x 20.8 cm 1817 Two Men by the Sea oil on canvas 51 x 66 cm c1817-18 Chalk Cliffs on Rügen oil on canvas 90.5 x 71 cm 1818 Gazebo in Greifswald 1818 Sailing Boat pencil 33.1 x 24.7 cm 1818 Study for "On the Sailing Boat" pencil and wash 36 x 26 cm 1818 The Cathedral oil on canvas 152.5 x 70.5 cm 1818 The Marketplace in Greifswald watercolour 1818 The Wanderer above the Sea Fog oil on canvas 98 x 74 cm
Falaises de craie à Rügen - Caspar David Friedrich Impression d'art sur toile avec cadre doré « Falaises de craie de Rügen » est une autre œuvre exceptionnelle du célèbre peintre allemand Caspar David Friedrich, réalisée vers 1818. Ce tableau est l'une des œuvres les plus emblématiques du mouvement romantique et représente un magnifique paysage côtier connu pour sa beauté dramatique et son profond symbolisme. . Principales caractéristiques du tableau Paysage : Le tableau montre les impressionnantes falaises de craie de l'île de Rügen, une destination touristique populaire sur la mer Baltique. FORMAT : Image dans un cadre doré - profondeur du cadre 3,0 cm - différentes tailles au choix. Votre tableau est prêt à être accroché dès que vous le sortez de l'emballage. QUALITÉ : couleurs riches d'images haute résolution, ne se décolorent pas, résistent aux UV, sans solvants et durables. MATÉRIAUX DE HAUTE QUALITÉ : Imprimés directement sur toile (couleurs pigmentées). Fermement fixé aux cadres en bois fabriqués à la main à partir de bois véritable cultivé de manière durable, aux peintures sans solvants et au panneau arrière stabilisateur en MDF solide. SANS VERRE : Aucun verre gênant n'obstrue la vue de l'image. Fabriqué en Allemagne
The painter should not paint merely what he sees in front of him, but also what he sees within himself. If he sees nothing within, he should not paint what he sees before him. Caspar David Friedric…
Available artwork and other products - Waldeinsamkeit Definition - Caspar David Friedrich Painting
Zwei Männer in Betrachtung des Mondes Kunstdruck auf Leinwand mit goldenem Rahmen "Zwei Männer in Betrachtung des Mondes" ist ein bekanntes Gemälde des deutschen Künstlers Caspar David Friedrich aus dem frühen 19. Jahrhundert. Friedrich, berühmt für seine romantischen Landschaftsbilder, zeigt in diesem Werk eine faszinierende Szene bei Nacht, die tief in der Romantik verwurzelt ist. FORMAT: Bild im Goldrahmen - Rahmentiefe 3,0 cm - Verschiedene Größen zur Wahl. Ihr Bild ist fertig zum Aufhängen, sobald Sie es aus der Verpackung nehmen. QUALITÄT: Satte Farben hochauflösender Bilder, lichtecht, UV-beständig, lösemittelfrei und langlebig. HOCHWERTIGE MATERIALIEN: Direkt auf Leinwand gedruckt (Pigmentfarben). Fest angebracht an handgefertigten Holzrahmen aus nachhaltig angebauten Echtholz, lösemittelfreie Farben, stabilisierende Rückwand aus starkem MDF. OHNE GLAS: Kein störendes Glas behindert die Sicht auf das Bild. Herstellung in Deutschland
The painter should not paint merely what he sees in front of him, but also what he sees within himself. If he sees nothing within, he should not paint what he sees before him. Caspar David Friedric…
“L’unica vera sorgente dell’arte è il nostro cuore, il linguaggio di un animo infallibilmente puro. Un’opera che non sia sgorgata da questa sorgente può essere soltanto arti…
Caspar David Friedrich was a master of Romantic landscapes. Gothic ruins, crosses, cemeteries and morning mists were his domain.
