Frederic Remington Most Famous Paintings Who is Frederic Remington? Frederic Sackrider Remington was an American painter, illustrator, sculptor, and writer who specialized in representations of the Old American West.

Available Now: Frederic Remington - Paintings and Illustrations - 40 Trading Cards Set Condition: NEW! Includes 40 Glossy Trading Card Size cards with blank white matte back - Shipped to protect in trading card sleeves - FREE! Featuring the Classic Western Lifestyle Art and Illustrations of artist, Frederic Remington NO Duplicates. Complete Set. The cards are 2.5 x 3.5 in size to fit the card sleeves we send with purchase ~~~Notice about copyrights~~~ This item does not infringe any copyright, trade mark, or other rights or any of Etsy's listing policies or intellectual policies. Extensive research, modifications and restoration works to the original Public Domain material itself has ensured that we created a new work and own the intellectual property rights, license and the legality to market the products. We are the creators of this content or are authorized distributors; the seller holds all the legal rights to this specific collection as described in Title 17 of the United States Code 101. These images may be used for crafts and for personal use. This product is copyrighted 2016, All rights reserved and may not be reproduced, or copied to be resold.

Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators

The Outlier, 1906, Frederic Remington, Portrait of American Indian on Horseback, 8x10" premium poster Print, Native hunter, Vintage art Colors will vary due to your monitor settings Free ship US You frame it! This art print was taken from a vintage painting, print, postcard or digital source. It is in the public domain in the US because the copyrights (if any) have expired. All quoted shipping costs are USA only. NOTE: Our prints are taken from an antique/vintage paintings, greeting cards, post cards etc.. Much of the time, these were originally printed on a soft and porous paper, which softened the images. They didn't have the technology back then to photo-shop and fix these images. That is why I chose to reproduce only antique art in it's original content (no photo-shop). I love the old school art. These are also paintings and drawings, and so the styles vary. The papers we use today, have special coatings so that they attract the inks or dyes well, and stop much of the seeping of the inks. Our new technologies print exactly what is on the scan of the original image. If you purchase canvas, it is made of cotton, and even though it also has this special coating, it is textured, and softens the look of the final result. It is archival, and of the highest quality, but is best for paintings since they were mostly created on artist canvas. It is important to note that if you are buying on your phone or tablet, the images you see are only tiny thumbnails, and so you can't really see the detail in the scan on the listing. If you can look on a computer, you can then see the depth and detail of the image you want. Artwork is not created equal, and sometimes there are clear and distinct lines, and other times the style is less detailed. Lastly, Colors will vary slightly, due to the difference in your monitor settings. Please zoom in on the image to see the detail. I will ship to your country, via first class intl. USPS, but please contact me for a quote before you buy. All art prints are custom designed to fit into a standard, modern frame. The openings on these frames are smaller than the listed size. Your print will be slightly larger than the opening. You can carefully trim it to fit your frame, and pop it in, with or without a mat. Each print is made as it is ordered. Please convo me if you need a specific size. I use real cotton artist's canvas, and the newest technology to enlarge the images, pixel x pixel. There is no stretching or skewing, Cotton canvas is textured in tiny squares, and produces a soft finish like a painting. Since it is fabric, it grabs the color for an extraordinary presentation. I use archival canvas, and special dyes to print each image. They will last 100 years under normal circumstances. Your monitor settings will vary from mine, so colors may look different to you than they really are. Color match technology produces exact colors to the image file used. Satin canvas is also textured, but it not as dense. It has a semi-gloss light and moisture proof finish. It is great for posters, too. NO stretching or mounting is needed. No need for expensive, custom framing. I use special, secure packing materials, to insure that your item arrives safely. I have been collecting and selling art prints for many years. I may have just what you are searching for. Just ask, and I will create a special listing, just for you. Thank you for your interest. Carol@ just4allkids [!at] yahoo.com

Sold by  Create your own from scratch  Size: Standard Postcard Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalization tool. Dimensions: 5.6" L x 4.25" H; qualified USPS postcard size High quality, full-color, full-bleed printing on both sides Paper Type: Matte A classic, all around paper with a natural feel and an uncoated matte finish; our Standard Matte stands the test of time. Elegant and understated, colors print softer and more subtle. 17.5 pt thickness / 120 lb weight / 324 GSM Light white, uncoated matte finish with an eggshell texture Paper is easy to write on and won't smudge Made and printed in the USA

18" x 27" Frederic Remington A Reconnaissance removable and repositionable peel and stick wall decal produced to meet museum quality standards. We present a comprehensive collection of exceptional wall decal reproductions by Frederic Remington. Our wall decal stickers are produced using high-precision print technology for a more accurate reproduction printed with fade-resistant, archival inks, printed on high quality water-resistant satin cloth fabric backed with a repositionable, removable adhesive designed for easy, no hassle application to a wide variety of flat surfaces. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints Material is a wrinkle-resistant, tear-resistant, water-resistant fabric, not water proof, intended for indoor use Made in the USA, at our Florida production facility, shipped unframed and rolled in a protective shipping tube.

Reproduced on a fine art print, canvas or greetings card.

View Aiding a Comrade by Frederic Remington and other Artworks on Artvee

Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators

Today, I studied the color palette from Frederic Remington’s painting titled “A Mexican Vaquero” seen at the Art Institute of Chicago. Here’s a link to their site with more information about the artist and the painting. Enjoy!

Listing for a ROLL OF CANVAS or PREMIUM PAPER You'll find a STRETCHED CANVAS for this Painting in our Store, or ask for a CUSTOM ORDER and/or ASSISTANCE Museum Quality Reproduction Painting: (1889) A Dash for the Timber Artist: Frederic S. Remington (1861–1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West. MASTERPIECE WORKS OF ART REPRODUCED TO MUSEUM QUALITY PAINTINGS ARE PRINTED ON HEAVYWEIGHT PROFESSIONAL CANVAS AND/OR SATIN PAPER USING "GICLEE" TECHNIQUE ALL PAINTINGS HAVE A WHITE CANVAS AND/OR MATTE PAPER BORDER OF 1.75" AROUND THE IMAGE DIFFERENT SIZES AVAILABLE - CLICK ON SIZE TAB TO MAKE YOUR SELECTION - (ABOVE QUANTITY TAB) Canvas - (410g/m2, heavyweight bright white acid-free cotton) Satin Semi-Gloss Premium Paper - (190g/m2, print quality 1200 dpi) Almost any size is available, if you have another size in mind, contact us, and we'll give you the details. DETAILS Printed with vivera pigmented inks, designed to create vibrant color images that resist fading. Designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. GICLEE ART This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are "sprayed" onto high-quality surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. SHIPPING - TRACKING NUMBER WILL BE SUPPLIED - SHIPPED IN A STRONG CARDBOARD TUBE TO PROTECT THE CONTENTS FROM DAMAGE - FULLY INSURED USA - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days  Canada - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days  Outside USA & Canada $24.99 (Any Size) - 7 - 15 Business Days  100% SATISFACTION GUARANTEE - MONEY BACK GUARANTEE

A Reconnaissance - Frederic Remington - 1902 Looking to add a little flair to your room or office? Look no further - this museum-quality print is vivid and bound to add a wonderful accent to your room or office and brighten any environment. Poster Print: • Thick & Durable Matte Paper • Paper thickness: 10.3 mil • Paper weight: 5.57 oz/y² (189 g/m²) • Giclée printing quality • Opacity: 94% Framed Poster: • High-Quality Paper • Partly-Glossy & Partly-Matte Finish • 10 mil (0.25 mm) thick paper • Paper weight: 7.67 oz/y² (260 g/m²) • Alder, semi-hardwood frame • .75” (1.9 cm) thick frame • Acrylite front protector • Hanging hardware included • Blank product components in the US sourced from Japan and the US • Blank product components in the EU sourced from Japan and Latvia Canvas Print: • Fade-resistant • 20.5 mil thick poly-cotton blend canvas • Hand-stretched over solid wood stretcher bars • Matte finish coating

Self-Portrait pencil on paper 20.3 x 12.7 cm ( sheet ) Museum of Fine Arts, Houston, Texas Frederic Sackrider Remington (1861 – 1909) was an American painter, illustrator, sculptor, and writer who specialised in depictions of the Old American West featuring depictions of Cowboys, American Indians and the U.S. Cavalry. Remington was born in Canton, New York in 1861. Remington’s father, Seth Pierre Remington, was a colonel during the Civil War. Colonel Remington was away at war during most of the first four years of his son’s life. After the war he moved his family to Bloomington, Indiana, but the family returned to Canton in 1867. The family moved to Ogdensburg, New York when Frederic was eleven, where he attended Vermont Episcopal Institute, a church-run military school, before transferring to another military school. Remington went on to the art school at Yale University, studying under John Henry Niemeyer. After the death of Remington’s father, his uncle secured a clerical job for his nephew in Albany, New York, and later became a reporter for his uncle’s newspaper, followed by a series of short-lived jobs. An inheritance from his father enabled Remington to travel frequently to the West, and he quickly developed a love of the fast disappearing world of Cowboys and Indians. He eventually purchased a sheep ranch near Kansas, endlessly making sketches. In 1884 he sold his first sketches based on his western travels, and within two years his first fully credited illustration appeared on the cover of Harper’s Weekly. His popularity as an illustrator continued to grow and he returned to New York to satisfy the largely eastern market for his work. An 1885 Harper's Weekly cover "Ejecting an Oklahoma Boomer" Remington’s output was enormous, creating more than 2,700 sketches, paintings, and published illustrations. He died in 1909 from acute appendicitis, leaving a body of work loved by the public but largely ignored by museums and collectors. However, his reputation continued to grow and his work became sought after. Prominent museums like the Buffalo Bill Historical Centre in Cody, Wyoming, and the Thomas Gilcrease Institute of American History and Art in Tulsa, Oklahoma have created large permanent exhibitions of his work. This is part 1 of a 7-part post on the works of Frederic Remington: 1880s A Fight in the Street wood engraving 9.5 x 12.5 cm 1882 Cowboys of Arizona - Roused by a Scout Yale University, New Haven, Connecticut 1883 My Ranch watercolour on paper 22.9 x 29.2 cm Frederic Remington Art Museum, Ogdensburg, New York 1885 Arresting the Deserter watercolour on paper 45.09 x 59.7 cm Private Collection 1885 Attack on the Supply Train watercolour and gouache on paper 35.6 x 71.3 cm Private Collection 1885 Battle of Beecher's Island watercolour on paper 53.3 x 30.5 cm Museum of Fine Arts, Houston, Texas 1885 Illustration for the Harper's Weekly "The Apaches Are Coming" pen and ink wash and gouache on paper ( en grisaille ) Frederic Remington Art Museum, Ogdensburg, New York 1885 Signalling the Main Command watercolour on paper 67.9 x 93.7 cm Private Collection 1885 The Couriers watercolour on paper 27.9 x 38.1 cm Private Collection 1885c Prairie Fire oil on artist board 68.1 x 55.9 cm Nelson-Atkins Museum of Art, Kansas City, MO 1886 Soldiering in the Southwest - The Rescue of Corporal Scott illustration for Harper's Weekly 1886 "Abandoned" wood engraving illustration for Harper's Weekly 1886 In from the Night Herd illustration for cover of Harper's Weekly 1886 Saddle Up 1886 The Apache War - Indian Scouts on Geronimo's Trail illustration for Harper's Weekly gouache on academy board ( en grisaille ) Private Collection 1886 The Empty Saddle watercolour on paper 40 x 47 cm Private Collection 1886 The Flag of Truce in the Indian War gouache on paper 40.6 x 30.5 cm Private Collection 1887 A Dispute over a Brand 1887 A Quarrel over Cards - A sketch from a New Mexican Ranch 1887 An Episode in the Opening up of a Cattle Country woodcut illustration after an oil on panel ( en grisaille ) Autry National Centre, Los Angeles, CA 1887 Arrest of a Blackfeet Murderer woodcut after a watercolour on paper 1887 Burning the Range woodcut illustration after and oil on board ( en grisaille ) Private Collection 1887 Crow Indians Firing into the Agency oil on paper mounted on board ( en grisaille ) Amon Carter Museum of American Art, Fort Worth, Texas 1887 Pima Indians Convoying a Silver Train in Mexico gouache on paper ( en grisaille ) Private Collection 1887 Return of a Blackfoot War Party oil on canvas 28.5 x 50 cm American Museum of Western Art, Denver, CO 1887 Small Oaks oil on canvas Frederic Remington Art Museum, Ogdensburg, New York 1887 The Lookout oil on canvas 55.7 x 65.9 cm Museum of Fine Arts, Houston, Texas 1887-91 Pueblo Indian Village oil on canvas ( en grisaille ) 68.6 x 43.2 cm Museum of Fine Arts, Houston, Texas 1888 A Blackfoot Chief oil on canvas 55.9 x 40.6 cm Private Collection 1888 An Old-Time Mountain Man with His Ponies pen and ink on paper Private Collection 1888 Comanche Brave, Fort Reno, Indian Territory oil on canvas 61 x 50.8 cm Private Collection 1888 Lieutenant James M. Watson, Tenth Cavalry ink wash on paper ( en Grisaille ) Private Collection 1888 Looking Through the Telescope oil on board en grisaille 26.7 x 34 cm Museum of Fine Arts, Houston, Texas 1888 Mandan Initiation Ceremony ( the Sundance ) oil on panel en grisaille 1888 Mexican Soldier oil on canvas 43.2 x 35.6 cm Milwaukee Art Museum, Wisconsin 1888 The Cow Pony oil on canvas 50.8 x 61 cm Private Collection 1888-89 A Texas Pony oil on composition board ( en grisaille ) 50.8 x 47 cm Yale University Art Gallery, New Haven, CT 1888c Broncos and Timber Wolves oil on wood panel ( en grisaille ) William S. Hart Ranch and Museum, Newhall, CA 1888c A Fur Train from the Far North wood engraving 1888c An Ox Train in the Mountains wood engraving from an oil on canvas ( en grisaille ) "21" Club, New York City 1888c Cutting out a Steer illustration from an oil on academy board ( en grisaille ) Rockwell Museum of Western Art, Corning, New York 1888c Dragging a Bull's Hide over a Prairie Fire in Northern Texas 1888c Geronimo and His Band Returning from a Raid into Mexico oil on canvas ( en grisaille ) Private Collection 1888c In a Stampede 1888c In the Desert pen, ink wash and gouache on paper 25.4 x 35.6 cm Private Collection 1888c Indian Scout at Fort Reno drawing and gouache on paper 38.1 x 36.8 cm Private Collection 1888c Saddling Fresh Horses pen and ink on paper Private Collection 1888c Stalking Goats illustration from an oil on academy board Private Collection 1888c The Advance Guard watercolour 58.1 x 53 cm Smithsonian American Art Museum, Washington, DC 1888c The Indians We Met 1888c Tom Kicked Away the Stirrups and Grasped the Low Branch of a Live Oak Tree gouache on illustration board Private Collection 1889 "We Packed Our Mules in the Corral of the Hotel" gouache on buff paper ( en grisaille ) Private Collection 1889 A Dash for the Timber oil on canvas 122.6 x 213.7 cm Amon Carter Museum of American Art, Fort Worth, Texas 1889 A Regimental Scout oil on board 71.1 x 45.7 cm Private Collection 1889 An Equine Freight Car / A Point of View pen and ink on paper 27.9 x 35.6 cm Private Collection 1889 An Indian Trapper oil on canvas 124.5 x 86.7 cm Amon Carter Museum of American Art, Fort Worth, Texas 1889 Bugler of Cavalry oil on canvas laid on panel 71.1 x 45.7 cm James A. Michener Art Museum, Doylestown, PA 1889 Bull Fight in Mexico oil on canvas 61 x 81.3 cm Santa Barbara Museum of Art, CA 1889 Call the Doctor oil on canvas 61 x 86.4 cm 1889 Cavalry in an Arizona Sandstorm oil on canvas ( en grisaille ) 1889 Cavalryman of the Line, Mexico oil on canvas 61.3 x 50.8 cm Amon Carter Museum of American Art, Fort Worth, Texas

21" x 28" Frederic Remington Against the Sunset removable and repositionable peel and stick wall decal produced to meet museum quality standards. We present a comprehensive collection of exceptional wall decal reproductions by Frederic Remington. Our wall decal stickers are produced using high-precision print technology for a more accurate reproduction printed with fade-resistant, archival inks, printed on high quality water-resistant satin cloth fabric backed with a repositionable, removable adhesive designed for easy, no hassle application to a wide variety of flat surfaces. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints. Lightweight, easy-to-hang, no preparation needed, just peel off backing paper and stick on a flat surface; a great frame free alternative for exhibiting art prints Material is a wrinkle-resistant, tear-resistant, water-resistant fabric, not water proof, intended for indoor use Made in the USA, at our Florida production facility, shipped unframed and rolled in a protective shipping tube.

Frederic Remington Most Famous Paintings Who is Frederic Remington? Frederic Sackrider Remington was an American painter, illustrator, sculptor, and writer who specialized in representations of the Old American West.

This essay was taken from the Frederic Remington Catalogue Raisonne published in 1996 by the University of Washington Press and Buffalo Bill Center of the West.

November 2016 Bud Adams Collection of Western Art Hits the Trail Eiteljorg Museum of American Indians and Western Art November 12–February 5, 2017 Artists

Explore Selma Morgenstern's 3283 photos on Flickr!

Self-Portrait pencil on paper 20.3 x 12.7 cm ( sheet ) Museum of Fine Arts, Houston, Texas Frederic Sackrider Remington (1861 – 1909) was an American painter, illustrator, sculptor, and writer who specialised in depictions of the Old American West featuring depictions of Cowboys, American Indians and the U.S. Cavalry. Remington was born in Canton, New York in 1861. Remington’s father, Seth Pierre Remington, was a colonel during the Civil War. Colonel Remington was away at war during most of the first four years of his son’s life. After the war he moved his family to Bloomington, Indiana, but the family returned to Canton in 1867. The family moved to Ogdensburg, New York when Frederic was eleven, where he attended Vermont Episcopal Institute, a church-run military school, before transferring to another military school. Remington went on to the art school at Yale University, studying under John Henry Niemeyer. After the death of Remington’s father, his uncle secured a clerical job for his nephew in Albany, New York, and later became a reporter for his uncle’s newspaper, followed by a series of short-lived jobs. An inheritance from his father enabled Remington to travel frequently to the West, and he quickly developed a love of the fast disappearing world of Cowboys and Indians. He eventually purchased a sheep ranch near Kansas, endlessly making sketches. In 1884 he sold his first sketches based on his western travels, and within two years his first fully credited illustration appeared on the cover of Harper’s Weekly. His popularity as an illustrator continued to grow and he returned to New York to satisfy the largely eastern market for his work. An 1885 Harper's Weekly cover "Ejecting an Oklahoma Boomer" Remington’s output was enormous, creating more than 2,700 sketches, paintings, and published illustrations. He died in 1909 from acute appendicitis, leaving a body of work loved by the public but largely ignored by museums and collectors. However, his reputation continued to grow and his work became sought after. Prominent museums like the Buffalo Bill Historical Centre in Cody, Wyoming, and the Thomas Gilcrease Institute of American History and Art in Tulsa, Oklahoma have created large permanent exhibitions of his work. This is part 1 of a 7-part post on the works of Frederic Remington: 1880s A Fight in the Street wood engraving 9.5 x 12.5 cm 1882 Cowboys of Arizona - Roused by a Scout Yale University, New Haven, Connecticut 1883 My Ranch watercolour on paper 22.9 x 29.2 cm Frederic Remington Art Museum, Ogdensburg, New York 1885 Arresting the Deserter watercolour on paper 45.09 x 59.7 cm Private Collection 1885 Attack on the Supply Train watercolour and gouache on paper 35.6 x 71.3 cm Private Collection 1885 Battle of Beecher's Island watercolour on paper 53.3 x 30.5 cm Museum of Fine Arts, Houston, Texas 1885 Illustration for the Harper's Weekly "The Apaches Are Coming" pen and ink wash and gouache on paper ( en grisaille ) Frederic Remington Art Museum, Ogdensburg, New York 1885 Signalling the Main Command watercolour on paper 67.9 x 93.7 cm Private Collection 1885 The Couriers watercolour on paper 27.9 x 38.1 cm Private Collection 1885c Prairie Fire oil on artist board 68.1 x 55.9 cm Nelson-Atkins Museum of Art, Kansas City, MO 1886 Soldiering in the Southwest - The Rescue of Corporal Scott illustration for Harper's Weekly 1886 "Abandoned" wood engraving illustration for Harper's Weekly 1886 In from the Night Herd illustration for cover of Harper's Weekly 1886 Saddle Up 1886 The Apache War - Indian Scouts on Geronimo's Trail illustration for Harper's Weekly gouache on academy board ( en grisaille ) Private Collection 1886 The Empty Saddle watercolour on paper 40 x 47 cm Private Collection 1886 The Flag of Truce in the Indian War gouache on paper 40.6 x 30.5 cm Private Collection 1887 A Dispute over a Brand 1887 A Quarrel over Cards - A sketch from a New Mexican Ranch 1887 An Episode in the Opening up of a Cattle Country woodcut illustration after an oil on panel ( en grisaille ) Autry National Centre, Los Angeles, CA 1887 Arrest of a Blackfeet Murderer woodcut after a watercolour on paper 1887 Burning the Range woodcut illustration after and oil on board ( en grisaille ) Private Collection 1887 Crow Indians Firing into the Agency oil on paper mounted on board ( en grisaille ) Amon Carter Museum of American Art, Fort Worth, Texas 1887 Pima Indians Convoying a Silver Train in Mexico gouache on paper ( en grisaille ) Private Collection 1887 Return of a Blackfoot War Party oil on canvas 28.5 x 50 cm American Museum of Western Art, Denver, CO 1887 Small Oaks oil on canvas Frederic Remington Art Museum, Ogdensburg, New York 1887 The Lookout oil on canvas 55.7 x 65.9 cm Museum of Fine Arts, Houston, Texas 1887-91 Pueblo Indian Village oil on canvas ( en grisaille ) 68.6 x 43.2 cm Museum of Fine Arts, Houston, Texas 1888 A Blackfoot Chief oil on canvas 55.9 x 40.6 cm Private Collection 1888 An Old-Time Mountain Man with His Ponies pen and ink on paper Private Collection 1888 Comanche Brave, Fort Reno, Indian Territory oil on canvas 61 x 50.8 cm Private Collection 1888 Lieutenant James M. Watson, Tenth Cavalry ink wash on paper ( en Grisaille ) Private Collection 1888 Looking Through the Telescope oil on board en grisaille 26.7 x 34 cm Museum of Fine Arts, Houston, Texas 1888 Mandan Initiation Ceremony ( the Sundance ) oil on panel en grisaille 1888 Mexican Soldier oil on canvas 43.2 x 35.6 cm Milwaukee Art Museum, Wisconsin 1888 The Cow Pony oil on canvas 50.8 x 61 cm Private Collection 1888-89 A Texas Pony oil on composition board ( en grisaille ) 50.8 x 47 cm Yale University Art Gallery, New Haven, CT 1888c Broncos and Timber Wolves oil on wood panel ( en grisaille ) William S. Hart Ranch and Museum, Newhall, CA 1888c A Fur Train from the Far North wood engraving 1888c An Ox Train in the Mountains wood engraving from an oil on canvas ( en grisaille ) "21" Club, New York City 1888c Cutting out a Steer illustration from an oil on academy board ( en grisaille ) Rockwell Museum of Western Art, Corning, New York 1888c Dragging a Bull's Hide over a Prairie Fire in Northern Texas 1888c Geronimo and His Band Returning from a Raid into Mexico oil on canvas ( en grisaille ) Private Collection 1888c In a Stampede 1888c In the Desert pen, ink wash and gouache on paper 25.4 x 35.6 cm Private Collection 1888c Indian Scout at Fort Reno drawing and gouache on paper 38.1 x 36.8 cm Private Collection 1888c Saddling Fresh Horses pen and ink on paper Private Collection 1888c Stalking Goats illustration from an oil on academy board Private Collection 1888c The Advance Guard watercolour 58.1 x 53 cm Smithsonian American Art Museum, Washington, DC 1888c The Indians We Met 1888c Tom Kicked Away the Stirrups and Grasped the Low Branch of a Live Oak Tree gouache on illustration board Private Collection 1889 "We Packed Our Mules in the Corral of the Hotel" gouache on buff paper ( en grisaille ) Private Collection 1889 A Dash for the Timber oil on canvas 122.6 x 213.7 cm Amon Carter Museum of American Art, Fort Worth, Texas 1889 A Regimental Scout oil on board 71.1 x 45.7 cm Private Collection 1889 An Equine Freight Car / A Point of View pen and ink on paper 27.9 x 35.6 cm Private Collection 1889 An Indian Trapper oil on canvas 124.5 x 86.7 cm Amon Carter Museum of American Art, Fort Worth, Texas 1889 Bugler of Cavalry oil on canvas laid on panel 71.1 x 45.7 cm James A. Michener Art Museum, Doylestown, PA 1889 Bull Fight in Mexico oil on canvas 61 x 81.3 cm Santa Barbara Museum of Art, CA 1889 Call the Doctor oil on canvas 61 x 86.4 cm 1889 Cavalry in an Arizona Sandstorm oil on canvas ( en grisaille ) 1889 Cavalryman of the Line, Mexico oil on canvas 61.3 x 50.8 cm Amon Carter Museum of American Art, Fort Worth, Texas

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Art Print Print Size: 18" x 12" Finished Size: 18" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 53776017789A

Traveling exhibition available for rent. Original works by Frederic Remington.

Listing for a ROLL OF CANVAS or PREMIUM PAPER You'll find a STRETCHED CANVAS for this Painting in our Store, or ask for a CUSTOM ORDER and/or ASSISTANCE Museum Quality Reproduction Painting: (1907) On the Southern Plains Artist: Frederic S. Remington (1861–1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West. MASTERPIECE WORKS OF ART REPRODUCED TO MUSEUM QUALITY PAINTINGS ARE PRINTED ON HEAVYWEIGHT PROFESSIONAL CANVAS AND/OR SATIN PAPER USING "GICLEE" TECHNIQUE ALL PAINTINGS HAVE A WHITE CANVAS AND/OR MATTE PAPER BORDER OF 1.75" AROUND THE IMAGE DIFFERENT SIZES AVAILABLE - CLICK ON SIZE TAB TO MAKE YOUR SELECTION - (ABOVE QUANTITY TAB) Roll of Canvas - (410g/m2, heavyweight bright white acid-free cotton) Roll of Satin Premium Paper - (190g/m2, print quality 1200 dpi) Almost any size is available, if you have another size in mind, contact us, and we'll give you the details. DETAILS Printed with vivera pigmented inks, designed to create vibrant color images that resist fading. Designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. GICLEE ART This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are "sprayed" onto high-quality surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. SHIPPING - TRACKING NUMBER WILL BE SUPPLIED - SHIPPED IN A STRONG CARDBOARD TUBE TO PROTECT THE CONTENTS FROM DAMAGE - FULLY INSURED USA - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days  Canada - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days  Outside USA & Canada $24.99 (Any Size) - 7 - 15 Business Days  100% SATISFACTION GUARANTEE - MONEY BACK GUARANTEE