[4], 24 pages, XIII, [1] leaves of plates (some folded), [2], 10 pages, VIII leaves of plates (some folded) : 55 cm

Find great deals on 'Carcere V' Giclee Print by Francesco Piranesi at AllPosters.com, with fast shipping, easy returns, and custom framing options you'll love!

The Forum of Nerva with the Two Half-Buried Corinthian Columns, from Views of Rome, after Giovanni Battista Piranesi ( Italian, 1720-1778 ) by Francesco Piranesi, circa 1800. Etching on heavy ivory laid paper. This sheet measuring 20 3/4 inches high x 30 inches wide was glued to cardboard many years ago and slightly trimmed in the margins. Image size is approximately 18 9/16 " x 27 13/16". Look at all pictures and read condition report in comment section.

Antique vases artist proof, printed on contemporary laid paper, wide margins, representing two antique vases, whom details are in the captures. Etching with good contrasts and sharp details, dedicated to “signor tommaso palmer”. Very good condition, with normal fold and little holes on higher margin due to the binding of the volume of the serie “vases and candelabras (…)” designed and ethced by g.b. Piranesi, printed and collected by his son francesco. Giovanni battista piranesi undoubtedly piranesi was one of the most important engravers in 18th century even if he was well-known as an architect and an archaeologist: the greatest engraver in the period from rembrandt a goya. The generations after him have continued to imagine the ancient rome as the artist has portrayed his magnificent in ''vedute''. References: l. Ficacci, piranesi, the complete etchings, taschen, p.613, fig. 776; a.a.v.v., giovanni battista piranesi, architetture, fantasie e grotteschi, antichità romane, catalogo 24, antiquarius, roma, 2004, p. 72. This artwork is shipped from italy. Under existing legislation, any artwork in italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork. less

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 9" x 12" Finished Size: 9" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 56287830466A

Francesco Piranesi, Venus (Aphrodite), 1781.

Sold by  Create your own from scratch  Size: Standard Postcard Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalization tool. Dimensions: 5.6" L x 4.25" H; qualified USPS postcard size High quality, full-color, full-bleed printing on both sides Paper Type: Matte A classic, all around paper with a natural feel and an uncoated matte finish; our Standard Matte stands the test of time. Elegant and understated, colors print softer and more subtle. 17.5 pt thickness / 120 lb weight / 324 GSM Light white, uncoated matte finish with an eggshell texture Paper is easy to write on and won't smudge Made and printed in the USA

Francesco Piranesi presents a stunning 24x18 Black Modern Wood Framed Wall Art piece, entitled \"The Temple Of Antoninus And Faustina\". This artwork is an open edition print crafted by Frame To Wall using the giclee method, which ensures the finest quality of printing. Frame To Wall has carefully sourced a high-quality image from the Publisher to produce an exceptional final product. The frame is a striking two-inch black modern wood frame that perfectly complements the artwork. Our team of experienced professionals will immediately begin working on your order once it is placed to guarantee that your artwork is promptly framed and shipped to you. We take pride in offering artwork that is entirely made in the U.S.A., and we are confident that your purchase will meet your expectations. We understand the value of investing in artwork and aim to provide a superior product that you will treasure for years to come. Thank you for choosing Frame To Wall for your art needs, and we look forward to exceeding your expectations.

Large antique marble vase in s. Cecilia in trastevere artist proof, printed on contemporary laid paper, wide margins, representing an antique marble vase in s.cecilia in trastevere, rome, as the capture explains. Etching with good contrasts and sharp details, signed on plate “cavalier piranesi del. Ed inc.” on lower-left margin. Very good conditions, with normal fold, some light foxings and little holes in higher margin due to the binding of the serie “vases and candelabras (…)” designed and ethced by g.b. Piranesi, printed and collected by his son francesco. Giovanni battista piranesi undoubtedly piranesi was one of the most important engravers in 18th century even if he was well-known as an architect and an archaeologist: the greatest engraver in the period from rembrandt a goya. The generations after him have continued to imagine the ancient rome as the artist has portrayed his magnificent in ''vedute''. References: l. Ficacci, piranesi, the complete etchings, taschen, p.606, fig. 767; a.a.v.v., giovanni battista piranesi, architetture, fantasie e grotteschi, antichità romane, catalogo 24, antiquarius, roma, 2004, p. 72. This artwork is shipped from italy. Under existing legislation, any artwork in italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork. less

"Al Illmo Sign. Francesco Conte de Bressac, Moschettiere della seconda compagnia del Re Cristianissimo amatore delle belle arti. In segno d'ossequio il Cavaliere Gio. Batta. Piranesi D.D.D." "Vasi antichi di marmo eccellentemente scolpiti, sei vedono in Inghilterra presso il Sign. Cavalier Townley trasportativi nell' a

Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, Old Man with a Divided Fur Cap, 1640. Etching and drypoint, sight in frame (trimmed to plate): 14.9 x 13.5 cm (5 7/8 x 5 5/16 in.). The Arthur Ross Collection, 2012.159.2. Photo credit: Yale University Art...

Francesco Piranesi poster print. Crafted from museum-quality, crease-resistant matte paper, this poster is built to last - just like the lasting impact Francesco Piranesi had on history.It's more than just a decorative piece - it's a compliment magnet that starts conversations like wildfire! Bold and imposing, this print instantly transforms the look of a room. The satisfyingly sturdy paper is equally at home in or out of a frame, and you'll quickly get used to hearing 'where did you get that?'Whether it adorns a classroom wall, personal study, living room or office, it also packs some serious educational value. As a captivating reminder of the story that Francesco Piranesi represents, it piques curiosity and inspires deeper learning.Like all our home decor, your print is carefully packaged to ensure it arrives in pristine condition, ready to captivate and inspire. And if you have any questions, comments or suggestions? We're a small friendly team, and we're just a message away!

This is one of a pair of 18th century uniformly framed engravings I am offering. It is signed in the lower left corner, G. Vasi and Piranesi. It is actually done by Francesco Piranesi, son of his much more famous father, Giovanni Battista. The Vasi refers to Giuseppe Vasi, who was Giovanni’s teacher. In fact, it is Francesco’s copy of an earlier engraving by Vasi. The question is was Francesco trying to pass his own work off as an earlier collaboration between two of the most famous Italian artists of the 18th century or just reengraving the work of a master? At any rate, the engraving is wonderful in its own right. The title, Spiaggia verso la Bocca della Verità, translates as “The Beach Towards the Mouth of Truth.” The plate shows Velabro, the strip of land between the Tiber and Monte Palatino, which is regarded as the cradle of Ancient Rome. At Piranesi’s time the area was named after Bocca della Verità, which is an ancient stone mask from the Classical period that represents a river god with an open mouth which is believed to close upon the hand of any perjurer. In the description below the plate Piranesi makes reference to: 1) The Ruins of Ponte Palatino; 2) Casa di Pilato; 3) Monte Palatino; 4) Santa Maria del Sole (Tempio di Vesta); 5) Cloaca Massima; 6) Santa Maria in Cosmedin (the church where Bocca della Verità is located). The view also depicts the tower of Campidoglio (far left) and two churches facing each other in the center: S. Giovanni Decollato and S. Egidio dei Ferrari. The size of the frame is 19 by 14 inches. The size of the engraving showing is 13 by 9 inches If you decide you can’t live without both of the engravings, I will knock the combined price down to $350.

photo @Francesco Nevola Francesco Nevola, a dear friend, writer and scholar of Piranesi, is contributing to the VK blog a series of sketches, this is the sketch 02. “The Temple of Aphaea II…

"Gate at Pompeii" - etching (1785) by Francesco Piranesi (Rome 1758/59-Paris 1810), Giovan Battista's son - Biblioteca dell'Accademia di Architettura, Mandriano, now at exhibition "Herculaneum and Pompeii: Vision of Discovery" up to September 30, 2018 at the Archaeological Museum of Naples

Filled with goldfish swimming in a shallow pool of sea water, this ancient crypt is more wishing well than burial site.

Print by Francesco Piranesi. Depicting ancient bronze objects discovered in Lucerne in 1773 and housed in the Collegio Romano. Hand numbered "10."

Franciscus Piranesius invenit et sculpsit 1779. Josephus Cades vultum delineavit

Artist: Designed and hand colored by Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm). Artist: Etched by Francesco Piranesi (Italian, Rome 1758�...

Francesco Piranesi engraving, early 19th c. amphitheater ruins near Rome, beautifully matted and framed. Engraving size: 16" x 25.5"