About this product The work of art was created by the male painter Cornelis Troost in 1738. The beyond 280 years old original version was painted with the size: height: 63 cm width: 51 cm | height: 24,8 in width: 20,1 in and was manufactured with pastel, gouache on paper on canvas. The original masterpiece has the following text as inscrption: signed and dated: C. Troost / 1738inscription: Jan Jasper[...]. Today, the artpiece is in the the digital collection of Mauritshuis located in The Hague, South Holland, Netherlands. The public domain artwork is provided with courtesy of Mauritshuis, The Hague. The creditline of the artpiece is the following: Jeronimus Tonneman, Amsterdam; his sale, Amsterdam, 21 October 1754 (Lugt 845), no. 7 (together with nos. 5-6 for 515 guilders to De Bruyn); Jan Jacob de Bruyn, Amsterdam; Jan Isaak de Neufville Brants (1768-1807), Amsterdam; his son, Jan Isaak de Neufville Brants (1800-1828); his sale, Amsterdam, 28 March 1829 (Lugt 11974), no. 3 (together with nos. 4-5 for 100 guilders [3-4] and 50 guilders [5] to De Vries for the Mauritshuis, together with inv. nos. 179, 183-185, 191-193); purchased, 1829. In addition to this, the alignment of the digital reproduction is in portrait format with a ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The actor, painter Cornelis Troost was an artist from the Netherlands, whose art style can be attributed mainly to Baroque. The European artist was born in the year 1696 and died at the age of 54 in 1750. The product material options In the product dropdown menu you can pick the size and material of your choice. The following sizes and materials are the options we offer you for individualization: Aluminium dibond print: Aluminium Dibond prints are metal prints with a true effect of depth. The Direct Print on Aluminum Dibond is your perfect introduction to reproductions on aluminum. For our Aluminium Dibond print, we print the selected work of art on the aluminium surface. The canvas print: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital replica printed from a UV direct printer. A canvas generates the special impression of three-dimensionality. A canvas of this artpiece will allow you to transform your customized fine art print into a large artpiece as you know from galleries. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without additional wall-mounts. Because of thatcanvas prints are suited for any kind of wall. Poster print (canvas material): A poster is a UV printed sheet of flat canvas paper with a slight structure on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm around the print motif, which facilitates the framing with your custom frame. Glossy acrylic glass print (with real glass coating on top): The acrylic glass print, often referred to as a UV print on plexiglass, will convert your favorite original artwork into gorgeous home décor. Further, it is a distinct alternative option to aluminium or canvas fine art replicas. Your artwork will be made with the help of state-of-the-art UV print machines. The plexiglass protects your chosen art print against light and external influences for many decades. Important information: We try everythig possible in order to depict our art products with as many details as possible and to exhibit them visually on the product detail pages. Nonetheless, the pigments of the print products and the imprint may vary marginally from the representation on your device's screen. Depending on your screen settings and the condition of the surface, not all colors will be printed 100% realistically. In view of the fact that all art prints are printed and processed by hand, there may as well be slight deviations in the motif's size and exact position. About this item Print prodct: wall art Reproduction: digital reproduction Production technique: UV direct printing Production: German production Stock type: on demand production Intended product usage: art print gallery, art reproduction gallery Artwork orientation: portrait alignment Aspect ratio: 1 : 1.2 - length : width Interpretation of the image aspect ratio: the length is 20% shorter than the width Available material options: poster print (canvas paper), canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating) Canvas on stretcher frame (canvas print): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" Acrylic glass print (with real glass coating) options: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" Poster print (canvas paper) size options: 50x60cm - 20x24", 100x120cm - 39x47" Dibond print (alumnium material): 50x60cm - 20x24", 100x120cm - 39x47" Frame: please note that this art copy does not have a frame Piece of art details Artwork title: "The Discovery of Jan Claasz" Categorization: painting Category: classic art Period: 18th century Created in the year: 1738 Approximate age of artwork: over 280 years Artwork original medium: pastel, gouache on paper on canvas Dimensions of the original artwork: height: 63 cm width: 51 cm Signed (artwork): signed and dated: C. Troost / 1738inscription: Jan Jasper[...] Exhibited in: Mauritshuis Location of the museum: The Hague, South Holland, Netherlands Available at: www.mauritshuis.nl License: public domain Courtesy of: Mauritshuis, The Hague Creditline: Jeronimus Tonneman, Amsterdam; his sale, Amsterdam, 21 October 1754 (Lugt 845), no. 7 (together with nos. 5-6 for 515 guilders to De Bruyn); Jan Jacob de Bruyn, Amsterdam; Jan Isaak de Neufville Brants (1768-1807), Amsterdam; his son, Jan Isaak de Neufville Brants (1800-1828); his sale, Amsterdam, 28 March 1829 (Lugt 11974), no. 3 (together with nos. 4-5 for 100 guilders [3-4] and 50 guilders [5] to De Vries for the Mauritshuis, together with inv. nos. 179, 183-185, 191-193); purchased, 1829 About the artist Name of the artist: Cornelis Troost Aliases: Troost Cornelius Holl, Cornelis Troost, C. Troost, Corneille Troost, Troost Cornelis, Troost Cornelius, cornelius troost, Corn. Troost, Troost, troost c., G. Troost, Corneille Trost, Trooft Artist gender: male Artist nationality: Dutch Jobs of the artist: painter, actor Country of the artist: the Netherlands Classification of the artist: old master Styles of the artist: Baroque Age at death: 54 years Year of birth: 1696 Died: 1750 © Copyrighted by, Artprinta (www.artprinta.com) Description by Mauritshuis (© Copyright - Mauritshuis - www.mauritshuis.nl) Jeronimus Tonneman, Amsterdam; his sale, Amsterdam, 21 October 1754 (Lugt 845), no. 7 (together with nos. 5-6 for 515 guilders to De Bruyn); Jan Jacob de Bruyn, Amsterdam; Jan Isaak de Neufville Brants (1768-1807), Amsterdam; his son, Jan Isaak de Neufville Brants (1800-1828); his sale, Amsterdam, 28 March 1829 (Lugt 11974), no. 3 (together with nos. 4-5 for 100 guilders [3-4] and 50 guilders [5] to De Vries for the Mauritshuis, together with inv. nos. 179, 183-185, 191-193); purchased, 1829
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Jean Marc Nattier Marie Louise Thérèse Victoire de France,[1] Princess of France (11 May 1733 – 7 June 1799) was the seventh child and fifth daughter of King Louis XV of France and his Queen consort Maria Leszczyńska. As the daughter of the king, she was a Fille de France. Originally known as Madame Quatrième (her older sister died in February 1733, before her birth) she was later known as Madame Victoire. She outlived eight of her nine siblings, and was survived by her older sister Princess Marie Adélaïde by less than a year. Marie Louise Thérèse Victoire de France was born at the Palace of Versailles. Unlike the older children of Louis XV (including Adélaïde, just one year her senior), Victoire was not raised at the Palace of Versailles, but sent to live at the Abbey of Fontevraud. She would remain there till 1748 when she was 15. She was one of many children. At 15 she was allowed to return to her fathers court. Very close to her mother, brother and her sisters, like most of the family her father's constant mistresses at court posed a problem and pushed the family away from him. He turned more and more to Madame de Pompadour and later Madame du Barry Often thought to be the most beautiful of the kings daughters, she was to never marry although in 1753, it was suggested that she marry her brother-in-law Ferdinand VI of Spain. It was during the next reign that the lives Mesdames were really shocked. The Dames de France were allowed to stay at the court and were still treated with respect, and Victoire kept her apartments at Versailles. Now that the people of Versailles were concerned with showing their loyalty to Louis XVI and his wife, the dames de France were somewhat redundant. Victoire and her older sister Madame Adélaïde stayed together and toured the country, staying in lavish style which was a great irritation to the state and thus helped fan the flames for the revolution. The two sisters, now alone as the only children of Louis XV still alive by 1787, took up residence at Château de Bellevue from 6 October 1789 after the infamous storming of their birthplace. Revolutionary laws against the church caused them to leave for Italy on 20 February 1791, although they were arrested and detained for several days at Arnay-le-Duc before they were allowed to depart. As a result of the increasing influence of Revolutionary France, they travelled further afield, moving to Naples in 1796, where Marie Caroline, sister of Marie Antoinette, was Queen. They moved to Corfu in 1799, and finally ended up in Trieste, where Victoire died of breast cancer. Adélaïde died one year later in Rome. The bodies of both princesses were later returned to France by their nephew, King Louis XVIII, and buried at the Abbey of Saint-Denis. It has also been suggested that it was she that said the phrase let them eat cake but it is not for certain
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