No te puedes perder estas curiosas y divertidas figuras de papel mache que son muy sencillas de hacer y te ayudarán a decorar tu hogar o como obsequio.
Las artesanias en papel mache pueden ser elementos decorativos muy originales, se pueden crear todo tipo de figuras, incluso replicas de personajes animados.
Una manualidad genial para decorar tus muebles, baldas y macetas, dándoles un toque original y personalizado.
Esta figura es un simpatico imán para tu refrigerador. Mide: 11 x 9 x 2,5 cm.
Estas figuras con papel mache que te mostraremos hoy son toda una obra de arte, pero te guiaremos para que puedas hacerlas sin ser un experto
Easy to follow tutorial and free template to make a sweet paper mache bird. The perfect decorative accent for Spring
No te pierdas estas 15 obras de arte que podrás hacer tú misma con papel. Deja volar toda tu creatividad para hacer esculturas preciosas.
Vamos decorar a sua casa de um jeito único usando material reciclável? Vamos nessa conhecer o papel machê e algumas ideias do que fazer!
No te pierdas estas 15 obras de arte que podrás hacer tú misma con papel. Deja volar toda tu creatividad para hacer esculturas preciosas.
No te pierdas estas 15 obras de arte que podrás hacer tú misma con papel. Deja volar toda tu creatividad para hacer esculturas preciosas.
Shape die sets are a smart way to invest in your die collection. They are the most popular dies plus you save money when you purchase dies in a set. Â
Jeg faldt tilfældigt over den polskfødte kunstner Barbara Kobylinskas farverige fugleskulpturer på Pinterest, og blev helt betaget af både former, farver og brugen af mønstre. På bloggen her http://www.smallhandsbigart.com/barbara-kobylinksa-inspired-sculptures/kan du se hvordan mindre børn har arbejdet med parafraser over hendes værker. Jeg fik lyst til at brygge lidt videre på idéen og undersøgte hvad tape og gipsgaze kunne i forhold til papmaché. Og det kom der disse fugle ud af . I dette forløb arbejder eleverne med parafraser over kunstnerens farvestrålende værker. Ved at tage udgangspunkt i gamle plasticflasker – eller dunke, tænkes et genbrugsaspekt ind i idéen. Eleverne lærer at forholde sig til en given form, som de – ved at sammenføje forskellige materialer – bygger videre på. Vis eleverne billeder af Barbara Kobylinskas værker og snak om hvad der er særligt ved dem (langstrakte former, fantasier og abstraktioner over fugle, rene, klare farver, bestemte farvekombinationer, mønstre i flere lag osv.). Det er en god idé at lade eleverne tegne skitser forud for skulpturarbejdet. Skitserne kan tegnes op på papir i aflangt format og farvelægges med flydende akvarel. Det bliver små kunstværker i sig selv. Lad børnene bruge skitserne til at overveje hvordan deres egne lange fugleskulpturer skal se ud. Hænger de med næbbet eller strækker de sig mod himlen? Hvilke farver og mønstre vil de bruge? Alle skulpturerne er lavet over genbrugsplastikflasker, og alt efter hvilken aldersgruppe du arbejder med, og hvor meget tid I har, kan du vælge at bruge enten malertape, papmaché eller gipsgaze til skulpturerne. Sådan kan du gøre: Fyld lidt småsten eller anden "ballast" i en plastikflaske og byg videre på den med staniol. Hold evt. staniolen fast med malertape. Byg ”mave”, ”gumpe”, hals og hoved. Når flasken har fået fugleform kan du vælge én af følgende tre teknikker: Beklæd figuren mad malertape (den hurtige løsning) Beklæd figuren med papmaché (den klassiske løsning) Beklæd figuren med gipsgaze (den lækre løsning J) Hvis du beklæder med papmaché eller gipsgaze kan du lave sjove detaljer på figuren med fx små, halve styroporkugler eller pap inden du beklæder den. Når figuren er tør, males den med god akrylmaling. Det er en god idé at arbejde i flere lag, så farverne ligger fint og ikke løber sammen. Den helt tørre figur kan dekoreres yderligere med sprit – eller Poscatuscher. Materialer: Plastikflasker eller dunke Staniol Malertape Evt. papmaché eller gipsgaze Evt. små styroporkugler skåret i halve Papkassepap til fx næb og kamme God akrylmaling Sorte permanenttuscher Poschatuscher Evt. lak til slutfernis, hvis figuren skal være blank (limlak kan bruges) Rigtig god fornøjelse!
Created to help aspiring artists, creatives, and aesthetes master their talent and make a living out of their skills.
Você sabe fazer artesanato com papel machê? Então confira agora 7 receitas incríveis que vão te ajudar na hora de produzir sua peça.
The children use papier mâché to create giant bugs. For ages 6 to 9. Plan 5 to 6 sessions. KEY IDEAS Working with papier mâché Building three-dimensional forms Painting on a three-dimensional surface LANGUAGE papier mâché, three-dimensional, overlapping, free-standing YOU WILL NEED Newspapers Non-toxic wheat paste (I use PlayBox Wheat Paste.) Masking tape Liquid tempera paints Paint brushes Water containers for rinsing brushes Sponges for drying brushes 20-gauge steel wire Thin coated wire such as Twisteez, telephone wire, or 32-gauge cloth floral wire Wire cutter Non-flexible plastic drinking straws Stapler Cheesecloth White craft glue Twisted coils of aluminum foil Black permanent ink markers Paper and pencils Water-based polyurethane Clay needle tool (for holes to attach antennae) Watercolor markers (optional) Pictures of bugs THE PROJECT First Session Preparation Cut opened newspaper sheets in half. Set out the cut newspaper and tape. Have available pictures of bugs How to Begin Explain to the children that they will be making giant, three-dimensional bugs (viewable from all sides) with papier mâché, a process using paper and paste. When the paste-soaked paper dries, it becomes very hard and can then be painted. In this session, they will be forming the bugs’ bodies with wadded newspaper. In the next session, they will be applying the papier mâché. While looking at the pictures of bugs, discuss the three main sections of their bodies–head, thorax, and abdomen. Point out that the compound eyes are located on the sides of the heads; two antennae protrude from the front of the head; six legs extend from the thorax; and some bugs have stingers. Demonstrate how to make the foundations for the bugs’ bodies by first pulling several strips of tape. Then squeeze tightly wadded newspaper into a shape for the head, holding it together with tape. Repeat this for the thorax and abdomen, connecting the three shapes securely with more tape. Explain that details such as wings, antennae, and legs will be added in another session. Have the children make the foundations for the bugs' bodies. Second Session Preparation Cover the work area with newspaper Mix the wheat paste to a creamy consistency and put into bowls, planning one for every two children. Tear newspaper into approximately 1- x 3-inch strips. Set out wheat paste and newspaper strips. Prepare space with a non-stick surface, such as waxed paper, for drying the bugs. How to Begin Explain to the children that, in this session, they will be putting two to three coats of papier mâché on their bugs and then adding the eyes. Demonstrate the papier mâché process by dipping strips of torn newspaper into the prepared paste. Pull the wet strips between two fingers to remove the excess paste. This step is important to avoid having the bugs become too wet. Lay dampened strips on the bug foundation, overlapping (laying each piece slightly over the previous one) and smoothing the edges as you cover the entire body with one layer. Warn the children that the first coat is the hardest and that the second and third coats are easier because the paste-soaked paper will stick to itself. Eyes can be made by dipping a small piece of newspaper into the paste, wadding it into an eye shape, and attaching it to the sides of the heads. Have the children cover the bugs with papier mâché and attach the eyes. Put each child’s name on a small piece of paper with permanent ink marker and paste it directly to the wet bug. Note: To keep the bugs from developing a flat side or sticking to the surface, balance them on twisted coils of aluminum foil to dry. Third Session Preparation Cover the work area with newspaper. To prepare the foundations for the bugs' legs, overlap two drinking straws about one inch and staple them together. Cut two pieces of wire the same length as each straw and slide them into the straws. Two attached straws will make two legs. Set out the dried bugs, prepared straws, and tape. Set out wheat paste and newspaper strips. How to Begin Explain that, in this session, the children will be attaching legs to the bugs and covering them with papier mâché. Show the children how to securely tape the stapled center of three straws to the thorax of the bug and then bend the legs into the desired positions, balancing the bug so it is free-standing or able to stand on its own. Wrap the legs and the areas where they are connected to the bug with a layer of papier mâché, making sure to cover all of the tape. Remind the children to overlap and smooth the surface. Fourth/Fifth Session Preparation Set out the dried bugs. Set out tempera paints, brushes, water containers, and sponges. Have available the pictures of bugs. How to Begin In this session, the children will be painting a first layer of paint on their bugs. In the next session, they will be adding details. While looking at the pictures, discuss the many colors and patterns on the bugs. Explain that the children may use the designs of a specific bug or create their own. Show the children how to paint the rough edges of the dried papier mâché. Load the brush with paint and dab into the crevices. Smooth over the area so as not to leave puddles of paint that tend to chip off when dried. Have the children paint the entire surface of their bugs with a first layer of paint. Let the bugs dry before painting on the details in the next session. Note: Have an adult apply a coat of polyurethane to the dried bugs. Last Session Preparation Cheesecloth dipped in glue will achieve the light, translucent effect of bug wings. It usually comes folded in four layers which will make stiff enough wings without losing transparency. Thin the white glue just enough to fully immerse the cheesecloth–the thicker the glue, the stronger the wings will be. Gently squeeze out extra glue and hang the cloth to dry over newspaper to catch the drips. When the cheesecloth dries, cut it into pieces that are large enough for two wings. Set out the bugs, stiffened cheesecloth, paper, pencils, scissors, thin wire for the antennae, and glue. Have available the clay needle tool and optional markers. How to Begin In this session, the children will complete their bugs by attaching wings and antennae. Cut the wire for the antennae and use the needle tool to poke holes in the papier mâché. Dip one end of each antenna into the glue and push it into the hole. Have each child draw a template for a wing on paper; cut the template out; and trace it two times onto the stiffened cheesecloth. Cut out the wing shapes and attach them with white glue to the back of the thorax. Use a piece of masking tape to hold the wings in place until the glue dries. The children who finish early, or do not need wings for their bugs, can use markers to draw the bugs, duplicating them as much as possible. NOTES It was not until the children became excited about infesting the art room with giant papier mâché bugs that I realized the problem of making so many bug legs. Wire needed for bending the legs would be hard for small hands to cover with the paste-soaked newspaper and would result in unsafe points on the ends of the legs. Putting plastic drinking straws over the wire solved these problems, but we found that the straws need to be flattened where they are attached to the bugs so they won't roll around after the papier mâché dries. Newspapers that use vegetable inks are less messy and easier to work with. Always tear the newspaper strips to be dipped into paste; the rough edges from tearing are much easier to smooth. Newspapers tear easily when ripped vertically. Children with little experience working with papier mâché may need two sessions to cover the legs. The six-year-old children made simpler bugs, such as the ants seen crawling across the shelf in the picture below. The children's love for this project really makes the extra preparation worthwhile. LET’S TALK ABOUT OUR WORK Looking at the bugs, discuss the variety of shapes and colors. Are the bugs free-standing and viewable from all sides? Review the process of working with papier mâché. What the children might say... How much tape can I use? I can’t get the papier mâché to stay on the wadded newspaper. My bug is so wet it is starting to fall apart. What you might say... Use only as much tape as you need to hold your pieces together. Too much tape makes it harder to apply the papier mâché. Once the papier mâché wraps around the figure and meets itself on the other side, it will have something to stick to and will stay on. Remember to pull the wet newspaper strips through your fingers to take off the extra paste. If your bug is too wet, try putting on a layer of dry newspaper to soak up the extra paste. Click here to view this lesson in a printer-friendly format.
more papier mache. this is a small wall piece that i had so much fun making. i love painting faces - bringing little creatures and people to life! she's sleeping and possibly making me a little tiny bit drowsy, too...... (she's for sale, by the way)
Easy to follow tutorial and free template to make a sweet paper mache bird. The perfect decorative accent for Spring
Découvrez « My project in Paper Mache for Beginners: Sculpt a Colorful Character course », un projet réalisé par melanie | Domestika La plus grande communauté d'esprits créatifs.
Vamos decorar a sua casa de um jeito único usando material reciclável? Vamos nessa conhecer o papel machê e algumas ideias do que fazer!
Pour les grands comme les petits, le papier mâché est une activité manuelle ludique qui peut être très déco. Découvrez la recette mais aussi de nombreuses idées pour décorer votre intérieur grâce au papier mâché.
birthday present for a friend,finished, after a year:D it could be sooner, but its all about if i am in creative mood
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DIY Paper Mache Ideas have been selected below, a collection of 40 creations, cast a glance and choose your next weekend project. The art of "Papier-mâché
Bewohner der Savanne: Die schwarz-weiß gestreifte Schleich® Spielfigur »Wild Life, Zebra Stute« wird wegen ihres einzigartigen Fellmusters sofort erkannt. Dieses Muster schützt die Zebras in der Herde vor Räubern. Wenn Löwen oder Hyänen auf Beutefang gehen, wirken die Streifen auf sie verwirrend und sie können die einzelnen Zebras nur schlecht voneinander unterscheiden. Die Figur ist mit vielen Details liebevoll gestaltet und bemalt. Sie stammt aus der beliebten Schleich® Wild Life Serie. Zum Spielen ist sie für Kinder ab 3 Jahren geeignet. Mit der schwarz-weiß gestreiften Schleich® Spielfigur »Wild Life, Zebra Stute« bekommt der Zoo im Kinderzimmer eine hübsche Ergänzung.
ROAAAAAAAR! Get the king of dinosaurs on your wall with the taper Trophy T-Rex! With an impressive 47 x 28 x 40 cm, the T-Rex-paper head is almost as big as the original dimensions of the dinosaur giants that have been handed down to us and has excited dinosaur fans both young and old ever since. A great advantage, even when he so provocatively tears open his mouth as an animal trophy: The T-Rex paper figure in the low poly design is absolutely harmless, does not exhale bad breath and you don't need to feed him. You can easily assemble your wall trophy made of high-quality, FSC-certified paper by yourself. The T-Rex is delivered to you - in contrast to a standard arts and crafts sheet - in pre-creased and pre-cut individual pieces in red and grey. The numbering of the imposing paper T-Rex makes it easy to assemble. So that you enjoy using your paper art for a long time, we recommend our own glue. It's super for keeping everything together - even if you aren't an origami expert. The Papertrophy paper glue is not part of this paper animal and must be ordered in addition to the paper animal.
From her studio in Lyon, Mlle Hipolyte scores, crimps, and fringes bits of paper that become sculptural interpretations of endangered species. She undertakes a rigorous research process that’s comparable to that of a botanist or zoologist before starting a piece and largely is concerned with the effects of the climate crisis on plants and animals. This realistic approach bases her practice in both preservation and celebration as she conveys the intricacies and natural beauty of coral reefs, flowers, and birds through works that vary in scale, sometimes spanning entire walls and others squeezing into tiny glass tubes. More
