Vintage Slipper Glassware | Choose From: Various Color Fenton Cat Head Shoe/Slippers or Smith Daisy Shoe/Slipper | Hobnail Or Daisy Pattern Choose From: - Cobalt Hobnail Cat Head Shoe(Unmarked Fenton) - Cobalt Hobnail Cat Head Shoe(Marked & Sticker) - Aqua Hobnail Cat Head Shoe(Unmarked Fenton) - White Hobnail Cat Head Shoe(marked Fenton) - White Hobnail Cat Head Shoe(unmarked Fenton) - Amber Hobnail Cat Head (unmarked Fenton) - Avocado Hobnail Cat Head (unmarked Fenton) - Lime Green Hobnail Cat Head Shoe(marked Fenton) - Green Daisy & Dot w/Bow(unmarked-Boyd) Manufacturer: Fenton Glass Co. & Boyd Style: Hobnail / Daisy Dimensions: 5.50"H x 4.25"W x 4.25"D Weight: 9oz. Condition: Very good vintage condition. No Chips or cracks Items in our shop are vintage and are not brand new. Most items come from estate sales, auctions, or private collections. The items may show minor age related wear and/or minor flaws consistent with the date of manufacture(please be sure to check photos carefully as they are part of the description). While we do our best to describe any imperfections, we are not experts. If you have any questions please don't hesitate to ask.
Introduce a modernist aesthetic to your home with the Strut Bar Stool. Strut’s red metal cantilever frame and durable rose coloured upholstery make for a design-led kitchen. Get ready to serve up style.
South Louisiana native Claire Waguespack Fenton is a sculptor, photographer, mixed media artist and quilter. Inspired by the life and times ...
Brand Winfield Thybony Pattern Number WFT1706 Pattern Name Fenton Color Name Linoleum Width 54" Vert. Repeat 0" Horz. Repeat 0" Country of Origin Netherlands Unit of measure YARD Content LINEN - 100% Finish UNTRIMMED ; Clean Code Z Book WINFIELD THYBONY NATURAL TEXTILES Use WALLCOVERING Theme Solid Brand Winfield Thybony Item # WFT1706 MSRP $118.50 USD Category Solid Wallpaper
Visual identity and creative direction for SELAHATIN, a pioneering grooming brand. Art Direction by Spencer Fenton; Photography by Matthieu Lavanchy
use: Wallcovering width: 20.5" roll length: 11 Yards cleaning instructions: Strippable country of origin: United Kingdom
Add an industrial chic edge to your decor with this fabulous Fenton Flush Mount Featuring a classic silhouette in a brushed nickel finish Fenton is the perfect fit in virtually any style room Specifications . Color Nickle. Collection Fenton. Material Iron Electroplating. Number of Bulbs 1. Wattage 4. Size W 10 x H 10
With plants spilling over the edges of it, concrete takes on a whole new feeling. Here are ten examples of built in concrete planters bursting with life.
Bring good vibes into your home with our fashion-forward checkerboard bench. Playful, bold and timeless, this angular piece is ready to make a style statement in your home.Introduce as extra seating, at the foot of your bed or in entrance foyers and hallways and allow form and function to do all the talking.Handcrafted from ethically sourced buffalo bones in India, each piece is unique in its disposition. The time-honoured art of Bone Inlay was originally hand-crafted for the royal palaces of Rajasthan, India. Handed down from generation to generation, intricate fragments of buffalo bones are hand-carved and then affixed onto the base in a mosaic-like design. Resin is then used to fill the space around the bone.
Whether you’re the kind of person who is constantly checking your horoscope, or the kind that barely even knows what your astrological sign is, you can both admit that you’ve checked out a post or two telling you about yourself based on your sign to see if it’s actually accurate. Our Design Assistant, Erica, just […]
Fenton - Katoenen canvas bucket hat in zandkleur Productdetails Bucket hat van Fenton Top accessoire Emmer-model Platte bovenkant Ademende ventilatiegaatjes Smalle rand Geborduurd logo Productcode: 102645359 Zorg voor mij Afnemen met een vochtig doekje of spons Over mij Canvas met lichte textuur Materiaal: 100% katoen. Meld een juridisch probleem met betrekking tot dit produc
No me acuerdo cómo descubrí el trabajo de este artista, pero desde el primer momento me quedé impresionado. Su obra es principalmente en blanco y negro y está llena de detalles como no os podéis im…
use: Wallcovering width: 20.5" roll length: 11 Yards cleaning instructions: Strippable country of origin: United Kingdom
Part 1: Carmen Herrera Part 3: Agnes Martin Part 4: Alma Thomas Panorama of the paintings of Hilma at Klint, shown in The Keeper exhibition at The New Museum, New York City, in summer/fall 2016. (Sculptures by Carol Bove and Carlo Scarpa) Hilma af Klint was an art school-trained painter and member of the Swedish Academy in Stockholm who tapped into her visions for inspiration. She lived and died in Sweden (1862-1944). The paintings you see in the panorama, as well individually below, were painted in 1914-15, but they were not seen publicly until the mid-Eighties. In part her invisibility was of her own choosing; she stipulated that her paintings not be seen until 20 years after her death. Later in the 20th Century I suspect there might have been a bit of an, er, problem with the paintings, since her abstraction predated so much of the iconic imagery of the hard-edge painting of the Sixties. Perhaps I'm projecting my political views on the issue, but I'm guessing that Hermann A. Klint would have had a very different trajectory. I'd like to know what you think. This painting and the three below are from The Swan series, 1915 . . . . . . Despite the visions, Klint assumed control of her process and imagery. The idea that the spirits guided her apparently diminished the value of the work in the eyes of her more academic counterparts No one realize how ahead of their time these paintings were until we saw hard-edge paintings from the Sixties (see end of post) The details of the paintings are fascinating, and some elements emerge repeatedly. The propeller/mandala detail appears in the painting above as well as in the one below Now we swing around to the far wall in the panorama that opens this post. The paintings here and on the far left wall, which you'll see as you scroll down, are from the The Dove series. In the curator's audio commentary (link at end of post) we learn that the dove derives from Christian symbolism--the dove is a the representation of the Holy Spirit--whereas the swan suggests something unworldly but not iconographic of a particular spiritual practice. Below: closer view of the two paintings in foregrounds of this wall shot A Swan painting and its detail, below The geometry seems to have been ececuted freehand, Klint's brushwork painterly but light This is one of several paintings with a bisected field We continue down that far wall to the corner. The two farthest paintings, one of which is shown below, focus on the depiction of dimensional space . . . Here on the left wall, selections from the Dove paintings. I am less enamored of the hearts-and-rainbow paintings than the more reductive works So mysterious, with the depiction of space within the cube That little circle in the center of this planetary shape? It depicts two angels. An audio commentary (links at end of post) tells us that in Klint's world view--or would that be celestial view?--yellow and blue depicted female and male. Perhaps she was thinking specifically about gender, although in Buddhism, for instance, yin and yang is simply the union of opposites, like light and dark Detail below We learn from James Kalm's narrated video coverage of The Keepers exhibition (link at end of post) that this white ground was once silver If Klint was the first to practice modern abstraction, and it appears she was, this painting also offers us a look back. How can we not see a connection to the 1445 masterpiece by Giovanni di Paolo, The Creation of the World and the Expulsion from Paradise? You can see The Creation of the World and the Expulsion from Paradise in the Lehman Collection at the Met . . . . . . 20th Century Echoes of Hilma af Klint Alfred Jensen, 1975; note the occult markings in the corners Kazimir Malevich, 1920; Kenneth Noland, 1962; Jasper Johns, 1955 More on Hilma af Klint: . Curator's commentary of the work in The Keepers . James Kalm video of the exhibition . Hyperallergic review by John Yau . Serpentine Gallery, Painting the Unseen, Spring 2016 . Moderna Museet, A Pioneer of Abstraction, Spring 2013 . 3 X Abstraction at the Drawing Center, 2005
Costume worn by Chris Martin, the singer with the British band Coldplay, during the period of their 2008 album Viva La Vida and 2008-10 world tours.
Notre planète est une véritable mine d'or entre nature, paysages, et édifices construits par l'homme, le tout sublimé par les rayons irisés du soleil. Aux quatre coins du monde, il existe des lieux magnifiques qui méritent ce petit article!
