What a great looking globe! Shared by yes we knit. Ravelry has some knit & crochet globe patterns if you want to have a go!
Image 17 of 18 from gallery of "Fluxus Module" Exhibition / modulorbeat. © Thorsten Arendt
Intaglio printmaking is a printmaking method using marks incised into a plate. Ink is worked into the recesses of the plate and is usually printed onto dampened paper through an etching press. Intaglio printmaking can create strong positive marks, interesting texture and tone – these results shouldn’t be missed out on if you don’t have … Continue reading "Printing Intaglio Without a Press: Tetra Pak Collagraph"
blog de Gérard Collas, sculpteur
7521 views on Imgur
blog de Gérard Collas, sculpteur
.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Art Print Print Size: 12" x 18" Finished Size: 12" x 18" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 59286099876A
¡Para un cumpleaños súper tendencia, fabrica esta piñata colorida y festiva de inspiración mexicana! Encuentra todos nuestros talleres en el blog.
Aux Etats-Unis, les années soixante ont été une époque riche en manifestations - la crise de la guerre du Vietnam et la lutte pour les droits civils ont incité le pays à questionner la nature du monde moral et politique. Cette période de révolte a vu l’essor d’une bande d’artistes nihilistes dont la mission avait peu à voir avec la politique mais tout à faire avec une attitude intelligente et la fréquentation d’une élite au pouvoir avec ses envies artistiques.The 1960’s was an era in the United States alive with protest—the crisis of the Vietnam war and the struggle for civil rights provoked the nation to question the nature of the moral and political world. During this period of foment arose a band of arty nihilists with a mission that had little to do with politics yet everything to do with clever posturing and hobnobbing with the art-hungry power elite.
blog de Gérard Collas, sculpteur
1978 Untitled Following on from my recent post on graffiti artist Jean-Michel Basquiat, I thought I'd take a look at a couple of his contemporaries on the New York 'graffiti' art scene. This is the first of two posts looking at the work of Keith Haring. Haring (1958 – 1990) was born in Reading, Pennsylvania. He developed a love for drawing at a very early age, learning basic cartooning skills from his father and from the popular culture around him, such as Dr. Seuss and Walt Disney. 1978 Untitled On graduation from high school in 1976, Haring enrolled in the Ivy School of Professional Art in Pittsburgh. He soon realized that he had little interest in becoming a commercial graphic artist and dropped out in the first year. While in Pittsburgh, Haring continued to study and work on his own and in 1978 had a solo exhibition of his work at the Pittsburgh Arts and Crafts Center. In 1979 Haring moved to New York and enrolled in the School of Visual Arts. He found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls. He became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, performance artists and graffiti writers that comprised the burgeoning art community. 1981 Untitled Haring was also inspired by the work of Jean Dubuffet, Pierre Alechinsky, William Burroughs, Brion Gysin and Robert Henri’s manifesto The Art Spirit, which asserted the fundamental independence of the artist. With these influences Haring was able to push his own youthful impulses toward a singular kind of graphic expression based on the primacy of the line. Also drawn to the public and participatory nature of Christo’s work, in particular Running Fence, and by Andy Warhol’s unique fusion of art and life, Haring was determined to devote his career to creating a truly public art. 1982 Colouring Book As a student at SVA, Haring experimented with performance, video, installation and collage, while always maintaining a strong commitment to drawing. In 1980, Haring found a highly effective medium that allowed him to communicate with the wider audience he desired, when he noticed the unused advertising panels covered with matte black paper in a subway station. He began to create drawings in white chalk on these blank paper panels throughout the subway system. Between 1980 and 1985, Haring produced hundreds of these public drawings in rapid rhythmic lines, sometimes creating as many as forty “subway drawings” in one day. This seamless flow of images became familiar to New York commuters, who often would stop to engage the artist when they encountered him at work. The subway became, as Haring said, a “laboratory” for working out his ideas and experimenting with his simple lines. 1982 Untitled (Foster & Kingman) Between 1980 and 1989 Haring achieved international recognition and participated in numerous group and solo exhibitions. During this period, he also participated in renowned international survey exhibitions such as Documenta 7 in Kassel; the São Paulo Biennial; and the Whitney Biennial. Haring completed numerous public projects in the first half of the 80’s as well, ranging from an animation for the Spectacolor billboard in Times Square, designing sets and backdrops for theaters and clubs, developing watch designs for Swatch and an advertising campaign for Absolut vodka; and creating murals worldwide. 1983 "KEITH HARING 83" Galerie Watari Tokyo Exhibit Poster Throughout his career, Haring devoted much of his time to public works, which often carried social messages. He produced more than 50 public artworks between 1982 and 1989, in dozens of cities around the world, many of which were created for charities, hospitals, children’s day care centers and orphanages. Keith Haring died of AIDS related complications at the age of 31 in 1990. Since his death, Haring has been the subject of several international retrospectives. The work of Keith Haring can be seen today in the exhibitions and collections of major museums around the world. Something that has struck me is the similarity between some of Haring's work and some of the primitive works of Aboriginal Australians, as in the examples below: An Australian Aboriginal painting Keith Haring: 1982 Untitled 1979 Untitled 1980 Untitled 1981 Untitled 1981 Untitled 1982 Untitled 1982 Untitled 1983 Fertility 3 1983 Fertility 5 1983 Fertility 1983 Untitled 1983 Untitled 1984 International Youth Year 1984 Untitled 1984 Untitled 1984 Untitled 1984 Untitled 1984 Untitled 1984 USA-1 1985 Untitled 1986 Double Man More works by Keith Haring in the next blog post.
Download this Premium Vector about Hippie ABC, and discover more than 15 Million Professional Graphic Resources on Freepik
As many already know, Sitejourney Ltd, the company behind Terapad .com, has closed its doors. Sitejourney’s management team gave the reason for closing the company that the figures were just not adding up and the company was not making enough money to make it worth while. HTLonline Ltd is the Internet Service Provider hosting the majority of Terapad’s clustered servers and datacentre infrastructure. We have stepped in the prevent the immediate deletion of the thousands of customers using Terapad’s online service.
1966 I wonder how many people in the world had a romance with Andy Warhol and also combined that with being a significant influence on Warhol’s work. You make your list and I’ll make mine, but we shouldn’t discount the possibility that that list will start and end with Billy Name. Born William Linich, Jr., Name was a prominent lighting designer in NYC and even won an Obie for his lighting around the time he met Warhol, which was in 1959. He had a brief romance with Warhol which evolved into a long-lasting friendship and collaboration. Name was selected to be the archivist for the Factory. At one point Warhol handed him a camera and said, “Here, Billy, you do the stills photography,” and Name’s identity as a photographer was born. By that time, Name had already gone ahead and “silverized” a dilapidated hat factory on East 47th Street, transforming it into one of the most iconic places of the late 1960s. In The Warhol Diaries, Warhol said of Name that he “had a manner that inspired confidence. He gave the impression of being generally creative, he dabbled in lights and papers and artists materials. ... I picked...
blog de Gérard Collas, sculpteur
Warhol for All
Warhol, ever the animal-lover, was approached by environmental activists in the 80s to make a set of rainbow silkscreens that showed the horrifying numbers of near-extinct animals around the world. Get ready to enter Andy’s ark ...
Evelyn Waugh’s 1945 novel, Brideshead Revisited, was a love letter to a vanishing world. In an excerpt from her Waugh biography, Paula Byrne focuses on his inspiration: the divinely decadent Lygon family and their estate, Madresfield Court.
