Alicia d’Amico est une photographe argentine. Elle devient l’assistante de la photographe A. Heinrich et ouvre un studio avec Sara Facio.
for the costume institute’s spring 2018 show, the met presents an exhibition that focuses on fashion and its relationship with catholicism.
Art Direction, Exhibition Design, Adobe Photoshop, Adobe Illustrator
MAKE UP FOREVER
Les éclats des vitrines de la Place. Esprit Joaillerie ne saurait terminer cette année 2017 sans un clin d'oeil à la Place Vendôme.
Discover the Pedrali collections: 100% Made in Italy chairs, tables and furnishings. For use in the office, at home and in public and outdoor spaces..Enter now!
Turning the corrugated paper into freestanding walls and pixilated pavilions the design group is providing advertising venues with a healthier renewable solution
Selected works from the Shipment Series.
Nurture your creativity with our blog, offering a wealth of resources and inspiration for artists and creatives.
Architecture, Exhibition Design, Interior Design
Looking at the different personae depicted within two decades of their portrait photography, Missirkov and Bogdanov have made use of several tropes that characterize photographic representation throughout the twentieth century. Whether serious or playful in their appearance, the people photographed convey a professional or social status, which gets heightened through the compositional elements introduced by the two artists.
J77 dining chair, designed by Folke Pålsson, is a classic wooden chair made of solid beech. The wide seat and curved spindle back create a comfortable seating pose, and J77 chair’s classic design honours the traditions of Scandinavian design.
MUDE | 22 Yrs of Design at FAUL by Marco Rocha
This museum explores the rich culture and history of New Mexico. The 12,000 square feet of exhibits is grounded in a very tangible sense of time and place, reflecting the colorful history of the people of New Mexico.
毎年思うのですが、金沢美術工芸大学のインダストリアルデザインはすごい。 ２年連続でソニーがデザイナーを金美から取るのもう...
The need for self-optimization and the resulting interdependencies between promises of salvation of specific consumer culture and the “belief forms” of today
