Comment être une femme chic et classe ? mes conseils pour devenir la meilleure version de vous-même et être enfin admirée pour votre élégance naturelle
My quest this year was to create a more organised environment in my classroom. A space that allowed for natural expression through various forms of play as well as a space that was organised and wa…
Wist u dat storende geluiden een van de meestvoorkomende problemen zijn op de werkplek? De oorzaak is vaak een slechte akoestiek. Geluid van andere mensen wordt als het meest storend ervaren. Verbeter de akoestiek op de werkplek of thuis met akoestische doeken.
Fondée en 2006 par l’architecte danois Bjarke Ingels –ancien collaborateur de Rem Koolhaas et ancien associé de Julien de Smedt (Plot)–, l’agence BIG regroupe architectes, designers, urbanistes, paysagistes et chercheurs, à Copenhague, New York et Londres.
Claude Debussy Portrait Print Poster Museum-quality posters made on thick matte paper. Add a wonderful accent to your room and office with these posters that are sure to brighten any environment. • Paper thickness: 10.3 mil • Paper weight: 189 g/m² • Opacity: 94% • ISO brightness: 104% • Paper is sourced from Japan
Digital work produced on a graphics tablet from a white sheet and transposed by Giclée onto canvas mounted on a wooden frame. Pop Art spirit. A real reflection on past times and current society. Give free rein to your thoughts with this work which leaves no one indifferent and will beautify the environment in which it is located.
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Wikipedia has this extensive entry dealing with Cubism. Early on, it states: "Historians have divided the history of Cubism into phases. In one scheme, the first phase of Cubism, known as Analytic Cubism, a phrase coined by Juan Gris a posteriori, was both radical and influential as a short but highly significant art movement between 1910 and 1912 in France. A second phase, Synthetic Cubism, remained vital until around 1919, when the Surrealist movement gained popularity. English art historian Douglas Cooper proposed another scheme, describing three phases of Cubism in his book, The Cubist Epoch." Those were "Early," "High" and "Late" Cubism, and the entry uses that concept to organize its discussion. The peg I'm using for this post is the Analytical Cubism concept, whereby artists were supposedly presenting a subject by simultaneously using several different points of view in order to show it more completely than traditional art's single viewpoint. I find it hard to believe the early cubists were serious in this regard. After all, Pablo Picasso (1881-1973), an inventor of Cubism, was something of a prankster. Consider the hypothetical case of an artist seriously making a Cubist portrait using perhaps half a dozen different perspectives. The result will probably be an image that is so fragmented that only the artist himself would know what segments of his painting or drawing came from which viewpoint. A viewer of the work might be able to identify how a few fragments originated, but would be at a loss to comprehend how the entire work was assembled. In other words, instead of showing a more complete view of the subject, the result is that even less of the subject is understandable to a viewer than would have been the case for a traditional portrait. Some examples of early cubist portraits are shown below. Gallery Pablo Picasso: Portrait de Daniel-Henry Kahnweiller - 1910 If you didn't already know what art dealer Kahnweiler looked like, could you form an accurate image of him using only the material presented in this "portrait?" Pablo Picasso: Portrait de Ambroise Vollard - 1910 Here Picasso comes closer to depicting Vollard as others actually would see him. Pablo Picasso: Girl With a Mandolin - 1910 Not strictly a portrait, as he made no attempt to break the subject's face into many fragments -- he just simplified/abstracted. Albert Gleizes: Portrait de Jacques Nayral - 1911 Albert Gleizes (1881-1953), background here, besides being a painter, was a cubist theoretician who co-authored the 1912 book "Du Cubisme." He remained a cubist of sorts for much of his career, so unlike Picasso he should have been serious. But the example shown here simply has the subject's face and hands reduced slightly in the direction of faceting. Only other parts of the figure plus the rest of the setting are what most would consider cubist. Albert Gleizes: Portrait de Mme H. M. Barzun - 1911 The same can be said regarding this portrait. "Du Cubisme" was co-authored by Jean Metzinger (1883-1956), who I wrote about here. Metzinger was a cubist for a while but later works were far more representational. This painting is largely a matter of using simplified shapes and faceting, though a slight amount of perspective-twisting can be seen. Jean Metzinger: Portrait de Mme Metzinger - 1911 When it came to portraying his wife, Metzinger fell back to the practice of faceting features and putting cubist decoration in the background as Gleizes did. What the above gallery suggests is that even committed cubists often had to hold back from a hardline "analytical" approach when making portraits. Perhaps this compromise with purity had to do with the practical matter of portrait subjects wanting to be shown in a largely recognizable manner.
Un loup majestueux hurle vers le ciel, la tête relevée avec une puissance palpable. La gueule grande ouverte, il émet un chant mélancolique tandis que des flocons de neige tourbillonnent autour de lui. Chaque détail du loup et de son environnement enneigé est rendu avec une précision remarquable. Cette scène évoque la magie de l'hiver, où le loup exprime sa solitude dans un paysage immaculé, créant une atmosphère à la fois envoûtante et empreinte de poésie. Artplate amovible seule sans cadre Nécessite un cadre Artplate pour être accrochée au mur Disponible en 4 tailles au choix Finition : Chromaluxe brillant
A tale of an IAEA Student Chapter Roundtable Presentation. [flickr id=”6463833451″ thumbnail=”medium” overlay=”true” size=”original” group=”” align=”none”] Before the IAEA Conference, my colleague in the Art Education MAT program, Keli Campbell, and I applied to present at the IAEA Student Chapter Roundtable. Our main interest and goal was to present a demonstration and lesson plan idea on Collagraph Printing. [flickr id=”6463825895″ thumbnail=”medium” overlay=”true” size=”original” group=”” align=”none”] What is Collagraphy? Collagraphy is a print-making process where various materials are glued to a hardboard to create a raised texture. The collaged collagraph plate can then be printed with a press or by hand with a roller. [flickr id=”6463828383″ thumbnail=”medium_640″ overlay=”true” size=”original” group=”” align=”center”] A few examples of various materials that can be used for Collagraph textures are: leaves, seeds, string (hemp), acrylic paint, crushed paper, bubble rap, sandpaper, cardboard, grass, and many others...
Edit du 18 /04 : ajout de la séquence + fiches élèves etc … Pour prolonger le travail en langage sur les animaux (cliquer ici), Bénédicte m’avait suggéré de continuer ce travail en ajou…
In our wide selection of canvas prints you will find images to suit the majority of homes and design styles. All of our images are carefully chosen, and our selection is always being updated. Our canvas prints are made in Sweden in an environmentally conscious process and meet the absolute highest of standards.
On reconnaît en France 22 écoles d’architectures, publiques et privées. Mais il est peu probable qu’une seule d’entre elle offre des cours sur l’architecture des mondes imaginaires. Pourtant, il y a des créations tirées de films, et d’univers livresques qui font rêver...
Rebecca Bengal writes about the photographer Jocelyn Lee’s painterly portraits—currently on view at the Center for Maine Contemporary Art—of nude women immersed in nature.
Was ist Massentierhaltung? Hier erfährst du jetzt alles darüber - von der Definition über Ursachen und Folgen bis hin zu Lösungen im Alltag.
