1. Mann und Frau (Umarmung); man and woman (hug); 1917, Egon Schiele 2. Die Umarmung (Liebespaar II); The embrace (Lovers II); 1917, Egon Schiele

Egon Schiele, (1890-1918), Austrian🎨 Expressionist painter, draftsman and printmaker noted for the eroticism of his figurative works. As a student at the Vienna Academy of Fine Arts (1907-09), Schiele was strongly influenced by the Jugendstil movement, the German Art Nouveau. He met Gustav Klimt🎨, leader of the Vienna Sezession group, and the linearity and subtlety of Schiele’s work owe much to Klimt’s decorative elegance.

The descendants of a Jewish Holocaust victim are seeking the restitution of a pair of watercolors by Egon Schiele for sale by Richard Nagy Ltd.

Jovem, expressionista, apaixonado por mulheres. Egon Schiele, artista austríaco do início do século XX, retratava mulheres de forma tão sensual e impactante que chegou a ser preso acusado de expor material pornográfico a menores de idade. O Chatas de Atenas estreia hoje uma série que reunirá a cada duas semanas pequenos textos sobre artistas e obras de arte com essa temática que nos é tão comum e crucial: mulheres. Schiele é frequentemente agrupado no grupo dos expressionistas, movimento de reação às tendências impressionistas e de plena observação das luzes e tons da realidade. A questão dessa vanguarda era de "expressar" o sujeito na imagem, ao contrário da simples "impressão" da imagem para o sujeito. Em Egon Schiele, há a característica de certa tensão no quadro. Posições rudes, violentas, a matéria do quadro (a tinta) se mostrando como tal, juntas com o amplo aproveitamento da sexualidade e da exposição de corpos femininos - que não são representados nos moldes clássicos - fazem com que o artista torne certo desconforto aos olhos de muita gente, até hoje. Prostitutas, trabalhadoras, magras e andróginas, essas mulheres substituem moldes clássicos como as diversas vênus dos séculos anteriores. Segundo G. C. Argan, um renomado historiador e pensador da arte, "somente a arte, como trabalho criativo, poderá realizar o milagre de converter em belo o que a sociedade perverteu em feio". O sexo, o nu, a sexualidade, e a mulher como naturalmente provida de órgãos e desejos sexuais, seriam uma dessas perversões da sociedade. O austríaco conheceu Gustav Klimt (grande artista que se destacou na Art Nouveau) aos 17 anos, e foi de certa forma um protegido dele. Klimt o ajudava comprando trabalhos e o introduzindo ao meio da arte, além de influenciá-lo com a temática ao mesmo tempo melancólica e carnal, e de mergulho na sensualidade feminina. Gustav Klimt - Friederike Maria Beer Egon Schiele - Friederike Maria Beer O artista casou-se duas vezes. Uma aos 21 anos, com Wally, de 17, e outra 4 anos mais tarde, com Edith, que morreu grávida de seis meses três dias antes dele, de gripe espanhola. Os últimos trabalhos de Egon Schiele foram esboços do rosto da mulher, durante os dias anteriores à sua morte precoce, aos 28 anos. Sua primeira esposa (Wally) Um de seus últimos trabalhos - Edith Schiele Um de seus últimos trabalhos - Edith Schiele

So whilst scanning the internet for images, I came across some of Egon Schiele's work on plants...

Although their erotic and existential angst once fell foul of public taste, Egon Schiele’s nudes have stood the test of time, argues Simon Wilson.

Egon Schiele was a figurative artist from Austria. Egon Schiele painted portraits in an expressionist style which meant he tried to show feelings through his work, rather than trying to capture som…

The ultimate curriculum platform for K-12 art teachers. FLEX gives art teachers access to a rich library of standards-aligned curriculum materials so they can save time and focus on teaching and student learning.

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Egon Schiele

. As mentioned before, Petrus Christus' Portrait of a Young Girl. (c. 1470), is one of my favorite portraits, & like other great portraits she takes much abuse by would be artists, and commercialism. I'll not add to her debauchery by including any of them here. She is-perfection, and gratefully there are some perfect homages to her. I've always felt Picasso-whose paintings of Velasquez's Las Meninas (there are 57) was a true acolyte of the master- in praise of that painting-a deconstruction of its complexity. As to a Christus redux-there is no such Picasso- but here- in his 1954 portrait of Sylvette Davis, he's playing with her. The shape of the truncated hennin worn by our Young Girl emphasizes Sylvette's beautiful face and hair & her sloe-eyes seen to imitate Christus's sitter. In accord with Picasso & his "menina" complex-another celebrated Spaniard Manolo Valdes paints the maids over-and over. Not only Velasquez-but as it turns out Petrus Christus' Young Girl...has been a subject for Valdes. It's no surprise then that Valdes gives our Young Girl all the reverence found in his las meninas. Here She is in the June issue of AD, residing over a Steven Gambrel designed Long Island family room. at AD here His Menina residing in the late decorator Henri Samuel's office. There is more Christus Petrus and the Young Girl to come-later in the week.

Wenen is de stad van Klimt en Schiele. Voor mij twee grote kunstenaars van rond 1900. Wenen kent van beide de grootste verzamelingen. Klimt in het Belvedere en Schiele in het Leopold Museum. Gustav Klimt zijn werken zijn overbekend uit alle mogelijke plaatjseboeken. Maar geen afbeelding haalt het bij het echte werk. Dan vallen de twijfels in een klap weg. Het goud en de decoratieve schildertrant zijn puur en geen kitsch. Om stil van te worden. Dit ontwerp voor een affiche is zo gedurfd. Het lege vlak drukt de voorstellingen naar de rand. En het werkt. De mensen staan stil voor het grote doek. Hun ogen schieten van links naar rechts. De fotocamera's klikken om je heen. Velen kijken een tweede, een derde keer. Het werk is als een altaarstuk. Er zijn verschillende versies van Judith. Haar triomfantelijke lach, haar koele erotiek als van Caterine Deneuve en dan bijna weggestopt het hoofd van Holofernes. Het gaar deze Judith niet om de bevrijding van haar stad. Het gaat haar om een pervers genot. Het werk van Egon Schiele blijft fascinerend. Zijn aparte manier van afbeelden met de gehoekte lijven en handen, de erotiek die in zijn werk aanwezig is, smullen Bijna abstract is dit werk. Een dode boom meer niet, maar wat een spanning in de vormgeving. Verrassend, nog beter dan zijn straatjes.

Egon Schiele with arms raised above his head. March 1914. Photograph by Anton Josef Trcka. Overpainted by Schiele and signed twice Schiele in 1914 by Anton Josef Trčka d’Antios Egon Schiele with his carved wooden horse. In the background, the painting:”Row of Houses”. Photograph, presumably by…

Pensando a quadri con fiori vengono in mente composizioni colorate e rasserenanti, ma con Schiele e Mondrian si va decisamente più lontano

Autumn tree in the wind Schiele.jpg

1898 1906 1907 1909 1909 1912 1914 1913 1916 1915 1914 EGON SCHIELE SUR SON LIT DE MORT

1917 Self-portrait This is part three of a three-part post on the works of Austrian artist Egon Schiele. For biographical notes see part one. For earlier works see also parts one and two. 1915 Death and the Maiden oil on canvas 1915 Edith Schiele, Seated crayon, watercolour and gouache on paper 1915 Einzeine Hauser oil on canvas 1915 House on a River (aka Old House) oil on canvas 1915 Kneeling Female Nude, Back View pencil and gouache on paper 1915 Levitation oil on canvas 1915 Portrait of Edith Schiele in a Striped Dress oil on canvas 1916 The Mill oil on canvas 1917 Embrace (aka Lovers II) oil on canvas 1917 Female Nude Lying on Her Stomach black chalk and gouache on paper 1917 Four Trees oil on canvas 1917 Frau Schiele black crayon and gouache on paper 1917 House with Drying Laundry oil on canvas 1917 Mother with Two Children oil on canvas 1917 Portrait of the Actress Marga Boerner black crayon and gouache 1917 Reclining Female Nude charcoal, watercolour and gouache 1917 Summer Landscape, Krumau oil on canvas 1917 The Artist's Sister-in-Law in a Striped Dress, Seated pencil, watercolour and gouache 1918 Mountain Torrent oil on canvas 1918 The Family oil on canvas

Bestel Zelfportret met kersen, Egon Schiele - 1912 als print. Kies zelf de maat en het materiaal. Snel geleverd, hoge kwaliteit.

Landscapes by Egon Schiele

Egon Schiele - Self Portrait with lowered head, 1912. Oil on board, 42.2 x 33.7 cm. Leopold Museum, Vienna, Austria

This ready to hang, gallery-wrapped art piece features buildings along the center of the frame. Egon Schiele, born 1890 and died 1918, was an Australian painter who was a major figurative painter of the early 20th century. Known for his expressive body poses in his portrait pieces and harsh line work to bring character into the style. Dimensions - 47" H x 35" L x 2" D Artist - Egon Schiele Subject - Cityscape Style - Eclectic Gallery-wrapped Canvas Art for a frameless, ready-to-hang presentation Giclee advanced printmaking process for a high-quality reproduction Limited 30-day warranty against manufacturer's defects Canvas (Cotton-poly blend), Wood Spot Clean Made in USA Request warranty information Web ID: 8601786

Egon Schiele - Port of Trieste - 1907