magictransistor: “ Gustav Kampmann, Eclipse, 1903. ”
I had never heard of Alma Woodsey Thomas until I received an art catalog in the mail and saw a tiny reproduction of her "Eclipse" painting b...
♠️ JOIN OUR EMAIL LIST HERE: http://bit.ly/subscribe2MP ♣️ ADD A FRAME TO ANY PRINT HERE: http://bit.ly/addframe Complete your decor with Vincenzo Maria Coronelli's celestial chart titled "Idea dell' Universo", c.1693. This amazingly detailed intaglio features a set of diagrams relating to astronomy and astrology, with decorative engraving in Coronelli's unique style replete with "wind heads" in the four corners. The chart serves as a guide to geographical, cosmological, and spiritual concerns, with subsections dedicated to everything from a theory of eclipses, a perpetual calendar, the zodiac, the parts of the body dominated by each zodiac sign, to a cross-section of Earth that includes the various circles of Hell as described in Dante's Divine Comedy. Our exclusive Color edition was hand colored over a 20 hour restoration process using a rare colored original as reference to achieve the most authentic look possible. You will not find this amazing work anywhere else! *Please note that our images are most optimal at the largest size offered. Be aware you may encounter readability issues with any script/writing in the smaller sizes. This is not an issue with print quality. Available in: 16" x 20" 18" x 24" 24" x 36" ❖ High resolution images printed at or below optimal size to preserve clarity. We won't blow up an image to sell you a more expensive size! ❖ Digitally restored to remove distracting blemishes, stamps, and damage while still preserving the foxing, wear, and creases that lend to the character of these historic images ❖ Print size includes a 1-2 inch white margin for easy framing, with or without a mat ❖ Printed on archival quality Epson Enhanced matte stock: ◆ 10.3 mil thick/192 GSM heavyweight ◆ Acid-free, museum quality ❖ Printed only with Epson UltraChrome HDR ink ◆ Natural high-density pigment colors ◆ Rated lightfast up to 200+ years ❖ Printed on Epson Stylus Pro 7900/9900 printers for giclée quality color and clarity ❖ Protective hardboard kraft tubes virtually eliminate shipping damage ◆ Made from 70-100% post-consumer recycled content - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - We think our prints are the best you'll find, but don't take it from us. Here's what our customers have to say: ☆ ☆ ☆ ☆ ☆ Mike, thanks so much for the beautiful print. It is exactly what I wanted. I appreciate your processing and shipping my order so quickly. Majestic Printsellers is first class all the way. ☆ ☆ ☆ ☆ ☆ I love love love these prints! ☆ ☆ ☆ ☆ ☆ These prints are amazing and some of the best I've had the pleasure of buying. Talented shop and even more amazing customer service! Will be buying from again! Thank you for shopping MajesticPrints! www.etsy.com/shop/MajesticPrints
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It turns out that you don't need arms to play this game! All you need are long legs, a funky boa, and some sweet slippers. Fresno Nightcrawler always beats his friends at this game. He's just so flexible! And his legs are so long that they can reach any color circle on the board. Are you brave enough to face this undefeated gaming fiend? 🌙 Includes one (1) vinyl sticker🌙 Sticker is roughly 3" x 3"🌙 Scratch resistant, weatherproof, and waterproof Our vinyl stickers are printed on Turtley Awesome premium vinyl with a permanent adhesive. Each one is coated with a protective laminate that makes them super durable & resistant to fading, scratching, tearing, and water. They can even be safely run through a dishwasher!💦
Description The Smithsonian American Art Museum has the largest public collection of works by Alma Thomas in the world. Thomas’s art first entered SAAM’s collection in 1970. The museum acquired more than a dozen works during the artist’s lifetime, and thirteen that were bequeathed to the museum by Thomas after her death. Composing Color: Paintings by Alma Thomas draws on these extensive holdings to offer an intimate view of Thomas’s evolving practice during her most prolific period, 1959 to 1978. In the mid-1960s, Alma Thomas created a painting style distinctly her own, characterized by the dazzling interplay of pattern and vibrant color. Thomas once stated, “Art could be anything. It could be behavior—as long as it’s beautiful.” In her work, color can be symbolic and multisensory, evoking sound, motion, temperature, even scent. Her abiding source of inspiration was nature—whether seen through her kitchen window or from outer space. Organized around the artist’s favored themes of Space, Earth, and Music, this show invites you to see the world through Alma Thomas’s eyes. She often assigned titles to her own paintings that connect natural phenomena, like flowers or a sunset, with song. In her art, nature and music are treated as twin expressions of a fundamental life force or spirit. Consciously oriented toward the future, she embraced the technological and social changes of the twentieth century. Her artistic evolution from academic painting to abstraction reflected this forward-facing attitude—her belief in the need for “a new art representing a new era.” New research into her materials and techniques show how Thomas continued to innovate artistically until the end of her life, at times changing her methods to adapt to her declining physical ability due to arthritis. As the luminous works in the exhibition reveal, Thomas’s astounding creative drive and mastery of color remained constant through her final years. After the exhibition closes at SAAM, it will travel to several venues across the United States. This exhibition is organized by Melissa Ho, curator of twentieth-century art at the Smithsonian American Art Museum, with support from Maria Eipert, curatorial assistant. Listen to Ho speak about selections from the exhibition in this online audio guide. Visiting Information Smithsonian American Art Museum September 15, 2023 – August 4, 2024 Open Daily, 11:30 a.m.–7:00 p.m Free Admission Tour Schedule Denver Art Museum Denver, CO September 8, 2024 – January 12, 2025 Learn how to bring this exhibition to your institution
