The Ecce Romani series, the most innovative reading-based Latin program. The new edition features full-color design, motivating content, and complete teaching support.
Mort vendredi, le romancier-philosophe italien s’intéressait aussi bien à la pensée antique qu’à la littérature de gare et croyait en la force de vie de la culture.
Early crosses didn't depict Christ but rather symbolized faith. Today, making the sign of the cross acknowledges our redemption and Christian identity.
Photographer: Jeff Marano (@jeffmaranofilm)
Gesu' Cristo, Passione di Cristo, Roma, Chiese, Via Urbana, statua, cattolicesimo
Sacred liturgy and liturgical arts. Liturgical history and theology. The movements for the Usus Antiquior and Reform of the Reform.
"And Mary said to the angel, "How shall this be, since I have no husband?" And the angel said to her, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible." And Mary said, "Behold, I am the handmaid of the Lord; let it be to me according to your word." And the angel departed from her" – Luke 1:34-38, which is part of today's Gospel for the 4th Sunday of Advent. My sermon for today can be read here. Detail from a window in Covington Cathedral, KY.
by Bartolomé Esteban Murillo
Ecce Homo and The Virgin Dolorosa (P977) are comparable with regard to size, provenance and their partial dependence on models by Titian. Above all, they are linked by their subject matter and are most effective and expressive if seen as a pair, when it becomes evident that the Virgin’s grief arises from her contemplation of her son’s suffering.
"But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, "Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever and of his kingdom there will be no end." And Mary said to the angel, "How shall this be, since I have no husband?" And the angel said to her, "The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible." And Mary said, "Behold, I am the handmaid of the Lord; let it be to me according to your word." And the angel departed from her." - Luke 1:29-38. Detail of a window by Sir Ninian Comper in the Lady chapel of Downside Abbey church. Today, 25 March, is the Solemnity of the Annunciation.
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Like The Virgin and Child with a Spindle (P07864), this panel formed part of the altar of St Anne in Badajoz Cathedral, commissioned by the bishop of the time, Juan de Ribera (1532-1611). It is really a reduction to a half-length format of the picture of the same title at the Minneapolis Institute of Arts, also shown in this exhibition.
For the poster of the documentary Ecce Ojo directed by Iñès Compan, Bureau 205 used the typefaces Heliuum (Damien Gautier) and Cosimo (Matthieu Cortat). Both are distributed by 205TF.
