Did this for the April 2013 cover of the Progressive, but was waiting to post it until today. Article was on climate activism. I don't usually go into color in roughs, but I had a favorite and wanted to make sure it would work and sell it a bitat the same time. Luckily Nick, the AD on this agreed. I wanted to add more layers to the image, but pulled back when I remembered Nick had told me to remember to accomodate the address label and bar code in the design. I wish I would have had a bit more time on it to make some subtle changes to make the smoke curl more naturally around the face and fist, but making the deadline was most important. This poster on the wall at Facebook HQ always makes me feel better when that happens.
its earth day weekend :)))
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While we ought to be spending every day praising the beauty of the planet, Earth Day is at least a good reminder.
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Based on the surviving fraction of his work that he himself mostly destroyed, I judge Walter H. Everett to be one of the very finest painter-illustrators of 20th century. I last wrote about him here. Until fairly recently little could be found on the Internet. But Leif Peng recently posted some Everetts that I hadn't encountered before. Peng found them on Greg Newbold's blog, and Newbold mentioned that he had been trading Everett scans with Kev Ferrara. The illustration at the top of this post is from the group of "new" Everetts just mentioned. Clearly I've been well out of the Everett image loop, so I hope that Kev or Greg Newbold will drop a hint as to where those images were found. Regardless, the images solidify my initial judgment regarding Everett. Henry C. Pitz in his book The Brandywine Tradition characterized Everett as follows: Everett was cocky and confident, short but broad and deep-chested, with knotted arms like a wrestler. He had a strongly modeled, dark-skinned, rather handsome and pugnacious face that seemed to threaten bad temper. All this left one unprepared for the eventual discovery that behind this manner was a vein of poetry. Although he possessed all the outward signs of a brusque man of incessant action, he was in his heart a dreamer -- a daydreamer, incorrigibly lazy.... All his best pictures, even those of banal subject matter, had some flavor of an imagined world. His people were believable but not ordinary. Most pictures had a secret place; a tantalizing area where nothing was explicit, but where the eye was coaxed to muse and speculate. He preferred tonal subtleties, close values, edges that were lost and then found again.... Yet he was difficult, for he hated deadlines. Things were put off until the last moment or beyond it. He loved the long indolent hours of dreaming about pictures he would paint and when the day for delivery arrived he would go fishing to avoid the insistent telephone calls. Editors, wise in his ways, planned to spend the last twenty-four or forty-eight hours before deadline in his studio while he painted furiously and surely... For once galvanized into action, he was amazingly rapid and certain -- a true temperamental virtuoso. Everett was a student of immensely influential Howard Pyle who is best known for illustrations featuring pirates and Revolutionary War themes. So the illustration above from the May 1897 Ladies Home Journal strikes me as unusual. Moreover, compare it to the Everett below: If the Pyle illustration had been painted around the time Everett was his student, I'd be wondering if the work was partly done by Everett, many of whose works are similar in spirit and also include blossoms. As things stand, it's possible that Everett was aware of that illustration even though he was 16 or 17 at the time it appeared in a women's magazine. Or perhaps Pyle has similar material to show his students while Everett was there. (My source for the the Pyle publication date is Arpi Ermoyan's Famous American Illustrators, page 64.)
The chord on the guitar will snap, but will be replaced. This is a paintbrush soaked in paint, but the lines are no longer straight- they have a more oriental look, like waves. A multitude of colors. Spaces are being filled. Boundaries of the intuitive and transcending are being brought together.
Celebrate Earth Day the DIY (dye-your-own) way with our selection of bare yarns and natural dyes.
littlechien via branda
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I am in love with all of these childrens books about the environment -- it's such a fundamental thing to teach your kids.
Giclee fine art print reproduction from antique geological chart of rock strata, by Levi Walter Yaggy, 1893. 10x15 or 11x16 or 12x18 or 16x24 or 20x30 or 24x36 or 30x45 or 40x60 paper size. ***1/4 inch white borders are used for prints 5 inches and larger unless requested otherwise -- this means the image will be set 1/4 inch within the exact paper size listed above. Smaller prints (3.5x5, 4x4, 4x5, 4x6) will be sent without borders unless requested otherwise. See the last paragraph of this description for more available border options.*** Printed with a professional Giclee printer on Somerset Velvet 100% cotton rag fine art paper with archival pigment inks. These are fine art prints, not cheap posters -- produced with the highest quality inks, thick matte paper, and Giclee (museum quality) printing method. The image scans used are high resolution and printed at full quality. Although custom requests are welcome, please note that the print sizes are listed to the largest possible size for each image. Processing time before shipment is 1-3 business days. Shipping is USPS First-Class with tracking, and orders over $35 in the United States ship free. Shipping upgrades available in cart. Prints may be shipped either flat or rolled, depending on size. Rolled prints are packaged around the outside of a tube and then bubble-wrapped and placed inside a long box -- this is because the thick fine art paper cannot be rolled tightly enough to go inside the tubes without causing damage to the paper. To flatten rolled prints, they can be laid out under a stack of heavy books. Please note that since these are vintage images, they do not always conform exactly to the standard paper sizes -- this means some images will have a slightly larger white border on two sides to allow the image to fit with no cropping (the paper size stays the same, but if an image is more narrow or short than the closest standard paper size, the borders will be slightly larger on two sides). If you would like a particular image size, no border, or a larger border (1/2 inch or 1 inch), please send a request and most adjustments can be accommodated at no extra charge. If you would like a 1 inch external border, that can be done for no extra charge and increases the paper size by 2 inches each way (for example, an 8x10 image with 1 inch external borders will be printed on 10x12 paper). Please note the external border (making the paper larger) is only available as 1 inch, while the internal border (making the image smaller) is available as 1/4, 1/2, or 1 inch.
1. In the Puranas, and already in the Atharvaveda, there are fourteen worlds, seven higher ones (vyahrtis) and seven lower ones (patalas), viz. bhu, ...
I’ve been looking at some Australian painters that I’ve found at Cummings is the first one I’m posting.
A few days back, we came across a poster that had a beautiful picture of a beach with a headline that said "Can you give up your phone, TV and computer
Earth Day isn't just for secularists, Catholics are behind it too.
Italian photographer Fausto Podavini dedicates himself exclusively to reportage, and is nowadays a freelance photographer, collaborating with a number of NGOs.
While your teachers may have spread lies about planetary plates shifting and causing the continents to separate, Dan Meth is brave enough to share the truth with us. Pangaea occurred when the continents were cuddling with one another, but when tensions started to rise and the honeymoon phase ended, the happy group had no choice but to split up. Link...
This mind-blowing book, 15 years in the making, extends from the Earth’s earliest days to beyond humanity’s extinction. By Chris Ware
Celebrate Earth Day by adorning your Facebook profile with one of our 50 Earth Day Facebook covers. Showcase your commitment to environmental preservation and spread awareness with these inspiring and beautiful cover photos.
Matthew 24:35 Heaven and earth shall pass away, but my words shall not pass away.
HIGH RESOLUTION. Who illustrated this? Reminds me of Howard Pyle. I originally found the image at webshots.com (account gone, now) Getty images has the artwork, but in an email, said they have no artist information. ___ Found it! 'The Fruits of the Earth' (1911) watercolor by Edward J. Detmold' Published in 'The International Studio' magazine vol. XLII From the Article "A Note on Mr. Edward J. Detmold's Drawings and Etchings of Animal Life" Bio: www.bpib.com/illustra2/detmold.htm (Digital compilation by plumleaves)
Mother Earth's children; the frolics of the fruits and vegetables, 1914 Said Miss Cucumber, "I have brought My fan, because the day is hot; Our family have a splendid rule, -- Whatever happens, we keep cool."
