12 easy techniques to use Distress Inks on craft or paper projects like art journal pages, cards and scrapbook lyouts
this demo features an overview on the differences of distress spray stain and oxide spray. learn the importance of working on…
12 easy techniques to use Distress Inks on craft or paper projects like art journal pages, cards and scrapbook lyouts
12 easy techniques to use Distress Inks on craft or paper projects like art journal pages, cards and scrapbook lyouts
This week Heather Tracy shows us 7 marvelous Distress Ink Techniques! Great for Card Making, Crafts and Mixed Media Art!
this demo features an overview on the differences of distress ink and distress oxides. learn about the importance of various…
this demo features an overview on the differences of distress spray stain and oxide spray. learn the importance of working on…
Hello crafty friends... Hope you've all had a good weekend and ready for a brand new week ahead and a brand new challenge over on the Simo...
At the Creativation show this past January, Tim Holtz introduced a really cool technique you can do with Distress Oxides. He was playing around with different substrates for Distress Oxide, and tried the inks on glossy paper, specifically the Ranger Alcohol Ink Cardstock. It seems like Tim Holtz will try anything with his products, including licking the paper (not recommended). He found that the oxidation of the inks was especially pronounced on the glossy cardstock, (that's when he licked it) and then he tried a product that's been around awhile, Distress Glaze. Distress Glaze is a pretty cool product that will seal a surface and make it permanent (such as sealing Distress inks to protect them from being activated again). It's an almost waxy substance that can be applied with a blending tool, or even with your finger. I've had a lot of fun playing with this technique, and have made a lot of backgrounds using it. For the purposes of this post, I made two Christmas cards. Since I'm trying to make all of my Christmas cards and tags by October, these are my March cards (still late). I made two versions and couldn't decide which I liked best, so I'm doing half of one and half of the other. While I was making the backgrounds for these cards, I took a lot of pictures to try and show you how this is done. It's pretty easy and it's fun. Since I wanted blue backgrounds for these cards, I got out all of my blues and a purple in my Oxide inks. I also used Ranger Alcohol Ink Cardstock, although in the past I have done this technique using other glossy cardstock (including Kromecoat) and it seems to work just as well. I worked with 3 colors at a time, putting them on my mat, spritzing with water, and also running a brush through them so they wouldn't be such square shapes when I swipe my cardstock through. Here's the first swipe. I just laid the cardstock onto the colors and I may or may not have moved it around before picking it up. This is what it looked like after one swipe. After placing it in the colors, then I dried it with a heat tool. I prefer to use the Ranger one for drying because it doesn't distort my cardstock as much. I ended up using 3 pieces of glossy cardstock for this session. I didn't want to waste the color on the mat, and three seemed to use up most of what I put down each time. It doesn't really soak in to the glossy cardstock much. I put down 3 more blues and kept swiping the panels into the ink. The panels continued to evolve. I dried them after each application of color. I also spritzed them several times and splattered them with ink that I picked up with my brush. I kept spritzing, blotting, splatting and drying in between I also picked up a little ink and touched my brush to the paper in places, and that made nice bubbles. It was at this point that I thought I wanted it to be a little darker blue. One of the blues I used (Blueprint Sketch?) turned a kind of purple. This is not the Wilted Violet color, as I had not used it yet at this point. I used very little of the Wilted Violet and Cracked Pistachio. The glaze will also darken these colors more. I added some more Faded Jeans color. It's important to realize that there is no right or wrong here, and that the more layers you add the better it will look in the end. Also, the panels will look very cloudy or chalky when dry. This is how they are supposed to look at this point, but they won't end up that way! Before adding the glaze, I usually will buff the panel a little with a paper towel. My friend Marj Marion came up with this idea, because when you apply the glaze with your blending tool, quite a bit of color comes off on your sponge. Buffing with the paper towel will take off some of that color in advance. After buffing with the paper towel, your pieces will already look brighter and start to show some of the layers underneath. This is what the jar of Distress Glaze looks like. Tim Holtz (being Tim Holtz) designed it so that the round blending tool fits right in. I actually store the sponge applicator that I use right inside the jar. It will eventually get very gunky and you can throw it out and replace with a clean one. I'm just starting in on a corner here. This is when the magic really starts to happen. One tip is, be sure you like what you have on your panel before you glaze it. Once the glaze is applied, the panel is sealed and permanent. After you apply glaze to the whole panel (it doesn't take a lot), then you can buff it again with your paper towel. Here are the panels before the glaze And after They turn so much brighter and more beautiful. It's almost like you can see every layer. (I swear that the Peacock Feathers turns almost green on these). These will turn out differently every time you make them. Here's my second card. For the first card, I took a panel of white Core'dinations linen textured cardstock and cut it to 5.25" x 4". Using my mini MISTI, I lined up a Merry Christmas sentiment from the Papertrey Ink set "Keep it Simple: Christmas" and stamped with Versamark ink. I embossed it with Candy Store Chrome embossing powder. I then positioned the Memory Box die 99765 Pinpoint Double Frame in the upper center of the panel and cut it out. I then cut the Memory Box die 99503 Fresh Pine Curved Border out of some Neenah Solar White 80# cardstock, and positioned part of the border behind the opening of the frame. I cut a piece from the Distress Oxide glazed panels I made and positioned it behind the trees. The panel was then adhered to a piece of Malmero Pearl Blue cardstock and mounted to a base card of Neenah Solar White 110# cardstock. My second card was made in a similar way, except instead of the Memory Box Pinpoint Double Frame die, I used the Die-namics MFT-847 Inside/Outside Stitched Rectangle (3rd from Largest) for the opening, and the Die-namics MFT-463 Blueprints 13 Stitched Rectangle for the panel itself. The stamp is Peace Border F3605 from Hero Arts. I was having a hard time figuring out which card I liked better. The Peace one shows more of the beautiful background behind, but I think I'm leaning toward the Merry Christmas one. What do you think? To see a great video of the Distress Oxide Glaze technique by Jennifer McGuire, click here. You can see my post about Distress Oxides in general here, or search my blog for Distress Oxide. Products Used: Both Cards: Distress Oxide inks: Faded Jeans, Salty Ocean, Blueprint Sketch, Broken China, Mermaid Lagoon Peacock Feathers, Cracked Pistachio, Wilted Violet Ranger Alcohol Ink cardstock Distress Glaze Memory Box die 99503 Fresh Pine Curved Border Core'dinations White linen textured cardstock Neenah Solar White 80# & 110# cardstock Malmero Pearl Blue cardstock Versamark ink Candy Store Chrome embossing powder Card #1: Memory Box die 99765 Pinpoint Double Frame Papertrey Ink Keep it Simple: Christmas stamp set Card #2 Die-Namics MFT-847 Inside/Outside Stitched Rectangles Die-Namics MFT-463 Blueprints 13 die set Hero Arts Peace Border F3605 SaveSave
12 easy techniques to use Distress Inks on craft or paper projects like art journal pages, cards and scrapbook lyouts
At the Creativation show this past January, Tim Holtz introduced a really cool technique you can do with Distress Oxides. He was playing ar...
welcome to week five of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
this demo features an overview on the differences of distress spray stain and oxide spray. learn the importance of working on…
welcome to week five of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
welcome to week seven of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
Pin124 Scrapbook.com has kindly sent me some of the new Distress Spritz from Tim Holtz and Ranger Ink. These produce a pearlescent effect. There are 12 colors in total but I’ll be sharing three today. Visit my YouTube channel to see these sprays in action. There are 12 colors of Distress Spritz so far. You… Read More »Tim Holtz New Distress Spritz
welcome to week six of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic while…
welcome to week seven of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
welcome to week five of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
welcome to week four of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
this demo features an overview on distress crayons and embossing glazes. learn the differences between regular embossing powder…
welcome to week three of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
More Distress Oxide Ink Techniques with Heather Tracy for The Graphics Fairy!
von Reni
welcome to week five of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
The transformation of metals has always fascinated me. Taking this lustrous substance and altering the appearance through…
12 easy techniques to use Distress Inks on craft or paper projects like art journal pages, cards and scrapbook lyouts
Hello crafters! We had a weekend with lovely warm autumn weather. Unfortunately, many leaves are falling, so the trees aren't quite as pret...
What fun you can have with distress inks ! These transparent inks can be used in so many ways. They will become the go to ink in most of your projects. Learn what you can so with distress inks
The Tim Holtz Distress Markers are water based inks for coloring, journaling, stamping and more. The dual tip markers are ideal for many coloring techniques - use the brush tip for coloring, stamping and shading, use the detail tip for journaling and drawing and use to color directly on rubber and clear stamps. Distress Markers from Ranger coordinate with Distress Inks, Distress Stains, Distress Crackle Paint, Distress Stickles and Distress Embossing Powders (each sold separately). Includes one dual tip marker. Made in the USA.
Tim Holtz Distress Markers are water-based inks for coloring, journaling, stamping and more. The dual tip markers are ideal for many coloring techniques. We recommend storing Distress Markers horizontally to keep ink flowing at both tips. Download Tim Holtz® Distress Marker Color Swatch Chart *(.pdf) TIM HOLTZ® DISTRESS MARKERS Acid free, non-toxic Available in Distress 61 color palette Available open stock or in canister set Use brush tip for coloring, stamping and shading
it’s important to be reminded of techniques both old + new. finding different ways to use a product sparks new creative…
welcome to week eight of my Q+A demo series on facebook live. each week the Q+A demo will focus on a specific product/topic…
