Hola! Aquí estoy! He vuelto para contarles sobre la época en que todo cambió… La moda que nace en Londres lo cambia todo. Esta es la época donde se impusieron los jeans, las camisetas y la minifald…
Graphic design in the 1960s emerged after the brutality of the Southeast Asia wars, an increasing racial divide, and the rebellion of the youth. Read more!
Ad for Alfieri & Lacroix typo-lithographers. Art by Studio Grignani, Milano, Italy
In 1961, Ken Garland redesigned the identity for Galt Toys, set in Folio. Later, the company accepted his offer to design their toys and games. They remained a client until 1982. When we were working for Galt Toys, although we used the same logo, we twisted it round and did ump
ABBA Voyage designed by Bailey Sullivan. Connect with them on Dribbble; the global community for designers and creative professionals.
In 1961, Ken Garland redesigned the identity for Galt Toys, set in Folio. Later, the company accepted his offer to design their toys and games. They remained a client until 1982. When we were working for Galt Toys, although we used the same logo, we twisted it round and did ump
PURE PSYCHEDELIA For a versatile timeless look that's sure to bring any groovy graphic idea to life, Mysterylab presents Pure Psychedelia. This condensed font is shot through with twin strands of modernized Art Nouveau and reimagined 1960s psych. This classic stylistic mélange is distilled down to a heady mix of hippy-trippy lava lamp blobs and assertively pointy end tapers, for a unique vibe and a dynamic linear flow.
Download the 1960s Hippie Style Wallpaper Design. Trippy Retro Background for Psychedelic 60s, 70s Parties with Bright Melting Rainbow Colors and Groovy Wavy Pattern in Pop Art style. Outline vector illustration. 7510254 royalty-free Vector from Vecteezy for your project and explore over a million other vectors, icons and clipart graphics!
This effect spotlights the aesthetic of genuine pop art. To intensify the retro feel, we've added midcentury design vibes via a patterned background.
While the late Swiss type designer Adrian Frutiger (1928–2015) is best known for his typefaces, many people are less familiar with his logos.
I love 1960s and 70s graphic design and color schemes, so I created this series of sculptural paintings on canvas using throwback colors from interior design elements. This painting, titled "Irregularities-#7," uses classic 1970s design colors for that nostalgic feel. In addition, this series pushes the painted surface beyond 2D by my cutting through the canvas and design to peel back and shape the canvas. This sometimes reveals the frame of the canvas beneath, and while these shaped areas seem like they would be fragile, they are in fact sturdy and secure. This structural aspect is meant to upend what you expect from a painting, especially one that is a straightforward graphic design. This piece measures 24 x 12 inches, and is acrylic paint on cut and shaped canvas.
Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum. Photo: Matt Flynn © Smithsonian Institution
Perfect in its imperfection, Psychedelic Xylophones is a retro trippy hippie font that brings a hand-lettered groove to your text graphics. It features a large complement of two-character alternate glyphs that adds a subtle sway and an ebb-and-flow that results in some customized surprises and other more subtle variations to your text. It's great for that bendy, melty, warped headline psychedelic poster thing. Try it on retro t-shirt messages and surf/skate graphics, or a daring branding choice for drink or snack packaging. The alts are turned on by default but can be over-ridden easily in the Glyphs panel of many popular software packages.
Leading artists of the 1960s Psychedelic Art movement were San Francisco poster artists such as Wes Wilson, Mouse & Kelly (Stanley Mouse and Alton Kelly), Victor Moscoso, Rick Griffin. Their Psychedelic Rock concert posters were often inspired by the Art Nouveau style (of artists like Alphonse Mucha – indeed his artworks were often reworked in posters), as well as the contemporary Pop Art movement. The "Fillmore Posters" were among the most notable of the time. Richly saturated colours, elaborate ornate lettering, collage elements and distortion were all hallmarks of the San Francisco psychedelic poster art style that flourished from about 1966 - 1972. Their work also translated into album cover art and all of the aforementioned artists also created album covers. Fillmore Auditorium, San Francisco Photo: Wikimedia Free Media Repository The Fillmore Auditorium is an historic music venue in San Francisco California made famous by promoter Bill Graham. Named for its original location at the intersection of Fillmore Street and Geary Boulevard. In 1968, Graham moved his concerts to a different venue in San Francisco, formerly known as The Carousel Ballroom and El Patio at Market Street and South Van Ness Avenue, that he renamed Fillmore West. Avalon Ballroom, San Francisco Photo: Wikimedia Free Media Repository The Avalon Ballrom is a music venue in the Polk Gulch neighbourhood of San Francisco. The space operated fron 1966 to 1968 and reopened in 2003. Local bands such as Quicksilver Messenger Service and The Steve MIller Band served as back-up bands, as did the early Moby Grape and headliners like The Doors and Big Brother and the Holding Company with Janis Joplin. Grande Ballroom, Detroit © www.buildingsofdetroit.com In 1966 the Grande Ballroom was acquired by high school teacher and local radio DJ Russ Gibb. He was inspired by visiting the Fillmore in San Francisco, and envisioned a similar venue in Detroit for the new psychedelic music. Since Gibb closed the Grande as a rock venue in 1972, the building has rarely been used and has fallen into a state of extreme disrepair. Fillmore East, New York in the 1960s Fillmore East, New York today Photo: Wikimedia Free Media Repository Fillmore East was rock promoter Bill Graham's venue in the East Village in New York. It was open from 1968 to 1971 and featured some of the biggest bands of the time. The venue provided Graham with an East Coast counterpart to his existing Fillmore in San Francisco. The Fillmore East quickly became known as "The Church of Rock and Roll," with two-show, triple-bill concerts several nights a week. Graham would regularly alternate acts between the East and West Coast venues. Until early 1971, bands were booked to play two shows per night, at 8 pm and 11 pm, on both Friday and Saturday nights. This is part 1 of a 2-part post on psychedelic graphics of the 1960s: March 1-2 1966 Artist Gary Grimshaw Big Brother and the Holding Company at Grande Ballroom, SF © Gary Grimshaw April 15-17 1966 Paul Butterfield Blues Band, Jefferson Airplane at Fillmore Auditorium, SF © 1966 Bill Graham April 29-30 1966 Artist Wes Wilson Grass Roots, Sons of Adam, Big Brother and The Holding Company at Avalon Ballroom, SF © Wes Wilson April 29-30 1966 Artist Wes Wilson Jefferson Airplane, Quicksilver Messenger Service, Lightning Hopkins at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson May 6-7 1966 Artist Wes Wilson Jefferson Airplane, The Yay Walkers at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson May 13-14 1966 Artist Wes Wilson The New Generation, The Jaywalkers, Charlatans at Fillmore Auditorium SF © 1966 Bill Graham © Wes Wilson May 20-21 1966 Artist Wes Wilson Quicksilver Messenger Service, Final Solution at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson May 20-21 1966 Artists James Gardner and Herb Greene Jefferson Airplane, Grateful Dead at Fillmore Auditorium, SF © 1966 Bill Graham © James Gardner & Herb Greene May 27-29 1966 Artist Wes Wilson Andy Warhol and His Plastic Inevitable, Velvet Underground, Mothers, Nico at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson June 3-4 1966 Artist Wes Wilson Postcard for Quicksilver Messenger Service, Grateful Dead, The Mothers at Fillmore Auditorium © 1966 Bill Graham © Wes Wilson June 17-18 1966 Artist Wes Wilson Postcard for The Wailers, Quicksilver Messenger Service at Fillmore Auditorium © 1966 Bill Graham © Wes Wilson June 23 1966 Artist Wes Wilson Them, Great Society, New Tweedy Brothers at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson June 24-25 1966 Artists Mouse and Kelly Big Brother and The Holding Company, Quicksilver Messenger Service at Avalon Ballroom, SF © Mouse and Kelly July 1-3 1966 Artist Wes Wilson Grass Roots, Daily Flash, Sopwith Camel at Avalon Ballroom, SF © Wes Wilson July 8-9 1966 Artist Wes Wilson The Mindbenders, The Chocolate Watchband at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson July 22-23 1966 Artist Wes Wilson Association, Quicksilver Messenger Service, Grass Roots, Sopwith Camel at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson July 22-23 1966 Artists Kelly and Mouse Jefferson Airplane at Avalon Ballroom, SF © Kelly and Mouse July 29-30 1966 'Trips Festival' Grateful Dead, Big Brother and the Holding Company, Quicksilver Messenger Service, The Daily Flash, and poet Michael McClure in Vancouver, Canada August 5-6 1966 Artist Wes Wilson Love, Everpresent Fullness at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson August 5-7 1966 Artists Mouse and Kelly Bo Diddley at Longshoremans Hall, Avalon Ballroom, SF © Mouse and Kelly August 10 1966 Artist Wes Wilson Sam the Sham and the Pharaohs at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson August 12-13 1966 Artists Mouse and Kelly Bo Diddley at Avalon Ballroom, SF © Mouse and Kelly August 12-13 1966 Artists Wes Wilson and Herb Green Jefferson Airplane, Grateful Dead at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson & Herb Greene August 19-20 1966 Artist Wes Wilson Young Rascals, Quicksilver Messenger Service at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson August 26 1966 Artist Wes Wilson The Beatles, The Cyrkle, The Ronettes, The Reamians at Candlestick Park, SF © Wes Wilson August 26-27 1966 Artists Wes Wilson and Herb Greene 13th Floor Elevators, Great Society, Sopwith Camel at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson & Herb Greene September 2-3 1966 Artists Mouse and Kelly 13th Floor Elevators, Sir Douglas Quintet at Avalon Ballroom, SF © Mouse and Kelly September 2-5 1966 Artist Wes Wilson Jefferson Airplane, Grateful Dead, Quicksilver Messenger Service, Country Joe and the Fish at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson September 9-10 1966 Artist John H. Myers The Mothers, Oxford Circle at Fillmore Auditorium and Scottish Rites Temple © 1966 Bill Graham © John H. Myers September 9-10 1966 Artist Wes Wilson The Byrds, Wildflower, New Stage Company at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson September 30 and 1 October 1966 Artists Mouse and Kelly 13th Floor Elevators, Quicksilver Messenger Service at Avalon Ballroom, SF © Mouse and Kelly October 7-8 1966 Artist Wes Wilson Butterfield Blues Band, Jefferson Airplane, Grateful Dead at Winterland, SF © 1966 Bill Graham © Wes Wilson October 7-8 1966 Artists Mouse and Kelly Jim Kweskin Jug Band, Big Brother and The Holding Company at Avalon Ballroom © Mouse and Kelly October 14-16 1966 Artist Wes Wilson Postcard for Butterfield Blues Band, Jefferson Airplane, Big Mama Thornton at Fillmore Auditorium © 1966 Bill Graham © Wes Wilson October 15-16 1966 Artists Mouse and Kelly Big Brother and The Holding Company, Sir Douglas Quintet at Avalon Ballroom, SF © Mouse and Kelly October 21-22 1966 Artist Gary Grimshaw MC5, Prime Movers Blues Band at Grande Ballroom, SF © Gary Grimshaw October 21-22 1966 Artist Wes Wilson Card-Handbill for Grateful Dead, Lightning Hopkins, Loading Zone at Fillmore Auditorium © 1966 Bill Graham © Wes Wilson October 28-30 1966 Artist Wes Wilson Card-Handbill for Captain Beefheart and his Magic Band, Chocolate Watch Band, The Great Pumpkin at Fillmore Auditorium © 1966 Bill Graham © Wes Wilson November 3-4 1966 Artists Mouse and Kelly Grateful Dead, Oxford Circle at Avalon Ballroom, SF © Mouse and Kelly November 4-6 1966 Artist Wes Wilson Muddy Waters Blues Band, Quicksilver Messenger Service, Andrew Staples at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson November 12 1966 Artists Mouse amd Kelly Grateful Dead Anniversary at The Old Cheese Factory, SF © Mouse and Kelly November 18-20 1966 Artist Wes Wilson Grateful Dead, James Cotton Blues Band, Lothar and the Hand People at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson November 25-27 1966 Artist Wes Wilson Jefferson Airplane, James Cotton Chicago Blues Band, Moby Grape at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson December 9-11 1966 Artist Wes Wilson Grateful Dead, Big Mama Mae Thornton, Tim Rose, Hey Joe at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson December 20-22 1966 Artist Wes Wilson Otis Redding and his Orchestra, Grateful Dead, Johnny Talcot and de Thangs, Country Joe and the Fish at Fillmore Auditorium, SF © 1966 Bill Graham © Wes Wilson December 20-23 1966 Steve Miller Blues Band, Congress of Wonders at Matrix, SF December 23-24 1966 Artist Victor Moscoso The Grateful Dead. Steve miller Blues Band, Moby Grape at Avalon Ballroom, SF © Victor Moscoso December 30-31 1966 Artist Wes Wilson Postcard for 'New Year Bash' Jefferson Airplane, Grateful Dead, Quicksilver Messenger Service at Fillmore Auditorium © 1966 Bill Graham © Wes Wilson January 6-8 1967 Artist Wes Wilson The Young Rascals, Sopwith Camel, The Doors at Fillmore Auditorium, SF © 1967 Bill Graham © Wes Wilson February 3-5 1967 Artist Wes Wilson Jefferson Airplane, Quicksilver Messenger Service, Dino Valenti at Fillmore Auditorium, SF © 1967 Bill Graham © Wes Wilson February 10 1967 13th Floor Elevators, Conqueroo at City Coliseum, Austin, Texas February 17-18 1967 Artists Kelly and Mouse Big Brother and the Holding Company at Avalon Ballroom, SF © Mouse and Kelly
The Graphic Design of the Larrea Brothers, 60’s and 70’s Chilean designers | Chilean designers of the 60's and 70's. If anyone has any more info please email me at: peter(AT)puppiesandflowers.com
In 1961, Ken Garland redesigned the identity for Galt Toys, set in Folio. Later, the company accepted his offer to design their toys and games. They remained a client until 1982. When we were working for Galt Toys, although we used the same logo, we twisted it round and did ump
