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“Diana,” 1892–94, by Augustus Saint-Gaudens

Obsessed with all three looks.

Actaeon, in Greek mythology, son of the minor god Aristaeus and Autonoë (daughter of Cadmus, the founder of Thebes in Boeotia); he was a Boeotian hero and hunter. According to Ovid’s Metamorphoses, Actaeon accidentally saw Artemis (goddess of wild animals, vegetation, and childbirth) while she was bathing on Mount Cithaeron; for this reason he was changed by her into a stag and was pursued and killed by his own 50 hounds. In another version, he offended Artemis by boasting that his skill as a hunter surpassed hers. The story was well-known in antiquity, and several of the tragic poets presented

Roman copy of a lost Greek bronze in the Louvre. More details here.

Diana, Princess Of Wales carrying her son, Prince Harry, at a photocall during their summer holiday at the Spanish Royal Palace of La Almudaina, just outside Palma, Majorca, Spain, 8th August 1987.

~Statue of Athene (“The Peiraeus Athena”). Medium: Bronze Date: 340—330 BCE. Athens, Archaeological Museum of Piraeus (Αθήνα, Αρχαιολογικό Μουσείο Πειραιά)

Akko ha sido secuestrada y nadie sabe donde esta ni quien se la llevo, sus amigas harán lo posible por encontrarla... en especial Diana ya que ella ésta enamorada de Akko y hará hasta lo imposible por verla de nuevo. Descripción mierda lo se, tal vez algún día la mejore Los personajes NO son míos pertenecen a la compañía Trigger y a Yõ Yoshinari PD:Hay multiships(? como Andrew x Akko, Sucy x Akko, Amanda x Akko y Chariot x Akko pero al final Akko se quedará con Diana y si no haré finales alternativos

ARTWORK DETAILS Title: The Judgment of Paris; he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above; in the upper section, the Sun in his chariot preceded by Castor and Pollux on horseback; at lower right, two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another Goddess Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)) Artist: After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome) Date: ca. 1510–20 Medium: Engraving Dimensions: Sheet: 11 7/16 x 17 3/16 in. (29.1 x 43.7 cm) Classification: Prints Credit Line: Rogers Fund, 1919 Accession Number: 19.74.1 Inscription: Lettered within plate lower left of centre, monogram 'MAF' followed by 'RAPH. VRBI / INVEN', at lower left on the block 'SORDENT PRARE FORMA / INGENIVM. VIRTVS. / REGNA. AVRVM' Exhibition History New York. The Metropolitan Museum of Art. "Italian Renaissance Prints and Illustrated Books," December 22, 1937–February 27, 1938. New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 5–July 12, 1993. New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 14–July 20, 1997. New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," January 5, 1997–March 8, 1998. New York. The Metropolitan Museum of Art. "Poets, Lovers, and Heroes in Italian Mythological Prints," February 3–May 2, 2004. New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," February 26–May 20, 2013. New York. The Metropolitan Museum of Art. "The Power of Prints: The Legacy of William M. Ivins and A. Hyatt Mayor," January 26–May 22, 2016.

Le public mérite le maximum. L'artiste, plus encore.

This post is the second half of my Archetypes Instead of Stereotypes post. It will be beneficial for you if you have read that post first before this one. I wanted to continue my conversation about archetypes by discussing how understanding and recognizing female archetypes in the scriptures and in the world around us can…

H.R.H. Prince Nicholaos of Greece Christening (1970)

The ongoing legal battle between Athena Onassis and her former husband Álvaro Affonso (Doda) de Miranda Neto has had a new twist when a Brazilian court ruled in favour of the latter concerning the custody of a disputed horse. The Legal court in Sao Paulo decided Cornetto K, an 11-year-old Cornet Obolensky-gelding, should return to […]