par Auclair, Barbedette, Barsacq
Concise illustrated history of women's fashion from 1900 to 1919. Dresses and styles from the Edwardian era of the 1900's, and post Edwardian 1910's
It’s centennial season on Avenue Montaigne as two of the anchors of Paris’s most couture-conscious street celebrate their 1913 origins and moments in their illustrious histories: the ever-chic Théâtre des Champs-Elysées and the ever-fashionable Hôtel Plaza Athénée. See how to join in the celebration.
Glass negative by Lachman showing the American Manager in Léonide Massine's ballet Parade,designed by Pablo Picasso for Diaghilev's Ballets Russes, 1917
Yves Saint Laurent’s 1976 Collection inspired by Sergei Diaghilev Ballet Russes!
GRUPO LITERÁRIO (RUSSO DO) EGO-FUTURISMO (São Petersburgo, 1911-1915). O grupo literário vanguardista similar ao grupo Hyleae (v), foi fundado pelo poeta e escritor Igor Severianin (1887-1942) associado aos escritores Ivan Ignatiev e Konstantin Olimpov. O grupo do Ego-Futurismo foi patrocinado pelo poeta Sergey Konstantinovich Makovsky (1877-1962), que publicava a revista Apollo, na qual o grupo lançou o programa: eles publicaram 9 almanaques e vários livros. Severianin ficou famoso por seus panfletos publicados com os sugestivos títulos: Cores Intuitivas (1909) e Poemas Elétricos (1911). Olimpov publicou a Poesia do Aeroplano (1912) e Ignatiev o livro que deu nome ao grupo, Ego-Futurismo (1913). O grupo estabeleceu relações com o poeta Vadim Gabrielovich Shershenievich (1893-1942), que fundou o grupo literário vanguardista Mezanino (São Petersburgo, 1913-1916; v.), traduziu para o russo alguns Manifestos e vários livros do Futurista italiano Filippo Tommaso Marinetti (1914). REFERÊNCIAS SELECIONADAS: CATÁLOGO. HULTEN, P. (ORG.); JUANPERE, J.A.; ASANO, T.; CACCIARI, M.; CALVESI, M.; CARAMEL, L; CAUMONT, J; CELANT, G; COHEN, E.; CORK, R.;CRISPOLTI, E.; FELICE, R; DE MARIA, L.; DI MILLIA, G.; FABRIS, A.; FAUCGEREAU, S.; GOUGH-COOPER, J.; GREGOTTI, V.; LEVIN, G.; LEWISON, J.; MAFFINA, F.; MENNA, F.; ÁCINI, P.; RONDOLINO, G; RUDENSTINE, A.; SALARIS, C.; SILK, G.; SMEJKAI, F.; STRADA, V.; VERDONE, M.; ZADORA, S. Futurism and Futurisms. New York: Solomon R. Guggenheim Museum, Abeville Publishers, 1986. 638p.: il, retrs., p. 470. 30 x 22 cm. CATÁLOGO. KRENS, T.; GOVAN, M.; GUSEV, V.; PETROVA, E.; KOROLEV, I. WEBER, J.; GRASSNER, H.; LODDER, C.;.WEBER, J. The Great Utopia: The Russian and Soviet Avant-Garde, 1915-1932. Shirn Kunsthalle, Frankfurt: 01-10May, 1992. Stedelijk Museum, Amsterdam; Salomon R. Guggenheim Museum, New York. New York: Salomon R. Guggenheim Museum, Rizzoli, 1992, 732 p.: il., p. 309.
Ballets Russes made Russian ballet famous all around the world. Let's find out how did Ballets Russes conquer the Parisian audience!
Glass negative by Harry Lachman showing the horse designed by Pablo Picasso in Parade facing with hind quarters sitting on a stool. Diaghilev Ballets Russes 1917
Before Sergei Diaghilev, it was possible to dismiss ballet as a frivolous excuse for showing pretty girls and dresses without anybody getting too upset. The Ballets Russes changed all that. Formed by Diaghilev in 1911, this extraordinary company unleashed a 30-year whirlwind of scandal, celebrity, glamour and innovation that is now being celebrated in a major exhibition at the Victoria & Albert Museum.
Serge de Diaghilev est un organisateur de spectacle, autrement dit un "impresario" de ballet (agent artistique) russe du XXème siècle. C'est un mécène qui porte beaucoup d'intérêt pour l'art. Il fonde les Ballets Russes en 1907. Les Ballets Russes...
Page of a sketch book showing blue crayon preliminary sketch made in Théâtre de Champs-Elysées during rehearsal or performance of Le Sacre du Printemps, Diaghilev Ballets Russes, 1913. Sketch by Valentine Gross.
From Lynn Garafola's article in the brochure for the exhibit entitled Diaghilev's Theater of Marvels which honors the 100th anniversary of the Ballets Russes and which is on display at the Library for the Performing Arts at Lincoln Center thru...
I was having a swanky lunch recently on the seventh floor at Bergdorf Goodman with a friend from college, and afterwards I discovered in t...
Let's remember all the great Russians we do love, and don't throw the baby out with the vodka.
The main reason I took a side trip to Washington, DC was to see this exhibition, Diaghilev and the Ballets Russes: When Art Danced with Music. Ever since I saw some of the costumes at the Wadswo…
With its unique collaborations between famous dancers, artists and composers, the Ballets Russes was a revitalising force in 20th-century contemporary dance. We take a look at some of the most magical moments
Pencil sketch by Valentine Gross showing a Maiden leaping in Le Sacre du Printemps, Diaghilev Ballets Russes, Paris, 1913
