Aitategia von Dennis Whelehan

This Mediterranean-style home plan gives you nearly 1,400 square feet of covered outdoor space and anywhere from 4 to 6 bedrooms depending on your needs. The foyer has views that go through the home to the covered lanai in back. Open that back wall in the great room and blur the distinction between indoors and out. Bedroom 2 can serve as a living room or a bedroom and has access to two bathrooms in Jack and Jill style. In the back, a cabana is a great place for extended guests or for use as a study. Upstairs, accessible by stairs and an elevator, two bedrooms and a game room with a balcony overlooking the back complete the home. NOTE:  Restrictions may apply if building in Lee or Collier County, Florida.  Please contact us for details.

Vor dem Drehbuch kommt das Treatment, kommt das Exposee, kommt vielleicht auch die Outline oder das Serienkonzept. Nicht das fertige Drehbuch, sondern diese kurzen Texte sind die zentralen »Verkaufsargumente« für jede Film- und Fernsehproduktion. Anhand ihrer werden Stoffpotenzial und -qualität eingeschätzt. Sie sind die Basis für jede Produktions- und Förderentscheidung. Dennis Eick erklärt in seiner aktualisierten Neuauflage die Anforderungen dieser Textformen: Wie verfasse ich ein aussagekräftiges und lebendiges Exposee? Wie soll mein Treatment aufgebaut sein? Was muss ein Serienkonzept beinhalten? Gibt es formale Einschränkungen? Wie kann ich durch meinen Stil den Leser begeistern? Wie entwickle ich auf diesen wenigen Seiten runde Figuren? Wie einen spannenden Plot? Welche Informationen sind überflüssig, welche notwendig? Anschaulich zeigt er Filmstudierenden, Autoren, Producern und Dramaturgen wie sich Struktur, Stil oder Figurenführung in den Texten unterscheiden, wie man seinen Stoff konsequent entwickelt und wie man mit der richtigen Präsentation überzeugen kann. Als Praxisbeispiele dienen Exposees und Treatments von z.B. »Lola rennt« oder das Serienkonzept zu der ZDF-Serie »Die letzte Spur«.

Museen sind stets auch virtuelle Räume: Als Einrichtungen des gemeinsamen Erinnerns schlagen sie Brücken zwischen dem An- und Abwesenden, der Materialität ihrer Exponate und einer Vergangenheit, die nur in ihren Hinterlassenschaften ihr Wirklichsein zu behaupten vermag. Dennoch sind in einer Gesellschaft, für die Virtualität Normalität geworden ist, die Institution Museum und ihr Umgang mit den längst nicht mehr ›neuen‹ Medien nach wie vor Austragungsorte erhitzter Debatten über das ›Echte‹, das ›Authentische‹ und die Erfahrbarkeit des Wirklichen. Dennis Niewerth geht der Frage nach, worin die »Virtualisierung des Musealen« besteht. Und er zeigt, was das Museum als Bollwerk der Kulturpädagogik im Sinne einer »Musealisierung des Virtuellen« einer Gesellschaft anzubieten hat, die unter der Fülle ihrer Erinnerungen begraben zu werden droht.

How does a single-cell creature, such as an amoeba, lead such a sophisticated life? How does it hunt living prey, respond to lights, sounds, and smells, and display complex sequences of movements without the benefit of a nervous system? This book offers a startling and original answer.

Dennis Miller Bunker (1861 – 1890) was one of the earliest painters in America to adopt the new innovative impressionistic style in the late nineteenth century. His career promptly spiraled up to the top of the art world and then came to a crashing halt, as he died unexpectedly from meningitis at the young age of twenty-nine. At the time of his death, he was well respected and personal friends with other legendary artists such as John Singer Sargent and Thomas Wilmer Dewing. (Bunker, Dennis Miller. Pink Rose. c. 1886. oil on canvas.) Bunker was born along with three sisters in New York City to a modest family of Quaker heritage. His father was the secretary and treasurer of the Union Ferry Company, which provided transportation between Brooklyn and Manhattan. Not a lot is known about Bunker’s childhood until he began to formally study art. (Bunker, Dennis Miller. The Pool, Medfield. c. 1889. oil on canvas.) In 1876 at the age of 15, Bunker joined the newly founded Arts Students League of New York and enrolled in New York’s Academy of Design. He was a quick study and he began to mature as a painter within only a few years. His work proved to provide great clarity with mesmerizing strength. (Bunker, Dennis Miller. Tree. c. 1884. oil on canvas.) Around 1880, Boat pictures and landscapes were selling at the time and Bunker was keenly aware of the art marketplace. He began to focus on painting marine subjects, mostly boats at low tide and so he sold well. He soon moved into figures and landscapes, although when he couldn’t afford to pay for a model he painted flowers. (Bunker, Dennis Miller. Jessica. c. 1890. oil on canvas.) Bunker left New York to study abroad. He traveled to Paris and enrolled in the Ecole des Beaux-Arts which was a very prestigious art school. It had an extremely rigorous training program and it gave him the perfect credibility to become an art teacher at a young age when he returned to America. (Bunker, Dennis Miller. Cottage. c. 1889. oil on canvas.) At the youthful age of twenty-four, Bunker began teaching at the Cowles Art School in Boston. He taught cast drawing, artistic anatomy, and composition. That same year, he was given his first solo exhibit at Noyes and Blakeslee Gallery, which opened unimaginable opportunities for him. (Bunker, Dennis Miller. Yellow Rose. c. 1887. oil on canvas. museum.) Bunker’s work is highly memorable for its individuality and force. In its limited use of color, alluring modeling of form and aesthetic elegance, Bunker’s captivating and unusual paintings successfully make the perfect balance between abstraction and representation, and his work is much appreciated here! Enjoy! :) References Hirshler, E. Dennis Miller Bunker, An American Impressionist. Boston: Museum of Fine Arts, Boston. 1994.

Transcending Post-Infidelity Stress Disorder (PISD) von Dennis C. Ortman

Auntie Mame von Patrick Dennis

Hank Ketcham's classic "Dennis the Menace" chronicles the pranks of the mischievous title character.

Hank Ketcham's classic "Dennis the Menace" chronicles the pranks of the mischievous title character.

Umkehr des Herzens und heilendes Gebet sind der Schlüssel für ein Leben in Fülle. Anhand von Berichten aus der Praxis erfährt der Leser welche Auswirkungen emotionale Verletzungen aus der Kindheit auf die Beziehung zu Mitmenschen, zu sich selbst und zu Gott haben können. Dieses Buch basiert auf den reichen Erfahrungen der Autoren als Klinikseelsorger und zeigt praktische Wege der ganzheitlichen Entwicklung.

One expert that massively pioneered the evolution in exfoliation was Dr Dennis Gross, the skincare maven known for his Alpha Beta Peel Pads.

The Sluts von Dennis Cooper

Thanks to the ancient Greeks the Western world has long strived to create realistic artwork, but it wasn’t until the 70’s that the popularity of ... Continue Reading »

Hank Ketcham's classic "Dennis the Menace" chronicles the pranks of the mischievous title character.

Hank Ketcham's classic "Dennis the Menace" chronicles the pranks of the mischievous title character.

Gone, Baby, Gone von Dennis Lehane

| Author: Peter Wohlleben, Jane Billinghurst | Publisher: Greystone Books | Publication Date: June 01, 2021 | Number of Pages: 264 pages | Language: English | Binding: Hardcover | ISBN-10: 1771646896 | ISBN-13: 9781771646895

View the comic strip for WuMo by cartoonist Wulff & Morgenthaler created September 01, 2024 available on GoComics.com

Roberto Bernardi is a hyperrealistic still life painter from Italy. Born in Todi in 1974, Bernardi first work in oils date back to the early 80s. In 1993 Bernardi moved to Rome where he work…