Serie completa di 12 cartoline della seconda serie. Litografie a colori. mm 150x95. Meloni 51-62. Conservate nella busta editoriale originale e non viaggiate.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
‘Danza Macabra Europea’ number 23 by Italian artist Alberto Martini. Alberto Martini was a prolific Italian active during the late 1800s and a good portion of the 1900s who dabbled in many disciplines including painting, illustration, engraving and graphic design. During WWI Martini was enlisted to create a series of postcards called the “Danza Macabra Europea” that were used as propaganda, grotesquely lampooning figures such as German Kaiser and king of Prussia Wilhelm II as well as members of the Austro-Hungarian empire such as the Emperor of Austria Franz Josef. Martini’s cards are absolutely horrific, filled with depictions of dismemberment, cannibalism and executions. Sometimes the Germans in Martini’s propaganda cards are pantless or appear to take on feminine forms. Copies of 54 lithographs of the Danza Macabra produced during 1914 and 1916 were widely distributed to Allied forces fighting against the rising Austro-Hungarian empire. According to cultural historians familiar with Martini’s work for “Danza Macabra Europa” the artist’s goal was to show the “horror” of war by using barbaric symbolism such as portraying the neutral country of Belgium as a child whose hands have been severed off at the wrist. Most of the approximately 450,000 prints of Martini’s...
En estos días en los que se conmemora el centenario del inicio de la Primera Guerra Mundial y se la examina desde diferentes disciplinas, es justo rescatar el trabajo del ilustrador y pintor italiano Alberto Martini (Oderzo, 1876 – Milán, 1954), autor extraña e injustamente poco reconocido. Nº1. "Prólogo". El...
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
En estos días en los que se conmemora el centenario del inicio de la Primera Guerra Mundial y se la examina desde diferentes disciplinas, es justo rescatar el trabajo del ilustrador y pintor italiano Alberto Martini (Oderzo, 1876 – Milán, 1954), autor extraña e injustamente poco reconocido. Nº1. "Prólogo". El...
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
Modern warfare is a tool of the elite, and one of their most masterful PR campaigns. They have convinced huge swathes of society that it encompasses the most noble of all human actions and emotions, and is something to revere and respect. All the while, it reduces humanity to our most debased and violent state, […]
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
Modern warfare is a tool of the elite, and one of their most masterful PR campaigns. They have convinced huge swathes of society that it encompasses the most noble of all human actions and emotions, and is something to revere and respect. All the while, it reduces humanity to our most debased and violent state, […]
En estos días en los que se conmemora el centenario del inicio de la Primera Guerra Mundial y se la examina desde diferentes disciplinas, es justo rescatar el trabajo del ilustrador y pintor italiano Alberto Martini (Oderzo, 1876 – Milán, 1954), autor extraña e injustamente poco reconocido. Nº1. "Prólogo". El...
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
Modern warfare is a tool of the elite, and one of their most masterful PR campaigns. They have convinced huge swathes of society that it encompasses the most noble of all human actions and emotions, and is something to revere and respect. All the while, it reduces humanity to our most debased and violent state, […]
En estos días en los que se conmemora el centenario del inicio de la Primera Guerra Mundial y se la examina desde diferentes disciplinas, es justo rescatar el trabajo del ilustrador y pintor italiano Alberto Martini (Oderzo, 1876 – Milán, 1954), autor extraña e injustamente poco reconocido. Nº1. "Prólogo". El...
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
Modern warfare is a tool of the elite, and one of their most masterful PR campaigns. They have convinced huge swathes of society that it encompasses the most noble of all human actions and emotions, and is something to revere and respect. All the while, it reduces humanity to our most debased and violent state, […]
En estos días en los que se conmemora el centenario del inicio de la Primera Guerra Mundial y se la examina desde diferentes disciplinas, es justo rescatar el trabajo del ilustrador y pintor italiano Alberto Martini (Oderzo, 1876 – Milán, 1954), autor extraña e injustamente poco reconocido. Nº1. "Prólogo". El...
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
En estos días en los que se conmemora el centenario del inicio de la Primera Guerra Mundial y se la examina desde diferentes disciplinas, es justo rescatar el trabajo del ilustrador y pintor italiano Alberto Martini (Oderzo, 1876 – Milán, 1954), autor extraña e injustamente poco reconocido. Nº1. "Prólogo". El...
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
In the late 1960s and early 1970s, the prestigious John Hinde Studio, based in Dublin, produced a series of elaborately staged photographs of the Butlin's Holiday Camps.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The cartoonist's job is to seek truth and skewer prejudices of every sort. Martini savages humanity with a sharp, dirty, disgusting and ebullient wit.
The John Hinde Studio produced a series of elaborately staged colourful photographs of Butlin's holiday camps that were made into postcards.
