Paso Doble is a lively and energetic dance that originated...

5Rhythms | 5Rhythms Cosmology -

Wall Art by Art Classics on Photocircle.net. Custom formats for a diverse range of products such as posters, aluminium prints, acrylic glass prints, framed prints, canvas, and fine art prints.

Combineer een prachtige schittering met trendy details! Met een glinsterende transparante zirkonia hanger, is het de perfecte armband om solo te dragen of te combineren met je andere armbanden voor wat extra sparkeling. HET MERK Geïnspireerd door de laatste fashion trends is Ania Haie het toonaangevende sieradenmerk voor hoogkwalitatieve maar ook betaalbare zilveren sieraden, zonder op de kwaliteit in te leveren. Iedere collectie is gebaseerd op de laatste catwalktrends, waardoor Ania Haie snel tot hét sieradenmerk voor stijlbewuste consumenten is verkozen. Elk sieraad wordt ontworpen om te combineren met andere sieraden waardoor je je eigen look kunt creëren. Maar ook zijn Ania Haie sieraden opvallend genoeg om op zichzelf te dragen. SPECIFICATIES - Sparkle Emblem Chain Bracelet - Armband - 925 zilver gerodineerd - Lengte verstelbaar: 16,5 - 18,5cm - AH B041-02H-W

Create your own Russian dolls, also knows as matryoshka or babushka dolls. You can choose to print the colored set or a black and white set you can color yourself.View This Tutorial

Keith Haring Clip Art: Explore art history with you budding art students using this pack of clipart. Create your own Pop Art, Keith Haring-inspired still-life digitally. Teach your students about the principles of design of rhythm and movement. Don't have an interactive whiteboard? Simply print out the graphics, laminate, and distribute to your class to work with table partners. YOU WILL RECEIVE 18 blackline images in .png format 3-eyed face Atom Baby Computer Dog Dogged Dolphin Hand head Dancing figures Figure holding a heart Helmet head Snake head TV head UFO YOU MIGHT ALSO LIKE Keith Haring Clip Art [Color Version] Keith Haring Art History Game Henri Matisse Shapes Clip Art TERMS OF USE For personal and commercial use. Please review my full TERMS OF USE POLICY prior to purchasing. If you are interested in extending the current license for additional purposes, please check out my EXTENDED LICENSES for digital resources, yearbooks, store logos, free and paid educational videos, and website and blog use. Created by Amie Bentley, © Glitter Meets Glue Designs, LLC

An incredible collection of Free Vintage Ballerina Pictures. Included are old photos, and illustrations, to use in crafts & junk journals.

Предыдущая часть... Цветное и черно-белое. Просто фото людей, лиц, без сюжета и движения, без динамики. Просто люди. Просто лица и фигуры. 50 фото Шон Коннери и Ким Бейсингер 1983

.css-1sgivba{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-bottom:var(--chakra-space-2);} .css-cosgki{font-size:16px;font-weight:var(--chakra-fontWeights-bold);} Product Type: Giclee Print Print Size: 18" x 12" Finished Size: 18" x 12" .css-1336n79{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;gap:0.5rem;margin-top:var(--chakra-space-8);margin-bottom:var(--chakra-space-8);} Product ID: 56092013077A

Yarn: Raeesah DK Cotton Hook: 3.5mm Colours : Black #2 White #3 Dark Grey #61 Mid grey #50 Pale grey #41 Quantities: Part 1-3a - I did not keep accurate track of quantities - Roughly 300m Black, ...

It's always a pleasure to work with a super creative parent on any party. This past Saturday, we helped style a cute rock star themed birthday party for a little girl who was turning five. The mom had been planning on this party theme for a year. She had picked up the fun banners on clearance that coordinated with the whole theme of the event. Thrift stores also became excellent sources to pick up more party items. Like the fun cassette background to the cupcake table. Which was actually a duvet cover. The pillowcase was used as part of the centerpiece for the kid table. The pink polka dot table cover that the mom used for the cupcake table was another sheet. Cardboard paper amps were also thrift store finds. Vinyl records were placed on our glass cake stands and glittery purple ribbon created the perfect serving trays. Tying coordinating purple ribbon around the popcorn scoop dressed it up. The mom made a fun birthday sign which she placed in a black frame, as well as a coordinating number 5 which she placed above the cupcake table. We supplied the drum set, amp, mic and mic stand, guitar, and tambourines to help set the stage for this rocking fifth birthday party. The mom hung twinkle lights behind two black sheets and a silver tablecloth which she was able to pick up on clearance from Christmas! Feather boas, sparkly microphones, and fun glasses not only were great party favors, but also served as great photo props for when the kids sang up on the "stage". The birthday girl's mom made the cupcake wrappers and picked up cute colorful cupcakes from Sam's Club. We made star sugar cookies and iced them with edible glitter that the mom had also made. Tutorials can be found on the internet for making edible glitter. A simple recipe that consists of sugar, food coloring, and baking. A fun activity for the kids that attended was decorating their own guitar using magic markers and glitter glue. Yes, our creative mom painstakingly cut out twenty of those cardboard guitars herself. We provided the black glitter stars for the guitars.

Details Artwork Artist Authenticity Framing Details Aboriginal Artist - Christine Nakamarra Curtis Community - Nyirripi   Aboriginal Art Centre - Warlukurlangu Artists Aboriginal Corporation   Catalogue number - 205/23ny Materials - Acrylic paint on linen Size(cm) - H122 W91 D2  Postage variants - Artwork posted un-stretched and rolled for safe shipping Orientation - Painted from all sides and OK to hang as wished Artwork Mina Mina is an extremely important ceremonial site for Napangardi and Napanangka women that is located approximately 600kms west of Yuendumu, just east of Lake Mackay and the WA border. The area has a ‘marluri’ (salt lake or claypan) that is usually dry, without water. There are also a number of ‘mulju’ (soakages), sandhills, and a large stand of ‘kurrkara’ (desert oaks [Allocasuarina decaisneana]). The Mina Mina Jukurrpa is an important source of Warlpiri ritual knowledge and social organization, particularly relating to the different roles performed by men and women. The ‘kirda’ (owners) of this country are Napangardi/Napanangka women and Japangardi/Japanangka men, who can depict portions of the Mina Mina Jukurrpa in their paintings. There are a number of different components of the Mina Mina Jukurrpa; artists usually choose to depict one particular aspect. These can include ‘karnta’ (women), ‘karlangu’ (digging sticks), ‘majardi’ (hairstring skirts/tassels), ‘ngalyipi’ (snakevine [Tinospora smilacina]), ‘jintiparnta’ (desert truffle [Elderia arenivaga]), and ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). The Mina Mina Jukurrpa tells the story of a group of ancestral ‘karnta’ (women) who traveled from west to east. In the Dreamtime, these ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. They collected these digging sticks and started travelling to the east. They carried their digging sticks over their shoulders and they were adorned with ‘majardi’ (hairstring belts), white feathers, and necklaces made from ‘yinirnti’ (bean tree [Erythrina vespertilio]) seeds. They continuously anointed themselves with ‘minyira’ (shiny fat) to increase their ritual powers as they went along. As the women travelled, they were followed by a ‘yinkardakurdaku’ (spotted nightjar [Eurostopodus argus]) from the Jakamarra subsection. The bird would call out and then hide in the bushes behind them as they travelled. When the women danced at Mina Mina, they created a large dust cloud that swept up the ‘walyankarna’ (snake ancestors). The ‘walyankarna’ had previously transformed themselves from witchetty grubs into snakes at Kunajarrayi (Mount Nicker, 200km southwest of Yuendumu), and they had stopped at Mina Mina to watch the women dance. This dust cloud blew the ‘walyankarna’ further north to Yaturluyaturlu (near the Granites gold mine). In this way, the ‘karnta Jukurrpa’ (women’s Dreaming) and ‘ngarlkirdi Jukurrpa’ (witchetty grub Dreaming) intersect. This allowed the ancestral women to observe the witchetty grubs and learn how to best locate and cook them, which are skills that Warlpiri women still use today. The women went east from Mina Mina, dancing, digging for bush tucker, and creating many places as they went. As they went east, they passed through Kimayi (a stand of ‘kurrkara’ (desert oak)). They passed through sandhill country where the ‘yarla’ (bush potato or ‘big yam’ [Ipomea costata]) ancestors from Yumurrpa and the ‘ngarlajiyi’ (pencil yam or ‘small yam’ [Vigna lanceolata]) ancestors from Yumurrpa were engaged in a huge battle over women. This battle is also a very important Warlpiri Jukurrpa narrative. The women went on to Janyinki and stopped at Wakakurrku (Mala Bore), where they stuck their digging sticks in the ground. These digging sticks turned into mulga trees, which still grow at Wakakurrku today. The women then went on to Lungkardajarra (Rich Bore), where they looked back towards their country in the west and started to feel homesick for what they’d left behind. The women split up at Lungkardajarra. Some of them travelled eastwards to Yarungkanyi (Mount Doreen), and kept going east. They passed through Coniston in Anmatyerre country, and then went on to Alcoota and Aileron and beyond. The other group of women travelled travelled northwards from Lungkardajarra to Karntakurlangu. These women stopped at Karntakurlangu to dig for ‘wardapi’ (sand monitor/goanna [Varanus gouldii]) and ‘jintiparnta’ (desert truffle) before going further north. Both groups eventually got so homesick for their desert oak country in the west that they went all the way back to Mina Mina, where they stayed for good. This Jukurrpa contains important information about the different roles that men and women play in Warlpiri culture, particularly in the context of ritual performance. It alludes to an earlier time in which their ritual and social roles were reversed, in which women controlled the sacred objects and weapons that are now exclusively “owned” by men. In contemporary Warlpiri paintings, traditional iconography can be used to represent the Jukurrpa, particular sites, and other elements. In paintings of the Mina Mina Jukurrpa, sinuous lines are often used to represent ‘ngalyipi’ (snakevine). Circles and roundels can represent the ‘jintiparnta’ (desert truffle) that the women collected as they travelled, and straight lines are used to represent the ‘karlangu’ (digging sticks). ‘Majardi’ (hairstring skirts) are represented by wavy lines suspended from a single curved line. Artist Christine Nakamarra Curtis was born in Alice Spring Hospital, the closest hospital to Yuendumu, a remote Aboriginal community 290 km north-west of Alice Springs. She was born into a family of artists, which include Kelly Napanangka Michaels, her mother, Roy Jupurrurla Curtis, her father and Alice Nampijinpa Henwood Michaels, her Aunty. She is the eldest of 7 sisters and spent most of her childhood at Nyirripi, a remote Aboriginal community located 150 km north-west of Yuendumu. She attended her local school, then Yirara College, an Aboriginal boarding college in Alice Springs. Christine continued her studies at Kormilda College, an Aboriginal boarding college in Darwin. When she finished schooling she returned to Nyirripi where she worked in the store. “I love the place. I grew up here – learning from the old people.” Christine began painting with Warlukurlangu Artists Aboriginal Corporation, an Aboriginal owned and governed art centre located in Yuendumu, in 2007. Warlukurlangu Artists provides an outlet for Warlpiri artists to paint their cultural heritage and earn income from their work. This service is extended to Nyirripi artists, on a weekly basis, by delivering canvas and paint to artists and picking up finished artwork. Christine paints her grandparent’s dreaming on her mother’s side, Dreamings which relate directly to her land, its features and the plants and animals that inhabit it. These stories have been passed down for millennia. “I like the patterns and all those colours, and the stories. Watching family painting, they show you the dreaming.” Christine uses an unrestricted palette to develop a modern interpretation of her traditional culture. Christine has two sons, Navarone and Mahela, who attend the local school in Nyirripi. When Christine is not painting she likes to take them hunting for bush tucker and goanna. Authenticity While every gallery can provide a certificate of authenticity, only those issued by community-run Aboriginal Art Centres ensure ethical purchasing and documentation. Any gallery can produce a certificate with an inkjet printer, but these do not guarantee ethical practices if they do not come from an Aboriginal community art centre. Alternate certificates are a big red flag. All of our paintings come with a certificate of authenticity provided by the community-run Aboriginal Art Centre, ensuring the gold standard for ethical purchasing. We offer a lifetime money-back authenticity guarantee and 120-day returns to ensure you are always getting an authentic piece of art from ART ARK®. Your peace of mind in knowing you are purchasing genuine Aboriginal Art is important to us. Please find more information on authenticity here: Aboriginal Art Authenticity Framing This painting is sent rolled.  Sending paintings rolled is the best option for their safe arrival and allows us to include free shipping, provide timely service, and maintain consistent and transparent pricing relating to the prices set by each Aboriginal Art centre. The size of the painting listed relates to the painted surface. There is also a painted edge(2cm) and additional canvas for stretching. A local framer will easily stretch the work for you at a nominal cost. Framers are everywhere and there is likely one just up the road. Please find further details and examples relating to framing here: Framing Aboriginal Art