Glad to finally share more of the character concepts I designed for #ProjectL Yasuo took a part in helping set the style and Creative direction for the roster! #LeagueOfLegends #yasuo Big Shout out and Congrats to the team for the incredible Evo Demo!

After taking pictures of my students I cut them in halves We put halves together We really enjoyed putting different halves together!

After being shown the first RWBY trailer earlier back in 2012, I have just been transfixed with the art style and creative direction, the new IP being produced by Roosterteeth seems to be headed. One of the many things that’s got me invested are the crazy weapon designs, and after seeing Crescent Rose in action, I was asked by a close friend to help make to make one. So to start off with I bought a heavy duty outdoor garden broom, which will act as the base frame and support skeleton of the entirte scythe. What’s particularly great about using this particular model of broom is that it comes premade with a screw detectable head, meaning I’ll be able to detach the scythe head and the handle later down the line making transportation much easier. Separating the broom head from the handle, I started to trim down the bristles with some scisccors. Then yanked them out with a pair of pliers with relative ease. Afterwhich I then sawed, sanded and grinded away all the unwanted parts of the broom head until only the vital screw thread nub remained. With the plastic nub shaped which will act as the focal point of the entire scythe head; I needed to build the gunbarrel of the scythe that would go around it, this was done mainly with PVC sheeting (Sintra) I had lying around, which I cut out and assembled togther with hotglue. In regards to cutting out the holes to make the clearance fit to accommodate the nub, I found that wood carving tools were very useful to start off with, then cleaning up the edges with a hand file. For the muzzle that slots down the top, that was done with a hacksawed piece of PVC piping which then had thin rectangular strips hot glued along the inside to simulate gun barrel splines. Putting the walls on the lower and upper half of the gun barrel everything was assembled on top of and glued around the plastic nub. With that out of the way, I then proceeded to work on the back half of the scythe head, which involved layering PVC sheets together Getting the crux of this build; whenever I've made props in the past that have had open cavities I always found that they prop will experience some degree of bending and flimsiness just from general use. Though very lightweight they are very prone to breaking should they be hit against something or be used for anything other than photography. A way I am starting to become a fan of to overcome this is taken from IKEA furniture design philosophy, which is to hot glue cardboard fins across the span of these cavities such that they can also be sealed up later and hidden from view. Trust me there will be an immediate and noticeable improvement in strength just by putting in a sufficient number of fins which will drastically prolong the life and functionality of a prop and still keep the weight down. For the front business end of Crescent Rose, again this involved laminating sheets of PVC sheets onto one another but also using wonderflex to do the various raised details. I should note Wonderflex has two sides to it, a smooth side and a woven fibered side so when cutting out your transferred templates make sure you mirror the pieces to match the side you want to be facing out...trust me it'll save you the frustration and wasted material To glue all the parts together I've use mainly epoxy glue, which comes in a tiny tube that has two nozzles on it , simply mix the two solutions and smear on with a popsicle stick, the glue cures in 5 minutes for a very strong bond. The dome parts on either side were made from a cheap LED light fixtures that I trimmed down. Moving onto the actual blade, using the PVC base I cut out, the bevel of the blade was shaped with automotive body filler (bondo) and then sanded down. For the top fin of the scythe I glued a bridging base across the span of the scythe which it would sit upon, and again used this opportunity to put in as many of those cardboards fins inside as I could. Gluing the blade part to the rest of the scythe head with Araldite Super Strength epoxy, I topped it off with a couple coats of primer. Starting work on the scythe handle; using the original garden broom handle, I used contact cement to glue on the two faces of what would eventually become the handle base structure. And since the handle is expected to experience the most handling and wear, I had to incorporate a whole heap of fins to ensure that there is as minimal bending or warping as possible. So fins, fins, fins, time consuming but essential. Closing up the exposed faces with PVC pannels and using wonderflex to the various details that runs along the handle its starting to take shape. With the front half looking good I underwent a similar build process to do the back half. In particular the spear tip on the end of the handle was cut out of MDF. The blades shaped with a belt sander making sure not to over cut the bevel. and finishing off with piece of PVC. The side bolt handle was made from a cheap hand fan I found one day, which happen to have the right shape and length. Gluing on all the remaing details like the trigger and such with tubes of epoxy glue, giving it all a good coat of primer i was ready to begin painting. The paint job was done mainly with acrylic paints and a sharpie to do the edges to help bring out the crisp aesthetic of the scythe; the emblem on the magazine was drawn using carbon transfer paper then painted over. Thanks for reading.

Kerry Wheeler - Los Angeles, CA Kerry is a multifaceted artist and talent with concentrations in photography, music composition, creative direction and recently directing. After a successful career in the entertainment industry Kerry switched full time to the creative arts, to pursue his true creative inclinations and calling - multi faceted storytelling. Kerry’s photography and unique style/aesthetic for timeless vintage travel photography has drawn critical acclaim with comparisons to a modern day Slim Aarons. In a short time his work has already been featured in collaboration with brands such as Rosewood Hotels, Uniqlo, Reebok, Business & Pleasure and Dior. His current portfolio focuses on campaigns for high end travel, lifestyle and luxury hotels around the world. Kerry is the son of the famous and world renowned travel photographer Nik Wheeler (National Geographic, Time, Newsweek) and together their new company Wheeler Collective boasts over 1 million iconic images from around the world spanning the 1960's to present day. View all of Kerry's Prints

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