When journalist Lee Lockwood arrived in Cuba the day before Fidel Castro took power, he thought he was onto an interesting story. Lockwood would spend the next decade documenting the revolution to compile a rich portrait of a revolutionary era
Dutch illustrator and graphic designer Dick Bruna (born 1927) is best known for his hugely popular rabbit creation, Miffy. Significantly les...
ANNI ALBERS: PICTORIAL WEAVING Anni Albers Anni Albers: ANNI ALBERS: PICTORIAL WEAVING. Cambridge, MA: The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, 1959.…
Illustration by Inge Friebel, 1959. Wish to have a fabric of this print.
New Yorker Cover - June 13th, 1959 poster by Arthur Getz. Our posters are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All posters include a 1" white border around the image to allow for future framing and matting, if desired.
Recenser et faire connaître mieux l'oeuvre de Bob de Moor, l'un des maîtres de la BD belge et le plus proche collaborateur de Hergé.
Шестидесятилетнюю творческую деятельность Йозефа Мюллер-Брокманна можно представить как грандиозное эпическое полотно, отражающее хронику развития интернационального швейцарского стиля графического дизайна от утверждения концепции «новой типографики» до радикальных постмодернистских экспериментов «новой волны». На протяжении десятилетий Мюллер-Брокманн оставался знаменосцем швейцарской школы графического дизайна, ее виднейшим теоретиком и практиком.
Read Metodo singer de corte y costura 1959 by Dolly Vivi on Issuu and browse thousands of other publications on our platform. Start here!
Посмотрела на сайте pokumaa.ee http://www.pokumaa.ee/index.php?page=35 Вроде бы, одна из первых работ художника. Эстонское государственное издательство, Таллин 1959 г. Художник Эдгар Вальтер. Узнать о чем речь можно, посмотрев мультфильм студии Таллинфильм Атомик…
1. Zurich Tonhalle. musica viva. Concert poster, 1957 2. Zurich Tonhalle. musica viva. Concert poster, 1957 3. Zurich Tonhalle. musica viva. Concert poster, 1958 4. Zurich Tonhalle. musica viva. Concert poster, 1958 5. Zurich Tonhalle. musica viva. Concert poster, 1958 6. Zurich Tonhalle. musica viva. Concert poster, 1959 7. Zurich Tonhalle. musica viva. Concert poster, 1959 8. Zurich Tonhalle. musica viva. Concert poster, 1961 9. Zurich Tonhalle. musica viva. Concert poster, 1969 10. Zurich Tonhalle. musica viva. Concert poster, 1971 11. Zurich Tonhalle. Concert poster, 1958 12. Zurich Tonhalle. June Festival. Concert poster, 1951 13. Zurich Tonhalle. June Festival. Concert poster, 1951 14. Zurich Tonhalle. June Festival. Concert poster, 1959 His posters for the Tonhalle reveal an artist at work, as well as one who fathoms the world of communication, with a particular audience for a particular function. His posters are comfortable in the worlds of art and music. They do not try to imitate musical notation, but they evoke the very sounds of music by visual equivalents - not a simple task. - Excerpt from the Paul Rand's foreword for the book: "Joseph Müller-Brockmann, Pioneer of Swiss Graphic Design" -
1959 Schwinn Catalog online
