Asie de l’Est - Japon Corée du Sud Chine Mongolie Homme Femme Nationale Costume Traditionnel Robe Dress Symbole Symbole Pictogram. Un ensemble de pictogrammes représentant des vêtements du Japon, de la Corée du Sud, de la Chine, et de la Mongolie. vêtements; asia; asiatique; tenue vestimentaire; chine; chinois; vêtements; costume; pays; couple; culturel; culture; conception; robe; code vestimentaire; l’est; étiquette; femelle; folk; formel; fille; patrimoine; icône; icônes; japan; japonais; kimono; corée; homme; l’homme; mongolie; nation; national; vieux; tenue; les gens; pictogramme; course; régional; religion; chemise; signe; sud; style; symbole; tradition; traditionnel; porter; femme; Monde Il s’agit d’un téléchargement instantané numérique. Le fichier Zip contient un grand JPEG avec SVG et PNG individuels pour chaque illustration, icône et pictogramme. Tous les fichiers sont enregistrés dans la plus haute qualité. Votre achat de cet article auprès d’Etsy est uniquement pour la licence standard. Pour acheter la licence étendue, veuillez visiter www.leremy.com pour plus d’informations. Licence standard - Pour le site Web, l’application mobile ou de bureau, l’impression, le matériel de marketing, la présentation, la vidéo, le panneau d’affichage, et presque n’importe où du tout. Licence étendue - Pour tout ce qui précède avec l’ajout de l’utiliser sur les articles de marchandises ou à des fins de revente (tels que T-shirt, cartes, livres, une partie des produits numériques distribués de masse, et etc.)
Hello all, Today i am going to talk about the costume and embroidery of Zagrebačko Prigorje, in Croatia. Croatia is known to its inhabitants as Hrvatksa. For history and more information on Croatia see this article. http://en.wikipedia.org/wiki/Croatia Croatia has an incredible variety of folk costumes. Ethnographers consider Croatia to cover three distict ethnographic zones, the Pannonian, in the eastern plains, the Dinaric, in the mountains inland from the coast, and the Adriatic or Littoral, on the islands and the coast itself. The people are mostly Croatian or Serbian, with small minorities of Italians, Vlachs, and Romance-speaking Dalmatians in Istria. Three major dialect families are spoken, one of which, the Shto dialect, is also spoken in Serbia, Montenegro, and Bosnia-Hercegovina. The Kaj dialect was traditionally spoken in the country and hills around Zagreb, and the Cha dialect is spoken on the coast, especially around the city of Dubrovnik. The costumes of the three ethnographic zones are very different from one another. Here is a map of Croatia showing roughly the exent of the three zones. Note that the zones actually extend farther beyond the borders of Croatia, but that is not the scope of this map. The Pannonian zone is shown by green hatching, the Dinaric by brown, the Adriatic or Littoral in violet, and this map shows the influence of the Alpine zone along the border with Slovenia in yellow. The region i am covering today, Prigorje, is found just outside the capitol of Zagreb and is marked on this map. The Prigorje costume is one of two which are commonly considered to represent Croatia as a whole. The other is the extremely beautifully embroidered Posavina costume. Here are some representations of the Prigorje costume taken from various sources. This costume is extremely popular with Croatian Folk Groups. This photo is of a bridal couple, hence the extra frou-frou on the woman's outfit. You can see that this costume is quite distinct. I have no information about foundation garments, but the first visible garment of the woman's costume to be put on is a linen blouse, known in this region as oplece. It is very short in back, but rather longer in front. Here is the cut. There is a band of woven ornament or cross-stitch embroidery down each side of the opening, which is pinned shut. There is another piece of cloth with either embroidery or woven ornament sewn on crosswise at or close to the lower edge of the vertical ornament. Here is a closeup. In this case, the vertical ornament as well as the neckband is woven, and the horizontal is embroidered. The vertical ornament is often [regrettabley, in my opinon] covered by a bow made of Czech ribbon, as in this photo. The cuffs are also covered with either woven or embroidered ornament, and the lower sleeves are 'smocked', and embroidery is also done over them, the same sort of cross-stitch design which is done on the other parts of the blouse. Over the blouse a sort of linen jumper is worn, known as the rubača. This laces closed over the front of the blouse, as you can see above. Here is the cut. The skirt is smock-gathered into the bodice, and the bodice itself has embroidered or woven ornament along the bottom edge with the same sort of designs. Here are a couple of examples. Over this is worn a sort of cloth belt, called pas. The purpose of this is to gather the fullness of the rubača into the waist. The pas is made of a length of linen with a slightly wider length of heavier wool sewn over it. Here is the cut. Over this is worn the apron proper, which in this region is called fertun. It is made of two fields of linen sewn together. There is a band about an inch or so wide of ornament towards the lower edge. This is usually woven in, but is occasionally embroidered. Over the apron a kerchief is worn, usually folded diagonally, but sometimes lengthwise. It is preferably of silk. Most commonly it is red, but can also be yellow or blue. This is always worn with this costume. A matching kerchief is often worn on the head. Here are a couple of images showing this. See also the other photos in the posting. White knitted knee socks are worn, usually with a texture knitted into them. The 'popcorn' knit is very popular. I have just found a blog by a Croatian woman named Ruzmarinka who seems to be from one of these villages, Shestine. Here is her exposition on some of the stocking designs. http://ruzmarinke.blogspot.com/2010/09/mustre-za-sestinske-carape.html Red garters are worn above the calves, with red ribbon bows just showing below the hem of the rubača. The feet are covered with moccasin type footwear, called opanci. In this region, the uppers are woven with supple narrow strips of leather, some of which are dyed red and blue. This style of opanci are only worn in this region. You will notice that a couple of the photos show high lace-up shoes instead. Tihs is less common. This type of footwear is still made, and one can see them hanging on souvenir stands all over Croatia, like bunches of fruit or strings of onions. They are very popular with tourists. As you will notice if you look at the various images, A necklace with multiple stings of coral is often worn with this outfit. Short lengths of Czech ribbon are often attached in bunches around the neck, and can often be seen over the shoulders. There is a short sheepskin vest worn with this costume, called kožulec. The fleece is turned over onto the right side around the edges. It is ornamented with loops of cord on the front, and leather applique in many colors on the back. Here is the cut and a couple of closeups. As you can see, unmarried girls wore their hair in braids which hung loose, in this case with short bunches of Czech ribbon attached to the ends. Married women also wore their hair in braids which were attached to a rectangular frame at the back of the head, which imparted a particular shape to the headress. This was then covered with a kerchief which was tied either under the chin or at the nape of the neck. A linen cap or a type of linen hood similar to the Italian Tovaglia were also worn. The man's costume is based on a linen shirt with the basic east Croatian cut. It has the same vertical and horizontal bands of woven or embroidered ornament as the woman's. The collar is sometimes done in white on white surface stitching or other embroidery. Here is the cut. In summer, simple linen pants are worn, similar to those over a wide area of Pannonia. In this region they are tucked into black boots. In winter wool pants with braid and a flap in font are worn, but these are seldom seen. Here is the cut of the basic linen pants. The two partial shapes at the bottom are not part of these pants. There is a cloth vest, called Lajbek,which is also highly ornamented with braid and studs, and often with embroidery as well. It is relatively larger than the women's. There is almost always a hook shaped ornament on the front, and the back varies quite a bit. The edges and the lapels are highly ornamented with braid. It has cords in the front which are tied into complex flat knots resembling those of east Asia. Here is the cut and a couple of closeups of the vest. As you can see, the men's costume is completed with a wide leather belt which has a flap that covers the buckles, a small round felt hat, and a jacket. The jacket is called Surka, and is very similar to jackets worn in parts of the Dinaric Mountains and the Carpathians, noteably in Vrlika, Zakopane and the Hutsul area. It is made of very heavy homespun wool, and is often worn draped over the shoulders in all of these areas. It is typically made of natural dark wool, and trimmed with braid, although not as heavily as the vest. See the various photos in this posting. Here is the cut and a couple of closeups of the jacket. Apparantly, the people in this region feel that the costume is not complete without the red umbrella with stripes around the edge. Thank you for reading, and i hope that you have found this interesting and perhaps inspiring. Here are a couple of websites i found with more informatiion: The second one is by Ruzmarinka. I have given links to several of the pages of her blog, which is in Croatian. Hvala lepa Ruzmarinko!! At this one you can buy Croatian Costume Pieces. http://cromall.com/traditional_clothing.php Ruzmarinka writes about her village costume in general: http://ruzmarinke.blogspot.com/2010/09/sestinska-narodna-nosnja.html Ruzmarinka shows in detail how to make and embroidery a rubača, including the openwork in the bottom of the front two seams. http://ruzmarinke.blogspot.com/2010/10/zenska-nosnja.html Ruzmarinka shows off the embroidery she made for a man's shirt. http://ruzmarinke.blogspot.com/2010/10/muska-sestinska-nosnja.html And finally, two videos, This one is by Ruzmarinka, a bunch of photos, including ones of her, set to quite schmaltzy music. http://www.youtube.com/watch?v=9Hxd_YWCCeM And this one is of the famous Prigorje dance suite by the performing group Lado. http://www.youtube.com/watch?v=K1-QmzqO5js Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals. Roman K. mailto:[email protected] Source Material: Nerina Eckhel, 'Narodna Nosnja Prigorja', Zagreb, 1984 Ivankovic & Sumenic, 'Croatian National Costumes', Zagreb, 2001 Vladimir Kirin, 'Narodne Nosnje Jugoslavije - Hrvatska', Zagreb, 1986 Mary Gostelow, 'The Complete International Book of Embroidery', New York, 1977 Ribaric/Szenczi, 'Vezak Vezla - Croatian Folk Embroidery', Zagreb, 1973 Jelka Ribaric et al, 'The Folk Costumes of Croatia', Zagreb, 1975 Vjekoslav Majer et al, 'Zagreb and its Surroundings',Zagreb, 1975 Walter Kolar, 'Croatians - Costumes they Wear', Pittsburgh, 1975 Nikola Pantelic, 'Traditional Arts and Crafts in Yugoslavia', Belgrade, 1984 Vladimir Salopek, 'Folk Costumes and Dances of Yugoslavia, Zagreb, 1987 Postcards in personal collection National Geographic Magazine
Item specificsConditionNew without tags: A brand-new, unused and unworn item that is not in its original retail packaging ... Read moreabout the conditionNew without tags: A brand-new, unused and unworn item that is not in its original retail packaging or may be missing its original retail packaging materials (such as the original box or bag). The original tags may not be attached. For example, new shoes (with absolutely no signs of wear) that are no longer in their original box fall into this category. See all condition definitionsopens in a new window or tab BrandUnbrandedTypeREGULARStyleHoodieColourmixedDepartmentUnisex AdultsMaterialPolyesterSize TypeRegularMPNDoes Not ApplyUPCDoes not applyEANDoes not applyItem TypeSweatshirtsSize (Men's)MTGenderMenSleeve StyleREGULARFarbeBeigeMarkeMarkenlosStilPulloverGrößeXSProduktartKapuzenpulloverthicknessStandardModified ItemNoOuter Shell MaterialpolysterActivityBaseball
MUSEUM DUNIA MAYA DR IWAN S. Dr IWAN ‘S CYBERMUSEUM THE FIRST INDONESIAN CYBERMUSEUM MUSEUM DUNIA MAYA PERTAMA DI INDONESIA DALAM PROSES UNTUK MENDAPATKAN SERTIFIKAT MURI PENDIRI…
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Deceptively simple or fantastically intricate, ikat technique has been used for many centuries to create extravagant costumes and cloths of deep cultural meaning. The distinctively blurred, feathered or jagged patterns of ikat-dyed textiles are found across much of the world - from Japan in the east to Central and South America in the west, with vast areas of South-east Asia, India, Central Asia and the Middle East in between. The traditional patterns still hold cultural relevance today in significant parts of the long-established ikat-weaving areas. Textile artists and fashion designers in many and varied countries have taken ikat in new directions, respecting traditional forms and palettes while creatively diverging from them. This is the first time all the different iterations of this textile have been comprehensively brought together in one volume, drawing from the wide-ranging collection of David Paly. It is a journey across the world through the lens of ikat. --- Hardcover: 240 pages Language: English 9.96 x 1.06 x 12.63 inches
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Description of Vintage Happi Jacket, Chiba Kashi Seihin Kougyou with Brown Cuffs Description ABOUT THE BRAND Carefully selected and imported from Japan, this product is truly one of a kind. Once it is sold, no other will be in the same style. This product belongs solely to you. Happi jackets or "happy coats" were originally worn by house-servants of wealthy families. Family crests or "mon" were painted on the back of these jackets to indicate the families the servants belonged to. Their purpose has since evolved into pieces of celebration and since the 1900s have been the traditional costume of festivals. Cotton Fabric Origin of Fabric: Japan Product #: VG185 Code: WP25 Please note that since this jacket is used, there may be flaws or stains Size (flat measurements) Length: 31" Chest: 24.5” Shoulder to Shoulder: 25.5” Sleeve Length: 13" Sleeve Opening: 10.25"
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Children of the World Clip art - Asia & Middle East. This set contains a boy and girl dressed in the traditional clothes of the country they are representing. You will get a male and female for each of the countries listed below: - China - India - Indonesia - Israel - Japan - Russia - Saudi Arabia You will get 3 copies of each image (42 images in total) in the following formats: black and white; colored with colored outlines and colored with black outlines. All images are in PNG format and are 300dpi. You may also like: Australia Oceania Antarctica Europe The Americas Africa Buy 5, pay for 4 with the bundled set: Children of the world Bundle You may use the art work for personal & commercial use (an additional license may be required for commercial printing, please contact me to discuss prior to purchasing item). If you are using them on an item to be sold or on a webpage/blog, you will need to give credit somewhere on the product or provide a link to re-direct viewers to my store. Full terms and conditions are included with the set in the download. Thank you and I hope you enjoy my product! Did you know: All my new products are at a 50% off discount for the first 48hours only. Look for the green star next to my photo and click follow; you will receive an email to let you know each time I post a new product and you will have the advantage of purchasing at half price. You will also receive notifications of upcoming sales. ☺ You get TPT credit to use on future purchases: • Please go to your My Purchases page (you may need to login). Beside each purchase you'll see a Provide Feedback button. Simply click it and you will be taken to a page where you can give a quick rating and leave a short comment for the product. I value your feedback greatly as it gives me an indication of your graphic needs and what I can do to provide work of high quality. ☺ Clipart | Clip art | Printables | Scrapbooking | Bundle | Cheap | Bargain | Pack | World | Social Studies | History | Clothes | Children of the World | Kids of the World | World Kids | World Children | World Outfits | World Garments | Traditional Clothes | Traditional Wear | Traditional Garments | Historical Garments | Asia | Middle East
Hello All, I received a request to research the costume and embroidery of the Nanai, a people who live on the lower Amur River in the Russian Far East. After taking a look at the materials available to me, i decided to include in this posting the peoples of the lower Amur, in the Russian Far East and Manchuria; the Nanai, the Udege, the Oroch, the Ulcha, the Orok, and the Nivkh. Here is a map showing the distribution of these peoples on the Russian side of the border. They are found on the left edge of the map. Most of these peoples speak languages which belong to the Southeastern Tungusic Language Family, and are closely related to each other, except for Nivkh, which is an isolate, not related to any other known language. This group of peoples share a large part of their material culture, including costume and costume ornament. The Nanai, the Oroch, and the Orok all refer to themselves as 'Nani'. They are most closely related to the Manchu people, who historically were referred to as the 'Jurchen'. In the writings of the 18th, 19th, and early 20th centuries, these peoples were referred to as the 'Gold', and the Nivkh were referred to as the 'Gilyak'. You can read these articles for more material on these peoples. http://en.wikipedia.org/wiki/Tungusic_peoples You can click on the name of each of these peoples to read more about them. http://en.wikipedia.org/wiki/Nivkh_people These peoples together were sometimes referred to as the 'Fishskin Tatars'. They are not Tatars, The term was often used by Europeans to refer to any indigenous non-Russian people of the Russian Empire. However, one unique feature of the textile tradition of these people is that they made wide use of a very unusual material, fish leather. This material is light, durable and waterproof. It was made from large fish such as Salmon and Carp, and sewn together to make clothing, footwear and tents. The fish skin was dried, treated and then worked to make it supple, and sewn together. A modern company has recently sent researchers to these people to find out how they did it, and are now producing fish leather under the name of Nanai, named after these indigenous people. The Nanai, at something like 12,000 members, are the largest of these groups. Some of them live on the Manchurian side of the border, where they are known as the Hezhe. Here is an old photograph of a Nanai family group. Here is an example of an elaborate set of fish leather clothing for a Nanai woman. The robe is shown in back view. Here is a front view of the cut of the robe. Similar robes were worn by all of these peoples, by both men and women. The men's robes are somewhat shorter, extending perhaps to the knee. The robes are completed by leggings or pants, boots, and mittens and hats when necessary. The fishskin is very light and waterproof, and the boots are still worn by the men because they are very practical. One often sees the survival of items of clothing by women because they are decorative and distinctive, and by men on the other hand if they are particularly practical, such as the Inuit parka. Here is a back view of what i believe is the same robe. You can click on this image to examine it more closely. As in any garment made of leather or fur, this one has been pieced together from the available pieces of skin. Some of my sources describe the cut of the robe as being 'Chinese'. This is not the case. The traditional garment of the Chinese people [and by 'Chinese' i mean Han] is the pao robe. The pao robe is wide, and is cut of rectangular pieces, and gave rise to the wide sleeved robes of the Korean Hanbok and the Japanese Kimono. This garment is of a completely different tradition. This garment is very close to the robes of the Manchu people. The Manchu, of course, are related to the Nanai and the other Amur peoples. Similar robes are worn by the Mongols. The confusion arises from the fact that the Manchu controlled the Chinese empire for the last few hundred years before the upheavals of the 20th century. The famous 'dragon robes' and court robes of the Chinese empire during this time were not of the Han Chinese tradition, but rather were derived from the Manchu Tradition. the Manchu had slits in the robes which facilitated wearing them on horseback, which the Amur peoples dispensed with. Here is a robe of a Nivkh woman, front and back view. You will notice how similar it is to the robes pictured above. The panels on the hems, up the sides, on the cuffs, around the neckline and front opening, are seperate pieces of leather which have been painted different colors. The designs on the sides, around the neck and on the shoulder stripes are reverse applique, the fish leather having had designs traced onto them, the design cut out, and then appliqued onto the garment. This was accomplished by means of stencils to get the symmetry needed for the designs to be effective. Here is and example of one such stencil. These were also used to transfer designs to birchbark. The ornaments on the back are made rather differently. They are cut out of blue dyed fish leather, then each motif is appliqued seperately onto a slightly larger piece of leather, and the whole piece is appliqued onto the robe. Common motifs include stylized masks [human? animal?], serpents and birds. The motifs are very distinctive, and yet are reminiscent of the animal masks on old Chinese Bronzes, Ainu ornament, and even that of the Tlingit and other Northwest Coast Native Americans. Here is a closeup of the back of a Nanai robe, followed by a closeup of the Nivkh robe shown above. You can cleaarly see the impressions of scales on the fish leather. Alternatively, the motifs are sometimes drawn directly on the fishskin with inked lines which are then painted in various colors. The motifs remain recognisably of the same family of ornament. Here is a detail of the back of a Nanai woman's robe. You can see the appliqued piece of painted leather on the right side which corresponds to the side seam of a cloth robe. Here is a festive robe of an Oroch woman. You will notice the same type of painted ornament. You will also notice that the arrangement of the painted ornament is substantially the same as the robes we looked at above. There follows a closeup of the rich painted ornament on the back of the robe. Note the strips of fur used as trim. Here is another example of a Nanai woman's robe which is painted in a somewhat different manner. The front resembles this Oroch robe, but the back has ornamental painted scales. Note the row of metal medallions hanging above the hem of the robe, this is common in this area, especially among the Nivkh. These of course last much longer than the robes themselves and are passed down from generation to generation. Here are two photos taken of Nivkh families. In this first one, most of the women are wearing cloth robes, but the woman sitting in the center seems to be wearing a fish leather robe such as the ones described above. It is possible that the Nivkh bought them from the people further inland. Her robe clearly has the row of small metal medallions. All three of the women in the second photo have the medallions clearly visible on their robes. You can see that the men wear substantially the same robe, only shorter and less ornamented. The fish leather clothing has mostly been replaced by cloth imported from the Chinese or the Russians. The cut remains the same, however. The body and upper sleeves are cut from once piece of cloth, the underlap also. The lower sleeves and cuff are usually made of a contrasting material. Here is one version of the cut of the robe. This one is unusual in that the bottom edges of the front and back are added. Most of the time, the cloth is wide enough to cut them in one piece. Then the same material extends farther down the sleeve. The lower sleeve in this case has been pieced out of four contrasting bands This varies. Note that is this example the width of the bottom edge matches the light colored portion of the upper sleeve. These robes were worn with leggings underneath, presumeably accompanied by some type of short pants which covered the pelvis, as is known among the Eskimo and other northern people. The leggings were tied to a waistband, and were tucked into boots, often a soft pair inside a more durable pair when necessary. These garments were originally made of fish leather, like this pair of leggings. The leggings and the inner boots, or stockings, were later made of cloth, as in this example. The painted or appliqued ornament became transformed into embroidery. Using embroidery enabled the ornament to develop more color. Here is an example of a wedding outfit of an Ulcha woman. Note the piecework fur collar. If you look at the first photo of the Nanai family above, you will see one of the women wearing a similar collar. The cut of the robe remains the same. The sash with embroidered ends is also known among the Nivkh. Here is a photo of a family of the Udege people, [Not to be confused with the Udyghe, who live in the northwest Caucases and are part of the Circassian peoples]. The clothing is of cloth, the man is wearing pants instead of leggings, and his robe has become shorter, resembling a shirt, but retains the same cut. Here is a Udege man in full winter attire; embroidered coat, a hood with seperate earmuffs and covered by a cap. You will notice two of the men in the Nanai family photo at the beginning of the posting wearing similar hoods. Here is a Russian man posing in Udege attire. Another Udege man. Two Udege men in full outfits, with hood and cap. Closeup of a hood, cap, a knife sheath and waist bag. Notice the embroidery is again recogniseably of the same family of ornament. A pair of earmuffs from the Ulcha I have seen a couple of photos from China of Hezhe girls wearing the cap, earmuffs, and hood. I am very skeptical that women ever wore these. Here is one of the photos. She is obviously posing with a stage costume, and i would give little credence to it. Here are a couple of photos of contemporary Nanai wearing the national costume. A closeup of the embroidery on a modern Nanai cloth robe. And Mittens. The stylized masks are becoming floral designs. I will finish with two photos showing how the traditional costume of this region is being used and interpreted today. Here is a youth group wearing a stage costume based on the traditional clothing of the Amur. You can see that while this is not authentic, especially in the girls robes having no overlap or leggings, some attempt has been made to make them recognizeable as being from the region. Here is an illustration from a book of folk tales of Siberia, illustrating one story from the Amur, 'Vixen and the Seals'. This is a story of the Oroch people. Thank you for reading. I hope that you have found this overview to be of interest, and perhaps the unique ornament of this region will inspire some project of your own. Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals Roman K. mailto:[email protected] Source Material: Vladimir Medvedev, 'The Land of Siberia', Moscow, 1993 L. N. Molotova, Folk Art of the Russian Federation, Leningrad 1981 Tatyana Razina et al., 'Folk Art in the Soviet Union', Leningrad, 1990 N. Kalashnikova et al., 'National Costumes of the Soviet Peoples', Moscow, 1990 Max Tilke, 'Costume Patterns and Designs', New York, 1990 [reprint] William Fitzhugh & Aron Crowell, 'Crossroads of Continents', Baltimore, 1988 Wim Crouwel et al., 'The Forbidden City', Rotterdam, 1990 Y. Rachov, 'Kutkha the Raven, Animal Stories of the North', Malysh, 1981 Alexei Okladnikov, 'Art of the Amur', Leningrad, 1981 Zang Yingchun, 'Chinese Minority Costumes', NSR, 2004 James VanStone, 'An Ethnographic Collection from Sakhalin Island' Fieldiana, Anthropology, Publication 1361, Field Museum of Natural History, August 30th, 1985
Renting a kimono and walking around Kyoto in it is a very popular activity among tourists. Strolling around ancient shrines and temples in a traditional kimono is a very special…
Chinese culture reflects the customs and traditions of one of the largest countries in the world, with 1.34 billion people.
Hello all, Today I will take a break from Asia. It is fascinating, but difficult to research. Setesdal is one of the regions of ...
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Esta imagen pertenece a www.odisea2008.com Referencia post: www.odisea2008.com/2014/03/costumbres-y-vestimentas-china...
