looking toward Triana
The original sketch is one of my “Lockdown Sketches”— a series of sketches made during the beginning of the pandemic. The London Urban Sketch Group suggested a list of 30 prompts to stimulate sketch subjects in your own home. This particular one came from the prompt “healthy.” Not that I’m such a big beer drinker, but I couldn’t resist the word okay. The original drawing is ink and wash. This giclee print on watercolor paper is archival quality. It is set in an 8x10 mat ready for a standard frame.
Tuesday Tips & Tricks I've enjoyed being able to contribute to the TTT series so far. It’s challenged me to think about why and how I do what I do when I am sketching and to put it all down into words. This is something I have never really done until recently. It has also been incredibly beneficial to read the weekly posts of the other contributors Wes, Barbara and Alex. In the last couple months, as Chicago winter has settled in and limited outdoor sketching opportunities, I've found myself coming back to bits and pieces of advice from several previous posts from Alex and Barbara. In Playing With Line, Barbara reminded us of the versatility and simplicity of line. In Thoughts on Talent, Alex reminded us the more we work on something the better we become, and that all of us can become great sketchers. And most recently in Every Visual Creative Should Keep a Sketchbook Barbara gave pointers on how to use a sketchbook, turning it into a personal habit and practice, something we carry with us everywhere. With these tips in the back of my mind, and knowing how the winter months can put my sketching into hibernation, I started thinking about how to encourage myself to maintain the sketching habit in spite of the inclement weather conditions. So, (at least for the time being), I decided to trim down my entire sketch kit to one or two fountain pens and one sketchbook. Simplifying my entire sketch kit down to two or three pieces has made it easy me to carry my sketchbook and pen(s) with me wherever I go, which has also encouraged me to sketch more. More importantly, (and to the point of this post) I've been learning how versatile one sketching tool can really be. This post goes over some of the techniques I have been playing with in the past few months that allow simple line drawings, with one pen (or whatever you chose to use), to be transformed from flat, valueless sketches into dynamic value filled sketches. Creating Value With Line Why? Line drawings that do not incorporate value can often seen flat and static. Drawings that incorporate value have a sense of depth and are more dynamic. How? -Use different sized pens (pencils, brushes, markers etc etc) For the purpose of the post I am focusing on and using pens as an example. You only need one or two. There are several different brands of pens that come with a variety of sizes. Some popular choices are the Sakura Pigma Micron pens, Staedtler’s Pigment Liner pens, or Faber Castell’s PITT Artist Pens. Or you could use a fountain pen that has a flexible, springy nib, such as Noodlers Konrad Flex Pen. My preference is to use one or two fountain pens. If only using one, I use my TWSBI580 with an EF (Extra Fine) nib. The extra fine nib is great for creating really thin lines, but the flow of the ink in the pen is fast enough that I can easily add value to a line(s) or easily fill in larger areas with value. If using a second pen, I will use one that has an M (medium) or B (bold) nib. Having a second pen with a larger line weight provides a quick contrast in line weights which can be used for things such as the profile or relief of a building, objects that are in the foreground or any line or object you want to pop from the rest of the drawing. -Cross hatching. Cross hatching can be done in many different ways and patterns. Cross hatching allows you to build value up through the layering of marks. Hatching can be done by layering lines that are all going in the same direction, or lines that are going in different directions (diagonal, perpendicular etc etc…) The Urban Sketcher Paul Heaston is renown for his cross hatching. (Check out more of his work on his Facebook Page) Here is one example of how he uses cross hatching to create value in his line drawings. Here are a few simple cross hatching examples: Multiple Pass – This is a name I made up. Maybe there is another name for this, but the idea is that the more times you go over the same line, the more value, and thickness it will have. Line variation – When using a pen such as a flex pen, brush pen or felt tipped pen, and with varying amounts of force, you can create variety of value in your lines. Line Weight - Check out the unique ways that Illustrator Lyndon Hayes uses line weights to achieve value with line. Lyndon Hayes - http://instagram.com/lyndonhayes Lastly, here are a few of my most recent sketches, each completed with one pen, that demonstrate creating value with line: As soon as I narrowed down my every day sketch kit to a single pen and started re-visiting basic sketching skills as these, I became reacquainted with basic sketching styles I had started to overlook. These basic techniques, all completed with one or two pens, can produce some real impressive work. So my challenge for you is to keep it simple, and keep on sketching this Chicago winter season. Happy Holidays and a Happy New Year!
I should have sketched and posted this yesterday – that was when I had my haircut by my daughter. She did a pretty good job – especially considering this is only the third or fourth tim…
Imagen 23 de 27 de la galería de Torre Cuajimalpa / Meir Lobaton Corona + Kristjan Donaldson.
This is an old house, above the stream the “Jeker” which runs through the middle of Maastricht, the Netherlands. The walls are beautiful, with stripes of brick masonry, Belgian hardstone and the locally found natural sandstone (Mergel). Actually the first Mosasaurus was found here in the local quarry, it got it’s name from Maastricht. […]
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[by Lynne chapman, from England, In Lanzarote] We walked another route from the hills down to the sea, pootled along the coast, had a quick paddle to cool our feet, then walked back up to Haria by a different valley. The return journey took us past a good view of the volcano, La Corona, the same one a painted […]
Inviting texture done so right with this shag-embellished pillow that offers boho-inspired vibes. Bolster pillow with a geo design made up of roped seaming and shag fringe, complete with mini tassels around edges. Content + Care - 100% cotton - Spot clean - Imported Size - Dimensions: 14”l x 20”w
Peter Sheeler Art
I show a lot of ‘nice’ sketches on this blog. What I consider finished works. Things where I took a reasonable amount of time (45 minutes? an hour?). And things that often call for an e…
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A walk through streets, passageways and major intersections in cities. Spanish Graphic Designer Daniel Formigo, has many passions and talents, Painting, Drawing and Cabinetmaking. Today, we are going to have a look at his urban architectural drawings. As I said above, a chance to admire the features of the places that Formigo has visited and replicated for us, to take us on this journey with him. Revel in the architecture and the detailing, in these lovely back and white pencil drawing and enjoy your travels, without having to move from your screen. Street of Lisbon. Press the Image to Enlarge it. Street of La Alberca. Press the Image to Enlarge it. Street of Salamanca. Press the Image to Enlarge it. Street of Candelario 2. Press the Image to Enlarge it. Street of Vilanova. Press the Image to Enlarge it. Facade of Salamanca. Press the Image to Enlarge it. Street of Candelario 1. Press the Image to Enlarge it. Street of Madrid. Press the Image to Enlarge it. Street of Salamanca. Press the Image to Enlarge it. Door of the church of El Fraile. Press the Image to Enlarge it. Window of Rodalquilar. Press the Image to Enlarge it. Street of Sintra. Press the Image to Enlarge it. House of Sercué. Press the Image to Enlarge it.
