A design collective with a vision, a sneaker steeped in sustainability, a floral namesake, a crimson dreamland, 90s anime, a factory for the future.
A design collective with a vision, a sneaker steeped in sustainability, a floral namesake, a crimson dreamland, 90s anime, a factory for the future.
A design collective with a vision, a sneaker steeped in sustainability, a floral namesake, a crimson dreamland, 90s anime, a factory for the future.
Shake Shake Go revient à son essence indie pop avec un nouvel album solaire et épuré ! Le groupe londonien Shake Shake Go est de retour ! Après deux albums et un succès international avec leur tube 'England Skies', ce nouvel élan marque à la fois l'ombre et la lumière, l'avant et l'après. Le collectif qu'ils furent, le trio qu'ils sont aujourd'hui. Les nouvelles chansons de Shake Shake Go épousent cette nouvelle identité portée par la chaude voix soul de Poppy : plus modernes, plus épurées, plus organiques, elles confirment leur mue. Elles évoquent aussi la dualité des sentiments ressentis par le groupe, qui les a amenés à créer leurs compositions les plus sincères à ce jour. Les voici plus libres, indépendants et solaires, comme si ils n'avaient gardé que l'essentiel pour la suite de leur voyage musical. Et cet essentiel leur va si bien...
We extend a warm and heartfelt invitation to the people of Earth, Artificial General Intelligence (AGI), and potential extraterrestrial…
Nine months ago, I set out to invent a new way of interfacing with our devices, armed with only a single metaphor: Mercury. Although these versions of Mercury had little to do with interaction…
You can use assistive technology to better cope with a vision disorder and live a more productive life.
With existentialism our words come to an end in complete meaninglessness and our art in total inexpressivity, and our world has acquired the means to blast us into cosmic dust. Carl Jung, Letters Vol. II, Pages 531-533 We still consider his [Socrates] daimonion as an individual peculiarity if not worse. Such people, says Buddha, "after their death reach the wrong way, the bad track, down to the depth, into an infernal world." Carl Jung, Letters Vol. II, Pages 531-533 Just like the animal, man too is caught up in the conflict between archetypal drives and environmental conditions. Carl Jung, Letters Vol. II, Pages 504-506 I have a huge correspondence, see innumerable people but have only two real friends with whom I can speak about my own difficulties; the one is Erich Neumann and he lives in Israel and the other is Father Victor White in England. Carl Jung, The Jung–White Letters, Page 334 The starry vault of heaven is in truth the open book of cosmic projection, in which are reflected the mythologems, i.e., the archetypes. In this vision astrology and alchemy, the two classical functionaries of the psychology of the collective unconscious, join hands. Carl Jung, CW 8, Page 195, Para 392. . . . my father did not dare to think, because he was consumed by inward doubts. He was taking refuge from himself and therefore insisted on blind faith. Carl Jung, MDR, Page 73. In my own case the release of the unconscious was demanded. The conscious had become practically a tabula rasa, and the contents underneath had to be freed. Carl Jung, 1925 Seminar, Page 55 The criterion of art is that it grips you. Carl Jung, 1925 Seminar, Page 57 Just as the dream seeks to maintain a psychological balance by filling out the daytime conscious attitude by the unconscious elements, so art balances the general public tendency of a given time. Carl Jung, 1925 Seminar, Page 57 Modern art leads us away from the too great scattering of the libido on the external object, back to the creative source within us, back to the inner values. In other words, it leads us by the same path analysis tries to lead us, only it is not a conscious leadership on the part of the artist. Carl Jung, 1925 Seminar, Page 60 Analysis would have been unthinkable in the Middle Ages, because those men were freely expressing those values from which we have cut ourselves off today. Carl Jung, 1925 Seminar, Page 60 I had killed my intellect, helped on to the deed by a personification of the collective unconscious, the little brown man with me. Carl Jung, 1925 Seminar, Page 62 He (Carl Jung) saw “a huge round block of stone sitting on a high plateau, and at the foot of the stone were engraved the words: “And this Shall all be a sign unto you of Wholeness and Oneness.” Miguel Serrano, C.G. Jung and Hermann Hesse, Page 104 The fear the introvert feels rests on the unconscious assumption that the object is too much animated, and this is a part of the ancient belief in magic. Carl Jung, 1925 Seminar, Page 65 If I just tell the anima that she is working off some collective notion on me which I have no idea of accepting as part of my individuality, that does no good at all—when I am in the grip of an emotion it is no support to me to say it is a collective reaction. . Carl Jung, 1925 Seminar, Page 49 The minute a thing goes into language it is ipso facto conditioned in its objectivity. Carl Jung, 1925 Seminar, Pages 63-64 Our mental processes cannot escape the intermingling with these preexisting images, so it is easy to see why a new idea always has to fight for its life against these ancestral predispositions. Carl Jung, 1925 Seminar, Page 64 The extravert is controlled by his relation to the thing without, the introvert by his relation to the thing within. Carl Jung, 1925 Seminar, Page 64 It is only through consciousness that the discrimination between inner and outer experience is achieved, and only by consciousness that a man can know he is connected with the outer object to the neglect of the inner and vice versa. Carl Jung, 1925 Seminar, Pages 64-65 The conscious extravert values his connection with the outer object and fears his own inner self. The introvert has no fear of himself, but great fear of the object, which he comes to endow with extraordinary terrors. Carl Jung, 1925 Seminar, Page 65 The extravert, on the other hand, behaves as if the world were a lovely family. He does not project terrors into the object, but is quite at home with it. Carl Jung, 1925 Seminar, Page 65 When the intellect or any superior function is pushed that far, it becomes bloodless and takes on an airy, gas-like character. Carl Jung, 1925 Seminar, Page 66 We cannot get anywhere in analysis with thinking until it reaches its antinomy—that is, something is and is not true at one and the same time. Carl Jung, 1925 Seminar, Page 66 The same is true with feeling, and a differentiated feeling type must reach the point where the thing most loved is the thing most hated, before refuge will be sought in another function. Carl Jung, 1925 Seminar, Page 66 Why doesn’t the inferior function come up at once? The inferior function is hooked up with the collective unconscious and has to come up first in the collective fantasies, which of course, in their first aspect, do not seem to be collective. Carl Jung, 1925 Seminar, Page 68
In the IT department of the telecom company 3 of around 200 people, we worked with improvements on team-level and had a forum for improving the whole, but the overall improvements had come to an end…
Recently featured in Cultured, Tappan founder Chelsea Nassib shares the innovative vision that inspired her to create the Tappan Collective over a decade ago. In...
by John Copley (ANNews) – In the fall of 2013 Canadian artist Christi Belcourt was in Edmonton working alongside renowned Elders Marie Campbell, Pauline Paulson,...
The English language is no stranger to phrases and words with curious origins. But have we ever sat and wondered why? There are collective nouns for almost everything. Some widely known, some not. Some accurate, some not. Some meaningful, and some downright offensive. For example, a Mayflower of Americans makes sense. So does a melody of harpers. But what about the bizarre ones? Though the entries in the following list appear quite offensive to us, they were oddly appropriate and accurate in the Middle Ages and earlier. There's a certain levity and whimsicality about the undermentioned collective nouns. Many are
El olor de nuestro hogar es uno de los aspectos que más nos preocupan cuando realizamos las tareas de limpieza. Es...