With a nod to Shetland lace shawl construction, Henslowe’s elongated shape, lacy curves and knitted-on edging strike a balance between practicality and style, traditional and modern. The 4-page pattern contains full-color photos and detailed descriptions of all techniques used. Lace patterns are written out rather than charted. Clarifying Note: When beginning to work knit-on edging, cast on additional stitches and work Row A only ONCE. Then, proceed to Picot Point Edge instructions on page 4. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Until December 2011, Henslowe will be available exclusively as part of the August 2011 installment of the Lioness Arts yarn club. In December, the pattern will be available for individual purchase and download here on Ravelry.
Inspired by athletes, created for your daily life. We love these AEGINA sneakers with their balanced mix of leather and textile, providing the resistance of a retro sports shoe with the aesthetics of contemporary fashion. The robust rubber sole is designed for everyday use, ensuring comfort with every step. The pink tones and green details add character and freshness to the silhouette. Combine them with a bomber jacket for an athletic-chic look, or with jeans and a shirt for a more urban and relaxed touch. Sole height: 3.1 cm.
Last Sunday was my idea of the perfect weather, so I took advantage and explored Marie Antoinette’s garden. A man-made mountain in the shape of a snail, a temple of love, springtime flowers a…
With its Robert Adam interiors and Capability Brown landscape, Bowood is the epitome of an eighteenth-century English country house, formed by the taste and vision of previous inhabitants and now adapting gently to the needs of the twenty-first century
Youth and pop culture provocateurs since 1991. Fearless fashion, music, art, film, politics and ideas from today's bleeding edge. Declare Independence.
Encountering David Hockney and Anders Zorn at the Fine Arts Museums in San Francisco During this season, it seems to me that it is essential, absolutely essential to celebrate time alone. Day-dreaming, reading, walking along San Francisco Bay or the Seine, wandering, taking a beloved dog for an adventure, exploring, or gazing at clouds or doing yoga or singing, writing poetry, are perfect. For me this often means heading during the week, end of the day, to one of the great museums of San Francisco. Or if I’m in Paris, it’s the Louvre. In London, Tate Britain. In New York, the Met. Somewhere quiet, hidden, to hang out with an artist’s thoughts and visions, and disappear from the world. Two compelling and antithetical new exhibits—at the de Young Museum and at the California Palace of the Legion of Honor—make this private journey especially enticing. David Hockney "Yosemite II, October 5th 2011" iPad Drawing printed on six sheets of paper (71 3/4 x 35 3/4" each), mounted on six sheets of Dibond 143 1/2 x 107 1/4" overall At the de Young, there’s a vivid and ultra-current overview of David Hockney’s work. It’s boisterous—but there are new portraits, oils barely dry, that demand attention. David Hockney: A Bigger Exhibition, is on view at the de Young Museum through January 20, 2014. It marks the return to California of the influential and best-known British artist of his generation. Anders Zorn Caique Oarsman, 1886 Watercolor, 35.5 x 50.5cm. Zornmuseet, Mora Over at the less-visited Legion museum, there’s the wonderfully dreamy collection of Anders Zorn paintings. Zorn, you say? Scandinavian. Impressionist. A dreamer. His paintings of the exquisite Swedish summer, the Baltic landscape, and fleshy nudes that must have set Ingmar Berman thinking. Come with me—and be inspired to secretly step into a museum in your town, your city. The world outside will stop—as you gather your thoughts and disappear from the hullabaloo of the season. David Hockney "Self Portrait with Charlie" 2005 oil on canvas 72 x 36" The new de Young show, curated by Gregory Evans, a survey of works from 2002 to the present, displays David Hockney’s mastery of different media, including his most recent foray into charcoal, as well as work on iPads, iPhones, digital video, and his first sustained engagement with watercolor. It includes portraits painted as recently as October 2013, when the exhibition was being mounted. Designed exclusively for the de Young, the exhibition will not appear elsewhere. About ten years ago, with Taschen, I published ‘California Interiors’. I worked closely with Angelika Taschen on the project. My favorite part of the book are the endpapers, which feature a vivid David Hockney painting of a blonde man, Gregory Evans, now the curator of this new exhibit, standing on the edge of a terrace in Malibu Canyon, and gazing down at a man swimming underwater in the turquoise pool. It’s totally California (dream) and was very Hockney of that period. Love it. — DDS David Hockney "Bridlington Rooftops, October, November, December" 2005 oil on canvas 48 x 60" David Hockney "Woldgate Woods, 30 March - 21 April " 2006 Oil On 6 Canvases (36 X 48" Each) 72 x 144" overall David Hockney "Woldgate Woods, 26, 27 & 30 July 2006" Oil on 6 Canvases (36 X 48" Each) 72 x 144" overall David Hockney "Bigger Trees Nearer Warter, Winter 2008" Oil on 9 canvases (36 x 48" each) 108 x 144" overall David Hockney "More Felled Trees on Woldgate" 2008 Oil on 2 canvases (60 x 48" each) 60 x 96" overall Hockney FactsDavid Hockney was born in Bradford, Yorkshire, in the north of England, in 1937. Exhibition Catalogue The exhibition is accompanied by a catalogue, David Hockney: A Bigger Exhibition, published by the Fine Arts Museums of San Francisco. Published on the occasion of this major exhibition at the de Young Museum in San Francisco, it is produced in collaboration with the artist’s studio, and includes recent work and rare in-progress photographs. David Hockney "Self Portrait with Red Braces" 2003 watercolor on paper 24 x 18 1/8" David Hockney "A Bigger Matelot Kevin Druez 2" 2009 Inkjet printed computer drawing on paper, mounted on Dibond 63 7/8 x 42 7/8" David Hockney "A Bigger Message" 2010 Oil on 30 canvases (36 x 48" each) 180 x 288" overall David Hockney "Yosemite I, October 16th 2011" iPad Drawing printed on six sheets of paper (71 3/4 x 42 3/4" each), mounted on six sheets of Dibond 143 1/2 x 128 1/4" overall David Hockney "Four Views of Montcalm Terrace" 2003 Watercolor on four sheets of paper (17 1/8 x 24" each) 34 1/4 x 48" overall Multi-Media: The Audio Guide The Antenna International audio tour has been written and recorded to guide visitors through the largest show ever at the de Young. The tour features a blend of newly written content and interviews with the exhibition curator. Newly written audio content throughout the tour explores Hockney’s ability to switch media, from traditional painting to movie-making and digital works made on his iPad, with many in-depth discussions closely based on conversations with the artist himself on his creative process and approach to technique. Interviews with deputy director Richard Benefield include observations about Hockney’s newest and recent work. As Hockney continued working on a new portrait series right up until the opening of the show, an audio stop was written and recorded within weeks of the public seeing the artworks for the first time. The tour also features music by composers that especially resonate with Hockney. “Hockney’s innovative mix of traditional techniques and experimentation with digital media made writing this tour especially exciting. I paid special attention to his process with digital creations so that the tour particularly resonates with contemporary visitors,” commented Frances Homan Jue, the tour’s writer. David Hockney "Self Portrait, 17 December" 2012 Charcoal on paper 30 1/4 x 22 5/8" David Hockney "Woldgate, 6-7 February, from 'The Arrival of Spring in 2013 (twenty thirteen)'" Charcoal on paper 22 5/8 x 30 1/4" David Hockney "Margaret Hockney, 14 February" 2013 Charcoal on paper 30 1/4 x 22 5/8" David Hockney "Woldgate, 16 & 26 March, from 'The Arrival of Spring in 2013 (twenty thirteen)'" Charcoal on paper 22 5/8 x 30 1/4" And in counterpoint at the California Palace of the Legion of Honor: The lyricism and romanticism of the Scandinavian painter, Anders Zorn Anders Zorn Summer Vacation, 1886 Watercolor 29 7⁄8 x 22 1⁄16 in. (76 x 56 cm) I first encountered the impressionist paintings of Anders Zorn in the National Museum in Stockholm some time ago. Although he worked in Paris in the early twentieth century, and is one of the heroic painters of Scandinavian light and the romantic past, his idyllic confections never seem to have traveled much beyond Denmark and Sweden. Anders Zorn Self-Portrait in Red, 1915 Oil on canvas, 47 ¼ x 35 7/16 in. (120 x 90 cm) Zorn paints light—in particular, summer light in the Archipelago, which lingers on, bright and sunny, until almost midnight. He paints water, sky, islands, portraits, family, gardens, with lyricism and purity. Anders Zorn Isabella Stewart Gardner in Venice, 1894 Oil on canvas 35 13⁄16 x 26 in. (91 x 66 cm) Isabella Stewart Gardner Museum, Boston Anders Zorn Self-Portrait with Model, 1896 Oil on canvas, 46 1/16 x 37 in. (117 x 94 cm) Nationalmuseum, Stockholm Anders Zorn Midsummer Dance, 1897 Oil on canvas, 55 1/8 x 38 9/16 in. (140 x 98 cm) Nationalmuseum, Stockholm Anders Zorn Coquelin Cadet, 1889 Oil on canvas, 45 7/8 x 32 1/8 in. (116.5 x 81.5 cm) Nationalmuseum, Stockholm Anders Zorn, Omnibus, 1891–1892 (pl. 45) Oil on canvas, 39 1/8 x 26 in. (99.5 x 66 cm) Nationalmuseum, Stockholm Anders Zorn The Little Brewery, 1890 Oil on canvas, 18 ¾ x 30 11/16 in. (47.5 x 78 cm) Nationalmuseum, Stockholm Anders Zorn Self-Portrait, 1882 Watercolor, 9 7/16 x 6 5/16 in. (24 x 16 cm) Nationalmuseum, Stockholm Anders Zorn: Sweden’s Master Painter: Through February 2, 2014 The exhibit brings together one hundred of the artist’s oil paintings, watercolors, etchings, and sculptures. Anders Zorn (Swedish, 1860–1920) was one of the world’s most famous living artists at the turn of the twentieth century, known for his subtle painting and printmaking techniques. Although he was a hugely successful portrait painter in the U.S.—depicting captains of industry, members of society, and three U.S. Presidents—there has been only one other major American retrospective in the last century examining Zorn’s work. Anders Zorn Castles in the Air, 1885 Watercolor, 14 /16 x 10 ¼ in. (37 x 26 cm) Nationalmuseum, Stockholm Anders Zorn The Bride, 1886 Watercolor, 30 5/16 x 21 7/8 in. (77 x 55.5 cm) Nationalmuseum, Stockholm Anders Zorn Zorn and His Wife, 1890 Etching (A 43), second state 12 1/2 x 8 5⁄16 in. (31.7 x 21.1 cm) Zornmuseet, Mora During the 1880s and 1890s Zorn lived in London and Paris, where he became acquainted with key figures of the Belle Époque, including James McNeill Whistler, John Singer Sargent, and Auguste Rodin, as well as many of the French Impressionists. He also gained commissions and befriended prominent collectors such as Isabella Stewart Gardner, who would become an important patron. Zorn’s painting, Isabella Stewart Gardner in Venice (1894, Isabella Stewart Gardner Museum, Boston) appears in this exhibition. Anders Zorn River under Old Stone Bridge, 1884 Watercolor, 9 3/16 x 13 7/8 in. (23.3 x 35.2 cm) Zornmuseet, Mora Anders Zorn The Thorn Bush, 1886 Watercolor, 15 5/8 x 21 1/16 in. (39.8 x 53.5 cm)Zornmuseet, Mora Trained at the Royal Swedish Academy of Fine Arts. In this exhibition, Midsummer Dance (1897, National Museum, Stockholm), has long been considered one of Sweden’s national treasures, and it rarely leaves the country. Anders Zorn In Alhambra Park, 1887 Watercolor, 19 7/8 x 13 7/8 in. (50.5 x 35.3 cm) Zornmuseet, Mora “Zorn’s international success ultimately bears witness to the universal language of his art,” said James A. Ganz, curator of the Achenbach Foundation for Graphic Arts at the Fine Arts Museums of San Francisco, and the coordinator of this project in San Francisco. “This exhibition promises to be a revelation for those yet to discover one of Sweden’s most accomplished and beloved artists.” Exhibition Catalogue The illustrated catalogue explores the life and work of a masterful painter who was born in a small Swedish village and rose to international acclaim. Four authors present a detailed portrait of Zorn’s life and work, his career in the United States, his oeuvre in the context of Nordic art, and his printmaking activity. Also featuring a comprehensive chronology and historical photographs, this book reveals a painter traditional yet modern; cosmopolitan yet indelibly connected to his Swedish homeland. And who better than Joan Didion, in ‘Blue Nights’, her recent memoir about the death of her daughter, Quintana Roo Dunne, to remind us of the importance of quiet, reflective, conscious solitude: “Do not whine. Do not complain. Work harder. Spend more time alone.” — Joan Didion Anders Zorn Reveil, boulevard Clichy, 1892 Watercolor 14 3⁄16 x 9 7⁄16 in. (36 x 24 cm) About the Fine Arts Museums of San Francisco The Fine Arts Museums of San Francisco, comprising the de Young Museum in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in San Francisco. The de Young is housed in a copper-clad landmark building designed by Swiss architects Herzog and de Meuron. It showcases the institution’s significant collections of American painting, sculpture, and decorative arts from the 17th to the 21st centuries; art from Africa, Oceania, and the Americas; a diverse collection of costumes and textiles; and international contemporary art. The Legion of Honor’s Beaux-Arts style building designed by George Applegarth is located on a bluff overlooking the Golden Gate Bridge. Its collections span 4,000 years and include European paintings, sculptures, and decorative arts; ancient art from the Mediterranean basin; and the largest collection of works on paper in the American West. Photography: All images courtesy The Fine Arts Museums of San Francisco. Museums: The California Palace of the Legion of Honor, Lincoln Park, San Francisco: The de Young Museum, Golden Gate Park, San Francisco. de Young Museum Herbst Exhibition Galleries, @deyoungmuseum, #abiggerexhibition www.famsf.org David Hockney "The Jugglers" 2012 Eighteen digital videos synchronized and presented on eighteen 55-inch NEC screens to comprise a single artwork (27 x 47 7/8" each) 81 x 287" overall Duration: 22:13
"I Don't Give AF" Tee! Crafted from 100% cotton, this classic tee offers a structured fit that enhances your style. With its clean lines and sharp edges, it pairs seamlessly with layered streetwear ensembles. And to top it off, it's currently trending! • 100% cotton • Sport Grey is 90% cotton, 10% polyester • Ash Grey is 99% cotton, 1% polyester • Heather colors are 50% cotton, 50% polyester • Fabric weight: 5.0–5.3 oz/yd² (170-180 g/m²) • Open-end yarn • Tubular fabric • Taped neck and shoulders • Double seam at sleeves and bottom hem This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Anisah is a contemporary shawl featuring a textured cable and lace panel surrounded by classic garter stitch. The asymmetrical triangular shaping begins with just a few stitches which then flow into a wide panel composed of a graceful cable flanked by mesh lace. While that panel forms the left edge of the shawl, the remainder of the body is filled with squishy garter goodness. The combination of lace, cables, reverse stockinette and garter stitch knitted in worsted weight makes the texture of all the various design elements really pop. I love to design shawls which are especially appropriate for social knitting. Anisah has no pattern repeats, has a simple 8-row chart repeat, and once you get past the early charts which set up the wide panel and body, you’ll have everything memorized in no time. I named the shawl Anisah—which is an Arabic name meaning “good friend”—as a nod to the wonderful friendships that result from knitters bonding over a shared love of our craft. Anisah is also an excellent pattern for adventuresome beginners to try their hand at simple lace, cables and triangular shaping. Plus it’s a fun and fast knit for more experienced knitters looking for a relaxing TV knit. Worked in worsted weight, it knits up in no time even at the generous pattern size. So you still have time to knock one out for warm and snuggly holiday gifting this year! The Anisah pattern includes both charts and full written out instructions for those of who you prefer not to use charts. While dimensions and yardage are provided for worsted weight, Anisah could effectively be worked in other yarn weights, although sport weight or heavier is recommended to show off the texture to its best advantage. Also included are detailed blocking instructions. SIZE AND YARDAGE: My lilac sample shawl pictured used about 540 yards (494 m) and measures 63 x 27” (160 x 69 cm) relaxed after blocking. Test knitted shawls used between 540-590 yards (494-540 m) on US Size 8 (5.0 mm) needles. Note that the US Size 10 (6.0 mm) is used for the bind off only. The size is easy to customize by changing the number of Chart 4 repeats; full instructions are provided, including how to calculate stitch counts for any size. The yellow green shawl (worked in Hazel Knits Cadence, “Sedge” colorway) and the deep aqua (worked in Hazel Knits Cadence, “Laguna” colorway) are slightly larger versions, both having 2 extra repeats of Chart 4 for a total of 28 repeats. Both of these versions used about 600 yards (549 m).
The climax! It’s exciting! It’s suspenseful! It’s time to learn all about it! For the readers, the climax will be the most important moment in the novel. It leaves a lasting impre…
Make Edgar Allan Poe’s classic poem, “The Raven,” come alive for your students with this 44-slide lecture and five pages of lesson materials that include detailed directions, a full-text version of Poe's gothic poem, links to a high-quality audio version, "Faux Poe" creative writing assignment, and answer key. The interactive lecture (Prezi, PDF, and Google Slides versions included) inspires students to dig back into the text, think critically, and decode Poe’s structure and technique. These materials are included in my full, 4-week poetry unit. Click HERE to check out my money-saving poetry lesson bundle. If you purchase the bundle, there's no need to buy this item separately. Also, this item is included in my English 9-10 full-year curriculum. If you already own the full-year download, please do not purchase this item here individually. If you’d like to receive this item plus everything else needed to teach 180 days of English 9 or English 10 at a deeply discounted price, click here to learn more about the full-year curriculum download. Thanks for stopping by! Cover image credit: Pixabay, Public domain
A few spoonfuls of raspberry jam add a tart edge to cocoa-filled babka, while berry syrup adds a pink-tinged, lacquered shine to the final loaf.
Alfred Émile Léopold Stevens (1823-1906) was a Belgian whose family was heavily involved in the arts, as this Wikipedia entry explains. Paris being a far more important art center than Brussels, Stevens went there for training and spent most of his long and largely successful career there. He was in his late 40s and 50s when Impressionism came on the scene, though freely-brushed paintings had appeared before then. In any case, Stevens, whose favorite subjects were elegant women, was a painter quite capable of working in both tight and free styles. I hadn't given this any though until I noticed the following painting on the Internet. Looking Out To Sea - ca. 1890The women is painted in a tight, "finished" manner, whereas the seascape in the background is painted in a free, almost-Impressionist style with a late-Turner feel. The only date for it that I could find had it painted around 1890. I'll assume that is so, for now. The images below are of some paintings he did in various styles earlier in his career that, if the 1890 date is about right, indicate a path to its achievement. Gallery In the Country - c. 1867 Stevens was in his early 40s when he did this. The woodsy background is dark, but not painted very tightly, as is so for the foreground subject. After the Ball (Confidence) - 1874 An interior scene painted when Stevens was about 50. Tightly done: notice the fabric detail on the dresses. Sarah Bernhardt - 1882 The famed actress took painting lessons from Stevens when he was in his early 60s. In return, he painted her several times. Here most of it is painted in a rather feathery brush style, sharpened here and there. Interestingly, the more tightly-painted fan seems more the main subject rather than Bernhardt's face. (But yes, we are still drawn to her eyes.) Elegant on the Boulevards - 1888 This is done in a free, almost sketchy manner. Something like the sea background in the first painting.
Ferdinand Knab : A Southern Landscape with Ruins of an Antique Temple (19th century) Canvas Gallery Wrapped Giclee Wall Art Print (D6050) Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. Text and photos may not be used without written permission.**
Craftsman detailing and an angled garage make this beautiful one-story house plan a real standout. Sightlines from the large foyer are amazing, going straight back through the huge vaulted great room to the rear patio beyond. The open floor plan unites the kitchen with its extra long island (4' by 11'), the dining room and the great room with a ceiling that vaults to 15'. The kitchen is 15' by 17' as measured from right wall to wall of pantry (4'2" by 8') and edge of island to front wall. The master suite has its own wing on the left side of the home. A built-in media center lets you watch TV in bed and French doors open to the rear patio. The enormous master walk-in closet (11'4" by 11'4") has a built-in window seat. Each of the two family bedrooms on the opposite side of the home have walk-in closets. Wonderful storage and benches have been built into the back entry off the garage. The spacious laundry room (9' by 13') is tucked away. The larger garage door is 18'-wide and 8'-high, the smaller one is 10'-wide and 8'-high. Related Plans: Get a modern farmhouse exterior with house plan 69761AM (3,064 sq. ft.) and a smaller version with house plan 69677AM (2,493 sq. ft.).
Introducing the Official Protect Yo Energy Con Tee! Crafted from 100% cotton, this classic tee ensures a structured appearance, offering a polished fit. With its clean lines and sharp edges, it effortlessly complements layered streetwear ensembles. Plus, it's currently at the height of trendiness, making it a must-have addition to your wardrobe! • 100% cotton • Sport Grey is 90% cotton, 10% polyester • Ash Grey is 99% cotton, 1% polyester • Heather colors are 50% cotton, 50% polyester • Fabric weight: 5.0–5.3 oz/yd² (170-180 g/m²) • Open-end yarn • Tubular fabric • Taped neck and shoulders • Double seam at sleeves and bottom hem This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Anisah is a contemporary shawl featuring a textured cable and lace panel surrounded by classic garter stitch. The asymmetrical triangular shaping begins with just a few stitches which then flow into a wide panel composed of a graceful cable flanked by mesh lace. While that panel forms the left edge of the shawl, the remainder of the body is filled with squishy garter goodness. The combination of lace, cables, reverse stockinette and garter stitch knitted in worsted weight makes the texture of all the various design elements really pop. I love to design shawls which are especially appropriate for social knitting. Anisah has no pattern repeats, has a simple 8-row chart repeat, and once you get past the early charts which set up the wide panel and body, you’ll have everything memorized in no time. I named the shawl Anisah—which is an Arabic name meaning “good friend”—as a nod to the wonderful friendships that result from knitters bonding over a shared love of our craft. Anisah is also an excellent pattern for adventuresome beginners to try their hand at simple lace, cables and triangular shaping. Plus it’s a fun and fast knit for more experienced knitters looking for a relaxing TV knit. Worked in worsted weight, it knits up in no time even at the generous pattern size. So you still have time to knock one out for warm and snuggly holiday gifting this year! The Anisah pattern includes both charts and full written out instructions for those of who you prefer not to use charts. While dimensions and yardage are provided for worsted weight, Anisah could effectively be worked in other yarn weights, although sport weight or heavier is recommended to show off the texture to its best advantage. Also included are detailed blocking instructions. SIZE AND YARDAGE: My lilac sample shawl pictured used about 540 yards (494 m) and measures 63 x 27” (160 x 69 cm) relaxed after blocking. Test knitted shawls used between 540-590 yards (494-540 m) on US Size 8 (5.0 mm) needles. Note that the US Size 10 (6.0 mm) is used for the bind off only. The size is easy to customize by changing the number of Chart 4 repeats; full instructions are provided, including how to calculate stitch counts for any size. The yellow green shawl (worked in Hazel Knits Cadence, “Sedge” colorway) and the deep aqua (worked in Hazel Knits Cadence, “Laguna” colorway) are slightly larger versions, both having 2 extra repeats of Chart 4 for a total of 28 repeats. Both of these versions used about 600 yards (549 m).
Horace Vernet : The Maiden’s Lament (date unknown) Canvas Gallery Wrapped or Framed Giclee Wall Art Print (D6045) Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. Text and photos may not be used without written permission.**
Stamattina's Nancy is a timeless classic that is enjoying a modern renaissance. Nancy is available in percale sheets, shams and duvet covers.The shams, duvets and flat sheets have the applied border along the edge. White base fabric with your choice of an array of applied colors. Fitted sheet in white only. Long staple cotton percale. Made in the U.S.A. Pictured with Paole ( triple border) boudoir pillow in Periwinkle.
"I Don't Give AF" Tee! Crafted from 100% cotton, this classic tee offers a structured fit that enhances your style. With its clean lines and sharp edges, it pairs seamlessly with layered streetwear ensembles. And to top it off, it's currently trending! • 100% cotton • Sport Grey is 90% cotton, 10% polyester • Ash Grey is 99% cotton, 1% polyester • Heather colors are 50% cotton, 50% polyester • Fabric weight: 5.0–5.3 oz/yd² (170-180 g/m²) • Open-end yarn • Tubular fabric • Taped neck and shoulders • Double seam at sleeves and bottom hem This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Belinda Leong gives her super-chocolaty crémeux (a dense, soft, classic pudding) a salty edge.
In the final extract from the gripping new biography a young Sylvia Plath is sent to Manhattan to work as a guest editor at Mademoiselle magazine.
Errata available: brooklyntweed.com
Obras do início do século 20 questionam a cidade
Gordon Ramsay beef stew is not your regular beef stew. This beef stew is made with beef, vegetables, herbs, and ale. The ale is used to deglaze and add an edge to the stew. The mustard dumplings make for a fulfilling addition. The dumplings not only add volume but also add taste to the stew.
Vittorio Reggianini : The Coquettes' Adventure (19th century) Canvas Gallery Wrapped or Framed Giclee Wall Art Print (D6045) Types: ➤Archival Paper Print (rolled) ➤Canvas Print, Gallery wrapped (mirrored edges) on 2cm depth pine wooden frame (stretched), rolled in a tube, or framed (wood floater frame). Options: ➤Archival Paper Print (rolled) ➤Rolled Canvas Print ➤Stretched and Ready to Hang 1 Panel Canvas Print ➤Stretched and Ready to Hang 3 Panel Canvas Print ➤Canvas in Black, Brown or White Wood Floating Frame (2'' | 5cm thick) ★★★WHAT'S THE DIFFERENCE BETWEEN A ROLLED CANVAS PRINT AND AN ARCHIVAL PAPER PRINT? ★★★ Whereas our canvas prints come with that typical characteristic texture own to canvas, our archival paper prints come on cotton rag paper without texture. A rolled canvas print is normally stretched on wood stretcher bars, whereas archival paper prints are not. Additionally, a stretched canvas can be framed, but it doesn't need to be. Thus, our rolled canvas prints come in their advertized size + mirrored edges by default for easy stretching. Prefer a cut to size rolled canvas print instead, because you want to frame it in a traditional fine art frame behind glass? Then just type ''cut to size'' in our personalization box (listing top right ''add your personalization''). Note that our rolled canvas prints do not come with stretcher bars or frames. Either take it to your local framer, or stretch/frame it yourself. Other sizes than listed in our drop-down menu available upon request! Have something in mind that you don't see in our shop? Anything at all? We've got your back! Here you can order anything you'd like: https://www.etsy.com/listing/1528183805 Our high quality images are environmentally friendly printed on museum grade canvas, with high quality inks that will last for over 200 years. Our canvas prints are odorless and stable to UV-radiation. Please note that our standard processing time is 3-5 days. Our actual canvases may slightly differ from the pictures shown, as every item that we sell is created especially for you. Our canvas prints actually look BETTER in real life. Please note: all watermarks shown will not be seen on the actual product. **All images and advertized text courtesy of VNTGARTGallery. Text and photos may not be used without written permission.**
Indigo Frost is a great little capelet/poncho worked seamlessly from the top down, with a loose turtle neck and an easy 4 Color-Slip-Stitch pattern band on the yoke. Eyelets on the body, the cute, deep 2x1 ribbings for the neck and the bottom edge, and its shorter length make this capelet a modern take on a classic transitional fashion piece.Yarn Cascade 220 Heathers, 100% wool, (100g, 230 yds/ 200 m): 4 (4, 5, 5) skeins in MC; shown in Indigo Frost Heather (9559). 1 skein in color A; shown in Walnut Heather (8013). 1 skein in color B; shown in Birch Heather (9564). 1 skein in color C; shown in Antiqued Heather (9600). Note: You will need approx. 27 (32, 35, 45) yds [25 (30, 32, 40) m] of each contrast color.Needles US 6 (4 mm) 24” (60 cm) and 32” (80 cm) circular needle for ribbings and neck. US 7 (4.5 mm) 24” (60 cm) and 32” (80 cm) circular needle for body.Gauge 18 sts x 25 rows = 4 x 4 in (10 x 10 cm) in Stockinette stitch on larger needle.Sample is size XS/S on a 31 inch bust.
"I Don't Give AF" Tee! Crafted from 100% cotton, this classic tee offers a structured fit that enhances your style. With its clean lines and sharp edges, it pairs seamlessly with layered streetwear ensembles. And to top it off, it's currently trending! • 100% cotton • Sport Grey is 90% cotton, 10% polyester • Ash Grey is 99% cotton, 1% polyester • Heather colors are 50% cotton, 50% polyester • Fabric weight: 5.0–5.3 oz/yd² (170-180 g/m²) • Open-end yarn • Tubular fabric • Taped neck and shoulders • Double seam at sleeves and bottom hem This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Ahhhh! Don't ya miss the old days of holdin' a classic album cover in your hands? Well, these here Worst Album Covers ever might make ya wanna do somethin'
