Sara Mullett First Piano Lessons / Primeras lecciones de piano. Descarga gratis en pdf.

The pentatonic scale is made up of five notes and is also called a five note or five tone scale. Learn how to construct and play this type of scale.

http://guitarknowledgenet.com/progression_builder.php "Con esta aplicación tienen la posibilidad de practicar progresiones de acordes con armonías de diversas complejidades y armar las que cada uno quiera" http://www.lotusmusic.com/lm_chordprogressions.html Chord Progressions The number of ways chords can go together to produce new and interesting sounds is nearly infinite. Musicians use their intuition and experience to arrange chords in ways that move the music along. This notion of movement is important to understanding how to compose and improvise a piece of music. Chord progressions are what gives a piece of music its harmonic movement. Harmonic Movement Usually the interplay between chords in a piece of music creates the feeling of movement and change. Some chord combinations sound uplifting, others sound somber, and some sound like ocean waves. While these harmonies and how we interpret them are nearly endless, there is a very simple principle at work. Most pieces of music tend to first establish a feeling of stability, depart from it, create tension, then return to the feeling of stability. Though some pieces of music demonstrate this more dramatically than others, as you train your ear you will become increasingly aware of it. Progression Formulas The way chords are placed one after the other in a piece of music is called a chord progression. The chords in a progression have different harmonic functions. Some chords provide the stability, some the departure, and some provide the dynamic tension. Roman numerals are used to indicate the chords in a progression. The numerals are based on the scale pattern of the diatonic scale. For example, in the key of C major a I, IV, V7 (one, four, five) progression indicates the chords Cmaj, Fmaj, and Gdom7. In the key of F these chords would be Fmaj, Bbmaj, and Cdom7. The diagram below shows the formulas of the more common chord progressions in major and minor keys. The Roman numerals in a chord progression formula signify the triad form of the chord. It is harmonically permissible to extend these chords with additional diatonic tones to create different chords. In other words, you can add notes to these chords as long as the notes are part of the diatonic scale. The harmonic function of the chord does not change. The Roman numerals refer to the position of each chord in the diatonic scale. The diagram below shows how the Roman numeral scale degree can be interpreted with different chords. All of the examples below can be interpreted from the same chord formula. Chord formulas are written in Roman numerals to represent the generic form of the progression. Often musicians will learn a piece of music by its chord progression formula. One reason for this is that it is easier to remember since many songs are based on the same formula. Another reason is, it is easier to play a song in different keys if you know the formula. However, this assumes you know which chords make up which keys. It's not uncommon for a rehearsal conversation to go like this: Singer: "Hey, I've got this new song I want to do. It's basically a six-two-five progression." Pianist: "What key do you like?" Singer: "I don't know. Maybe Bb." You can see if you are the pianist you need to be ready to play the same progression in several keys. The chords indicated by the Roman numerals also have names. For instance, the first chord of the scale is the tonic. The fifth chord is the dominant. The diagram below shows the functional names and scale degree of the diatonic scale. Beneath this are notes from several common keys that match the function and degree. Other scales whose scale patterns differ from the diatonic scale are assigned chord degrees according to the sharpness or flatness of their notes. That is, the diatonic scale creates a "ruler" that other scales are measured against. That is why the resulting chord based on the third note of the C natural minor scale is bIIIm (Ebm) and not III as in the diatonic scale. The chart below shows how different scales compare. Because the notes of the scales are spaced differently they produce different chords. Chord Substitutions To add variety to the movement you can substitute chords, play dominant chords in place of minor chords, and vise versa. Play diminished chords instead of a dominant. Play chords with extensions. In other words, explore the different ways you can link chords together to create harmonic movement. Example: One of the most common progressions in music is the I, IV, V (one, four, five) and say we want to explore this progression in the key of C major. Since we are in the key of C Major our tonic chord will be a major chord with C as its root. There are several chords we could choose but for this example let's pick Cmaj7. Next, we've got the IV (the four chord). It's also a major chord but since it is derived from the fourth degree of the C Major scale its root must be F. Normally we might choose Fmaj7 but let's bend the rules and experiment. Let's make this an Fm7b5 chord (F,Ab,B, Eb). F7 has an Eb and an Ab, neither which belong to the key of C Major. However, most importantly we are changing the major chord into a minor. That creates a completely different sound. That's where we are bending the rules. However, the most basic rule in music theory is that if it sounds okay, it's allowed. The V chord can act as a stronger dominant chord if we add the 7th note of the Mixolydian mode. In this case we produce a Gdom7 (G, B, D, F). Now we have a I, IV7, V7 progression. We can spice up this progression even more. The V (five chord) is the chord that expresses the most tension in a progression and if we want to add more tension we can alter the chord. This means we can add notes that don't belong to the key which almost always produces a dissonant harmony that creates tension. So, if we sharp the fifth and the ninth degree of the G7 chord we end up with G7#5#9 (G, B, Eb, Bb). Our final formula is: Imaj7, IVm7b5, V7#5#9. Notice how this sounds compares to the original I, IV, V. There are more substitutions that can be made. This is just the beginning. Experiment and explore to create different harmonic movements. Let your ear decide what's right and not right. This is a chart of the chord symbols and their meaning.

Es fundamental lograr el conocimiento de los diversos intervalos y las estructuras de los Acordes para poder tener mayor amplitud y versatilidad en el dominio armónico del instrumento. Fuente: Learn Guitar Scales online (Joe Willis)

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Double sided Plastic coated Can use Dry Erase 11" tall and 8.5" wide Clear pictures

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Major Scales and Arppeggios | Free to Print

A chart of piano chords - what notes go with which chord.

A chart of piano chords - what notes go with which chord.

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Una escala es un grupo de notas que siguen un patrón u orden natural de sonidos con distancias o intervalos contadas en tonos y semitonos (medios tono); la mayoría de las escalas esta compuesta de siete sonidos, mas la repetición de la primera que sería la octava. Escalas Menores Existen 4 Tipos de escalas Menores. Escala Menor Natural o Eólica Escala Menor Armónica Escala Menor Melódica Escala Menor Bachiana 1. Escala Menor Natural o Eólica. Las Escalas Menores Naturales correspondientes al modo Eólico siguen el siguiente patrón. 0-1-1/2-1-1-1/2-1-1 El primer numero del patrón de las escalas mayores es el cero, este es el punto de partida; así si queremos formar la escala de La Menor pues el punto de partida (cero) debe ser la nota La, luego es cuestión de seguir las distancias o intervalos que indica el patrón así: (Ejemplo con la escala de La Menor) 0 = Punto de partida (La) 1=Te vas a un tono de distancia del punto de partida. (Si) 1/2= Te vas a medio tono de distancia a partir de la nota anterior. (Do) 1= Te vas a un tono de distancia a partir de la nota anterior. (Re) 1= Te vas a un tono de distancia a partir de la nota anterior. (Mi) 1/2= Te vas a medio tono de distancia a partir de la nota anterior. (Fa) 1= Te vas a un tono de distancia a partir de la nota anterior. (Sol) 1= Te vas a un tono de distancia a partir de la nota anterior. (La) Si aplicas bien el patrón a cualquier nota, no importa si es natural(blanca) o está alterada (negra) obtendrás la escala Menor Natural correspondiente a la nota del punto de partida. Hay cuatro puntos que debes saber a la hora de formar las escalas menores. 1. Los nombres de las notas no se deben repetir en las escalas, es decir, por ejemplo no puede haber un La y Luego un La#. 2. Las Escalas Musicales Menores deben terminar en la misma nota donde empezaron. 3. Una escala Musical no puede contener dos tipos de alteraciones, es decir, no puede haber sostenidos y bemoles en una misma escala. La escala o bien es con sostenidos o bien con bemoles o sin alteración alguna. 4. Las escalas con alteraciones por cuestión de estética y orden se clasifican así: Escalas con sostenidos: Do# y Fa# Escalas con bemoles: Sib - Mib y Lab Aplicación Escalas Menores Naturales Escalas Sostenidas Menores Naturales Escalas Bemoles Menores Naturales Si quieres llegar a ser un buen pianista comienza con memorizar las escalas, comienza con las naturales y luego con las sostenidas y bemoles. Nota: Las escalas menores naturales tienen las mismas notas que la escala de su relativo mayor (tono y medio arriba).

This lesson comes from pages 35 and 36 of the second version of my home study course (it isn't out yet but I've been writing it for like 2.5 years now). Check it out...

81K views, 1.6K likes, 27 comments, 438 shares, Facebook Reels from Quick Notes: FULL TUTORIAL IN COMMENTS #rickastley #rickrolled #piano #pianomusic #pianoteacher #pianolessons #pianotutorial. Quick...

Discover 5 basic piano chords that you can master in a matter of minutes. These are by far the easiest and most common chords you can learn. They are easy to learn and can make a song sound great.

Let's "Transpose" A Song"Transpose" is another name for changing the key of a song. Being able to transpose a song from one key to another is a valuable skill that I firmly believe all guitar players should know. It personally has helped me further my skills as a guitarist over the years, by being able to change […]

Una escala es un grupo de notas que siguen un patrón u orden natural de sonidos con distancias o intervalos contadas en tonos y semitonos (medios tono); la mayoría de las escalas esta compuesta de siete sonidos, mas la repetición de la primera que sería la octava. Escalas Mayores Las Escalas Mayores siguen el siguiente patrón. 0-1-1-1/2-1-1-1-1/2 El primer numero del patrón de las escalas mayores es el cero, este es el punto de partida; así si queremos formar la escala de Do Mayor pues el punto de partida (cero) debe ser la nota Do, luego es cuestión de seguir las distancias o intervalos que indica el patrón así: (Ejemplo con la escala de Do Mayor) 0 = Punto de partida (Do) 1=Te vas a un tono de distancia del punto de partida. (Re) 1= Te vas a un tono de distancia a partir de la nota anterior. (Mi) 1/2= Te vas a medio tono de distancia a partir de la nota anterior. (Fa) 1= Te vas a un tono de distancia a partir de la nota anterior. (Sol) 1= Te vas a un tono de distancia a partir de la nota anterior. (La) 1= Te vas a un tono de distancia a partir de la nota anterior. (Si) 1/2= Te vas a medio tono de distancia a partir de la nota anterior. (Do) Si aplicas bien el patrón a cualquier nota, no importa si es natural(blanca) o está alterada (negra) obtendrás la escala Mayor correspondiente a la nota del punto de partida. Hay cuatro puntos que debes saber a la hora de formar las escalas mayores. 1. Los nombres de las notas no se deben repetir en las escalas, es decir, por ejemplo no puede haber un La y Luego un La#. 2. Las Escalas Musicales Mayores deben terminar en la misma nota donde empezaron. 3. Una escala Musical no puede contener dos tipos de alteraciones, es decir, no puede haber sostenidos y bemoles en una misma escala. La escala o bien es con sostenidos o bien con bemoles o sin alteración alguna. 4. Las escalas con alteraciones por cuestión de estética y orden se clasifican así: Escalas con sostenidos: Do# y Fa# Escalas con bemoles: Sib - Mib y Lab Aplicación Escalas Naturales Mayores Escalas Sostenidas Mayores Escalas Bemoles Mayores Si quieres llegar a ser un buen pianista comienza con memorizar las escalas, comienza con las naturales y luego con las sostenidas y bemoles.