This is a rubric designed to be used within a drum circle unit. Can be used for group work or tweaked for individual use. ...
The first monograph by Jonas Bjerre-Poulsen, The Reinvention of Forms, presents a compelling curation of the renowned Danish photographer and architect’s minimal compositions. Rendered in...
Ironic and stylish Bag WHEEL MINI. It has a funny circle shape with soft handles, very comfortable to wear. Perfect for office, travel, outings, parties. It goes well with monosuits and dresses, turtlenecks, jeans, skirts. Composition: 100% nylon
Circle|Square Stool by Davidov Architects: The winning design for the MPavilion Chair Commission competition draws inspiration from the architect of this year's pavilion, Tadao Ando, and his emphasis on the geometry of circles and squares. By incorporating these strong platonic forms, the Circle | Square stool aimed to
Art concepts are demonstrated and exhibited at UAMA's 'The Aesthetic Code' : It's not often that the art world gets involved in extreme sports, but you can find an example of extreme perspective right now on the floor of the University of Arizona Museum of Art. : Melanie Stimmell, a street artist known as a maestra of trompe l'oeil and 3-D, spent three days at the museum in November creating a giant painting that gives a view into an 18th-century French drawing room. A lady in pink looks just like Kirsten Dunst as Marie Antoinette in the Sofia Coppola movie. Nearby, on a round table, are the cakes—pretty in pastel blue and pink—that the queen thought the poor ought to eat. : But what's striking about Stimmell's painted slice of the Ancien Régime—besides the fact that it's a 12-foot artwork lying untethered on the museum floor—is its elaborate use of perspective. It offers up an extreme-angle view of the room's tiled interior; when you look at it, you feel like you've been flying through the air and are just now peering down into a high palace window. : The Stimmell stunt was the kickoff of an exhibition that examines multiple tricks of the artist's trade, including the perspective that Stimmell illustrates so ably. The Aesthetic Code: Unraveling the Secrets of Art is an art primer that demonstrates how artists use line, shape, value, space, color and so on. The 37 pieces in the exhibition are mostly from the second half of the 20th century, and in contrast to Stimmell's kicky pop-culture art on the floor, the works on the wall tend toward high-minded modernism. Their purist abstractions and near-abstractions, all lines and space, readily lend themselves to curator Lauren Rabb's project to tease out the elements of art. Largely drawn from the museum's own collection, they feature a few boldface names, including Jackson Pollock, Roy Lichtenstein, Stuart Davis and Josef Albers. : Vytas Sakalas, a local artist not in the museum collection, made it into the show because of his preoccupation with optics, pattern and repetition. His "Wallski," 2004, is an oil-on-aluminum cutout that demonstrates not only positive and negative space, but optical illusion. The colored bars on this intriguing construction are stationary, of course, but as you squint at them, they seem to change continuously, popping out and receding, and mutating from flat stripes to 3-D beams. : One of his paintings, "Atmanshere #7," and a lithograph, "Dance of the Cosmic Humantoads," 1990, both use fractals, mathematical patterns related to the natural world. His "humantoads" are carefully angled black figures repeated multiple times. Nearby is Pollock's "No. 20, 1950," a small oil on Masonite in a limited palette of black, white, gray and pink created by his familiar drip-painting technique. Pollock's drip paintings are typically seen as works of near-chance, but some critics argue that they're made up of fractals. : In the exhibition text, Rabb takes a stab at explaining fractals, noting that "these structures are not random; they organize themselves along patterns at an infinite range of scales." : If that sounds confusing, it is, especially for those of us who never mastered higher math. Rabb has said that her original plan was to curate an exhibition about the intersection between art and math, and she began working with a UA math professor and some math majors to identify appropriate math-related works in the UAMA collection. But she soon realized that concepts like fractals, tessellations (repeated shapes with no spaces in between) and the so-called golden ratio (a theory that certain ideal geometric shapes are most pleasing to the human eye) were a tad too complex for a general show. : So she scaled back and began the show with a tutorial in the simplest of art concepts—the line—and built from there. To reinforce the lessons, she's set up hands-on learning activities that teach optics and color theory. You can sketch a skull inside of a giant camera obscura, look at Sean Paul Pluguez's "Pink Clouds Over Kandahar" through 3-D glasses (the hot pinks seem to pop out onto a different plane from the other colors), or spin a color wheel and take a look at Albers' screenprints to see how colors change in our minds' eye when we see them in differing contexts. : These educational experiments are entertaining, but even if you're not interested in learning the show's art lessons, you can still enjoy the works Rabb hauled out of storage. : In the first section, "Laocoön," a 1978 etching by Werner Drewes, has a wonderful array of line in all its manifestations. His lines are thick, thin, straight, curved, dark and light; they define empty white space and, as short strokes, create swaths of dark black. They even, in their abstract way, conjure up the sea snakes of Greek myth that strangled Laocoön and his sons. : Illustrating the use of shape, Stuart Davis' color screenprint "Study for a Drawing," 1955, is a lively assemblage of irregular passages, colored bouncy red, white, blue and black. Surrealist Kay Sage's more austere "An Important Event," a 1938 oil on canvas, a composition of subtly colored planks and circles and ovals, uses shape to create moody drama. : "The Night Piece—V," a lovely 1985 screenprint by Gen Yamanaka, deploys every possible tone of gray in a serene, simplified streetscape under a starry night sky. Rabb chose it to demonstrate value—the way color ranges from dark to light—but it's also a fine example of extreme perspective. A wood engraving from the museum's excellent collection of Works Progress Administration prints, Salvatore Pinto's 1930s "Trolley Car," demonstrates a more realistic, and quite charming, use of perspective. Pinto pictures the interior of the trolley from the back, with sharp diagonals converging at the driver's seat up front. There's even a tiny glimpse of San Francisco's slanting streets out the front window. : Lichtenstein's funny little "Seascape," a screenprint and collage from 1964-1965, is a surprising switch from his more familiar cartoon panels writ large. Just 5 inches by 8 inches, it's a view of the shore from the sea. The dark-blue ocean is in the low foreground; hills in beige and navy polka dots stretch across the horizon; and an infinite sky above is rendered in shiny silver against blue. Quite rightly, Rabb notes that the piece uses illusionistic space to suggest that the sky "expand(s) endlessly beyond the picture plane." : Near the tiny Lichtenstein is Pluguez's enormous 2008 "Flamenco," the biggest work in the entire show. A five-panel painting some 20 feet long and 10 feet tall, this black-and-white gesso and acrylic latex on canvas is given as an example of balance. It is nicely balanced, pulling a viewer's eye in every direction, but it's more of a joyful celebration of movement than an object lesson in discipline. Its black lines cavort across the canvas, tracing out the path of a dancer's darting hands and swirling skirts, mutating from thick to thin, from dark to light, and back again.
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Color theory is a body of principles that provide guidance on the relationship between colors and the physiological impacts of certain color combinations. Color theory is one of the most fundamental areas of painting. The importance of understanding color theory far exceeds simply knowing how to mix colors together (for example, knowing that yellow and blue
The first monograph by Jonas Bjerre-Poulsen, The Reinvention of Forms, presents a compelling curation of the renowned Danish photographer and architect’s minimal compositions. Rendered in...
If you're ever in the lush forests of Cape Town, you may come across four cylindrical towers, that kind of resembles a treehouse! This contemporary cabin is the
Immerse yourself in the serene simplicity of Scotland's majestic landscapes with this elegantly understated piece inspired by Glen Etive. This exquisite print captures the essence of modern minimalism, boasting a harmonious composition of geometric shapes and soothing colour gradients. The artwork features a captivating circle divided into a balanced patchwork of shapes, each piece a tribute to the natural hues and tones one might encounter within the tranquil Glen. The warm shades of peach and coral evoke the delicate light at dawn or dusk, softly kissing the tips of the peaks and valleys. A swath of rich, dark blue mirrors the depths of the shadowed glens, providing a stark contrast that draws the eye and invites contemplation. Lighter blues suggest the presence of sky and water, elements ever-present in the rugged Scottish landscapes. Sandy neutrals and cool greys hint at the rugged, timeless terrain—distant hills and rocky outcrops worn by weather and time. This modern and minimal interpretation of Glen Etive eschews the superfluous, instead allowing the viewer to project personal memories or desires onto the silent canvas of shapes and colours. Ideal for those who appreciate the beauty of distilled form and colour, this print offers a unique aesthetic that can both stand out and blend into a variety of interiors. It's a quietly potent statement piece that resonates with the solitude and unspoken grandeur of the wilds of Scotland, offering an oasis of calm to any space it inhabits.
2016 release. All My Circles Run is the third full-length release by Montreal-based electro-acoustic composer Sarah Davachi and her second outing for Students of Decay. In a move which may surprise followers of her previous output, the five compositions on this record eschew synthesizer entirely, each focusing on a different instrument, including strings, voice, organ and piano. What remains consistent, however, is her striking attention to detail and a commitment to tonal possibilities that characterize all of her work. The sinewy \"For Strings\" opens the album, with keening overtones stretching out in all directions to form a massive, slow-moving, radiant sound. \"For Voice\" charts an even more celestial course, as wordless vocals ebb and flow to awe-inspiring effect. The stunning, melancholic \"For Piano\" closes the record and is a high watermark in Davachi's oeuvre, with plaintive piano figures nestled atop a shimmering string drone to create a rich, reverent atmosphere. All My Circles Run is a step forward from an exciting artist whose compositional and aesthetic tendencies steer her steadfastly toward both the subjunctive and the sublime.
TROTTER BAG beige Bolso bandolera con forma ovalada Bolso beige metalizado, piel de vacuno “certificado LWG", estampado del logo en la parte delantera, con un asa a elegir para llevarlo a un hombro o cruzado. El asa es ajustable e intercambiable. Este bolso al ser laminado tiene que cuidarse y evitar roces que puedan levantar esa capa de la piel. Medidas Bolso: 22x16cm Cadena Lisa: Largo máximo 90cm; Largo mínimo 77cm Cadena Círculos Larga: 103cm (regulable) Composición Exterior: Piel De Vacuno 100% Estilismo El/la modelo mide 1,65 m
SOPHIE DIGARD CULTURE CRAIE CROCHET WOOL SCARF E4507/L/MR FRB An intracately open crocheted fine wool scarf featuring multi-coloured circles repeated in grids. The colours of this piece are so divine. Sophie has been described as a master colourist, evident in the beautiful hand-dyed shades in this piece. Each Sophie Digard piece is one-of-a-kind. Designed in her Parisian studio since 1999. One cannot help be drawn to Sophie’s work. Each piece can be distinguished by her delicate and truly unique approach to both pattern and colour. Dimensions: 25cm x 155cm Composition: 100% Wool Care Instructions: Dry clean only Designed in France. Handmade in Madagascar.
The first monograph by Jonas Bjerre-Poulsen, The Reinvention of Forms, presents a compelling curation of the renowned Danish photographer and architect’s minimal compositions. Rendered in...
El aire del sur me arrastra a las buenas y viejas costumbres. *Based on a photograph by Matilde Viegas. **Photograph on the back by abran fuego. ***facebook.
Back in the day, and maybe still, kids graduated from elementary school with a little color theory under their belts. We learned during weekly afternoon art class that red, yellow and blue were the three "primaries", and from these we could make purple, orange and green, the &qu
Buy ANY 2 prints and get a 3rd print FREE Buy ANY 3 prints and get 3 prints FREE Scroll below for details of how to get your FREE prints. Hilma af Klint (1862 – 1944) was a Swedish artist and mystic whose paintings are considered to be the first recorded Western abstract art. A considerable body of her abstract work predates the first purely abstract compositions by Kandinsky and others. She was part of a group called "The Five" - a circle of women influenced by the Theosophy movement of Madam Blavatsky, who shared a belief in the importance of trying to contact the so-called "High Masters"—often by way of séances. Her paintings, which often resemble diagrams, were, she claimed, a material representation of complex spiritual visions. Prints are produced to order on a professional grade EPSON photo printer, using archival ultra-long-life UV / fade resistant pigment inks, and printed on printed premium quality heavyweight 260 gsm textured art photo paper delivering rich, vibrant colours. Also available in 100% real cotton fabric weave 340gsm giclée art canvas, specially coated to deliver a high resolution, authentic oil painting matte finish. Perfect for traditional framing or alternatively may be stretched onto a box frame. AVAILABLE PRINT SIZES: A4 / 21.0 x 29.7 cm / 8.3 x 11.7 inches A3 / 29.7 x 42.0 cm / 11.7 x 16.5 inches Original antique images have been digitally restored and optimised for outstanding reproduction quality and colour. Please note that print borders can vary depending on the dimensions of the original antique image. Most prints come with a uniform 3 mm white surround, but borders may also be adjusted (height and width) to preserve the original aspect ratio. Our prints are not to be confused with posters or mass produced images printed on cheap, low-quality paper. Buy ANY 2 prints and get a 3rd additional print FREE Buy ANY 3 prints and get 3 additional prints FREE HOW TO GET YOUR FREE EXTRA PRINTS: 1/ Place ANY 2 or 3 prints in your shopping cart. 2/ When you go to the checkout simply CLICK on ‘Add a note to RarePrintEmporium’ and add the title / s OR number of your selected free extra print / s (of the same size or smaller). EXAMPLE: ‘Henri Matisse, Seated Woman’ ‘Vintage Art Nouveau print (#011)’ ‘Katsushika Hokusai, The Great Wave Off Kanagawa’ ALTERNATIVELY (AND / 0R): CLICK on ‘CONTACT SHOP’ at the top right corner of your basket and attach a download /s - of the image /s to the message of the 3rd (4th 5th & 6th) FREE print / s (of the same size or smaller). On some mobile devices it is also possible to copy and paste a screenshot /s into messages. Please ALSO add your name. 3/ Your FREE EXTRA PRINT / S will be added to your order! OUR 3 FOR 2 AND 6 FOR 3 OFFER APPLIES TO ALL INDIVIDUAL PRINTS. SELECT YOUR PRINTS FROM ANY COLLECTION IN THE RARE PRINT EMPORIUM STORE. SHIPPING FREE UK postage, fast processing time. Orders typically delivered within 2-3 days of purchase. Overseas orders typically take 5-14 days to deliver, depending on the customs procedures of the destination country. Prints are delivered UNFRAMED. Frames to fit our popular A4 and A3 print sizes are widely available to purchase online or in craft stores. Smaller prints are shipped in stiffened envelopes. Individual larger prints are carefully rolled and shipped in a tube. Multiples of larger prints are shipped in double-stiffened A3 envelopes. PLEASE NOTE: We specialise in antique print reproductions, the originals of which can be centuries old. Please be aware that any minor imperfections noticeable on your prints derive from the original images, and not as a result of our printing processes. Some prints may seem a little grainier than an equivalent modern image; they may also show slight creases, smudges or tears that could not be removed during restoration without detracting from the original. In our opinion, these slight imperfections add to the authenticity of a print. Before buying, please check your selected prints carefully using the zoom viewing option. This should give you a good idea of what you will receive. Please note there may be slight colour or tone variations in the physical prints due to different monitor and device settings.
The first monograph by Jonas Bjerre-Poulsen, The Reinvention of Forms, presents a compelling curation of the renowned Danish photographer and architect’s minimal compositions. Rendered in...
DELAUNAY Sonia get. 'Kleurrijk abstract werk, Prismes électriques' olie op karton; 26 x 19 - Afmetingen met kader 50 x 38,5
Expertly crafted for comfort and style, our Officinae Circle Trousers in Cream feature a vintage-inspired fabric and seam details for an elevated look. The wide leg design and elasticated waistline provide a flattering fit for all body types. Perfect for any occasion, these trousers offer both fashion and function at its best. Model is 5'6", size 10-12 and wears a size 12 Composition: 100% Cotton Washing: Hand Wash Only
Serie: Sophie Concept: The Sophie series is inspired by the Swiss artist Sophie Taeuber - Arp, in her intention to change the world from joy and sense of humour, reconciling opposites, uniting: Art and craft, the figurative and the abstract, the geometric and the Dada. Being a pioneer in giving value to women and their work in the applied arts. Features: Asymmetrical earrings formed by a composition of circles of different primary shapes, rectangle circles and squares made of wood and leather in different colours. Butterfly clasps. For pierced ears. The contrast between the composition of shapes made in leather with a very 60's character and the grain of the wood, gives them a very eclectic, fun and natural air. They weigh nothing and are ideal for any occasion. Colours: Black, off-white and wood. Materials: Vegetable tanned leather of national origin, oak wood and 925 ml. sterling silver fittings. Size: Midi earrings: 2 cm (width) x 5 cm (length).. Details: * They include a solid wood support, so you can use them as small sculptures when you are not wearing them. * As we believe in making the most of our resources and eliminating waste wherever possible, we have used leftover leather from our handbags to make them. * The vegetable tanned leather is open-pored, so you can moisturise it periodically, making it age naturally and last longer. * They are made one by one and completely handmade, so their geometry is not perfect and there may be slight changes in size or colour from the photos. Hand painted edges. * All our products are limited editions and carry a serial number. * Designed and handmade one by one with infinite love in our studio-workshop located in Malaga, Spain.
Sarah Larson offers a roundup of the best podcasts of 2022, including “Rumble Strip,” “Heavyweight,” “Dead End: A New Jersey Political Murder Mystery,” and “Bone Valley.”
From botanicals to dragons, Sasha Ignatiadou's unique combination of colors and patterns give her work a fierce, one of a kind character..
An article about the John Coltrane Tone Circle, a 5-octave Circle of Fifths and a double-ring Hexatonic Circle as well. Interpretation, explanation ...
Composition and characteristics: Discover our “peach skin” cotton cap, a real caress for your style. - Made from 100% premium cotton - 6 ventilation eyelets for optimal breathing - Stainless steel closure, a perfect fit for every port - Unique size Meaning : At CIRAE, we combine fashion with a deep message of emancipation and self-acceptance. Our Caleb cap embodies this spirit by celebrating individual pride. It is much more than a simple accessory. The Caleb cap gives everyone the power to express themselves with confidence and assume their identity. The careful design, adorned with geometric shapes, reflects this philosophy. The triangle, symbol of strength and resilience, represents self-acceptance. The circle, a sign of unity and equality, embodies the harmony that we cherish at CIRAE. With the Caleb, show your pride and realize your worth.
The first monograph by Jonas Bjerre-Poulsen, The Reinvention of Forms, presents a compelling curation of the renowned Danish photographer and architect’s minimal compositions. Rendered in...
