Nan Rae offers her Brush painting / sumi-e classes bi-monthly online. All levels are welcome. No previous experience required.
In 1812, Japanese woodblock print artist Katsushika Hokusai, who would later become famous for his iconic Great Wave off Kanagawa
Su Xin -苏新, cinese artista nato nel 1972 in Hunan Pingjiang. Laureato presso l'Accademia Centrale di Belle Arti di classe di pittura ad olio integrato nel 2010. Vive e lavora a Pechino, è membro dei cinesi Artisti Associazione Culturale consiglio di amministrazione, ritratti associazione americana, asiatica Artists Association, provincia di Hunan Artists Association, provincia di Hunan Arti e Mestieri Associazione.
遊古图YouGutu - Chinese Ink and Wash Painting Chinese Landscape (Unframed) I am a Chinese artist. Since I was a child, I love painting, and I studied with famous teachers for drawing, watercolor, oil painting, Chinese painting, interior design and other paintings. For the pass twenty years living in the U.S., I have continued to draw painting, sketch, Chinese paintings and watercolors. Now I paint more Chinese landscape paintings and open classes. I have won praise from people.
Just like Franz Kline, Joan Mitchell remains another formidable force in the history of Abstract Expressionism movement that sprang from America. Joan’s expressive mark -making shares…
Black silhouetted figures shield themselves from the downpour of vibrantly colored inks in these drawings by Chinese and French artist Marc Allante. As
Use this printable set to combine math and process art. Kids love using their creativity to make shape monsters and then use them for learning activities.
You can teach Chinese Brush Painting to kids in grades 6 & up following these simple instructions, using just a basic watercolor set and construction paper.
We borrowed this lesson idea from the awesome Italian art blog of Arteascuola. Check out the blog here. The make-your-own scratch art surface is such a cool way to work on value, complex pattern, focal points and unity (we plan on putting these vases together as a large scale group arrangement). The original lesson from Arteascuola is here.
Here comes one of those fundamentalists. Look at the ringlets. Look at the headgear. What does he want with me? Good teacher, what must I do to I inherit eternal life? What must I do to inherit …
𝗦𝗘𝗘 𝗦𝗜𝗭𝗜𝗡𝗚 𝗘𝗫𝗔𝗠𝗣𝗟𝗘𝗦 𝗢𝗡 𝗗𝗜𝗦𝗣𝗟𝗔𝗬 𝗕𝗘𝗙𝗢𝗥𝗘 𝗣𝗨𝗥𝗖𝗛𝗔𝗦𝗘 *(ᴴʜ)S͟t͟o͟r͟e͟ ͟w͟a͟t͟e͟r͟m͟a͟r͟k͟ ͟l͟o͟g͟o͟s͟ ͟a͟r͟e͟ ͟n͟o͟t͟ ͟o͟n͟ ͟o͟r͟d͟e͟r͟e͟d͟ ͟p͟r͟i͟n͟t͟s. ✧ Produced on archival matte paper with premium ink for brilliant color reproduction and longevity. ✻ Matte paper finish affords much greater detail and clarity compared to canvas made prints. ✧ Optional 1/2 inch white borders are also available ("with border" size options). ✻ Please note, prints with borders will alter the overall print sizes given in the description. The image size will be made smaller by selecting a size with a border to help accommodate any unique framing and matting planned. ✦✦ 𝗦𝗣𝗘𝗖𝗜𝗔𝗟 𝗢𝗙𝗙𝗘𝗥 𝗔𝗩𝗔𝗜𝗟𝗔𝗕𝗟𝗘: Purchase any 4 prints to receive a 5th print free after e-mailing seller a request (must contact seller before purchase to receive offer). Please check spam messages if a reply from us is not seen in your e-mail. ✦✦ ✧ Prints are shipped in a protective cardboard tube. --------------------------------------------------------------------------- This print is a giclée reproduction of a Japanese woodblock print from the early 20th century. Variations between actual print color tones and those displayed on various computer monitors may differ. For best detail, small to medium size prints are recommended. The paper dimensions not shown in standard or A3 sizes are approximate measurements. These approximate sizes are hand cut and based on original print dimensions. Most approximate sizes are 1/4 to 1 inch from the dimensions given. Please do not buy a frame until you have received your print as some customization may be necessary to ensure a proper fit. If standard sized frames are planned to be used, standard sizes and A3 options are recommended. If specific sizes are needed, message us with a custom order request. --------------------------------------------------------------------------- 𝗦𝗶𝘇𝗶𝗻𝗴 Please Note: print images are not cropped and will be reproduced in their entirety as shown in the listing displays. S͟t͟a͟n͟d͟a͟r͟d͟ p͟a͟p͟e͟r͟ ͟s͟i͟z͟e͟s: (*all standard paper sizes include varying white margins/borders around the image) - 8.5" x 11" - A3 (11.7" x 16.5") - 11" x 17" - 13" x 19" A͟p͟p͟r͟o͟x͟i͟m͟a͟t͟e͟ ͟p͟r͟i͟n͟t͟ ͟s͟i͟z͟e͟s: - 11" x 17" - 12" x 19" Visit our shin hanga pinterest page to see more prints by this artist and others. 🌟 https://www.pinterest.com/HangaHarbor/ Anything there is available here via contact request, https://www.etsy.com/people/HangaHarbor
Inside you'll find an easy step-by-step How to Draw a Rooster Tutorial. Stop by and download yours for free.
Fan Kuan: Travelers among Mountains and Streams.
Guest post by Phyllis Tee There are a few things that give you the sensation of satisfaction when pulling off a DIY project, especially when you have a story to tell about your time spent with your kids. Roll up your sleeves for these 5 artsy DIY home decor projects below to entertain your kids and decorate without spending a fortune. Bottle Cap Animals Educating your child about animals just got a little bit more fun. Read on to learn how you can create cute animal faces using used bottle caps that you can hang in your kid’s room! Materials you
Australian aboriginal art has been around for many years. Aboriginal rock paintings are a fun way and tell the stories of the Autralian continent
Xi Pan is a Chinese figurative painter born in 1971 in Wenzhou, Zhejiang Province, China. Xi Pan’s interest in art was ignited as a child when she would visit workshops in an art institute weekly. She first received art lessons from her father, an artist, and professor at the Institute. After completing high school, Xi
2019 is here, we would like to thank all our friends who have supported us and joined our Chinese painting class in 2018, and we wish you all the best in 2019! We will organize more Chinese painting classes in 2019 and more artworkshops about Chinese art, watercolor workshops, acrylic painting workshops etc.
LUMINOUS THE LANDSCAPES OF ELISABETH CUMMINgs Edge of the Simpson Desert 2011 On Friday I got to see a couple of shows...one by Australian artist Elizabeth Cummings and the other...well ....you'll see. from a SMH article Text from SMH article: Elisabeth Cummings is the subject of two exhibitions but the artist remains reluctant to talk about herself, writes Steve Meacham. Elisabeth Cummings apologises for taking her time opening the door. She's temporarily confined to a wheelchair in a friend's house in Balmain, recovering from a bone fusion operation on her right ankle, the result of dilapidating arthritis. Fortunately, her wrists aren't as badly affected, so she can wield a brush: ''They're not marvellous, but I can still paint,'' she says. At 77, Cummings was recently described by The Australian Women's Weekly as ''the Invisible Woman of Australian painting''. Even the media release for the grandest exhibition of her career (so far) - a survey of her work over the past 30 years at the S.H. Ervin Gallery titled Luminous: The Landscapes of Elisabeth Cummings - introduces her as ''one of Australia's visual art quiet achievers''. So, unless you are an artist yourself, an art critic (the Herald's John McDonald wrote in 1994 that her painting ''calmly restates the imperishable value of a fundamental visual intelligence''), or one of those astute collectors who have discovered her increasingly sought-after works over the past 20 years, you may not have heard of her. Read more by clicking on Text heading above! Pilbara read more here. Images from the artist's King St Gallery shows: The Shearer's Kitchen, Mt Murchison 2011 Post Prandial 2011 For images from her latest show at that Gallery click here.. To read about the show I just saw visit the National Trust website. I now think Today maybe the last day of that show... I was lucky my friend was so keen to go on friday. We also spent a few hours viewing this show, which depute being a blockbuster allowed us some intimate time with an artist we rarely see work of in Australia. From the NSW Art Gallery website: Picasso: masterpieces from the Musée National Picasso, Paris More than 150 important paintings, sculptures and drawings created by Pablo Picasso, which have come from the artist's personal collection. The Art Gallery of New South Wales will host the most significant exhibition of Picasso’s art ever held in Australia. More than 150 important paintings, sculptures, prints and drawings created by Pablo Picasso (1881–1973) have come from the artist’s personal collection – works he was determined never to relinquish. Picasso: masterpieces from the Musée National Picasso, Paris is the most ambitious exhibition ever undertaken by the Gallery. Jointly organised by Musée National Picasso, the Art Gallery of NSW and Art Exhibitions Australia (AEA), the exhibition is part of the Sydney International Arts Series, bringing the world’s outstanding exhibitions to Australia. The exhibition was conceived, curated and mounted by Anne Baldassari, general commissioner and president of the Musée National Picasso and one of the world’s leading experts on the artist’s work. The international tour was initiated and created by the Musée National Picasso, the largest and most significant repository of the artist’s work in the world. Since 2008 works have travelled to cities including Madrid, Tokyo, Moscow, Seattle and San Francisco. This unprecedented opportunity to bring this exhibition to Sydney is possible because the Musée is closed for renovations. The exhibition room by room From Spain to Paris: 1895–1905 The enchantments of Oceania and Africa: 1906–1909 Cubism, collage and constructions: 1910–1915 A return to classicism: 1916–1924 Brushes with surrealism: 1925–1935 Anxieties of love and war: 1936–1939 World War II to Korea: 1940–1951 The joy of life: 1952–1960 Last decades: 1961–1972 image found here The bathers The opportunity to see things up close rather than online and in books presents one with just how different one's preconceived image might be from the real work. This painting is tiny compared to how my mind saw it. I was shocked and delighted to finfd it to be such a small work. The collection of works on show was stunning. Far better than I was expecting. Why do I say this? enjoyed his work with the motif of the guitar - this looks to be an interesting book. The tedium of walking through a show with hoards of people can really put one off.... on this occasion staggered hourly viewing sessions made a difference. Even though E and I sat midway to muse and talk at length no-one moved us on... we simply took in the show at our own pace which made it quite wonderful experience. Ive not been able to find online images of the works I particularly enjoyed. All I can say is it was deeply satisfying to see so many works I'd not seen before. The Picasso Museum was closed in November when I managed to get to Paris briefly.... so this certainly made up for that disappointment. The acrobat Well I am setting off soon to take in some interesting places. Back soon. The sun's out after a grey old week... and I have a car today to get around easily!
3 weeks of Art planning based on the Rainforest and the paintings of Henri Rousseau. Children are taught to appreciate his art as well as create their own version of 'Surprise'. There is a nice balance between teaching artistic skills and also creating their own Henri Rousseau inspired art.
30in x 24in (76.2cm x 60.96cm) BRITTO MARTINI- Edition Size: 1000- Artwork Dimensions: 30in x 24in | 76.2cm x 60.96cm- Limited Edition print on canvas with BRITTO®️ Diamond Dust hand embellishments- Hand signed by the artist and includes an exclusive hologram and Certificate of Authenticity from BRITTO®️ Studios*Inquire for Artist Proofs and Hors de Commerce
By Kelli McNichols in Art Tutorials > Painting Tutorials Birds and bamboo are two very popular subjects in Chinese Brush painting. Follow along with me as I paint a sparrow perched among bamboo branches, using the “xieyi” or “Freehand” style of painting which focuses on conveying the essence or spirit of a subject rather than an exact likeness. Required Chinese brush painting supplies For this painting you will need a small stiff-haired brush. I am using a brush called Happy Dot. The […]
Suwa Shrine, Tokyo. The Suwa Shrine at Nippori in the evening.
You are currently reading our archived blog. While these older posts may not reflect our current vision and direction, we encourage you to visit our new website at wunderled.com to explore our latest, updated content. There, you'll find a wealth of valuable articles, resources, and insights that align with our current focus and over 60+ Free […]
Julia has been painting botanical watercolours since 1998 when she joined an adult education class in South London. Hooked from day one, she loves to depict the beauty and detail of nature and is particularly drawn to specimens that are less than perfect such as autumn leaves, seed heads and fading flowers. She starts most of her paintings using layers of wet-in-wet techniques to create form. Detail and texture is then added using drier painting methods. Her subjects are often depicted larger than life. Julia is an experienced tutor of some fifteen years and runs Botanical Art classes in and around the beautiful city of Bath as well as leading workshops for botanical art groups around the UK. Exhibiting regularly, Julia has work in collections… Read more
Asian art is a subject we explore each year in second grade - this year we started with one of the world's most beautiful and amazing creatures - the tiger! Several types of tigers live in Asia and many artists from this region show the beauty of the animal in their art. Here are some of the examples we viewed, and an illustration of the symmetrical nature of the tiger's face. The symmetry lends itself well to a special type of monoprint, or single print, called symmetry printing - the artist paints on half the paper, and folds the other half over and rubs the top to transfer the paint, creating a mirror image. Because the tempera dries quickly on the construction paper, we used a quick rhythm of painting just a few strokes and then printing - “paint a little, print a little.” The students followed me in a guided drawing of half the tiger face, as seen above, and then we began painting with orange, white and black. I love the way each tiger has a unique face and expression!
