Could Gestalt theory be applied on colour study? No doubt Michel Eugène Chevreul (Fig. 1) had answered this question in the year 1855, which is 35 years earlier than Christian von Ehrenfels’ …

"The law of proportion according to which the several colours are formed, even if a man knew he would be foolish in telling, for he could n...

Includes index

This book is included in a reading list on the history of Color Theory. Find the homepage for the series here . So far, The Princi...

Die Farbenharmonie - mit besonderer Rücksicht auf den gleichzeitigen Kontrast in ihrer Anwendung in der Malerei ist ein unveränderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1878. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ernährung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquitäten erhältlich. Hansebooks verlegt diese Bücher neu und trägt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch für die Zukunft bei.

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The French chemist formalised colour laws with his ‘chromatic circle’, inspiring some of the world’s most revolutionary painters

Includes index

Lettering: Classification des couleurs d'après le systèm de M. Chevreul. Cercle chromatique des couleurs rabattues 4/10 de noir.

Pages 34-81 and two following pages contain mounted samples of colored paper

Pages 34-81 and two following pages contain mounted samples of colored paper

Pages 34-81 and two following pages contain mounted samples of colored paper

Glycerin has been a part of soapmaking from the beginning, but it was not recognized as a substance separate from soap until the early nineteenth century. Michel Eugene Chevreul discovered that soap is not simply a mixture of alkali and fat, but rather a collection of compounds that result from the reaction of alkali with fat. He found that when fats and oils are turned to soap, they produce a sweet tasting byproduct, which he named glycerin.

Welcome, color fans, to part 3 of the history of the color wheel. (Catch up with part 1 and part 2 here.) Readers sent me a flood of lesser-known (and gorgeous) color wheels I hadn’t covered, so we’re going to hop around in time to squeeze all that color-candy in. We’ll also answer your pressing questions, like: what are the “true” primary colors? Why can’t you mix paints to produce white? And why isn’t brown in the rainbow? Back in the mid-1800s, nicely — if artificially — s

How our minds make perception from information.

Congratulations to Rob from Amersfoort who recognized yesterday's Person-of-Mystery as Gaspard-Félix Tournachon (better known by the pseudo...

A significant acquisition to the Cooper Hewitt Library’s special collections in 2014 was Édouard Guichard’s Die Harmonie der Farben (The Harmony of Colors). A rare and important work heavily influenced by the 1839 De la loi du contraste simulanté des Couleurs by M.E. Chevreul, this edition was published in Frankfurt Germany in 1882. Profusely illustrated

En esta entrega quiero hablarte del contraste de colores con mayor profundidad. Su inclusión en la pintura, como bien sabemos, es de lo más elemental ¿O

The French chemist formalised colour laws with his ‘chromatic circle’, inspiring some of the world’s most revolutionary painters