The winds, hear all The divine, see all #原神 #venti

The Center for Effective Reading Instruction (CERI), an affiliate of the International Dyslexia Association, issues certifications to those who possess the

Ceri Amphlett - black and white

ceuviaa is one of the millions creating and exploring the endless possibilities of Roblox. Join ceuviaa on Roblox and explore together!thank you kateykiiii

Works by Ceri Richards: The Sabine Women, 1948 , 1941 , Costerwoman, 1942 , Interior with Piano, 1953-54 , Le Cathedral Engloutie, 1963 , The Fire Stoker , Musicians & Muse, 1970 , Coster & Piano Player , c.1938 , Coconut Shy, 1948 , Nude - back view, 1926 ,...

In this video "Gel Printing 40 Backgrounds for #MixedMediaMarch25", I share some of my preparation for my March challenge, I'm running very low on painted pa...

Colourful chronicle and photo story of a great street festival in Central Italy, I Ceri di Gubbio.

Blogue das bibliotecas escolares do Agrupamento de Escolas do Fundão

Ludlow Castle from Whitcliffe Common DM 72dpi

Serpentine Pavillion

Ceri & Terry didn't really plan to have a theme for their November wedding, however once they started with the origami they found it hard to stop! Ceri told me all about their beautiful wedding, "When we first started planning the wedding, we were determined to do our best to be relaxed about the whole thing. We decided that, if we could find the right venue then even if everything else went wrong, we'd be ok - we could turn up in jeans and order pizza, if necessary, as long as we could get all our loved ones in the right place. After a couple of months of looking, we found it: Great Wilbraham Hall Barn. It was perfect - big enough for our guests, fairly isolated, licensed for weddings (we wanted everything in the same place), ideal for the winter months with lots of warmth and character, and within 30 minutes drive of Terry's grandparents."

The east window of the north aisle is dedicated to All Souls and is one of a pair of fine abstract works designed by Ceri Richards and made by Patrick Reyntiens in 1964. acetrust.org/ecclesiart/artworks/all-souls-and-all-saints Derby's parish church of All Saints was one of the last of the 'parish church cathedrals' (to form new dioceses several major city churches were upgraded and adapted to cathedral status in the early 20th century, the practical alternative to constructing new purpose built cathedrals) . It became cathedral in 1927, but owing to the war plans to enlarge the building to fit it's new status were shelved until 1972 when a new chancel and offices were built. The impression still is however that of a civic parish church, albeit an especially grand and beautiful one. Though there has been a church here since c943, the oldest part of the present building dates to 1510-30; the west tower is a soaring landmark and one of the tallest medieval towers in the country, as well as are particularly rich example of late Perpendicular gothic, decorated with much panelling and ornament in it's upper part. The rest of the medieval building was totally demolished and replaced in 1725 with the present classical-inspired building designed by James Gibbs and built by Francis Smith of Warwick. The nave and aisles are of equal height and flooded with light from mostly clear glazed windows and spanned by a plaster vault. Many of it's original furnishings survive, such as the fine wrought iron chancel screen by Robert Bakewell that extends across the entire width of the church, since there was no structural division between chancel and nave. The new chancel, built to the designs of Sebastian Comper in 1972, replaced the original flat east wall with it's 'Venetian window' and adds a greater sense of space and light, though one's eye is drawn first to Comper's ciborium or baldachino over the high altar immediately in front of it. Around the same time two striking new abstract stained glass windows were installed on either side at the east end of both aisles, designed by Ceri Richards and interpreted in glass by Patrick Reyntiens (these were to have been complement in the 1980s by further abstract glass by Brian Clarke in the round windows at the west end, but discussions came to an abrupt halt after some uncompromising language from the artist!). There is a good collections of monuments, including a few from the previous church, most important being the grand tomb of the legendary Bess of Hardwick in the south aisle. The earliest monument is the early 16th century wooden tomb nearby of Sub Dean Johnson (the effigy is damaged but includes a fine series of weepers on the tomb chest). Other memorials of the Baroque period are also worthy of note, foremost being the Countess of Bessborough monument by Rysbrack.. www.derbycathedral.org/cathedral_page.asp

I feel like Lucio could use more good skins.