Antique 18th century French solid brass and wood handle. Features "DF" initials with a whimsical floral detail. Beautiful romantic with its smooth handle and scripted details.    -Size: 4 in x 2.75 in x .75 in-Materials: brass and wood-Provenance: 18th century-Sourced From: the US-Made in: France-Notes: n/a

Every once in awhile I do some handiwork that I'm then very proud of later, and always glad I took on. Last time, it was an embroidered 18th century pocket, and this time it shall be an embroidered 18th century stomacher, to go with my

Hi and hello again, long time no see as usual ;) Now my summer holiday have started so I might be able to keep this place a bit more updated. Lets start with the 18th century outfit I am making, al…

The Virgin Mary stars in a vintage and classic work of art that needs no introduction. This masterpiece from Johann Michael Rottmayr is one that will be studied for ages to come. Allegorical Religious Scene with the Virgin Mary (18th Century) by Johann Michael Rottmayr is produced with printing that covers the entirety of the canvas for a sleek and stylish museum-quality look. Our framed prints are made by expert craftsmen who strive to make each canvas the masterpiece that your home deserves. Each of our framed canvas art prints is hand-crafted and made-to-order to give it a high quality and professional appearance. To ensure the clearest, most accurate depiction of the artists' original vision, we print each work of art on bright white canvas, ensuring the most vivid display and precise details. READY TO HANG - Our canvas prints come with preinstalled D-rings attached to the back of the product to make hanging and displaying your new masterpiece a breeze.

In this Complete Puglia Travel Guide, we’re sharing all of the details from our 9-day travel itinerary to the “heel of the boot.” Our guide includes helpful tips like what to expect from Puglia, how to get to Puglia, renting a car in Puglia, where to stay in Puglia and the best towns and beaches to

When Warsaw’s Old Town was destroyed by Hitler’s troops in the second world war, the nation mobilised to rebuild the city with the rubble of its own destruction – and the work of Italian painter Bernardo Bellotto

A step-by-step tutorial of how to sew an 18th century petticoat, perfect for history-bounding looks.

Here I am offering a beautiful embroidered pocket with thistles in Georgian style. The design was inspired by the TV Show «Outlander» and the symbol of Scotland, the thistle. This pocket is perfect for 17th-18th century outfits, wedding, cosplay, historical reenactment or other themed event. The pocket is ties at the waist and it has sizes 10,2" x8" (26cm x 20,5cm), the slit size is 5" (13 cm). For the finished pocket, the length of the ties is 22" (56 cm). I recommend to sending to me waist measurements at order. If you need a larger size, let me know about it. The pocket is made of taffeta (polyester), but can be made of silk or linen. You can also replace the sewn-on taffeta ribbons into satin ribbons, please tell me about it. The order includes one embroidered pocket. The options of color a the same as the pictured. If you want another colors, write to me. Please be aware that the cost fluctuates due to the base cost of the fabric and any additional processing you may require. In addition to this pocket, there are garters made in the same style - https://www.etsy.com/listing/1198102926/embroidered-18th-century-scottish The same pocket in a black color of fabric - https://www.etsy.com/listing/1550363159/the-set-of-black-embroidered-scottish The set is cheaper. https://www.etsy.com/listing/1198153748/the-set-of-embroidered-scottish-stocking

Download this free corset pattern and start constructing your own corset pattern now - Also, view our video tutorials on corset making.

By Cambridge Imprint. Milky Way is a design adapted from a French 18th century domino endpaper. It is one of the gentlest of our patterns, pretty without being saccharine, yet also completely alive. Cambridge Imprint paper is printed in England on FSC paper of archiving quality, using vegetable oil-based inks that are kind to the environment. Each sheet is printed in one or two hand-mixed inks on uncoated 90 gsm stock to create a high-quality matte paper with a hand-printed feel to it. Each sheet measures 50 cm x 70 cm. 1 Sheet.   Please note, your wrap will be sent folded if you order less than 5 sheets. For orders of 5 or more sheets, your wrapping paper will be sent rolled.  For smaller orders, you are welcome to add a 'Wrapping Paper Postal Tube' to your order, and any sheets you buy will be sent inside.

This early book is packed full of over 100 embroidery patterns, it was first published in the 1730, this classic book shows just embroidery patteerns no words.  If you are looking for design inspiration, then the Embroidery Patterns From the 18th Century is definitely worth a look. This book contains  49 pages and is delivered instantly in PDF format.  For you to enjoy.

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I've been a sewing demon this week. I started off by making Lyli her reenactment petticoat and shift, then dove into making the boys their trade shirts. I thought since this is what I've been doing and all that I've thought about (I had a dream last night about constructing a shirt) that I'd share the steps with you in my sixth TT. Step 1. Cut out all the pieces you'll need. I've been using Beth Gilgun's description out of Tidings from the 18th Century, there are several other descriptions out there though, the great thing about the 18th century is that they really went out of their way to 1. not waste things, especially material, and 2. simplify what they could. Every piece of this shirt is a rectangle or square. Ok, I had to scale down the patter because my boys are boys and not men...I gave mike that job because math and I, well...its just not a good combo. I took this pic directly out of Beth Gilgun's book...because the pattern that Mike made is buried under one of the piles in my dining room... these measurements are for a man: Step 2. Find the center of the shirt body, from either side of this point measure out about 6 1/2" (this is a kids measurement, not a mans) and cut for the head hole. You will also want to make a slit about the same size down the front of the shirt...don't cut down the back too though. Step 3. Iron down about 1/4" on either side of the front slit, then sew it down. You're supposed to whip stitch it...and create a gusset so it won't rip down the front. I machine sewed it on both sides then lock-stitched a line at the bottom where the slit stopped to help prevent ripping. If you have the time and patience to whip stitch it and add a gusset though, be my guest :-D Step4. Neck gussets. Now is probably a good time to mention how much I hate gussets. I hate them. A lot. Actually after this week I've gained a new appreciation and understanding of them, but those old, leftover feelings from the past keep popping up occasionally....gussets were created by someone very evil...who got some sort of perverse pleasure from watching other people struggle to understand how on earth a gusset is supposed to go on a garment! Ok..really its not that hard...it only took me 4 trade shirts, a chemise and a pair of breeches to finally understand them...I'm so slow. Anyway..take the smaller squares (these were 3 1/2 I think) and fold them in half to create a triangle and press. then open it up..and take one of the 3 1/2 " sides and sew it right sides together to the INSIDE of the shirt...then do the other side. Then you flip it so you're working on the right side of the shirt (the side you will see when you're wearing it) and you top stitch the gusset by folding under a 1/4" and sewing over the raw edges. *sigh* I cant tell you how many times I've had to rip out these things because I sewed them on wrong :P Slow I tell you! Step 5. The Collar. First thing you need to do is press the collar piece in half lengthwise and sew up the two end edges with right sides together. Turn the collar inside out and press. This leaves you with one long open edge. Step 6. Press collar in half width wise to find middle of collar. Step 7. pin together the collar and the shirt collar by finding the middle points and pinning them together, with the right side of the collar to the wrong side of the shirt. Then you need to pin the ends of the collar to the edges of the front slit. You'll want to gather the shirt, or make little pleats until the shirt fits the collar. I make it sound confusing..but this is actually a pretty easy step :-D Step 8. Turn the shirt inside out and, like the gusset, fold the 1/4" edge of the collar over the raw edge of the shirt and top stitch. Step 9. Sleeves. Ok..for the sleeves you're going to want to find the middle of the shoulder, so fold the sleeves in half lengthwise and press. You're going to (I'm starting to sound like a recording aren't I? lol..I told you they did stuff pretty simple ) find the center of your shoulder on your shirt, then pin the sleeve to the shirt right sides together using these two marks as your starting point...OH..I almost forgot, from the center mark on your shirt, measure down the body about 5 or 6 inches on either side...these marks you will use to pin the ends of your sleeves to. there will be excess sleeve and you will have to gather or pleat until the sleeve and the shirt match. Now sew. Step 10. Underarm Gusset. Yes..another gusset. Take your square and sew one of the edges to your sleeve, starting at the seam created where the sleeve meets the body..where your underarm will be..then (forgive me..I'm sure I'll mess this up or make it more confusing than it really is...just remember the end product should have a diamond in the underarm area of your shirt) take the edge that is perpendicular to the stitching and sew it to the other edge of the sleeve. Now you can sew the arm closed (leave about 5" or so at the end of the sleeve open) and then go back and sew the remaining two edges of the gusset to the side seams of the shirt. Then sew up the side seams of the shirt but leave about 7-10" open on the bottom. This is a picture of what the gusset should look like sewed to the two edges of the sleeve: This is what it will look like done: Step 11. The cuffs. This is just like the collar, press the two cuffs in two lengthwise and sew up the two small edges. Step 12 Pin the cuff to the sleeve. You'll only need to match the ends this time, don't worry about the middle points. Gather or pleat to fit, then sew. Step 13. Try it on! The second one took much less time than the first one...Of course I had to rip out the sleeve twice because I sewed it on inside out...twice...I'm telling you..SLOW. :P Oh..and this isn't "technically" done...I need to add buttons...well...My Husband needs to add buttons :-P One more shirt to go, then I'll have to face the dreaded breeches...those AREN'T simple..they look hard...and scary. They'll probably make me cry. Get the Thursday Thirteen code here! The purpose of the meme is to get to know everyone who participates a little bit better every Thursday. Visiting fellow Thirteeners is encouraged! If you participate, leave the link to your Thirteen in others' comments. It’s easy, and fun! Trackbacks, pings, comment links accepted! View More Thursday Thirteen Participants

an antique , probably 18th century, one-pull wooden handpress surviving in Belgium. Most surviving wooden handpresses have a different construction with longer rails and a larger bed and are two-pull presses.

D. Hieron Kniphofii   Date: 1758 An 18th Century Botanical Illustration Botanica In Originali Herbarivm VIVVM

A Maxis-Match-ification Project! All of the custom content created by @acanthus-sims is truly iconic and a must-have for any 18th-century save files. But as a loud and proud captain for Team Maxis-M…