This unique jacket from Indigo Moon is a wearable work of art, featuring a patchwork design with a celestial star motif and arts and crafts inspired embroidery. The cotton jacket is in size L with a chest size of 45" and measures 26.75" from shoulder to hem. The colorful jacket has a casual style, perfect for adding a statement piece to any outfit. Its shoulder to shoulder measurement is 17.75" and it has fringe detailing for extra flair. This original vintage item from the 1990s is a must-have for anyone looking for a one-of-a-kind addition to their wardrobe. Cotton exterior with several appliques and embroidery making this a statement jacket. Button loop closure. Topcbutton has been replaced. The liner shows deoderant marks on interior. 1 patch pocket. Colors: blue/pink/black Whipstitch edge detailing Interior tags removed. Oversized relaxed fit. Approximate measurements laid flat: Chest 22.5" Shoulders 17.75" Length 26.75"

We finally managed to get to Castle Coch, near Cardiff yesterday. Well worth the visit, a magical Victorian interpretation of a Medieval castle. This detail is from the ceiling of the drawing room, my favourite room of the castle with so much detail to see. Even the walls were painted from top to bottom with scenes from Aesops fables! And over the next week i'll be posting some magical photos of Georgi, taken during a photoshoot we did together on Friday evening at Peto Iford Manor gardens.

Original night landscape with castle photo by Marek Kopnicky. Information: Printing on premium 325g satin paper LOMOND GOLD Baryta. The quality of the printed photos is completely identical to that of a professional photo obtained by the traditional chemical method. About this artwork: Classification, Techniques & Styles Digital Photography Techniques for obtaining a photograph by using an electronic sensor as a photosensitive surface, then printing it on paper. Hyperrealism Painting which expresses, by means of representation, external reality in a very realistic way. Technic Photography Photography refers to the combination of processes, techniques and materials that allow you to capture a subject in still images. Photograph also refers to the image that is obtained, whether it be phototype or not. This term can also be used to refer to the graphic arts branch that employs this technique. Related themes PastNightSkyNight SkyBlue View less

Stepping into your bedroom should feel like a retreat from the world, a place where style meets comfort in a harmonious blend of colors and textures. That’s exactly why I’ve fallen in love with the black boho bedroom trend – it’s where the richness of black hues meets the effortless charm of bohemian chic, creating … 25 Black Boho Bedroom Ideas You Just Have to See Read More »

In the enchanting world of Zoria, elemental magic dances through the air, weaving vibrant tapestries of power that shape the very fabric of existence. Bioluminescent flora and fauna adorn every corner, casting a mesmerizing glow that illuminates the darkest depths and the highest peaks. Within thi

Create some gorgeous frosted paper celestial wall art with gold metal hoops, our star and moon template, and embroidery floss.

🌙Independently designed by myself, any similar products sold in other stores are stealing my design!!! The pentagram symbolizes balance and protection, while the sun represents vitality and the moon signifies intuition. Wear this necklace for inspiration to manifest your highest potential and a reminder to follow your heart and navigate life's journey with intention and guidance. Stone Selection(Contact me for more information): -Opal: Inspiration, Love, Passion -Moonstone: Awaken Feminine Energies -Blue Sandstone: New Beginnings And Success -Black Onyx: Absorb Negative Energy, Protective -Gold Sandstone: Ambition, Confidence, Courage 🌙 Details: -Stone 1(Back Gem): Opal/Blue Sandstone/Moonstone/Black Onyx/Gold Sandstone, 12mm Round -Stone 2: For Silver: Synthetic Diamond, For Solid Gold: Flawless Moissanite Pendant diameter: 15mm Approx. ***The model wore an Opal necklace with a chain length of 18 inches -Metal Choice: 925 Sterling Silver/10K/14K/18K Solid Gold (Rose, White, or Yellow) or Pt (Please be aware that rose gold plating will naturally fade with wear, if this is a concern we would suggest going with the sterling silver or solid gold jewelry option.) **100% handmade & shipped in the USA!!! The making process is about 2.5-4 weeks. 🌙 MoonLandUS Service Available - 100% Satisfaction Guaranteed! If you're not satisfied, please contact me and I’ll respond within 24 hours to quickly address your concerns. 😊 For more info please see my shop policy. (https://www.etsy.com/shop/MoonlandUS?ref=seller-platform-mcnav#policies) - Available with any other gemstones or any custom ideas. (CAD drawing confirmed) - Free Shipping within the USA with a tracking number. - Custom Made To All Sizes. (3-9 is normal size, for those sizes below 3 and above 9, it will be considered custom orders) - 6-Month Warranty. - Payment Plan. - Rush Order. - 10-15 days handmade. 🌙 Rush Order: Reduced production time from 3 weeks to approximately 12 business days: https://www.etsy.com/listing/738894821 🌙 Gift Box: All jewelry will be carefully packaged before shipping. If you'd like to upgrade to a perfectly gift box, please check out the link: https://www.etsy.com/listing/738894821 🌙 Payment Plan: Flexible payment amount as you like with Interest-free. Basically NO time limit. (You can set up the payment period upon your preference). The order will be processed after 50% payment is received and shipped once I receive the full payment. Please let me know your ring size and how much and how many payments you like for the link of the payment plan. 🌙 Size: Currently offered in 3-9 US Ring sizes in full, half, and quarter sizes; If you need a smaller size please purchase size US 3 and leave a note with your size; If you need a bigger size, please kindly check this link for "Size Upgrade": https://www.etsy.com/listing/738894821 🌙Custom Order: All jewelry is available with any other gemstones or any custom ideas. Please contact me for a quote. (CAD Drawing Confirm or Wax Model try on first) 🌙 CAD/Wax Model: If you are hesitant about the ring or need clarification on the customization, you can ask me to draw CAD or send you a wax model ring to try on first before you purchase. Please kindly check this link for "CAD/Wax Model" services: https://www.etsy.com/listing/645393697 🌙Warranty: I guarantee a 6-month free warranty on accents. With the "Extended Warranty" it can be extended for an additional year: https://www.etsy.com/listing/738894821 🌙 Tips on Caring for Jewelry: - Keep it away from chemicals, water, and high temperature. - Wash with warm water and dry using a soft towel. (THE SAFEST CLEANING METHODS ARE ALSO THE EASIEST) - Store it well. A ring box or pouch is the perfect place to keep them. 🌙 More Information & Contact: Please check out our Policy and FAQ page for common inquiries: https://www.etsy.com/shop/ShiningFineJewelry?ref=seller-platform-mcnav#policies 🌙 MoonlandUS Etsy store: https://www.etsy.com/shop/MoonlandUS 🌙 Have a question about the item? Send me a message:) 🌙 Thank you MoonlandUS

Today's Topic: Fabrics Assignment: Pick the fabrics you will use in your quilt, and decide on fabric placement. On the Blog: Write a blog post about it, sharing pictures of your fabric selection, and link it up using the link up at the end of this post. OR you can also link up photos from Flickr* or Instagram. (This is the same link up as on Monday's post, so feel free to share your coloring page designs AND fabric selections in this same link up.) On Instagram: Complete the assignment (decide on your fabric selection), take a picture and tag it using hashtag #CelestialStarDesign AND #CelestialStarQAL. You can pick up a pattern on Craftsy and Etsy. *If you are sharing pictures from Flickr, I started a Celestial Star QAL group, where you can also share your photos, or start up a discussion, ask questions, etc. I don't get on Flickr much anymore, but I'll try my best to keep my eye on it for any activity going on there. I still think Flickr has a pretty good platform for groups, even if the rest of the site has changed. **If you decide to work faster than my schedule, which is fine, be sure to take pictures along the way so you can come back and enter the different giveaways! This weeks link up is sponsored by Pink Castle Fabrics! They have graciously offered to giveaway two fat eight bundles! (Which is a perfect amount to create a large Celestial Star block with!) I will pick one winner from the link up on the blog, and one winner from the Instagram hashtag #CelestialStarDesign (so make sure you are tagging your photos!) So pretty!! Come back tomorrow to learn more about Pink Castle Fabrics and all the amazing events they have going on right now! You don't want to miss it! I will announce the winner on Tuesday July 22nd, so you have just under a week left to come up with your design and fabric selection. See this post for the schedule of posts so you don't miss any! :) And that's it for the short version! Keep reading if you like, or start auditioning your fabrics! :) First we'll discuss theory stuff, then I'll share my fabric pulls. I highly recommend checking that part out, as it will hopefully be helpful. :) Let's Discuss Theory: First lets convert what I talked about in Mondays post regarding color, to fabric. If you haven't read it yet, go read it! Then I don't have to repeat anything here, and you'll know what I'm talking about. ;) When you really get into color, things can get pretty complex. When you talk about color in regards to fabric, it can become mind boggling. (That's how I feel anyway.) Color is color. Fabric can include multiple factors in one print. A single print can have: texture, value, and color schemes. If we want to assign a print to a single color and value category, how do we do that? It's all about reading a print. I will go through some basic classifications, since this is a QAL and not a novel. and because I'm still figuring all of this out myself. :) Reading a Print: Solids are the easiest. It's just like using paint chips. You have a color, or hue. There are light shades tints of it, and dark shades of it. If you want a lighter value, use the lighter shade tint; darker value, use the darker shade. Prints that read as solids fit in this easy category too. Don't confuse color with value. Cool colors (blues, purples, greens) are not a dark value. Saturated reds and oranges (warm colors) can appear lighter because they are bright, but can actually be darker in value than the "darker" cool colors. Here are a few solids (on the left) and prints that read as solids (on the right). Classic examples are the sketch prints, quilters linen, anything that has texture with minimal contrast in color or value. The pink on the right could maybe read as a solid, or a tone-on-white (see below). What do you think? Next up are "tone on tones". In color theory Tone is hue (color) + grey, which is not the definition when referring to fabric. Tone on Tone is a hue that has a design created with varying value(s) of the same hue. I often see the pattern lighter than the overall print, though that is definitely not the rule, as seen below. lol. Denyse Schmidt is a rock star at tone-on-tone prints and often includes many in her collections. Another common classification is Tone on White. These are prints that are created, usually, with a single hue and white. They can be made up mostly of the hue (which would tend to make for a darker value, depending on the value of the hue used), or mostly of white. I often see tone on white prints that are mostly white, in a lot of the low volume bundles that a lot of shops have been creating (which are really low value if you want to be technical about it). Lots of white = low value, even if the hue it is combined with is dark (though this can make it tricky). Multi-color Prints: It gets more complicated with multi-color prints. So let's start with the easy stuff. Small prints tend to read a specific color. (I'm ignoring prints that are every color of the rainbow, or are equal amounts of different colors). The yellow honeycomb has orange lines, but this reads as a very strong yellow. The other three are easily catagroized as cool colors, but their exact color can depend on how you are using it. The Joel Dewberry Print (second from the right) is an interesting example for value. The greens are light in value, but the teals are much darker. I'm not giving you the answer as how to use this, as I think it would have different results depending on what it is paired with. But these are things to consider as you choose your fabrics. And this is why I find color in fabric tricky. The larger the scale of the design, the more complicated it can be. Now you have to start using your own judgement as to what the majority of the colors read, is there a lot of negative space? Is it light or dark? etc. If you are using it in a large area, that also makes a different compared to using only a square inch of it, which means you would only need to evaluate that inch of the fabric. How is this for a generic random picture? The center one on the bottom is more cool colors and reads more blue/green (A good example of a small scale print and how it more easily reads a specific color). The Cups are multiple prints, but the background is a strong yellow. If you are using this in a large area, it could easily read yellow. If you are fussy cutting individual cups or designs, that changes what it would be classified as. The Lizzy House print in the upper right corner looks orange because there are so many orange items, but this also depends of how much of the print you are using. The Anna Maria Horner print on the left is an example of a very large scale print. How would you classify this one one the color wheel and value scale? If you are having trouble distinguishing - squint your eyes (this works wonders!), take a blurry picture, for value, take a black and white photo (or if using a photo editing tool such as iPhoto, or your phone, simply turn the saturation all the way down to zero). Which prints look darker, which are lighter? Unity and Variety: One more thing to consider: UNITY and VARIETY. Consider how you balance using similar styles of prints in your block to create unity (multiple tone-on-tone prints), and how you use different styles of prints to add variety (solids mixed with multi-color prints, large scale prints and small scale tone-on-white). A good balance between unity and variety is another factor to creating a strong design. Too much variety = busyness. There is no place for your eye to rest. The same is true with busy prints themselves, a print that has a lot of variety in it. Surround busy prints with more *boring* prints to help rest your eye within the block. Even if you have a lot of color contrast and a lot of value contrast, if all of your prints are really busy, that can detract from your overall design. **I am saying this in regards to the Celestial Star block only, or a block that has a specific pattern. Variety and busy prints can be successfully executed in other types of quilts, so take this at face value, as all rules can be successfully bent and manipulated. And now I'll stop. My Layout: I am really enjoying looking at everyone's design pictures on Instagram and in the blog link up. A few of the pictures inspired me to create my final designs in black and white. I was feeling a bit overwhelmed trying to balance design and color at the same time. This turned out to be a great way to fine tune the designs and simplify the number of decisions to make. Next I added value to add contrast and make the designs POP more (adding depth and interest). At the end of Mondays post I shared about adding variation in value to cause interest in a design. Let's compare my two layouts side by side, the black and white version and the version with value added. Notice how adding different values makes the blocks POP! It goes from a flat design to one with depth. Neither is wrong, but adding value on purpose can add a lot to your design. And doing it on purpose will also ensure that your designs are balanced. Small tangent: The black and white is definitely cool. And would be fantastic in purely solids, for example, adding in a single value of different colors. I.e. this split-complimentary (not exactly, but close to) color scheme: I can image Faith Jones of Fresh Lemons Quilts or Katie of From The Blue Chair making a quilt like this. They are great at using solids! For my quilt I am using my Anna Maria Horner stash, adding in solids as needed (I'm not planning on adding solids at this point, but might be a good idea for some so I'll keep the idea here). Since I'm not starting from a color scheme but rather a fabric collection, I have divided up my stash by value, breaking it into 4 different value groups (a full value scale has a range of 10, black being the darkest, white being the lightest). Most of my blocks have 3 or 4 values, not including the white, which I will leave white for the negative space. I'll use the darkest value fabrics for the black, medium value prints for the darker grey in the diagram, etc. (Side note: I will decide on prints for the secondary pattern after I have completed all of my centers.) Here is my stash divided up: Here is the same picture in Black and White. Notice how you can see the value scale. It is not perfect, but I feel good about how I've grouped the fabrics: My Fabric Selection: Here are the fabrics I've chosen for each block. I HIGHLY RECOMMEND TAKING LOTS OF REFERENCE PHOTOS during this process. Below I will share each block, the stack of fabric I will be using in that block, as well as a picture of my fabrics laid out in relation to where I'll place them in the pattern (this will be invaluable to help me know how/where I plan to use the fabrics). I'll also share the black and white of each pile so you can see how value applies to the fabrics. Other things to look at: color schemes, how I combined warm and cool colors, unity and variety in print styles, etc. Yes, go ahead and critique. I'm sure they aren't perfect, but I feel pretty good about them for now. I have a few examples, such as this one, where the contrast of value (in the black and white photo) isn't extreme. In these instances I am using the contrast in color (cool vs warm color on the color wheel, or use colors that are further apart on the color wheel even if in the same range) to give me that added contrast in my design where it is lacking in value contrast. We'll see how well this actually works when I complete my block. Color contrast won't ever be as strong as value contrast, but it is still contrast nonetheless. Notice the strong contrast of the pink against the blues, but there is almost no contrast in value. These blue good folk prints are a good example of Tone (= hue + grey) that I talked about on Monday. Prints that have tone (grey added in) are a good way to add contrast to the surrounding prints. That pink almost looks florescent against them. Adding grey IS different than adding black. The blue in the center is very similar in value to those soft cremes, but is a very bright color comparatively. The blue/purple print on the right is a good/ok example of using the illusion of color to change the colors around it. The base hue is basically the same as the teal print next to it, but the purple overprint pulls it around the color wheel and completes the *rainbow scheme* well, without actually having a blue print. Maybe I'm making this up, and I should find a better example of this principle, but this will have to do for now. :) Some of these are more rainbowy than others, and some are bolder color combinations than others, so I might change these around after making a few blocks. Because I'm making 12 blocks, having variations in the blocks regarding contrast, boldness, and hue can add interest to my quilt, or make it uneven, or weird. So many things to consider. ;) I hope this has helped!! I hope you will not feel too overwhelmed with choosing your fabrics, and leave you feeling confident in creating a block that will turn out just how you want it to! Be sure to share your fabric selections and link them up, along with your coloring pages. You can share them together or separately. Each entry will enter you into the giveaway! You have until Monday night to link up! :) An InLinkz Link-up

Художник Toshio Ebine акварельный мир Toshio Ebine - художник-иллюстратор из Японии. В его работах, которые написаны акварелью, есть и добрая сказка и фантастика. Такими работами всегда прия

Yapacağınız kapak dahil kitapta paylaşacağınız arka planları bu kitapta bulabilirsiniz ve lütfen aldığınız fotoğraflara yorum yapıp aldım demeyi unutmayın. iyi okumalar. Her bölümde 20 fotoğraf vardır (Serinin 2.kitabıdır İlk kitaba profilimden ulaşabilirsiniz ) Başlangıç tarihi:27 Temmuz 2019

Handmade Christmas Ornaments don't need to look cheap or homemade. Here are several beautiful Christmas ornaments to make using cardboard that would make pretty Christmas tree decorations and gift toppers. I got a request from Abigail asking for some Cardboard handmade Christmas ornaments and you know how I am to serve. {high fives} There are so many different ways to make Christmas ornament crafts especially using cardboard. So Abigail let me know if these are what you're looking for. I tried to get a variety of Handmade Christmas Ornaments like cardboard only, Christmas ornament crafts for kids, 3D, congregated, rolled, blinged

Could a color as bold and definitive as black redefine the essence of bohemian decor in your bedroom? Often associated with modern and minimalist styles,