Confrontation. #clorivia #GenshinImpact
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Hi everyone! I have been very quiet this week in blogland as life took to the fast lane here on the tip of Africa, and so my favourite blogs reads and my own posts suffered. So, to remedy the situation, I thought that I would just share a few fab things that have been sitting in my "to share" file for a while now... Lets start with mother nature... ...and let us run down this path caressing the grass as we go...I feel like lieing on the grass and treating my senses to the smell, texture and greenery! It reminds me of the quote, " Keep a green bough in your heart, and the singing bird will come" My French Country Garden Love love the panelling, the painting, the colours, the candlesticks....hmmm.... just gorgeous. I wonder what's for lunch? Perhaps a pheasant pie ... Belgium Pearls Feel like an opera or a ballet? I would love to see one here in the Monte Carlo Opera House. The coquettish Carmen, maybe... Why on earth did I not visit this place when I was there???!! Right, jaw up! Applause please as I take a deep and reverent bow ... One Degree of Separation How I wish I was sitting here typing this post..sigh... Love the warm glow, the chandelier, the atmosphere....the whole lot is just so me ... more gorgeous candle sticks. La Pouyette Loved this room , although I am not an all white decor person, I am just captivated by this room. Must be the wrought iron gates that did it! Providence Ltd Can I be selfish and claim this space all for me, myself and I...so we can relax to the max.... I would love to read this book in the above setting...but on second thoughts, maybe this is not the best idea that I have ever had....reading all about pastries whilst in my bather... Total bliss space...well minus that hideous television thingy...sorry, I believe there is a place for everything and the bathroom is not for it! Replacing it with a gorgeous painting...Amazing space. Providence Ltd I had this image of just the door on my Pinterest board and now found the rest of it and it looks great seeing the whole picture. Delightful detail. Great colour combo. I am really enjoying this piece of art. My kind of happy place... Art Cafe And now, I bid you farewell with a wave from this splendid balcony. Sema Orhan Mimarhic & Dekorasyan Moda Have a fab Friday Live Well Veronica xxx You can wave back to me in the comment box below with a few words... like which one is your fav...
The Tennis Game - Leopold Franz Kowalski
‘Birmingham had an outstanding collection of brilliant, bombastic 1960s commercial buildings, so confident and characterful.’ @catherinecroft @C20Society Here's four nostalgic images I dug out to accompany our @BCU_BSoAD 50yr re-union for the year of '71. https://t.co/Yjo7S63aVM
Apart from the itty-bitty view of the Eiffel Tower from one of the windows in my room, I was most impressed with the bathroom. It was beautiful. Symmetrical. Almost perfect. And it had a bat…
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Gooding & Company will hold its inaugural Amelia Island Auction event on Friday, March 12th at the Amelia Island Plantation in Florida. Preview and photos.
There’s been a lot of talk about fake news and the fine line between fake news and propaganda. Likewise, in the firearms community there’s a lot of
Top 10 readymade works. During the past century, the 'readymade' found object has become a staple of art production. We take a look at 10 seminal examples.
Eric Ravilious in 1939 photo by Serge Chermayeff Eric Ravilious (1903 – 1942) was an English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922–5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, and empty rooms (e.g. Farmhouse Bedroom, 1939; London, V&A). 1939 A Farmhouse Bedroom watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London In 1939 Ravilious became a War Artist. He died in 1942 while observing a sea rescue mission. This is part 1 of a 3-part post on the works of Eric Ravilious. Parts 1-2 show a chronology of his works other than ceramic designs – part 3 will show ceramic designs. 1927c Boy Bird-nesting wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Dr. Faustus Conjuring Mephostophilis engraving 18.3 x 13.1 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Harlequin watercolour 52 x 50 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928 Wet Afternoon watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1928c Neptune watercolour 33 x 21 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1930 Edward Bawden Working in his Studio tempera on board 79 x 92 cm © Royal College of Art, London, UK © Estate of Eric Ravilious. All rights reserved, DACS 2012 1930sc Tirzah Garwood and Charlotte Bawden in Brick House, Great Bardfield watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 Strawberry Nets watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932 View from Brick House, Great Bardfield © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1932c The River Thames at Hammersmith © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 BBC talks pamphlet © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Downs in Winter graphite and watercolour 44.2 x 55 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Furlongs watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Windmill graphite and watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1934 Advertisement in Wine and Food magazine woodcut printed by Curwen Press 1934 Woodcut from the above © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Chalk Paths watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Channel Steamer Leaving Harbour watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cover design for Curwen Press Newsletter No. 6 © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Cucumber House watercolour © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Graphic for a bank form by the Royal Horticultural Society and the Westminster Bank © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Hull's Mill, Sible Hedingham, Essex watercolour © Fry Art Gallery, Saffron Walden, Essex © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 The Greenhouse, Cyclamen and Tomatoes graphite and watercolour 47 x 59.7 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Title page for "Winters of Content" by Osbert Sitwell © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Train Going over a Bridge at Night watercolour 40 x 50 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935 Wood-engraving for The Hansom Cab and the Pigeons by L.A.G. Strong © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935-36 Country Walks wood engraving © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1935c Two Cows watercolour 56.8 x 44.2 cm © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Caravans watercolour © Fry Art Gallery, Saffron Walden, Essex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936 Village Street graphite and watercolour 39.5 x 51.8 cm © Towner Art Gallery, Eastbourne, East Sussex, UK © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1936c Wood Engraving of Hull's Mill 12.4 x 19.4 cm © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London 1937 Alphabet for Wedgwood ceramics © The Estate of Eric Ravilious. Artists Rights Society (ARS), New York - DACS, London A ceramic plate by Wedgwood from my own collection High Street In 1938 Ravilious created a set of 24 lithographs of shops, which were found on the British High Street of that time, for Country Life books. These prints formed a book for children printed by the Curwen Press. Unfortunately, only 2000 books were printed because it’s printing plates were destroyed during the blitz but as a result High Street has become one of the most highly sought after artists books of the time. 1938 Cover of "High Street" 1938 Title page of "High Street" 1938 A Saddler and Harness Maker from "High Street" lithograph 22.7 x 14.5 cm 1938 Amusement Arcade from "High Street" lithograph 23.1 x 14.8 cm 1938 Baker and Confectioner from "High Street lithograph 1938 Cheesemonger from "High Street" lithograph 23.4 x 115.6 cm 1938 Clerical Outfitter from "High Street" lithograph 1938 Coach Builder from "High Street" lithograph 1938 Family Butcher from "High Street" lithograph 1938 Fireworks from "High Street" lithograph 1938 Grill Room and Restaurant from "High Street" lithograph 1938 Hams from "High Street" lithograph 1938 Hardware from "High Street" lithograph 1938 Knife Grinder from "High Street" lithograph 1938 Letter Maker from "High Street" lithograph 1938 Model Ships and Railways from "High Street" lithograph 1938 Oyster Bar from "High Street" lithograph 1938 Public House from "High Street" lithograph 1938 Second-Hand Furniture from "High Street" lithograph 1938 Submarine Engineer from "High Street" lithograph 1938 The Furrier from "High Street" lithograph 1938 Theatrical Properties from "High Street" lithograph 1938 Undertaker from "High Street" lithograph
Bestel Voisin C20 Mylord Demi-Berline 1931 Schilderij als print. Kies zelf de maat en het materiaal. Snel geleverd, hoge kwaliteit.
Portrait of Doris Zinkeisen by Anna Katrina Zinkeisen (1901-1976)
Helmut Stil Schmidt.
