Maak kennis met de Breitling Chronomat AB0136161C1S1, een uurwerk dat geschiedenis, precisie en stijl moeiteloos combineert. Dit meesterwerk, vervaardigd door het gerenommeerde luxe horlogemerk Breitling, is een eerbetoon aan zijn rijke erfgoed en omarmt moderne designelementen. De Chronomat is een echt bewijs van Breitling's streven naar uitmuntendheid. Met een slanke roestvrijstalen kast van 0,44 mm straalt dit horloge verfijning en duurzaamheid uit. Op de achterkant van de tentoonstellingskast kunt u zich vergapen aan het ingewikkelde automatische uurwerk, een bewijs van de toewijding van het merk aan precisie. Met kleine seconden, een chronograaf en een datumweergave is de Chronomat een veelzijdige metgezel voor elke gelegenheid. Het saffierkristalglas zorgt voor krasbestendigheid, terwijl de naam ‘Chronomat’ zelf is afgeleid van ‘chronograaf voor wiskunde’, wat het doelgerichte ontwerp benadrukt. Ervaar de erfenis van Breitling met de Chronomat AB0136161C1S1, een uurwerk dat geschiedenis, functionaliteit en elegantie naadloos combineert. Verbeter uw stijl en omarm de kunst van het tijdwaarneming met dit uitzonderlijke horloge.
Alternative au marché de Noël, la deuxième édition du festival Central vapeur a démarré ce mardi 3 décembre et investit près d'une vingtaine de lieux à
Day 27 - Farm designed by Exhibit 23. Connect with them on Dribbble; the global community for designers and creative professionals.
Image 3 of 14 from gallery of Sukkahville Design Competition Winning Exhibition: 'Hegemonikon' / Christina Zeibak and Daphne Dow. Courtesy of Christina Zeibak and Daphne Dow
Created by two friends in 2019, the female collective ImillaSkate wear the traditional Bolivia polleras dress associated with the indigenous women of the highland regions as a symbol of resistance
Experience the artistic marvel of Neo-Surrealism during Park West Gallery’s newest exhibition, “The Painted Worlds of Jim Warren.”
Dear Cai Studio friends, We hope each and every one of you enjoyed a pleasant holiday season surrounded by your loved ones. Cai and the team recently came back from Buenos Aires, where his exhibiti…
Some find the abandoned places creepy, while others consider them exciting and they are even eager to explore them.
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I am very excited to announce that I will be having my first ever photography exhibition in the Volubilis Gallery in the Kasbah of Tangier, Morocco. The opening will be on February 3rd, 2012. I have spent about 3 months traveling in this marvelous country both last winter and now, and I document what I see rather obsessively trying to capture the magic that this country embodies. This exhibition features a full spectrum of images from the classically beautiful to the ridiculously hilarious. Here are some of my favorite images of the over 100 that will be featured in the show. A doorway in Chefchaouen at night Boats in the El Jadida Harbor Camel Caravan Shadows in the Sahara A Kitty in Tangier Tangier Cracked Mannequin Poulet et Pomme Frits Marrakesh WC Asilah ruined house Casablanca Door with Trash near the Gran Marche Tangier, Calla Lilies in Cinema Rif Green Door Essaouira, Bab Doukkala Tangier, Mauritania Cinema Marrakesh, Jma el-Fna Tangier, Club Al Madina If you happen to be in Tangier on February 3rd, please come to the opening. It should be a lively and interesting discussion, and very fun! Thanks, Jeffrey
Last Tuesday I went to London with Sara and Sam to see the exhibition of Boro at Somerset House. We were somewhat delayed by having a wonderful time playing in the fountains in the sunshine but eventually made it to the East Wing Galleries. Photography was permitted and Sam was given a postcard of one textile to try and find - good thinking. You can see in this photograph how the textiles were displayed. I delayed writing this post as at least one friend is visiting the exhibition this week. I wanted them to be able to make up their own mind, unclouded by preconceptions from my report. I have say I was disappointed with "Boro: Threads of Life". Not with the textiles themselves, but with the manner in which they were exhibited. There were a few items that were exhibited in the way I expected, as the original garments were made and used in Japan. (Apologies for the strange tint to the photographs, it seems to be a result of the exhibition lighting). Most textiles, however, were exhibited like this. As if the exhibition was an art gallery. The pieces were all of similar shape and size. Several pieces appeared to have been mounted on new fabric and all the pieces had been smoothed over stretcher frames or similar. Sara and I were both astonished at how flat and thin the boro was, so much so that I took a photograph of the edge of a piece that wasn't mounted in this style. Nowhere could I find any information about the boro, no origin, age, description, nor on the way they had been mounted for exhibition. Each item had only a number alongside it. The book accompanying the exhibition was simply a collection of photographs of the items. I feel the textiles must have been reduced in many cases to their outer layer, they certainly appeared to have had the guts ripped out of them. Moving closer gave some texture but the overall impression was of a flat, almost lifeless, sea of blue. Am I being too harsh in my disappointment? Maybe I should have been inspired by the innovation of the exhibitors. "They carry with them the evocation of family members, the presence of ancestors" it states in the exhibition guide. It was exactly this that I felt was missing. These historical textiles had somehow been reduced to gallery exhibits (with enormous price tags I later discovered) and their life and soul, their very integrity, had been removed along with the creases, filling and lumps and bumps. I must state that I am not opposed to using old textiles in new ways, nor to individual expression and creativity but this exhibition contradicted itself in using the traditional words to talk about the boro while treating them in a way that disparaged all those words. It was sad and we were glad to get back out into the sunshine and the fountains! For another perspective on the exhibition and more pictures, including some good interior views of the galleries, you might like to pop over to Susan Briscoe's blog post here.
Image 10 of 22 from gallery of Congress and Exhibition Center / Studio Botter + Studio Bressan. Photograph by Simone Bossi
