A vintage botanical rollable wall chart shows different kinds of crop deseases. It was published by the federal phytosanitary institute, Vienna. Colorful print on paper reinforced with canvas. Measurements: Width 69.50 cm (27.36 inch) Height 95 cm (37.40 inch). The measurements shown refer just to the canvas and do not include the poles. Background information on the history of school wall charts: The idea to upgrade every day school life by using pictures was supported in the late 18th century by Johann Bernhard Basedow. In 1774 he published a four-volumned book "Elementarwerk" which combined pictures, text and information with merely hundred copperplates. Modern printing methods enabled the spread from rich private schools to rural grade schools. From 1820-1836 the oldest mentioned series of wall charts were published with the range of six booklets including 63 large sized charts. The rising 20th century was the golden age for publishers printing wall charts. Artists Masterly performed pictures which combined the subject-specific standards of a scientist with the standards given by an educator and finally created a magnificat art work. less
Zoologischen Wandtafeln (Zoological Wall Chart) by Paul Pfurtscheller, published by Wien, Pichler’s Witwe & Sohn, features a rare chromolithographed depiction of the morphology and anatomy of the common Eurasian grass snake, Tropidonotis Natrix. Austrian zoologist and artist Paul Pfurtscheller (1855-1927) created this and other zoological teaching charts starting in 1902. Initially used in German-speaking countries, these charts gained popularity worldwide. Pfurtscheller, a member of the Zoological and Botanical Society of Vienna, completed 38 of the planned 70 plates, with a 39th (a dissection of the Oriental cockroach) finished posthumously. The charts, originally sold individually and often varnished, were highly regarded by zoologists and used by the University Zoological Institute. Chromolithograph. 1910 This is a Strong and Hardy restored reproduction printed on Red River 60lb. Polar Matte paper in our home studio and embossed with the Strong and Hardy logo; comes packaged inside a clear plastic sleeve with cardboard backing. With the exception of ample digital cleanup and restoration, this historical artwork has not been modified in any way by us and remains in its original state.
k. und k. Kunststickereischule, c. 1915
Botanical Garden of the University of Vienna Botanical Garden in September 2007. In the background, the Upper Belvedere . (pictures you can see by clicking on the link at the end of page!) Botanical Garden, ginkgo Jacquin, April 2005. Botanical Garden, succulents, outdoor area, April 2005. The Botanical Garden of the University of Vienna (Hortus Botanicus Vindobonensis, HBV) is a botanical garden that was established in 1754 in the 3rd Viennese district Landstraße. The Botanical Garden is a facility of the Faculty of Life Sciences at the University of Vienna. It is approximately 8 acres and is home to about 9,500 species. The tasks of the Botanical Garden include university research and teaching, the conservation of endangered plant species and seed and plant exchange with other institutions. A large part of the garden, adjacent to the Belvedere gardens is open to the public and serves as a recreational area. History The Botanical Garden was founded in 1754 as a "Hortus Medicus" (Medizinalpflanzengarten) on 1 ha. To this end, Maria Theresa - at the suggestion of her personal physician, Gerard van Swieten - had bought at Rennweg a 2-hectare estate. The order for the planning and design got Robert Laugier (1722-1793), who was since 1749 in Vienna. After having taken place the acquisition of the property, Laugier became first garden director (a position he held from 1754 until his retirement in 1768) as well as first chair holder of botany and chemistry, chairs that had been created afresh. It subsequently evolved into a scientifically oriented botanical garden, the plants were arranged according to the Linnaean system (Linnaean taxonomy). Laugier's successor as director was Nicholas Joseph von Jacquin (Director 1768-1796). At that time the garden was home for about 8,000 species, the area was increased to approximately 7.8 acres. Jacquin's son Joseph Franz von Jacquin became his successor as director (1796-1839). From 1841 on, the open land following the English garden style according to the system of Stephan Ladislaus Endlicher, who was director from 1839 to 1849, was redesigned. It had been layed out an officinal department with 196 beds. 1844 the Botanical Museum was built. Head gardener Joseph Diefenbach continued the redevelopment of the gardens in the sense of Endlicher. Director from 1849 to 1879 was Edward Schimmer. At this time the to European Botanic Gardens new concept of the phytogeographical groups was developed . From 1883 to 1890, the Jacquingasse was created whereby the garden area was reduced to about 6 ha. 1890-1893 was built by director Anton Kerner von Marilaun (1878-1898) the greenhouse plant with tropical house. 1904/ 05 followed the new construction of the Botanical Institute and laying out of the biological groups. 1930, the Botanical Garden was to the so-called Host'schen garden at the southern end extended (formerly private garden of the Hapsburgs), as a result the garden reached its present size of approximately 8 ha. The adjacent Alpine Garden remained with the Belvedere gardens. Director from 1899-1931 was from Richard Wettstein. At the beginning of the 40s under director Fritz Knoll (1931-1945) the Alpine Garden was recreated in its current area. Due to bomb damages during the Second World War (more than 40 hits), the demolition of the Botanical Museum and the felling of about 200 trees was necessary. Up to the 1970s under director Lothar Geitler (1945-1969) took place the removal of war damages and the reconstruction of the collections. 1970 the Host'sche garden was opened to visitors. 1975 began the general refurbishment of the institute building (until 1992) and the greenhouses, Director 1970-1995 was Frederick Ehrendorfer. In the 80s, the experimental house were built and created new experimental areas. In 1991, the Association of the Friends of the Botanical Garden was founded. From 1995 on, the rehabilitation of the greenhouses was continued and the tropical house opend to the public. The Canaries group was built and expanded the group of the Austrian flora. Michael Hesse (1995-1997) was followed by Tod Stuessy (1995-2005) as director, since January 2006, Michael Kiehn is director of the botanical garden. The garden collections include: Abies pinsapo Aesculus pavia Cephalotaxus harringtonia Diospyros lotus Elaeagnus angustifolia Ephedra Ficus carica Ginkgo biloba Gunnera chilensis +Laburnocytisus adamii Liriodendron tulipifera Magnolia Metasequoia glyptostroboides Graves of Nikolaus Joseph von Jacquin and Joseph Franz von Jacquin on the grounds Nothofagus antarctica Ostrya carpinifolia Parrotia persica Paulownia tomentosa Phyllostachys viridiglaucescens Pinus aristata Platanus orientalis Poncirus trifoliata Prunus tenella Rhododendron Salvia Sequoiadendron giganteum Syringa Viburnum Vitis riparia de.wikipedia.org/wiki/Botanischer_Garten_der_Universit%C3...
Botanical Garden of the University of Vienna Botanical Garden in September 2007. In the background, the Upper Belvedere . (pictures you can see by clicking on the link at the end of page!) Botanical Garden, ginkgo Jacquin, April 2005. Botanical Garden, succulents, outdoor area, April 2005. The Botanical Garden of the University of Vienna (Hortus Botanicus Vindobonensis, HBV) is a botanical garden that was established in 1754 in the 3rd Viennese district Landstraße. The Botanical Garden is a facility of the Faculty of Life Sciences at the University of Vienna. It is approximately 8 acres and is home to about 9,500 species. The tasks of the Botanical Garden include university research and teaching, the conservation of endangered plant species and seed and plant exchange with other institutions. A large part of the garden, adjacent to the Belvedere gardens is open to the public and serves as a recreational area. History The Botanical Garden was founded in 1754 as a "Hortus Medicus" (Medizinalpflanzengarten) on 1 ha. To this end, Maria Theresa - at the suggestion of her personal physician, Gerard van Swieten - had bought at Rennweg a 2-hectare estate. The order for the planning and design got Robert Laugier (1722-1793), who was since 1749 in Vienna. After having taken place the acquisition of the property, Laugier became first garden director (a position he held from 1754 until his retirement in 1768) as well as first chair holder of botany and chemistry, chairs that had been created afresh. It subsequently evolved into a scientifically oriented botanical garden, the plants were arranged according to the Linnaean system (Linnaean taxonomy). Laugier's successor as director was Nicholas Joseph von Jacquin (Director 1768-1796). At that time the garden was home for about 8,000 species, the area was increased to approximately 7.8 acres. Jacquin's son Joseph Franz von Jacquin became his successor as director (1796-1839). From 1841 on, the open land following the English garden style according to the system of Stephan Ladislaus Endlicher, who was director from 1839 to 1849, was redesigned. It had been layed out an officinal department with 196 beds. 1844 the Botanical Museum was built. Head gardener Joseph Diefenbach continued the redevelopment of the gardens in the sense of Endlicher. Director from 1849 to 1879 was Edward Schimmer. At this time the to European Botanic Gardens new concept of the phytogeographical groups was developed . From 1883 to 1890, the Jacquingasse was created whereby the garden area was reduced to about 6 ha. 1890-1893 was built by director Anton Kerner von Marilaun (1878-1898) the greenhouse plant with tropical house. 1904/ 05 followed the new construction of the Botanical Institute and laying out of the biological groups. 1930, the Botanical Garden was to the so-called Host'schen garden at the southern end extended (formerly private garden of the Hapsburgs), as a result the garden reached its present size of approximately 8 ha. The adjacent Alpine Garden remained with the Belvedere gardens. Director from 1899-1931 was from Richard Wettstein. At the beginning of the 40s under director Fritz Knoll (1931-1945) the Alpine Garden was recreated in its current area. Due to bomb damages during the Second World War (more than 40 hits), the demolition of the Botanical Museum and the felling of about 200 trees was necessary. Up to the 1970s under director Lothar Geitler (1945-1969) took place the removal of war damages and the reconstruction of the collections. 1970 the Host'sche garden was opened to visitors. 1975 began the general refurbishment of the institute building (until 1992) and the greenhouses, Director 1970-1995 was Frederick Ehrendorfer. In the 80s, the experimental house were built and created new experimental areas. In 1991, the Association of the Friends of the Botanical Garden was founded. From 1995 on, the rehabilitation of the greenhouses was continued and the tropical house opend to the public. The Canaries group was built and expanded the group of the Austrian flora. Michael Hesse (1995-1997) was followed by Tod Stuessy (1995-2005) as director, since January 2006, Michael Kiehn is director of the botanical garden. The garden collections include: Abies pinsapo Aesculus pavia Cephalotaxus harringtonia Diospyros lotus Elaeagnus angustifolia Ephedra Ficus carica Ginkgo biloba Gunnera chilensis +Laburnocytisus adamii Liriodendron tulipifera Magnolia Metasequoia glyptostroboides Graves of Nikolaus Joseph von Jacquin and Joseph Franz von Jacquin on the grounds Nothofagus antarctica Ostrya carpinifolia Parrotia persica Paulownia tomentosa Phyllostachys viridiglaucescens Pinus aristata Platanus orientalis Poncirus trifoliata Prunus tenella Rhododendron Salvia Sequoiadendron giganteum Syringa Viburnum Vitis riparia de.wikipedia.org/wiki/Botanischer_Garten_der_Universit%C3...
Beautiful antique chromolithographic wall chart from the series of 'Hartingers Wandtafeln'. Hartinger's natural history wall charts were published by Carl Gerold and Son in Vienna, Austria, primarily between 1880 and 1915, and printed by the 'Kartographisches (formerly: 'militärgeographisches') Institut' in Vienna. They were used for education in schools, but also private homes. Nearly all of the charts from the series are chromolithographs. They were printed with 8 to 10 printing cycles, resulting in rich, vibrant colors with extraordinary longevity and an unusual depth of image. The first painter and printer of these botanical and zoological plates, Anton Hartinger (1806 - 1890), a pioneer of chromolithography and member of the Academy of Fine Arts in Vienna, had already established himself with botanical drawings and book illustrations and had founded his own lithographic institute (1859). The lion however was created by Austrian painter Wilhelm Wodnansky (1876 - 1958) around 1900 in the style of Art Nouveau. It is 'Plate 4' in the series. Excellent condition.
Cast bronze, Edition of 12 Named for the Roman god of the sky; thunder king; the largest planet in the solar system. Sharon Loper creates transitory sculptures out of bronze, stone, and wood and views her work as landscapes of thought based on organic principles. As a classically educated, third-generation Rodin sculptor, Loper’s work is elongated and expressive. She seeks to sculpt an emotional experience rather than a physical reality. An award-winning sculptor, photographer, and printmaker, Sharon Loper developed her sculptural practice through two decades of study, both at the Otis Art Institute in Los Angeles and in private studio practice. At Otis, she worked with and learned from artists such as Charles White, Joseph Mugnaini, and Burne Hogarth, and following her formal education, Loper refined her approach to sculpture and her technique in private studio work with sculptors Bruno Lucchesi, and second-generation Auguste Rodin apprentice, Joseph Martinek. A life-long student, she later returned to her studies with graduate work at UCLA in the graphic design department. Loper's works have been exhibited by numerous institutions such as the Triton Museum Of Art, Santa Clara, CA; Grounds For Sculpture in Hamilton, NJ; Passage de Retz, Paris; Historiches Museum der Stadt, Vienna; Museum Villa Haiss, Germany; Museum Katten Kabinet, Amsterdam; the Santa Cruz Museum Of Art & History; the Royal Botanical Gardens, Ontario, Canada; the Knoxville Museum of Art; the German American Center, Stuttgart; and the Attleboro Art Museum, Attleboro, MA, among others. She lives and works in Los Angeles and New York.
