This year Kaleb and I have been wandering around the world via books, Little Passports, and various other things we come across in our
Asterix characters. Various characters from Asterix. Books Coloring Pages for Adults. Just Color : Coloring Pages
If you are planning to study the various countries of the world you are gonna love this free world book!
❝𝐘𝐎𝐔 𝐂𝐀𝐍 𝐊𝐄𝐄𝐏 𝐈𝐓❞ -@keikaminari - date: 9/8/2020 𝐂𝐎𝐍𝐕𝐄𝐍𝐈𝐄𝐍𝐂𝐄 𝐒𝐓𝐎𝐑𝐄 ╭┈─────── ೄྀ࿐ ˊˎ- -ˏˋ こんにちはˊˎ- 𝘪𝘯 𝘸𝘩𝘪𝘤𝘩 𝘵𝘩𝘦 𝘤𝘰𝘢𝘤𝘩𝘦𝘴 𝘯𝘪𝘦𝘤𝘦 𝘧𝘢𝘭𝘭𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘢𝘴𝘴𝘩𝘰𝘭𝘦 𝘰𝘧 𝘢 𝘮𝘪𝘥𝘥𝘭𝘦 𝘣𝘭𝘰𝘤𝘬𝘦𝘳 ╰┈➤ ＊*•̩̩͙✩•̩̩͙*˚ ˚*•̩̩͙✩•̩̩͙*˚＊ 𝙩𝙨𝙪𝙠𝙞𝙨𝙝𝙞𝙢𝙖 𝙭 (𝙛𝙚𝙢.) 𝙧𝙚𝙖𝙙𝙚𝙧
This fun lesson was inspired by "The Dot" by Peter Reynolds, and is a perfect choice for celebrating "Dot Day"! Use this technique to make a series of quick and colorful, one-of-a-kind monoprint "dots". Then repaint your printing surface and make as many new designs as you like!
Crop Circles 2001 - UK Credit: Steve Alexander
48 p. 27 cm
Even though I'm an e-reader, I love the feel of physical books and having them around my house. My dollhouse is no exception, and I...
I have a huge folder full of templates that I have made for people, various names, images, etc. What I can see is people, when given a choice, tend to pick the font that I think looks the nicest. …
" International Dot Day ", a global celebration of creativity, courage and collaboration, began when teacher Terry Shay introduced his cl...
**This design originally belongs to us ** If you see other stores that sell the FULLY same design in DIGITAL FILES(not paper, cloth, etc) ...It is a *PIRATED VERSION*! ＃This product is a DIGITAL content, NOT a PRINTED product! what you download: JPG×1 (16*20inch), RGBcolor, 300dpi PNG×1, RGBcolor, 300dpi, transparent background SVG×1 , RGBcolor ★No watermarks on the product ★PNG has no color background #This design made for a poster printing. You can't pick some animals from whole design individually to print, unless you can edit SVG file by Adobe Illustrator or Inkskape etc. Individual animals are too small and low resolution to print clearly as they are. If you need the individual animals in hi-res PNGs, please check for "Big Bundle" category, or each animal(ex dogs, farms)category of this store. #For Print-On-Demand use, please use my designs as a part of your own design. Do not use it as it is. ・No returns or refunds ・Can use for personal and small-scale commercial(under 200 sales) use ・Please purchase the commercial license for large-scale(over 200 sales) commercial use ・Resale of images and improper use are prohibited ★ You can test download the product sample from "https://studioayutaka.com/shop/#sampledl". Please check if it can be used for the intended purpose! ★Please note that replying to the message may be delayed by large time difference(NY am10:00=JP pm23:00, LA am10:00=JP am2:00, UK am10:00=JP pm17:00)Even if you contact me, there might be times when I do not notice it while drinking or sleeping. I try to check as much as possible, but please understand that the reply may be delayed for several hours. ★SVG…Scalable Vector Graphics
To make an AAC Core Adapted Library for your school or clinic, start by acquiring multiple copies of books. I did that through scholastic book clubs. They have most books for under $5.
Surface design pattern collection in blue, abstract designs, floral design, leaves and animals
We have looked at constructing the human head from a few simple angles. In real life, of course, we rarely see people’s heads directly facing us or in perfect profile. The heads of real, living people are mobile and expressive – they tilt up, down, or to the side, moving relatively independently of the body. The diagrams in art books have their place, but rules of thumb like ‘the ears reach from the eyebrows to the bottom of the nose’ are useless for almost every head you will actually see. So, if the subject is in front of us, we have to rely upon our eye. If we are drawing from imagination, we have to rely upon a practiced familiarity with what heads look like from different angles. In the blogpost on Drawing the Simple Head we started with a solid, three-dimensional form, a sphere, and drew measuring lines on it to help us place and relate the features. This is a more detailed look at the same thing. How the features change In the diagram below I have drawn some examples of how the features change their appearance as the head moves through various positions. By the way, we’ll discuss the muscles and forms of the neck separately. For now, think of the neck as a cylinder below an egg-shaped head. It is a bit lower in the front than at the back. Top row: We see the head shifting from being angled down to being angled up. See how in the first stage the eyes get obscured under the brow, and the mouth under the nose. The position of the ears is very helpful: as the head looks down they rise above the browline, and as the head looks up they fall below the level of the mouth. Note also the importance of that extra plane under the jaw, between the chin and the neck. Middle row: The head turns from the back toward the front, gradually revealing more of the features. Bottom row: A rotating side view of the head. As before, the ear is a particularly good indicator of what’s going on. Below I have included a further diagram illustrating how the appearance of the head changes. I found this online and have no idea where it is from, otherwise I would provide a credit – but I wanted to share it as it’s a great illustration. Notice the contour line that runs down the front of the face, and see how it runs over the features, extending out along the nose, turning back in underneath, curving over the lips, and down the neck. Not only is this a guide to the direction the head is pointing, it models the head as it goes, reminding you that all these features have their own forms, their own solidity, their own depth or extension in relation to one another. Even an experienced artist, though he or she doesn’t usually bother to draw guidelines over everything, is on some level imagining the line is there. You should study this and copy each angle shown. But of course, that isn’t enough. You need to draw as many real people’s heads as you can. Hundreds of heads, from every direction. Don’t forget to look from behind, too. Find photos of people on the internet and make drawings from them – by eye, no tracing! They don’t have to be detailed, polished drawings. The purpose for now is to learn the placings and proportions. The jaw Pay particular attention to the changing shape of the jaw as the head moves around. You can see from the illustration above that when we look downwards the jaw converges into a triangular shape. When we move head upwards, the tip of the chin draws level with the angle of the jaw. And when we tilt the head upwards further still, we see a distinct plane where the bottom of the head meets the cylinder of the neck. Perspective We all know that objects get smaller as they get further away. This applies to the nearest and farthest parts of the same object, too. In the illustration below, note how the length of the book gets shorter as it recedes into space, and how the far edge becomes shorter than the near edge: We find it easier to imagine a box in perspective than something as awkward as the human head. So think of the head as a kind of box. As the head turns away from us, it will recede into space and the distances will grow shorter. Using the divided ball and plane method, we divide the head into thirds to help us place the features. In perspective, the lengths of the thirds will get progressively smaller as they recede, i.e. towards the bottom of a head tilted down, or the top of a head tilted up. Now draw heads Remember, humanity is diverse, so please don’t reproduce the same face countless times over. Look for a variety of age, sex, race, mass, etc, because your work will be richer for it. Below are a couple of sheets of heads that I drew for this exercise: not polished masterpieces, just sketches done fairly quickly to try and capture certain angles. You should probably be more adventurous than I was here. You learn a lot doing extreme angles.
This fun FREEBIE can be used to support any folktale unit! Enjoy!
Inspired by some various projects I've seen for using up scraps, I decided to make an alphabet matching game using some of my ridiculous amounts of scrap fabric. And of course, the project kept growing as it went, and is taking a while to perfect, but I think the outcome is going to be great! I may even use this same idea/pattern to attempt an alphabet quilt. No, I don't actually know how to quilt. Yes, I'm crazy. I decided to break this project up into multiple posts because I think otherwise I'd end up with one monstrous, confusing tutorial. So today I'm posting about the beginning of the process, and the free printable pattern! For the letters I used Arial Black - I wanted a font that would be easy to trace and cut out, and the letters would be very clear. If you make your own pattern, be sure to choose a sans serif font - one without the little lines at the edges of the letters - because they are much easier to cut out, and also easier for kids to identify. ex: A A The one on the left is a sans serif, the one the right is not - it has serifs. Here is the printable pattern for all of the letters. Then came the tricky part - coming up with something for each letter that could be easily identified when just the shape was cut out of fabric. And that a young child would know - or at least mine would. It took a little while, a little cheating (X and Q are really hard!), and the help of my sisters, but I finally came up with shapes for all the letters! (still trying to come up with a few letters here) Some of them I modified from clip art and other pictures I found online, and many of them I drew myself (I'm really proud and surprised by this! Maybe I can draw after all! But only basic shapes...) But I finally got all of them the right size, and (hopefully) identifiable shapes. So here is the printable pattern for all of the matching alphabet shapes! Once you've printed out your pattern, start cutting them all out. It takes a while to cut out all the little pieces, so you can start on that while you wait for the rest of the tutorial! :) A few of the shapes might be harder to identify, so let me explain. J is a jellyfish, but it's going to have ric-rac/ribbon tentacles, so I didn't draw them on the shape outline. Q is for queen, but this one I kind of cheated and did a crown. The rectangle for X is for "x marks the spot" and it's a treasure map - I have some awesome pirate-themed fabric that is perfect for this one! Is this one cheating too? I think it might be... And the circle for Y is for yo-yo. I'm going to attach a string/ribbon to it. Once it's all finished, I'll have the matching game magnet book pages with all of the letters and shapes. One of the fun things about these patterns is that they can be used for so many other things - as stencils, coloring pages, other matching games, really anything. If you come up with a fun way to use them, please share! More on actually making the plush magnetic versions from fabric scraps coming very soon!
