Alighiero Boetti began showing his work in the mid-1960s, within the climate of the experimentalism that, in Italy, would lead to a new definition of the artistic process. A member […]
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prossime fiere d'arte in cui la Dep Art Gallery sar� presente
Manifesto Mostra al MoMA di Alighiero Boetti 2012
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As well as some of his best-known works of embroidery and ballpoint-pen drawings, this exhibition includes fascinating archival material, including postcards, photographs and letters that shed light on the artist’s life
Exhibition. Jul 1–Oct 1, 2012. This retrospective, organized in collaboration with the Museo Reina Sofía in Madrid and the Tate Modern in London, will be the largest presentation outside of Italy of works by Italian artist Alighiero Boetti (1940–1994) to date. Working in his hometown of Turin in the early 1960s amidst a close community of artists that included Luciano Fabro, Mario Merz, Giulio Paolini, and Michelangelo Pistoletto, among others, Boetti established himself as one of the leading artists of the Arte Povera movement. Organized chronologically, the exhibition will span Boetti’s entire career beginning with his sculptural works, or objects as he preferred to call them, comprised of everyday materials including wood, cardboard, and aluminum. Brought together (many for the first time since Boetti’s seminal exhibition at Galleria Christian Stein in Turin in 1967) and installed in a dense configuration inspired by the original clustered presentation, these early works convey the material experiments of the period as well as notions of measurement and chance that Boetti would play with and revise throughout his career. While Boetti is often chiefly affiliated with the Arte Povera moment, Alighiero Boetti: Game Plan will consider Boetti beyond these brief years. In 1969 Boetti began exploring notions of duality and multiplicity, order and disorder, travel and geography, and he initiated postal and map works imagining distant places. For the work Viaggi Postali, begun the summer of 1969, Boetti sent envelopes to friends, family, and fellow artists but used imaginary addresses, forwarding each returned envelope to yet another non-existent place. Boetti thus created imaginary journeys for the people he admired. In other conceptual, mail art-related works made throughout the 1970s, Boetti would use different stamps and arrange them in permutations on the envelopes to compose his art, and send postcards picturing a monument in his hometown from places around the world. The exhibition brings together these and other works related to travel, geography, and mapping, many of which relate to his extensive travels to Afghanistan, where he operated the One Hotel (archival material from which will be on view) from 1971 until the Soviet invasion in 1979. During this period, Boetti began working with local artisans to produce embroideries such as the Mappas (maps), Arazzi (word squares), and Tuttos (literally, “Everything”), important examples of which will be included in the galleries and the Marron Atrium. An important aspect of Boetti’s oeuvre is drawing, which runs as a constant throughout his work. A monumental Biro (ball point pen) drawing from 1973, spelling out the title “Mettere a mondo il mondo (Bringing the world into the world)” points to some of Boetti’s ideas about art making that were fundamental to his practice: that the artist, rather than inventing, simply brings what already exists in the world into the work; and that everything in the world is potentially useful for the artist. This exhibition will celebrate the material diversity, conceptual complexity, and visual beauty of Boetti’s work, bringing together his ideas about order and disorder, non-invention, and the way in which the work addresses the whole world, travel, and time, proving him to be one of the most important and influential international artists of his generation.
Alighiero Boetti. Manifesto. 1967/1970. Letterpress in artist's frame. sheet (approx.): 38 3/4 x 27" (98.5 x 68.6 cm); frame: 44 3/4 x 31 3/8" (113.7 x 79.7 cm). Alighiero Boetti. Tipografia Manifesti. Sue and Edgar Wachenheim III Endowment Fund. 1267.2012. © 2025 / Artists Rights Society (ARS), New York / SIAE, Rome. Drawings & Prints
Alighiero Boetti, the maverick Italian artist famous for his Arazzi and Tutto series, and the iconic Mappe or Maps series woven by Afghan women
Alighiero Boetti Mappa
Alighiero Boetti was a mysterious figure and one of Italy's most important contemporary artists, who abandoned the arte povera movement with which he first found fame
Incontri e contri - Alighiero Boetti The Fowler Museum of Art at UCLA recently opened Order and Disorder: Alighiero Boetti by Afghan Women ....
Alighiero Boetti. Map of the World. 1989. Embroidery on fabric. 46 1/4
Verba volant scripta manent
Alighiero Boetti. Estate 1970 from Insicuro Noncurante. 1966-75. One from a portfolio of eighty two mixed media prints. each: 21 5/8 x 17 11/16" (55 x 45 cm). 2r (Rinaldo Rossi), Genoa. 2r (Rinaldo Rossi), Genoa. Committee on Prints and Illustrated Books Fund with support from Marie-Josée and Henry R. Kravis. 898.2010.24. © 2025 / Artists Rights Society (ARS), New York / SIAE, Rome. Portfolio. Drawings & Prints
Le infinite possibilità di esistere
The…
Alighiero Boetti. Catalogo generale. Ediz. italiana e inglese (Vol. 1) : Ammann, Jean-Christophe: Amazon.it: Libri
Have a look at the map above. In this globalized world, where countries are essentially brands, this map, which uses each country’s respective flag design to delineate its borders, probably doesn’t seem so unusual, save for that large red swath in Asia marked with a hammer and sickle. Created between 1971 and 1972, this “Mappa” is one of the signature works of art created by Alighiero Boetti, the Italian artist whose paintings, kilims, sculptures and mixed media pieces form an exciting exhibition at New York City‘s Museum of Modern Art (MoMA). “Alighiero Boetti: Game Plan,” which runs at the MoMA through October 1, 2012, is the first major exhibition in the United States of ...
