HIT MAN: “All pie is good” … and Glen Powell is terrific as a Walter Mitty-ish pretend hitman in Richard Linklater’s clever thriller. Paired with Adria Arjona as an abused wife who desires to become a widow, they’re the best movie crime couple since “Mr. & Mrs. Smith.” #TIFF23
The feisty Mrs. Powell has died and left Delbert with a pair of big shoes to fill. Mr. Powell, anxious to become rich on the property he inherited from his dead wife, cannot wait to leave the horrid and backward village of Cerro - and so takes no notice of the prosaic Delbert, the only employee of the Cerro Hardware Store. In his mourning for Mrs. Powell's friendship, Delbert comes to his own realizations concerning the forces that threaten to ruin Cerro, and decides to wage a secret war against what will eventually destroy all he knows and loves. Delbert's initial act of vandalism wreaks havoc in the town, deeply dividing the sentiments of newcomers who are vested in profit, and those whose hearts are rooted to the mountain. From Harley Marlin, to Earl Pratt, to Lairdy Bardman the singing hermit, to the prissy Edmond Powell - the characters of Cerro wrestle with events and realizations about what they love and why, in a place that for some can be called nothing other than magical.
THE EX-MRS. BRADFORD. RKO. 1936. 82 minutes. Available on DVD. If this screwball comedy-mystery reminds you of The Thin Man series, that's probably no coincidence: As things get underway Bradford is drawn into the investigation of the murder of a jockey, while also dealing with the ramifications of the sudden and unexpected return of his ex-wife. A few more murders break out along the way, Bradford gets roughed up on more than one occasion, and the couple end up coming to a truce and reuniting. — William I. Lengeman III, TRADITIONAL MYSTERIES (December 21, 2011) Beyond its two leads, The Ex-Mrs. Bradford shares similarities with other popular films of the period. It's got the screwball estranged husband and wife who clearly belong together after all; the married couple at the center of a tale combining the dark, often gruesome elements of a crime story with the breezy romantic comedy typical of the time; the madcap society girl who won't mind her own business, nearly bringing ruin on the object of her affections; and the wise-cracking butler. Even as early as 1936, critics were saying The Ex-Mrs. Bradford was covering "fearfully familiar ground," and yet most were delighted to report that the work of everyone involved made it all seem fresh and novel. — Rob Nixon, TCM A little dialogue: "I didn't know you went in for opening safes, Doc." "Oh, we surgeons open anything." ---------------------------------------------------- "I like things the way they are now. I can pick up my paper in the morning, read about a murder, and enjoy it." ------------------------------------------ "Good morning, Doc." "Oh, good morning, Inspector." "You're looking pretty healthy for a corpse." Category: Detective fiction
Few of the legendary movies stars of the first half of this century were personally capable of equaling the glittering images they projected with the help of studio publicists and the roles they pl…
That's right. We are parents of a precious little baby, due in May 2012. It's been nearly impossible to contain mr g's excitement about our new addition and because of that I've realized how blessed I really am. Nearly one year after our vows and I've found myself falling even deeper in love with my husband just because of this baby that is barely the size of a fig. If I didn't already know of mr g's love for me, it's become even more apparent in the last 3 months. He's been so completely selfless, attentive and just keeps sacrificing himself time and time again. His words the other day touched me: "If you will allow me to take care of the house, cook and take care of you during these 9 months, I am sure you will more than make up for it by taking care of me after that." I am blessed that I have a husband who considers it a woman's highest calling in life is to be a wife, mother and homemaker. I am blessed that he is willing to sacrifice his wants and needs for me and baby g. I am blessed he wants to protect and provide. I am blessed when he stops several times a day to place his hand on my tummy and prays for the tiny life inside. ------------------------------------------------------------------- Gracious is the Lord, and righteous; Yes, our God is merciful. ... Return to your rest, O my soul. For the Lord has dealt bountifully with you. Psalm 116: 5,7
Things About Bill Lowry 1998 Symington Farm Equipment — Lowry Symington History Lowry History The Lowry Barn on Highway 29 Second Lieut. H. A. Powell, to Mr. and Mrs. S. H. Lowry, of Pakenham …
Angela and Nick's timeless Sarasota wedding featured an outdoor ceremony, navy blue and gold color palette and elegant floral designs.
A specially-designed wedding arch can be an elegant and sophisticated touch to an outdoor, garden-style, beach themed wedding or indoor wedding. It is as important as finding the right wedding dress. If you are looking for some wedding arch decoration ideas for your big day, you are just in the right place. Here we have […]
Our adorable woodland creatures wearing cute little outfits have tons of personality! Crafted from soft fabrics they are perfect to cuddle, ensuring they become a child’s best friend. This sweet little hedgehog has soft short hair with a dainty bow and a pretty white floral dress. She is designed to snugly fit within the green felt elm leaf shaped sleeping bag, providing her with the perfect cosy resting spot. These leaves are equipped with a convenient ribbon hook, allowing you to effortlessly hang them up wherever you desire. This charming teddy has been designed to be loved by all ages – it has been toy-tested and is suitable from birth. Size 20 cm tall. Read more Brand Powell Craft
Industry from Platt Powell Ryder as your own art replica The painting was created by the master Platt Powell Ryder. The artpiece measures the size: 20 x 16 1/4 in (50,8 x 41,3 cm) framed: 26 x 22 x 2 3/8 in (66 x 55,9 x 6 cm) and was painted with the techinque oil on canvas. The work of art can be viewed in in the Saint Louis Art Museum's digital collection, which is located in St. Louis, Missouri, United States of America. With courtesy of: Saint Louis Art Museum, Missouri, Gift of Mrs. Orrin S. Wightman Jr. (licensed: public domain). Moreover, the artwork has the creditline: Gift of Mrs. Orrin S. Wightman Jr.. What is more, the alignment of the digital reproduction is portrait with a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. Available product materials For every art print we offer a range of different materials and sizes. Pick your favorite material and size between the alternatives: Poster (canvas material): The Artprinta poster is a printed sheet of cotton canvas paper with a fine finish on the surface. Please note, that depending on the absolute size of the poster print we add a white margin 2 - 6cm round about the print motif, which facilitates the framing with a custom frame. Acrylic glass print (with real glass coating): The print on acrylic glass, which is sometimes named as a print on plexiglass, changes the original work of art into magnificient décor. The work of art is printed with state-of-the-art UV direct printing machines. The great benefit of a plexiglass fine art print is that sharp contrasts and painting details become more recognizeable thanks to the fine gradation. The real glass coating protects your custom art replica against sunlight and heat for many more years to come. Canvas: The canvas print is a printed cotton canvas stretched on a wooden frame. Additionally, a printed canvas generates a attractive and pleasant effect. A canvas print has the advantage of being low in weight, meaning that it is easy to hang up your Canvas print without the help of extra wall-mounts. Canvas prints are suitable for all kinds of walls. Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding depth effect. For your Direct Print On Aluminum Dibond, we print the favorite work of art onto the surface of the aluminum composite. The white and bright sections of the original artpiece shimmer with a silky gloss but without the glow. Legal disclaimer: We try our utmost to depict our art products with as many details as possible and to exhibit them visually in our shop. Although, the tone of the printing material, as well as the imprint might differ slightly from the representation on your monitor. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed as exactly as the digital version on this website. Given that all are processed and printed manually, there might as well be slight deviations in the size and exact position of the motif. Article background information Product classification: fine art print Method of reproduction: digital reproduction Manufaturing technique: digital printing Origin of the product: German production Stock type: on demand Product use: home décor, art reproduction gallery Alignment: portrait format Image aspect ratio: (length : width) 1 : 1.2 Interpretation: the length is 20% shorter than the width Available product fabrics: acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print, poster print (canvas paper) Canvas on stretcher frame (canvas print) size options: 50x60cm - 20x24", 100x120cm - 39x47" Acrylic glass print (with real glass coating) sizes: 50x60cm - 20x24", 100x120cm - 39x47" Poster print (canvas paper) options: 50x60cm - 20x24", 100x120cm - 39x47" Aluminium print size options: 50x60cm - 20x24", 100x120cm - 39x47" Framing of the art reproduction: not included Structured artwork details Title of the work of art: "Industry" Artwork categorization: painting Artwork original medium: oil on canvas Original size (artwork): 20 x 16 1/4 in (50,8 x 41,3 cm) framed: 26 x 22 x 2 3/8 in (66 x 55,9 x 6 cm) Exhibited in: Saint Louis Art Museum Place of the museum: St. Louis, Missouri, United States of America Available under: Saint Louis Art Museum Artwork license type: public domain Courtesy of: Saint Louis Art Museum, Missouri, Gift of Mrs. Orrin S. Wightman Jr. Artwork creditline: Gift of Mrs. Orrin S. Wightman Jr. About the artist Name: Platt Powell Ryder Other names: Platt Powell Ryder, Ryder Platt Powell Gender of the artist: male Nationality of artist: American Professions: painter Country of the artist: United States Died aged: 75 years Born: 1821 Place of birth: New York City, New York state, United States Year of death: 1896 Town of death: Saratoga Springs, Saratoga county, New York state, United States © Copyright protected - www.artprinta.com (Artprinta)
Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks's pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, Lombard began to move towards more serious roles at the end of the decade. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 on board TWA Flight 3 on Mount Potosi, Nevada, while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema. When framed, these monochrome prints make an attractive addition to any movie lovers decor. Lovingly printed to order on heavyweight gloss 210 g/m2 photo paper using high end printing techniques. All prints shipped securely in hard backed envelopes so as to avoid damage during transit.
Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks's pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, Lombard began to move towards more serious roles at the end of the decade. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 on board TWA Flight 3 on Mount Potosi, Nevada, while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema. When framed, these monochrome prints make an attractive addition to any movie lovers decor. Lovingly printed to order on heavyweight gloss 210 g/m2 photo paper using high end printing techniques. All prints shipped securely in hard backed envelopes so as to avoid damage during transit.
Unsere entzückenden Waldkreaturen, die süße kleine Outfits tragen, haben jede Menge Persönlichkeit! Sie sind aus weichen Stoffen hergestellt, um zu kuscheln und sicherzustellen, dass sie zum besten Freund eines Kindes werden. Dieser hübsche Hirsch hat einen weichen braunen Körper, gelbe Gingham -Latzhose, blaue Blumentasche und Kopftuch. Sie ist so konzipiert, dass sie in dem grünen Schlafsack aus dem grünem Filz mit Blatt geeignet ist und ihr den perfekten gemütlichen Rastplatz versorgt. Diese Blätter sind mit einem bequemen Bandhaken ausgestattet, sodass Sie sie mühelos aufhalten können, wo Sie sich wünschen. Dieser charmante Teddy wurde so konzipiert, dass er in allen Altersgruppen geliebt werden kann-er wurde mit Spielzeug getestet und ist von Geburt an geeignet. Größe 20 cm groß. Weiterlesen Marke Powell Craft
Our adorable woodland creatures wearing cute little outfits have tons of personality! Crafted from soft fabrics they are perfect to cuddle, ensuring they become a child’s best friend. This pretty badger has a soft black-and-white body, a pretty floral dress, and a funky headscarf. She is designed to snugly fit within the green felt oak leaf shaped sleeping bag, providing her with the perfect cosy resting spot. These leaves are equipped with a convenient ribbon hook, allowing you to effortlessly hang them up wherever you desire. This charming teddy has been designed to be loved by all ages – it has been toy-tested and is suitable from birth. Size 20 cm tall. Read more Brand Powell Craft
The Ex-Mrs. Bradford Still would make the perfect addition to your home or office or gift recipient. This licensed Fine Art Print was reproduced on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. This magnificent Fine Art Poster Print is ready for hanging or framing and ships in an oversized tube for maximum protection.
If your hands can mix and mash, what job might you have? Hands can wiggle, hands can clap. Hands can wrap and flap and tap. But hands can help--so raise yours, please! Can you guess? Whose hands are these?What if your hands reach, wrench, yank, and crank? The hands in this book--and the people attached to them--do all sorts of helpful work. And together, these helpers make their community a safe and fun place to live. As you read, keep an eye out for community members who make repeat appearances! Can you guess all the jobs based on the actions of these busy hands? Miranda Paul is an award-winning children's book author. Her recent books include One Plastic Bag: Isatou Ceesay and the Recycling Women of the Gambia, a Junior Library Guild selection. She lives in Green Bay, Wisconsin, with her husband and two children. Find out more at www.mirandapaul.com and www.oneplasticbag.com. Luciana Navarro Powell was born in Brazil and worked as a product and graphic designer and before becoming an illustrator. She incorporates watercolor, photographs, and scanned objects into her artwork. She lives with her husband and two children in San Diego, California.
Carole Lombard (born Jane Alice Peters; October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks's pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, Lombard began to move towards more serious roles at the end of the decade. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 on board TWA Flight 3 on Mount Potosi, Nevada, while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema. When framed, these monochrome prints make an attractive addition to any movie lovers decor. Lovingly printed to order on heavyweight gloss 210 g/m2 photo paper using high end printing techniques. All prints shipped securely in hard backed envelopes so as to avoid damage during transit.
Unsere entzückenden Waldkreaturen, die süße kleine Outfits tragen, haben jede Menge Persönlichkeit! Sie sind aus weichen Stoffen hergestellt, um zu kuscheln und sicherzustellen, dass sie zum besten Freund eines Kindes werden. Dieser süße kleine Igel hat weiches, kurze Haare mit zierlichem Bogen und einem hübschen weißen Blumenkleid. Sie ist so konzipiert, dass sie in dem grünen, feindigen, blattförmigen Schlafsack in der Blattform fit ist und ihr den perfekten gemütlichen Rastplatz verleiht. Diese Blätter sind mit einem bequemen Bandhaken ausgestattet, sodass Sie sie mühelos aufhalten können, wo Sie sich wünschen. Dieser charmante Teddy wurde so konzipiert, dass er in allen Altersgruppen geliebt werden kann-er wurde mit Spielzeug getestet und ist von Geburt an geeignet. Größe 20 cm groß. Weiterlesen Marke Powell Craft
Our adorable woodland creatures wearing cute little outfits have tons of personality! Crafted from soft fabrics they are perfect to cuddle, ensuring they become a child’s best friend. This pretty deer has a soft brown body, yellow gingham dungarees, blue floral pocket, and headscarf. She is designed to snugly fit within the green felt oak leaf shaped sleeping bag, providing her with the perfect cosy resting spot. These leaves are equipped with a convenient ribbon hook, allowing you to effortlessly hang them up wherever you desire. This charming teddy has been designed to be loved by all ages – it has been toy-tested and is suitable from birth. Size 20 cm tall. Read more Brand Powell Craft
About the Book A razor-sharp monologue about social media toxicity and trolling. Book Synopsis When an unhappy estate agent sells a house to Alice, a charismatic social media influencer, the two strike up an unlikely friendship. But as her obsession with Alice's seemingly perfect world intensifies, the lines between online and reality become dangerously blurred. A thrilling, twisted and razor-sharp comedy on the corrosive effects of social media and isolation, Phoebe Eclair-Powell's play Harm premiered at the Bush Theatre, London, in May 2021. Review Quotes "An arresting, soul-searching monologue."-- "The Times""An edgy psychological drama... shines a light on aspects of what is becoming an increasingly virtual society, especially for those in their 20s and 30s, obsessed with image and success beyond the point of reason."-- "British Theatre Guide""Eclair-Powell tells this terrifying tale with a beautiful blend of sharp observation and knowing humour... wonderfully original in its quirkiness... a smart and sassy study of loneliness and obsession."-- "Arts Desk""Tense, heady and full of savage laughter, it is intoxicating from beginning to end. Eclair-Powell's script glints and her barbed wit stings... Harm might be small in scale but it is magnificent in effect."-- "Guardian""This cracking new piece by rising talent Phoebe Eclair-Powell [is] just as effective at summoning entire worlds as any epic musical or drama."-- "Telegraph" About the Author Phoebe Eclair-Powell is a writer from South East London. Her plays include: Harm (Bush Theatre, 2021); Epic Love and Pop Songs (Pleasance, Edinburgh, 2016); Fury (Soho Theatre, 2016; finalist for the 2015 Verity Bargate Award; winner of the Soho Theatre Young Writers' Award); WINK (Theatre503, 2015); One Under (Pleasance Below); Mrs Spine (OUTLINES at the Old Red Lion); Bangin' Wolves (Courting Drama at the Bush Upstairs, published by Playdead Press, later with Poleroid Theatre for Wilderness Festival); two rapid write response pieces, Coal Eaters and Glass Hands (Theatre503); The Box (Theatre Delicatessen SPACED festival and Latitude Festival); Elephant and My Castle (SALT Theatre at Southwark Playhouse); CARE (Miniaturists at the Arcola). She was the overall winner of the 2019 Bruntwood Prize for Playwriting, for her play Shed: Exploded View.
It is a cold January morning in 1796 when a ship docks in Boston Harbor. Among its passengers is an English theatre troupe that includes their leader, Mrs. Elizabeth Arnold, and her young daughter, Betty. Hired by Charles Stuart Powell for the reopening of a Boston theatre, the troupe makes their way to the theater with baggage in tow. A new life is about to begin. A short time later, the troupe is unpacked and ready for opening night. As Mrs. Arnold makes her stage debut in America, Betty meets John Howard Payne, a precocious young man who introduces her to an exciting world she never knew existed. After her mother takes her troupe on a summer tour, Betty makes her own stage debut to rave reviews. But when a horrifying accident suddenly takes the life of her mother, a now fourteen-year-old Betty, who now goes by Elizabeth, has no idea that her destiny will soon lead her to a secret affair, two marriages, and to become the mother of three children, one being Edgar Allen Poe. Morning 1808 interweaves the adventures of a nineteenth century theatre troupe with a young woman's journey of self-discovery in America as she learns to survive on her own and attempts to make her dreams come true. Author: Shirley M. Sprague Publisher: iUniverse Published: 08/29/2014 Pages: 92 Binding Type: Paperback Weight: 0.32lbs Size: 9.00h x 6.00w x 0.22d ISBN: 9781491742006 Review Citation(s): BlueInk Review 09/18/2014
Unsere entzückenden Waldkreaturen, die süße kleine Outfits tragen, haben jede Menge Persönlichkeit! Sie sind aus weichen Stoffen hergestellt, um zu kuscheln und sicherzustellen, dass sie zum besten Freund eines Kindes werden. Dieser hübsche Hirsch hat einen weichen braunen Körper, gelbe Gingham -Latzhose, blaue Blumentasche und Kopftuch. Sie ist so konzipiert, dass sie in dem grünen Schlafsack aus dem grünem Filz mit Blatt geeignet ist und ihr den perfekten gemütlichen Rastplatz versorgt. Diese Blätter sind mit einem bequemen Bandhaken ausgestattet, sodass Sie sie mühelos aufhalten können, wo Sie sich wünschen. Dieser charmante Teddy wurde so konzipiert, dass er in allen Altersgruppen geliebt werden kann-er wurde mit Spielzeug getestet und ist von Geburt an geeignet. Größe 20 cm groß. Weiterlesen Marke Powell Craft
Our adorable woodland creatures wearing cute little outfits have tons of personality! Crafted from soft fabrics they are perfect to cuddle, ensuring they become a child’s best friend. This pretty badger has a soft black-and-white body, a pretty floral dress, and a funky headscarf. She is designed to snugly fit within the green felt oak leaf shaped sleeping bag, providing her with the perfect cosy resting spot. These leaves are equipped with a convenient ribbon hook, allowing you to effortlessly hang them up wherever you desire. This charming teddy has been designed to be loved by all ages – it has been toy-tested and is suitable from birth. Size 20 cm tall. Read more Brand Powell Craft
