This listing is for a 16" x 20" Canvas Giclee Print, created from my original hand painted latex. Canvas prints come ready to hang with wire attached on the back. FINISH: Available on 1.5" thick gallery stretched matte canvas, or fine art paper ready to frame. Please message me if you would like a sample of either finish. NEED A DIFFERENT SIZE? Just request a custom order and let me know which size you need along with your zipcode and I will create a custom listing for you with shipping costs. SHIPPING: Please allow 5-7 business days for print production and an additional 3-5 days for shipping depending on location. Gallery stretched canvas pieces are professionally packaged and shipped protected in a flat box. Giclee prints are custom ordered and take about 5-7 days for production prior to shipping. Domestic orders are shipped via UPS, USPS or FedEx ground. You will receive a tracking number with an expected delivery date once the shipment has been processed. Please note: Etsy requires SIGNATURE CONFIRMATION on orders of $250 and over. Unfortunately at this time international shipping is unavailable.
Here you will find photos of interior design ideas. Get inspired!
From Bayside High on 'Saved by the Bell' to Dillon on 'Friday Night Lights,' we would've signed up for detention if it meant attending these fictional schools.
Vintage American Impressionist portrait of woman seated on a chair by a vase of flowers by Harry L Barton (1908-2001). Oil on board, presented in a gilt frame with notched corners. From the estate of the artist, unsigned but stamped on verso. Painting: 12x16 Framed: 18.5"x22.75" Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end. less
Let the Festivities Begin!!!
This simple yet classic dome shade bathroom vanity light boasts vibrant, sleek finishes and is sure to add a crisp clean look to any home. Versatile and chic, this fixture is a great choice for traditional, beach, cottage, or contemporary decor. The fixture's retro shape will also make it a great fit for a mid-century modern bathroom design.
68" blade span. Variable blade pitch. 175 x 25 mm DC motor. Integrated 26 watt dimmable LED light, 1305 lumens. 3000K. 94 CRI. Heirloom bronze motor finish with three hand carved wood maple finish blades. Etched lens. Comes with full-function 6-speed hand-held remote control. WiFi enabled Smart Fan. Easy to use iOS & Android App. Works with Google Home, Amazon Alexa, Nest, and EcoBee. Rated for indoor use only. Energy Star rated ceiling fan. 10" downrod included. Fan height is 13 1/2 " ceiling to blades, 15" ceiling to bottom of fan (with 10" downrod). Three wooden blades in a light maple finish give a gentle look to this Minka Aire LED smart ceiling fan. Additional Info: The Timber collection from Minka Aire offers a contemporary style with a natural look. This modern LED ceiling fan features three sleek wooden blades in a maple finish. An heirloom bronze finish covers the motor and downrod for a handsome complement. An energy-efficient LED light is integrated into the design, with a protective etched lens over it. Operate this fan with the included remote control, which comes with a full range dimming option. Wi-Fi-enabled as a Smart Fan, it operates easily with iOS and Android apps, Google Home, Amazon Alexa, Nest, and EcoBee. (UMRP) Shop all Minka Aire
Reed And Barton Soho 10 Inch Crystal Vase Crafted of crystal Hand wash only Height: 10" New Open stock item. No Box.
Mid Century Modern abstract painting/collage. When posting work I will often post the 'raw' work with no frame or formal presentation. This is how the piece will ship. Your local frame shop will mount the paper to backing to fit your frame. Lake Series 18x24 inches. Image size is 16x22 inches. A white border is left to allow for framing. This project represents my inquiry into contemporary art in the form of acrylic paint and collage. My work is influenced by a lifetime of traveling throughout the southwest United States. The Great Lakes region is where the Lake Series began and continues to fuel its direction. I use both loose acrylic paint and painted paper collage to create the series. Piece ships unframed.
All those dreamy blues! Sixteen 8x8 cradled wood panels make up this encaustic mixed media art piece. In the photo they are hanging spaced approximately 4 inches apart making it roughly 41" square, this can be adjusted to fit your space. Each shape is hand cut from natural fiber papers and then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. In areas where the wax application is thickest there is a subtle depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish. Encaustic (bees wax & damar resin), ink, paper, gesso and oil on cradled 3/4 inch wood panels. The pieces are each numbered and number 16 is signed, dated and titled on the back. These hang easily with two push pins each, they do not have hanging wire as I have discovered they hang more flush against the wall without it. There are stray yummy wax drips on the sides which are all painted a soft gray, this installation is ready to hang!
description rating surface type unglazed finish type matte color variation for more information, see our tile variation & imperfections guide level 3: medium texture variation for more information, see our tile variation & imperfections guide level 1: smooth size variation for more information, see our tile variation & imperfections guide level 1: slight cracks for more information, see our tile variation & imperfections guide level 1: will occur chips for more information, see our tile variation & imperfections guide level 1: will occur dimensions " x " x " water absorption avg. 10.9%; non-vitreous dcof avg. 0.74 Pieces per sqft 2.25 pcs/sqft Weight per sqft 6.75 lbs Pieces per box 12 pcs/box
Eco-Friendly 24 inches high x 24 inches wide x 24 inches deep Cord: 50 inches long; Canopy: 5 inches Finish: antique bronze Finished in natural brown (1) x 40 watt E26 bulb (not included) In an effort to reduce our product’s carbon footprint we are recommending LED replacement bulbs with a standard e26 socket base. Our pendant kits are rated for 40w bulbs (traditional incandescent filament bulbs) or LED equivalent of 3200 lumens. Weight: 8 pounds
Reed And Barton Rowan Sterling Silver 8 x10 Picture Frame The Rowan 8 x 10 Picture Frame from Reed & Barton features a wide border accented with soothing ripples of hammered texture. This Sterling frame will showcase your photograph with elegance and style. Elegantly packaged for gift-giving. 11 x 1.5 x 13 inches made In Italy
Vintage original oil painting of a seated nude woman by Harry Barton From the estate of the artist with estate stamp signature. Oil painting on canvas textured paper presented framed in a quality gallery frame. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end of his life. less
Reed And Barton My Little Angel Silver Plated Porringer Cup
All those dreamy blues! Sixteen 8x8 cradled wood panels make up this encaustic mixed media art piece. In the photo they are hanging spaced approximately 4 inches apart making it roughly 41" square, this can be adjusted to fit your space. Each shape is hand cut from natural fiber papers and then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. In areas where the wax application is thickest there is a subtle depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish. Encaustic (bees wax & damar resin), ink, paper, gesso and oil on cradled 3/4 inch wood panels. The pieces are each numbered and number 16 is signed, dated and titled on the back. These hang easily with two push pins each, they do not have hanging wire as I have discovered they hang more flush against the wall without it. There are stray yummy wax drips on the sides which are all painted a soft gray, this installation is ready to hang!
Our favorite ways for you to include your most beloved comic book character in your wedding.
Vintage original watercolor reclining nude woman by Harry Barton From the estate of the artist with estate stamp signature. Presented framed in a quality gallery frame. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end of his life. less
A gorgeous abstracted plein air landscape of the Australian countryside by California artist John Crawford (American, b. 1947). Painterly, loose brushstrokes in soft green shades dominates the abstracted foreground and midground of the painting. In the background, a line of trees dots the distant horizon line, which shows just a sliver of a dazzling blue ocean. Initialed and lower left. From a collection of the artist's works. Unframed. Canvas size: 24"H x 36"W. John R. Crawford (American, b. 1947) is an artist currently living and painting in the Santa Cruz area of northern California. John R. Crawford is an artist currently living and painting in the Santa Cruz area of northern California. Living on the coast offers the inspiration of the constantly changing and always dramatic Pacific Ocean and Monterey Bay. "My goal is to reach the point where my skills and my emotions are aligned allowing the forms to evolve spontaneously, surfacing on the canvas without premeditation; brush stroke and color responding and influencing one another in the moment. Each day I challenge myself. I practice and train my brush to be ready to demonstrate my vision. I have added plein air painting into my process, along with studio work. This brings added images and immediacy to my art." John Crawford has participated in shows throughout California and has won numerous awards, including Best in Show at the Crocker-Kingsley Art Competition in Roseville California in February 2015. Awards and Exhibitions: 2018 - 8th Annual Statewide CA Landscape Exhibition (2nd Place) 2015 - Crocker-Kingsley Art Competition, Roseville, CA (Best in Show) 2012 - One Person Show, Odonata Wine, Santa Cruz, CA 2012 - COLOR AND LIGHT Contemporary Landscape Painters of California 82nd Annual Statewide Exhibition, Santa Cruz, CA 2012 - Los Gatos Plain Air Exhibition, Los Gatos, CA 2012, 2008 - Open Studios Art Tour, Santa Cruz, CA 2010 - Nature’s Treasures: Contemporary Landscape Painters of California 80th Annual Statewide Exhibit - Santa Cruz Art League, Santa Cruz, CA 2010 - Plein Air Affaire - The Museum of Art & History, Santa Cruz, CA 2008 - Expanding Horizons (solo show) - Studio 7 Fine Arts, Pleasanton CA 2007 - 77th Annual Statewide Exhibition, California Landscape - Santa Cruz Art League, Santa Cruz, CA 2006 - Modern Landscape Plus - Stone Gallery, Oakland, CA
The material of this original artwork is primarily a mixture of highly pigmented oil paint and cold wax on panel. This painting evolved through processes of superimposition, using additive and subtractive techniques throughout its creation.
American Impressionist Oil Painting on canvas of a Nude Female with a Russian Balalaika by Harry Barton. From the estate of the artist with the estate stamp on verso. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end. less
A gorgeous abstracted plein air landscape of the Australian countryside by California artist John Crawford (American, b. 1947). Painterly, loose brushstrokes in soft green shades dominates the abstracted foreground and midground of the painting. In the background, a line of trees dots the distant horizon line, which shows just a sliver of a dazzling blue ocean. Initialed and lower left. From a collection of the artist's works. Unframed. Canvas size: 24"H x 36"W. John R. Crawford (American, b. 1947) is an artist currently living and painting in the Santa Cruz area of northern California. John R. Crawford is an artist currently living and painting in the Santa Cruz area of northern California. Living on the coast offers the inspiration of the constantly changing and always dramatic Pacific Ocean and Monterey Bay. "My goal is to reach the point where my skills and my emotions are aligned allowing the forms to evolve spontaneously, surfacing on the canvas without premeditation; brush stroke and color responding and influencing one another in the moment. Each day I challenge myself. I practice and train my brush to be ready to demonstrate my vision. I have added plein air painting into my process, along with studio work. This brings added images and immediacy to my art." John Crawford has participated in shows throughout California and has won numerous awards, including Best in Show at the Crocker-Kingsley Art Competition in Roseville California in February 2015. Awards and Exhibitions: 2018 - 8th Annual Statewide CA Landscape Exhibition (2nd Place) 2015 - Crocker-Kingsley Art Competition, Roseville, CA (Best in Show) 2012 - One Person Show, Odonata Wine, Santa Cruz, CA 2012 - COLOR AND LIGHT Contemporary Landscape Painters of California 82nd Annual Statewide Exhibition, Santa Cruz, CA 2012 - Los Gatos Plain Air Exhibition, Los Gatos, CA 2012, 2008 - Open Studios Art Tour, Santa Cruz, CA 2010 - Nature’s Treasures: Contemporary Landscape Painters of California 80th Annual Statewide Exhibit - Santa Cruz Art League, Santa Cruz, CA 2010 - Plein Air Affaire - The Museum of Art & History, Santa Cruz, CA 2008 - Expanding Horizons (solo show) - Studio 7 Fine Arts, Pleasanton CA 2007 - 77th Annual Statewide Exhibition, California Landscape - Santa Cruz Art League, Santa Cruz, CA 2006 - Modern Landscape Plus - Stone Gallery, Oakland, CA
Vintage American Impressionist landscape painting with colorful foliage by Harry L Barton (1908-2001). Oil on board, presented in a gilt plein air frame with notched corners. From the estate of the artist, unsigned but stamped on verso. Painting: 12x16 Framed: 18.5"x 22.75" Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end less
"Creekside" is a abstract expressionist oil painting on linen canvas by Trixie Pitts, a trusted artist seller on Chairish since 2015. It is a vibrant abstract inspired by Van Gogh, and a visit to the mountains of Tennessee. The palette has a wide range of different greens, light and dark gray, yellow and a touch of robin's egg turquoise, as well as bluish purple. Movement and depth are created by the varied and lively brushwork, layers, and different thicknesses of the strokes. See photos as to how it looks to scale in various settings once re-stretched or framed. The 1.5" edge is painted matte white. Certificate of Authenticity. Signed and dated on front and back. Shipped carefully ROLLED in a FedEx box. PROMPT SHIPPING!
Brighton House by Rob Kennon Architects is a beach house that avoids coastal clichés in favour of streamlined place-making and robust detailing.
ABSTRACT No.3" original mixed medium painting by Mary Kaiser. 12"×12" canvas including acrylic paint, paper,ink and marker. It wears gilt bamboo frame and ready to hang on your wall.
A gorgeous abstracted plein air landscape of the Australian countryside by California artist John Crawford (American, b. 1947). Painterly, loose brushstrokes in soft green shades dominates the abstracted foreground and midground of the painting. In the background, a line of trees dots the distant horizon line, which shows just a sliver of a dazzling blue ocean. Initialed and lower left. From a collection of the artist's works. Unframed. Canvas size: 24"H x 36"W. John R. Crawford (American, b. 1947) is an artist currently living and painting in the Santa Cruz area of northern California. John R. Crawford is an artist currently living and painting in the Santa Cruz area of northern California. Living on the coast offers the inspiration of the constantly changing and always dramatic Pacific Ocean and Monterey Bay. "My goal is to reach the point where my skills and my emotions are aligned allowing the forms to evolve spontaneously, surfacing on the canvas without premeditation; brush stroke and color responding and influencing one another in the moment. Each day I challenge myself. I practice and train my brush to be ready to demonstrate my vision. I have added plein air painting into my process, along with studio work. This brings added images and immediacy to my art." John Crawford has participated in shows throughout California and has won numerous awards, including Best in Show at the Crocker-Kingsley Art Competition in Roseville California in February 2015. Awards and Exhibitions: 2018 - 8th Annual Statewide CA Landscape Exhibition (2nd Place) 2015 - Crocker-Kingsley Art Competition, Roseville, CA (Best in Show) 2012 - One Person Show, Odonata Wine, Santa Cruz, CA 2012 - COLOR AND LIGHT Contemporary Landscape Painters of California 82nd Annual Statewide Exhibition, Santa Cruz, CA 2012 - Los Gatos Plain Air Exhibition, Los Gatos, CA 2012, 2008 - Open Studios Art Tour, Santa Cruz, CA 2010 - Nature’s Treasures: Contemporary Landscape Painters of California 80th Annual Statewide Exhibit - Santa Cruz Art League, Santa Cruz, CA 2010 - Plein Air Affaire - The Museum of Art & History, Santa Cruz, CA 2008 - Expanding Horizons (solo show) - Studio 7 Fine Arts, Pleasanton CA 2007 - 77th Annual Statewide Exhibition, California Landscape - Santa Cruz Art League, Santa Cruz, CA 2006 - Modern Landscape Plus - Stone Gallery, Oakland, CA
Original oil on canvass board painting by Southwest painter and illustrator Palmer Saylor III. 16"x11" framed. Overall 22.5"x18.5". Inspired by turn of the century plein air painters of the American Southwest. Taken from artist's personal inventory of recent body work. Piece is offered up first here on Chairish!
Vintage American impressionist oil painting of a colorful landscape by Harry Barton signed with the estate stamp on verso. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end of his life. .. less
Vintage American Impressionist Oil Painting of a boat in winter on Long Island by Harry Barton signed with the estate stamp on verso. Oil on masonite panel measuring 12 x 16" framed in a quality contemporary gallery frame overall size 18 x 22". Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end of his life. . less
Vintage American Impressionist figure study portrait of a female nude by Harry L Barton (1908-2001). Oil on canvas, presented in a gilt plein air frame with notched corners. From the estate of the artist, unsigned but stamped on verso. Painting: 16x20 Framed: 22.5"x 26.75" Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end less
A gorgeous abstracted plein air landscape of the Australian countryside by California artist John Crawford (American, b. 1947). Painterly, loose brushstrokes in soft green shades dominates the abstracted foreground and midground of the painting. In the background, a line of trees dots the distant horizon line, which shows just a sliver of a dazzling blue ocean. Initialed and lower left. From a collection of the artist's works. Unframed. Canvas size: 24"H x 36"W. John R. Crawford (American, b. 1947) is an artist currently living and painting in the Santa Cruz area of northern California. John R. Crawford is an artist currently living and painting in the Santa Cruz area of northern California. Living on the coast offers the inspiration of the constantly changing and always dramatic Pacific Ocean and Monterey Bay. "My goal is to reach the point where my skills and my emotions are aligned allowing the forms to evolve spontaneously, surfacing on the canvas without premeditation; brush stroke and color responding and influencing one another in the moment. Each day I challenge myself. I practice and train my brush to be ready to demonstrate my vision. I have added plein air painting into my process, along with studio work. This brings added images and immediacy to my art." John Crawford has participated in shows throughout California and has won numerous awards, including Best in Show at the Crocker-Kingsley Art Competition in Roseville California in February 2015. Awards and Exhibitions: 2018 - 8th Annual Statewide CA Landscape Exhibition (2nd Place) 2015 - Crocker-Kingsley Art Competition, Roseville, CA (Best in Show) 2012 - One Person Show, Odonata Wine, Santa Cruz, CA 2012 - COLOR AND LIGHT Contemporary Landscape Painters of California 82nd Annual Statewide Exhibition, Santa Cruz, CA 2012 - Los Gatos Plain Air Exhibition, Los Gatos, CA 2012, 2008 - Open Studios Art Tour, Santa Cruz, CA 2010 - Nature’s Treasures: Contemporary Landscape Painters of California 80th Annual Statewide Exhibit - Santa Cruz Art League, Santa Cruz, CA 2010 - Plein Air Affaire - The Museum of Art & History, Santa Cruz, CA 2008 - Expanding Horizons (solo show) - Studio 7 Fine Arts, Pleasanton CA 2007 - 77th Annual Statewide Exhibition, California Landscape - Santa Cruz Art League, Santa Cruz, CA 2006 - Modern Landscape Plus - Stone Gallery, Oakland, CA
All those dreamy blues! Sixteen 8x8 cradled wood panels make up this encaustic mixed media art piece. In the photo they are hanging spaced approximately 4 inches apart making it roughly 41" square, this can be adjusted to fit your space. Each shape is hand cut from natural fiber papers and then suspended between layers of clear encaustic medium to create a thick translucent surface which draws the viewer into the piece. In areas where the wax application is thickest there is a subtle depth to the wax. I use a torch to manipulate and fuse the wax this gives my surfaces a beautifully textured finish. Encaustic (bees wax & damar resin), ink, paper, gesso and oil on cradled 3/4 inch wood panels. The pieces are each numbered and number 16 is signed, dated and titled on the back. These hang easily with two push pins each, they do not have hanging wire as I have discovered they hang more flush against the wall without it. There are stray yummy wax drips on the sides which are all painted a soft gray, this installation is ready to hang!
Original abstract painting by Los Angeles based fine artist Casey R Klein Title: It's Not Hollow; You Just Can't See the Bottom 30" H x 24" L acrylic on 140 lb hot press archival, acid-free, Italian paper signed on verso Artist Statement: "Casey R. Klein is an abstract painter living and working in Los Angeles, California. A self-taught artist, she has been creating work with the same underlying sentiment for over I6 years. My artistic practice is heavily influenced by sexuality, dreams, memories, grief, and how those intangible experiences expose my identity. I am drawn to working on paper and chose this as my medium because of its vulnerability to my errors. I spend a great deal of time with the work and the raw materials that eventually become a finished piece. There's a physicality and sensuality in being present with the substrate, allowing it to breathe and sit in dialogue with it. It forms an intimate bond. Introducing myself to the substrate and receiving permission to perform is essential to the outcome of the final work. Each piece is a narration, a fluid story revealed using abstract forms and striking color, all circumscribed by a perimeter of negative space. My fingers are guides that precisely fold and tear, creating the canvas. My hands generously saturate pigments pulled across this newly formed parchment terroir, leaving behind a light impression of the once opaque smear. Through repetition of this process, I build layers of opacity and transparency that lay and overlay as a protectant shell. Each mark is strategically and carefully placed, though, with an unknown outcome. My work emerges in the forms of stories and riddles that ask questions informed by the intangible but have no answers."
** Line Art Collection has arrived and I'm very happy! ** The warm colors of the earth, abstract shapes and elegant lines come together with one another, giving life to a new fantastic creative set that I particularly care about. Finally I managed to evolve, I thought of creating a set of great trend, contemporary and with a strong visual impact, and here is my most beautiful project of the last year. Ladies and gentlemen, I present to you the "Line art Collection". A fantastic set that has more than 140 line art of women's shapes love and leaves. You will find abstract colored shapes, tropical leaves and compositions for your paintings, all combined in the earth's color palette. It is very difficult to explain what the set "Line Art Collection" is in words. To understand the great potential of this collection, simply enter the magic of which all the illustrations are part of. So I just have to wish you to have fun creating your projects, your postcards and above all the paintings that will give that touch of elegance to your home. ** What does "Line Art Collection" offer? ** More than 140, /(exactly 143) line art and abstract illustrations: - 1. 41 Line art illustrations of women, leaves and love. - 2. 40 Color leaves - 3. 30 Abstract colored shapes - 4. 32 Varius compositions of line art All PNG files have transparent backgrounds, making them ideal for overlapping and easy manipulation over any background of your choice. Files will be free of any watermarks ** Perfect to creating: ** - planner stickers - patterns for paper or fabric - printing over any surfaces and items - design wedding stationary and any kind of invitations - digital and physical scrapbooking projects - decoupage and papercraft creations - cardmaking, announcement cards - blog or web design - logo design - photo overlays, etc. ** Follow my graphic channel: ** instagram: https://www.instagram.com/ilenia.zito.design/ My shop: https://ileniadesign.it/ This art is designed to assist other artist and designers in creating their own unique ideas. It is PROHIBITED to repackage this as digital paper/clipart to re-sell, give away, share or re-distribute in digital form, as your own product. Thanks. Feel free to ask any questions.
